I-Fsl MS O

Archivio di San Lorenzo, Firenze (Florence), Italy

manuscript of polyphony: Third quarter of 16th century, with additions extending into 17th century.

Archive	Archivio di San Lorenzo, Firenze (Florence), Italy (I-Fsl)
Shelfmark	MS O
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	425 x 280 mm
Other Identifiers	CCM: FlorSL O
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists	Magnus, Alessandro Music Federighi, Michele Music
Provenance	Firenze (Florence), Italy
Contents	14 pieces from 2 composers

General Description

Copied by five scribes, including Alessandro Magnus and Michele Federighi; latter scribe also wrote FlorL Med. Pal. 7, most of FlorD 46 and FlorSL C, and ff. 81'-95 of FlorD 45. Copied in Florence.

DIAMM, 2017

Binding

Original covers of parchment over boards.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink foliation, 1-9 + x-cxx ('cix' omitted) + 121-155, on upper right rectos.

DIAMM, 2017

Decoration

Inked initials, in plain block and calligraphic styles.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 1 Te Deum, 2 canticles, 14 psalms, 17 hymns (1 without text), 27 motets = 64

(Bati)-1, (Bati/Gagliano)-1, Cerri-3, (Corteccia)-13 + 12?, Gagliano [M. Marco]-4, (Jaquet of Mantua)-1, (A. Layolle?)-1, (Morales)-2, (Sportato)-1, Victoria-1, (Vitali)-1, anon-23

iii + 154 paper folios, 425 x 280. Original ink foliation, 1-9 + x-cxx ("cix" omitted) + 121-155, on upper right rectos. Original covers of parchment over boards. No index. Copied by five scribes, including Alessandro Magnus and Michele Federighi; latter scribe also wrote FlorL Med. Pal. 7, most of FlorD 46 and FlorSL C, and ff. 81'-95 of FlorD 45. Inked initials, in plain block and calligraphic styles.

Third quarter of 16th century, with additions extending into 17th century. Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	PARTIAL INVENTORY ONLY	-	-
PARTIAL INVENTORY ONLY Appears on: [-]
41v–44	Ave maris stella	-	Corteccia, (Pier) Francesco
Ave maris stella Corteccia, (Pier) Francesco Appears on: 41v–44 Genres: Ave maris stella, Hymn
50v–53	Exsultet caelum laudibus (II)	-	Corteccia, (Pier) Francesco
Exsultet caelum laudibus (II) Corteccia, (Pier) Francesco Appears on: 50v–53 Genres: Hymn
53v–55	Deus tuorum militum (II)	-	Corteccia, (Pier) Francesco
Deus tuorum militum (II) Corteccia, (Pier) Francesco Appears on: 53v–55 Genres: Hymn
58v–60	Iste confessor (I)	Luca Bati / [Corteccia]	Corteccia, (Pier) Francesco
Iste confessor (I) Corteccia, (Pier) Francesco Appears on: 58v–60 Genres: Hymn Source Attribution: Luca Bati / [Corteccia]
60v–63	Conditor alme siderum	-	Corteccia, (Pier) Francesco
Conditor alme siderum Corteccia, (Pier) Francesco Appears on: 60v–63 Genres: Hymn
66v–68	Hostis Herodes impie	-	Corteccia, (Pier) Francesco
Hostis Herodes impie Corteccia, (Pier) Francesco Appears on: 66v–68 Genres: Hymn
68v–72	Ad coenam agni	-	Corteccia, (Pier) Francesco
Ad coenam agni Corteccia, (Pier) Francesco Appears on: 68v–72 Genres: Hymn
72v–76	Pange lingua gloriosi	-	Corteccia, (Pier) Francesco
Pange lingua gloriosi Corteccia, (Pier) Francesco Appears on: 72v–76 Genres: Hymn
76v–79	Ut queant laxis	-	Corteccia, (Pier) Francesco
Ut queant laxis Corteccia, (Pier) Francesco Appears on: 76v–79 Genres: Hymn
79v–82	Christe redemptor omnium / Beata quoque agmina	-	Corteccia, (Pier) Francesco
Christe redemptor omnium / Beata quoque agmina Corteccia, (Pier) Francesco Appears on: 79v–82 Genres: Hymn
82v–84	Lucis creator optime	-	Corteccia, (Pier) Francesco
Lucis creator optime Corteccia, (Pier) Francesco Appears on: 82v–84 Genres: Hymn
84v–85	Veni creator spiritus	-	Corteccia, (Pier) Francesco
Veni creator spiritus Corteccia, (Pier) Francesco Appears on: 84v–85 Genres: Hymn, Veni creator spiritus
90v–95	Magnificat primi toni: Et exultavit [K.914]	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–95 Genres: BVM, Canticle, Magnificat Source Attribution: [Morales]

Composer	Compositions
Corteccia, (Pier) Francesco	Ad coenam agni – 68v–72 Ave maris stella – 41v–44 Christe redemptor omnium / Beata quoque agmina – 79v–82 Conditor alme siderum – 60v–63 Deus tuorum militum (II) – 53v–55 Exsultet caelum laudibus (II) – 50v–53 Hostis Herodes impie – 66v–68 Iste confessor (I) – 58v–60 Lucis creator optime – 82v–84 Pange lingua gloriosi – 72v–76 Ut queant laxis – 76v–79 Veni creator spiritus – 84v–85
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Et exultavit [K.914] – 90v–95

Composer

Compositions

Corteccia, (Pier) Francesco

Ad coenam agni – 68v–72
Ave maris stella – 41v–44
Christe redemptor omnium / Beata quoque agmina – 79v–82
Conditor alme siderum – 60v–63
Deus tuorum militum (II) – 53v–55
Exsultet caelum laudibus (II) – 50v–53
Hostis Herodes impie – 66v–68
Iste confessor (I) – 58v–60
Lucis creator optime – 82v–84
Pange lingua gloriosi – 72v–76
Ut queant laxis – 76v–79
Veni creator spiritus – 84v–85

Morales, Cristóbal de (ca. 1500–1553)

Magnificat primi toni: Et exultavit [K.914] – 90v–95

Composition	Composers (? Uncertain)	Folios / Pages
Ad coenam agni	Corteccia, (Pier) Francesco	68v–72
Ave maris stella	Corteccia, (Pier) Francesco	41v–44
Christe redemptor omnium / Beata quoque agmina	Corteccia, (Pier) Francesco	79v–82
Conditor alme siderum	Corteccia, (Pier) Francesco	60v–63
Deus tuorum militum (II)	Corteccia, (Pier) Francesco	53v–55
Exsultet caelum laudibus (II)	Corteccia, (Pier) Francesco	50v–53
Hostis Herodes impie	Corteccia, (Pier) Francesco	66v–68
Iste confessor (I)	Corteccia, (Pier) Francesco	58v–60
Lucis creator optime	Corteccia, (Pier) Francesco	82v–84
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	90v–95
Pange lingua gloriosi	Corteccia, (Pier) Francesco	72v–76
Ut queant laxis	Corteccia, (Pier) Francesco	76v–79
Veni creator spiritus	Corteccia, (Pier) Francesco	84v–85

‡ denotes primary source study

Strainchamps. 1980. New Polyphony from Sixteenth- and Seventeenth-Century Italy. Paper read at the Annual Meeting of the American Musicological Society, November, 1980, . Notes: physical description; mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description