GB-DRc Mus. C 2

Chapter Library, Durham, England

partbook: 1632-4

Archive Chapter Library, Durham, England (GB-DRc)
Shelfmark Mus. C 2
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 293-305 x 188-98 mm
Other Identifiers
  • CCM: DurC C2
Copyists
Relationships
Provenance
Contents 121 pieces from 51 composers
General Description

A Contratenor I Decani partbook from an incomplete set of four volumes. Main layer copied by Toby Brookinge, who also wrote most of DurC C11, DurC C13, DurC C16, DurC E11a, and YorkM 29, parts of DurC C4, and some additions in DurC C8. Later additions by John White, Alexander Shaw, Matthew Owen, Robert Softley, William Greggs, Elias Smith, John Thoresby, and four unidentified scribes, as follows: (1) also wrote most of DurC C1, and made additions in DurC C4 and DurC C8; (2) also wrote pp. 265-274 of DurC C12; (3) also wrote portions of DurC C11 and DurC C13, and made one addition in YorkM 29; (4) also made additions in DurC C4, DurC C8, DurC C15, and DurC C16 (Brian Crosby). Copied in Durham, for use by cathedral choir.

DIAMM, 2017
Physical Description

Some folios fragmentary or in poor condition; restored and repaired.

DIAMM, 2017
Binding

Rebound in modern covers of dark brown leather over boards; portions of original leather covers incorporated in modern binding. Covers and spines blind stamped or gold stamped with simple borders and voice designations

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 11-13.5 (not consistent).

DIAMM, 2017
Foliation

Mostly original ink pagination

DIAMM, 2017
Decoration

Space left for large decorative initials, but initials never added.

DIAMM, 2017
Index

Original indices at back of Contratenor I Decani and Contratenor II Decani books list verse anthems, followed by full anthems. Under each heading, pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Original index at beginning of Contratenor I Decani book lists anthems in order of liturgical calendar. Incomplete original index of Tenor Cantoris book on parchment flyleaf at beginning groups pieces alphabetically by first letter of text. Each partbook has modern index on loose sheets at front; pieces listed in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Service, 2 Service sections, 185 anthems (some now incomplete or fragmentary) = 188

Aldrich-4, Alison-5, Amner-1, (Bath/Cranford)-1, A. Batten-11, A. Batten/(Deane)-1, A. Batten/(N. Giles)-1, Blow-12, (Blow-Humfrey-W. Turner I)-1, Bull-1, Byrd-2, Child-12, J. Clarke-1, Cranford-1, Cranford/(Lamb)-1, Croft-1, Deering-1, M. East-2, Forcer-1, (Foster)-1, Gale-1, Geeres-1, C. Gibbons/(Gibbons)-1, Gibbons-8, Gibbons/(Hooper)-1, Gibbons/(Tomkins)-1, R. Gibbs -1, N. Giles-4, N. Giles/(Bull/Gibbons)-1, N. Giles/(Byrd)-1, N. Giles/(Tomkins)-1, Goldwin-1, Greggs-3, Hall I-1, Isham-1, James Hawkins I-1, Hilton the Elder-2, Hinde-1, J.? Holmes-1, Hooper-4, Humfrey-6, J. or R.? Hutchinson-1, R. Hutchinson-1, M. Jeffries-3, Juxon-1, H. Lawes-1, Locke-1, Loosemore-1, T. Mudd II [Mr: Mudd]-2, T. Mudd II/(J. Hutchinson)-1, J. Mundy/(Edward Smith)-1, Nichols-1, W. Norris-1, Palmer-5, R. Parsons II-1, Peerson-1, Portman-1, Preston-1, Purcell-8, Ravenscroft-1, Rogers-1, Shepherd/(J. Mundy/W. Mundy/R.? White)-1, Edward Smith/(W. Smith)-1, Elias Smith-1, W. Smith -6, Stevenson-1, Strogers-1, Tallis/(Gibbons/Weelkes)-1, J. Tomkins/(Tomkins)-1, Tomkins-9, Tozar-1, W. Tucker-3, Tudway-1, W. Turner I-2, Weelkes-4, T. Wilkinson-9,* T. Wilkinson/ (Deering)-1, T. Wilkinson/(T. Hunt)-1, Wise-4, Wood/(W. Mundy)-1, anon-2

'Attributions for this composer in this and other sources usually read "Mr: Wilkinson," with no first name specified. Since it has been suggested that his first name was Thomas, the initial "T." has been used in catalogue listings to avoid confusion with the earlier Robert Wilkinson. However, in this source, one anthem, "Praise the Lord O yee servants," is attributed to "Mr: William Wilkinson."

4 partbooks (Contratenor I Decani-i + ii + 100 + ii + i paper folios, Contratenor II Decani-i + 81 + i paper, Contratenor Cantoris-ii + iii + 104 + i paper, Tenor Cantoris-ii paper + i parchment + 128 paper + i paper), 293-305 x 188-98. MS C 7 (Contratenor Cantoris) is composite of two originally separate manuscripts later bound together. First manuscript (= new pp. 1-[208]) belongs to present set; for description and contents of second manuscript (= new pp. [209]-414), see DurC C4. Some folios fragmentary or in poor condition; restored and repaired. Mostly original ink pagination in MS C 2 and MS C 3; new pencil pagination replaces original ink pagination in other two partbooks. Rebound in modern covers of dark brown leather over boards; portions of original leather covers incorporated in modern binding. Covers and spines blind stamped or gold stamped with simple borders and voice designations. Original indices at back of Contratenor I Decani and Contratenor II Decani books list verse anthems, followed by full anthems. Under each heading, pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Original index at beginning of Contratenor I Decani book lists anthems in order of liturgical calendar. Incomplete original index of Tenor Cantoris book on parchment flyleaf at beginning groups pieces alphabetically by first letter of text. Each partbook has modern index on loose sheets at front; pieces listed in order of appearance.

Main layer copied by Toby Brookinge, who also wrote most of DurC C11, DurC C13, DurC C16, DurC E11a, and YorkM 29, parts of DurC C4, and some additions in DurC C8. Later additions by John White, Alexander Shaw, Matthew Owen, Robert Softley, William Greggs, Elias Smith, John Thoresby (see general index for other manuscripts in which these same scribal hands appear), and four unidentified scribes, as follows: (1) also made additions in DurC C4 and DurC C8; (2) also wrote pp. 265-274 of DurC C12; (3) also wrote portions of DurC C11 and DurC C13, and made one addition in YorkM 29; (4) also made additions in DurC C4, DurC C8, DurC C15, and DurC C16 (Brian Crosby). Staff height 11.0-13.5 (not consistent). Space left for large decorative initials, but initials never added.

1632-4 (Brian Crosby), with additions until early 18th century. Copied in Durham, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 O let my mouth be filled Doctor Child
Appears on: 1
Genres: Anthem
Source Attribution: Doctor Child
1 Thou art my king, O God Child (index)
Appears on: 1
Genres: Anthem
Source Attribution: Child (index)
2 Blessed be the Lord God of Israel Docter Child [sic]
Appears on: 2
Genres: Anthem
Source Attribution: Docter Child [sic]
2 O sing unto the Lord a new song Docter Child [sic]
Appears on: 2
Genres: Anthem
Source Attribution: Docter Child [sic]
3 O clap your hands together (I) Docter Child [sic]
Appears on: 3
Genres: Anthem
Source Attribution: Docter Child [sic]
General Note

also copied at p.30

4 Glory be to God on high Docter Child [sic]
Appears on: 4
Genres: Anthem, Gloria (et in terra pax), Mass Ordinary
Source Attribution: Docter Child [sic]
5 This is the record of John Dr Gibbons
Appears on: 5
Genres: Anthem
Source Attribution: Dr Gibbons
7–8 Behold I bring you glad tidings Dr Gibbons / Mr Orlando Gibbons
Appears on: 7–8
Genres: Anthem
Source Attribution: Dr Gibbons / Mr Orlando Gibbons
9 I will preach thy law Dr W Smith
Appears on: 9
Genres: Anthem
Source Attribution: Dr W Smith
9 Lord how they are increased King
Appears on: 9
Genres: Anthem
Source Attribution: King
11–12 Stephen being full of the holy spirit Mr Tomkins
Appears on: 11–12
Genres: Anthem
Source Attribution: Mr Tomkins
12–13 O praise the Lord laud ye Docter Child [sic]
Appears on: 12–13
Genres: Anthem
Source Attribution: Docter Child [sic]
14 Merciful Lord we beseech thee (Collect for St John's Day) Dr Geeres
Appears on: 14
Genres: Anglican Service Music
Source Attribution: Dr Geeres
15 Almighty God, which madest thy blessed son (Collect for the Circumcision) Dr/Mr Hooper
Appears on: 15
Genres: Anglican Service Music
Source Attribution: Dr/Mr Hooper
16–17 Almighty God whose praise this day H Palmer
Appears on: 16–17
Genres: Anthem
Source Attribution: H Palmer
17–18 O pray for the peace of Jerusalem Docter Child [sic]
Appears on: 17–18
Genres: Anthem
Source Attribution: Docter Child [sic]
19–21 Almighty God, who by the leading of a star (Almighty God who didst manifest) Dr Bull
Appears on: 19–21
Genres: Anthem
Source Attribution: Dr Bull
21–24 We will rejoice in thy salvation Dr Croft
Appears on: 21–24
Genres: Anthem
Source Attribution: Dr Croft
General Note

repeated at p.28-29

25–26 Turn thou us o good Lord (Anthem for Ash Wednesday) Mr Adrian Batten
Appears on: 25–26
Genres: Anthem
Source Attribution: Mr Adrian Batten
27 Almighty and everlasting God which hatest nothing H Palmer
Appears on: 27
Genres: Anthem
Source Attribution: H Palmer
28–29 We will rejoice in thy salvation Dr Croft
Appears on: 28–29
Genres: Anthem
Source Attribution: Dr Croft
General Note

also copied at p.21-24

30 O clap your hands together (I) Child (index)
Appears on: 30
Genres: Anthem
Source Attribution: Child (index)
General Note

marked "verse 4 voc"; different music from p.3 (not clear if this is different setting or a different voice-part from the same setting?)

31 O Lord which for our sakes Dr W Smith
Appears on: 31
Genres: Anthem
Source Attribution: Dr W Smith
33–34 Almighty and everlasting God who of thy tender love H Palmer
Appears on: 33–34
Genres: Anthem
Source Attribution: H Palmer
35 I have set God always before me Goldwin (index)
Appears on: 35
Genres: Anthem
Source Attribution: Goldwin (index)
39–40 Turn thou us o good Lord Mr John Tomkins
Appears on: 39–40
Genres: Anthem
Source Attribution: Mr John Tomkins
40–42 See sinful soul Dr Richard Gibbs
Appears on: 40–42
Genres: Anthem
Source Attribution: Dr Richard Gibbs
43–44 The blessed lamb (Anthem for Good Friday) Dr Edmond Hooper
Appears on: 43–44
Genres: Anthem
Source Attribution: Dr Edmond Hooper
45–46 Christ rising again (2p. Christ is risen again) Mr Juxon
Appears on: 45–46
Genres: Motet
Source Attribution: Mr Juxon
47 Christ rising again - 1a pars (of 2): Christ rising again Mr William Bird
Appears on: 47
Genres: Anthem
Source Attribution: Mr William Bird
48 Christ rising again - 2a pars (of 2): Christ is risen again -
Appears on: 48
Genres: Anthem
49–50 We praise thee O father Mr Gibbons
Appears on: 49–50
Genres: Anthem
Source Attribution: Mr Gibbons
51–52 If ye then be risen with Christ / If ye be risen again with Christ (Anthem for Easter Day) Mr Orlando Gibbons
Appears on: 51–52
Genres: Anthem
Source Attribution: Mr Orlando Gibbons
53–54 Almighty God which through thy only begotten Son (Collect for Easter Day) Mr Richard Deeringe
Appears on: 53–54
Genres: Anglican Service Music
Source Attribution: Mr Richard Deeringe
58–59 Grant we beseech thee Mr W Smith
Appears on: 58–59
Genres: Anthem
Source Attribution: Mr W Smith
59–60 O clap your hands - 1a pars (of 2): O clap your hands Mr Michael East
Appears on: 59–60
Genres: Anthem
Source Attribution: Mr Michael East
General Note

2 parts in MS2, Cantus & Ct, Ct incomplete at beginning

60–61 O clap your hands - 2a pars (of 2): God is gone up -
Appears on: 60–61
Genres: Anthem
General Note

2 parts in MS2, Cantus & Ct

61–63 O Lord our Governor (Psalm for Ascension Day) Mr Mundy (J Mundy in index of Tenor)
Appears on: 61–63
Genres: Anthem, Psalm
Source Attribution: Mr Mundy (J Mundy in index of Tenor)
63–65 O God the King of glory Mr Orlandoe Gibbons
Appears on: 63–65
Genres: Anthem
Source Attribution: Mr Orlandoe Gibbons
66–67 Out of the deep Dr Aldrich
Appears on: 66–67
Genres: Anthem
Source Attribution: Dr Aldrich
68–69 Glorious and powerful God Mr Orlando Gibbons
Appears on: 68–69
Genres: Anthem
Source Attribution: Mr Orlando Gibbons
69–71 God which as on this day (or, God which as at this time; or, God which from time to time) (Collect for Whitsun) Doctor Giles
Appears on: 69–71
Genres: Anglican Service Music
Source Attribution: Doctor Giles
72 Behold the hour cometh Mr Gibbons / T Tomkins
Appears on: 72
Genres: Anthem
Source Attribution: Mr Gibbons / T Tomkins
76 Jesus came when the doors were shut Mr Thomas Tomkins
Appears on: 76
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
79–80 How is the gold become dim Elias Smith/Smyth (in index in 3,7)
Appears on: 79–80
Genres: Anthem
Source Attribution: Elias Smith/Smyth (in index in 3,7)
81 Almighty and everlasting God we humbly beseech Mr Thomas Tomkins
Appears on: 81
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
82 Almighty and everlasting God we humbly beseech Mr W Smith
Appears on: 82
Genres: Anthem
Source Attribution: Mr W Smith
83 Almighty and everlasting God we humbly beseech H Palmer
Appears on: 83
Genres: Anthem
Source Attribution: H Palmer
85–86 As they departed Mr Michaell East
Appears on: 85–86
Genres: Anthem
Source Attribution: Mr Michaell East
86–87 O God which has taught Mr W Smith
Appears on: 86–87
Genres: Anthem
Source Attribution: Mr W Smith
89–90 Almighty God who by thy son Mr Orlando Gibbons
Appears on: 89–90
Genres: Anthem
Source Attribution: Mr Orlando Gibbons
93–94 Everlasting God which hast ordained Doctor Giles
Appears on: 93–94
Genres: Anthem
Source Attribution: Doctor Giles
94–96 I heard a voice saying (Anthem for Michaelmas day) Mr Batten
Appears on: 94–96
Genres: Anthem
Source Attribution: Mr Batten
97–98 Almighty God which hast knit together Mr Thomas Tomkins
Appears on: 97–98
Genres: Anglican Service Music
Source Attribution: Mr Thomas Tomkins
99–100 Alleluia. I heard a voice Mr Wilkes
Appears on: 99–100
Genres: Alleluia, Motet
Source Attribution: Mr Wilkes
101–102 O God of gods Mr Hooper
Appears on: 101–102
Genres: Anthem
Source Attribution: Mr Hooper
103 Grant Holy Trinity that thy servant Charles Mr Orlando Gibbons
Appears on: 103
Genres: Anthem
Source Attribution: Mr Orlando Gibbons
104–105 Give the king thy judgements Mr Weelkes/Mr Wilkes [T]
Appears on: 104–105
Genres: Anthem
Source Attribution: Mr Weelkes/Mr Wilkes [T]
105–106 Thou God that guid'st [guidest] Doctor Giles / [Byrd]
Appears on: 105–106
Genres: Anthem
Source Attribution: Doctor Giles / [Byrd]
106–107 O Lord make thy servant Charles Mr Cranford
Appears on: 106–107
Genres: Anthem
Source Attribution: Mr Cranford
109–110 If the Lord himself had not been on our side Mr Edward Smith / [Jeffries]
Appears on: 109–110
Genres: Anthem
Source Attribution: Mr Edward Smith / [Jeffries]
110–113 O Lord how joyful Mr Thomas Weelkes/Weelks
Appears on: 110–113
Genres: Anthem
Source Attribution: Mr Thomas Weelkes/Weelks
113–114 Give the king thy judgements o God Mr Loosemore
Appears on: 113–114
Genres: Anthem
Source Attribution: Mr Loosemore
115–116 Blessed are all those that are undefiled Mr Adrian Batten
Appears on: 115–116
Genres: Anthem
Source Attribution: Mr Adrian Batten
117–118 Holy holy holy Lord God almighty (Anthem for Trinity Sunday) Mr Adrian Batten
Appears on: 117–118
Genres: Anthem
Source Attribution: Mr Adrian Batten
118–119 Praise the Lord o ye his servants Mr WIlliam Wilkinson
Appears on: 118–119
Genres: Anthem
Source Attribution: Mr WIlliam Wilkinson
120–121 I will always give thanks unto the Lord Mr Portman
Appears on: 120–121
Genres: Anthem
Source Attribution: Mr Portman
121–122 I will love thee O Lord Mr Cranford
Appears on: 121–122
Genres: Anthem
Source Attribution: Mr Cranford
123–124 O sing unto the Lord a new song Mr Richard Hinde/Hynde
Appears on: 123–124
Genres: Anthem
Source Attribution: Mr Richard Hinde/Hynde
124–125 I will magnify thee o Lord Doctor Giles
Appears on: 124–125
Genres: Anthem
Source Attribution: Doctor Giles
125–126 Hear O my people Dr William Childe
Appears on: 125–126
Genres: Anthem
Source Attribution: Dr William Childe
126–128 I will lift up mine eyes Mr Thomas Tomkins
Appears on: 126–128
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
128–130 O how amiable Mr Thomas Gale
Appears on: 128–130
Genres: Anthem
Source Attribution: Mr Thomas Gale
129 I will give thanks unto thee o Lord Mr Nichols
Appears on: 129
Genres: Anthem
Source Attribution: Mr Nichols
131–132 Above the stars Mr Thomas Tomkins
Appears on: 131–132
Genres: Song
Source Attribution: Mr Thomas Tomkins
133 O Lord thou hast searched me out Mr Adrian Batten
Appears on: 133
Genres: Anthem
Source Attribution: Mr Adrian Batten
134–135 Ponder my words O Lord Mr Adrian Batten
Appears on: 134–135
Genres: Anthem
Source Attribution: Mr Adrian Batten
135–136 Hear my prayer O God and hide not (II) Mr Adrian Batten
Appears on: 135–136
Genres: Anthem
Source Attribution: Mr Adrian Batten
137–138 Hear my prayer O Lord and with thine ears Mr Adrian Batten
Appears on: 137–138
Genres: Anthem
Source Attribution: Mr Adrian Batten
138–139 O hear my prayer Lord Doctor Giles
Appears on: 138–139
Genres: Anthem
Source Attribution: Doctor Giles
139–140 Hear my prayer, O Lord [Bath, in index]; [Cranford, in pencil]
Appears on: 139–140
Genres: Anthem
Source Attribution: [Bath, in index]; [Cranford, in pencil]
141 Hear my prayer O Lord [or, O God] and consider Mr Bird
Appears on: 141
Genres: Anthem
Source Attribution: Mr Bird
142 Save me O God for the waters are come Mr John Hilton
Appears on: 142
Genres: Anthem
Source Attribution: Mr John Hilton
143–144 O let me hear thy loving kindness Mr Ravenscroft
Appears on: 143–144
Genres: Anthem
Source Attribution: Mr Ravenscroft
144–145 Preserve me, O Lord Mr Wilkinson
Appears on: 144–145
Genres: Anthem
Source Attribution: Mr Wilkinson
145–146 Behold, O Lord Mr Wilkinson
Appears on: 145–146
Genres: Anthem
Source Attribution: Mr Wilkinson
147 Help Lord Mr Wilkinson
Appears on: 147
Genres: Anthem
Source Attribution: Mr Wilkinson
148–149 O pray for the peace of Jerusalem (I - 6vv) Mr Thomas Tomkins
Appears on: 148–149
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
149–151 In thee o Lord Mr Weelkes/Mr Wilks/Wilkes
Appears on: 149–151
Genres: Anthem
Source Attribution: Mr Weelkes/Mr Wilks/Wilkes
150 Out of the Deep (I) Doctor Giles
Appears on: 150
Genres: Anthem
Source Attribution: Doctor Giles
151–152 Above the stars Mr Robert Parsons
Appears on: 151–152
Genres: Anthem
Source Attribution: Mr Robert Parsons
152 The Lord is my shepherd Mr Wise
Appears on: 152
Genres: Anthem
Source Attribution: Mr Wise
153–154 Hear my cry, O God Mr John Hilton
Appears on: 153–154
Genres: Anthem
Source Attribution: Mr John Hilton
155–158 Bow down thine ear o Lord and hear Isum (=Isham)
Appears on: 155–158
Genres: Anthem
Source Attribution: Isum (=Isham)
160–161 Out of the deep Mr Thomas Tomkins
Appears on: 160–161
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
161–162 Out of the deep (II) Mr Adrian Batten
Appears on: 161–162
Genres: Anthem
Source Attribution: Mr Adrian Batten
162–163 Have mercy upon me O God Doctor Giles
Appears on: 162–163
Genres: Anthem
Source Attribution: Doctor Giles
164 O Lord, let me know mine end Mr Salomon Tozer
Appears on: 164
Genres: Anthem
Source Attribution: Mr Salomon Tozer
165, 167 Put me not to rebuke Mr Wilkinson
Appears on: 165, 167
Genres: Anthem
Source Attribution: Mr Wilkinson
General Note

p. 166 is omitted

167–168 O Lord consider my distress Mr Wilkinson
Appears on: 167–168
Genres: Anthem
Source Attribution: Mr Wilkinson
169 O Lord my God Mr Wilkinson
Appears on: 169
Genres: Anthem
Source Attribution: Mr Wilkinson
170–171 Hear my prayer, O Lord Mr Wilkinson
Appears on: 170–171
Genres: Anthem
Source Attribution: Mr Wilkinson
171–172 Unto thee o Lord Mr Wilkinson
Appears on: 171–172
Genres: Anthem
Source Attribution: Mr Wilkinson
173–174 O Lord how are they increased Mr Wilkinson
Appears on: 173–174
Genres: Anthem
Source Attribution: Mr Wilkinson
174–175 Deliver me O Lord from lying lips Mr Wilkinson
Appears on: 174–175
Genres: Anthem
Source Attribution: Mr Wilkinson
176 Have pity upon me Mr Gibbons
Appears on: 176
Genres: Anthem
Source Attribution: Mr Gibbons
177–179 When the Lord turned again the captivity of Sion Mr Stephenson
Appears on: 177–179
Genres: Anthem
Source Attribution: Mr Stephenson
180–181 I will magnify thee o Lord Mr Hooper
Appears on: 180–181
Genres: Anthem
Source Attribution: Mr Hooper
181–182 Lift up your heads O ye gates Mr Orlando Gibbons
Appears on: 181–182
Genres: Anthem
Source Attribution: Mr Orlando Gibbons
183–184 Rejoice in the Lord O ye righteous Mr Jefferies
Appears on: 183–184
Genres: Anthem
Source Attribution: Mr Jefferies
185–186 Sing we merrily unto God our strength Mr Jefferies
Appears on: 185–186
Genres: Anthem
Source Attribution: Mr Jefferies
186–188 Praise the Lord ye servants Mr Jefferies
Appears on: 186–188
Source Attribution: Mr Jefferies
188–190 Blow up the trumpet Mr Pearson(ne)
Appears on: 188–190
Genres: Anthem
Source Attribution: Mr Pearson(ne)
190–191 Behold, now praise the Lord Mr Allinson
Appears on: 190–191
Genres: Anthem
Source Attribution: Mr Allinson
192–193 O sing unto the Lord a new song Mr Thomas Tomkins
Appears on: 192–193
Genres: Anthem
Source Attribution: Mr Thomas Tomkins
194 I will sing unto the Lord Mr Amner
Appears on: 194
Genres: Anthem
Source Attribution: Mr Amner
195 O God who [which] hast prepared Mr Mudd
Appears on: 195
Genres: Anthem
Source Attribution: Mr Mudd
196 Arise o Lord and hear my voice (=Salvator mundi (I)) Mr Tallis
Appears on: 196
Genres: Anthem
Source Attribution: Mr Tallis
197–198 O God, be merciful unto us (= Deus misereatur (canticle)) Mr Strogers
Appears on: 197–198
Genres: Anthem
Source Attribution: Mr Strogers
198 O Lord, grant the King a long life (I) Dr Childe
Appears on: 198
Genres: Anthem
Source Attribution: Dr Childe
202–204 Ye that fear the Lord Mr Hutchinson
Appears on: 202–204
Genres: Anthem
Source Attribution: Mr Hutchinson
Composer Compositions
Aldrich, Henry (1647–1710)
Allison (Allinson), Richard (1560–1610)
Amner, John (1579–1641)
Bath, George (fl. c1625)
Batten, Adrian (1591–1637)
Bull, John (ca. 1562–1628)
Byrd, William (ca. 1540–1623)
Child, William (1607–1697)
Cranford, William (–ca. 1645)
Croft, William
Dering, Richard
East, Michael
Gale, Thomas
Geeres, John (–1642)
Gibbons, Christopher (1615–1676)
Gibbons, Orlando (ca. 1583–1625)
Gibbs, Richard
Giles, Nathaniel (ca. 1558–1634)
Goldwin, John
Hilton (Junior), John
Hilton (Senior), John
Hinde, Henry or Richard
Hooper, Edmund
Hunt 'of Wells', Thomas
Hutchinson, Richard
Isham, John
Jeffries (Jeffreys), Matthew
Juxon, George
King, William (ca. 1624–1680)
Loosemore, Henry (1607–1670)
Mudd (II), Thomas
Mundy, John (ca. 1555–1630)
Nicholls, John
Palmer, Henry (ca. 1590–1640)
Parsons (II) 'of Exeter', Robert (1596–1676)
Peerson, Martin
Portman, Richard
Ravenscroft, Thomas
Smith (I), William (1603–1645)
Smith, Edward (1587–1612)
Smith, Elias
Stevenson, Robert
Strogers, Nicholas
Tallis, Thomas (ca. 1505–1585)
Tomkins, John (1586–1638)
Tomkins, Thomas (1572–1656)
Tozer, Solomon
Weelkes, Thomas (ca. 1576–1623)
Wilkinson, T(homas?)
Wilkinson, William
Wise, Michael
Composition Composers (? Uncertain) Folios / Pages
Above the stars 131–132
Above the stars 151–152
Alleluia. I heard a voice 99–100
Almighty and everlasting God we humbly beseech 81
Almighty and everlasting God we humbly beseech 82
Almighty and everlasting God we humbly beseech 83
Almighty and everlasting God which hatest nothing 27
Almighty and everlasting God who of thy tender love 33–34
Almighty God which hast knit together 97–98
Almighty God which through thy only begotten Son (Collect for Easter Day) 53–54
Almighty God who by thy son 89–90
Almighty God whose praise this day 16–17
Almighty God, which madest thy blessed son (Collect for the Circumcision) 15
Almighty God, who by the leading of a star (Almighty God who didst manifest) 19–21
Arise o Lord and hear my voice (=Salvator mundi (I)) 196
As they departed 85–86
Behold I bring you glad tidings 7–8
Behold the hour cometh 72
Behold, now praise the Lord 190–191
Behold, O Lord 145–146
Blessed are all those that are undefiled 115–116
Blessed be the Lord God of Israel 2
Blow up the trumpet 188–190
Bow down thine ear o Lord and hear 155–158
Christ rising again (2p. Christ is risen again) 45–46
Christ rising again - 1a pars (of 2): Christ rising again 47
Christ rising again - 2a pars (of 2): Christ is risen again 48
Deliver me O Lord from lying lips 174–175
Everlasting God which hast ordained 93–94
Give the king thy judgements 104–105
Give the king thy judgements o God 113–114
Glorious and powerful God 68–69
Glory be to God on high 4
God which as on this day (or, God which as at this time; or, God which from time to time) (Collect for Whitsun) 69–71
Grant Holy Trinity that thy servant Charles 103
Grant we beseech thee 58–59
Have mercy upon me O God 162–163
Have pity upon me 176
Hear my cry, O God 153–154
Hear my prayer O God and hide not (II) 135–136
Hear my prayer O Lord [or, O God] and consider 141
Hear my prayer O Lord and with thine ears 137–138
Hear my prayer, O Lord 139–140
Hear my prayer, O Lord 170–171
Hear O my people 125–126
Help Lord 147
Holy holy holy Lord God almighty (Anthem for Trinity Sunday) 117–118
How is the gold become dim 79–80
I have set God always before me 35
I heard a voice saying (Anthem for Michaelmas day) 94–96
I will always give thanks unto the Lord 120–121
I will give thanks unto thee o Lord 129
I will lift up mine eyes 126–128
I will love thee O Lord 121–122
I will magnify thee o Lord 124–125
I will magnify thee o Lord 180–181
I will preach thy law 9
I will sing unto the Lord 194
If the Lord himself had not been on our side 109–110
If ye then be risen with Christ / If ye be risen again with Christ (Anthem for Easter Day) 51–52
In thee o Lord 149–151
Jesus came when the doors were shut 76
Lift up your heads O ye gates 181–182
Lord how they are increased 9
Merciful Lord we beseech thee (Collect for St John's Day) 14
O clap your hands - 1a pars (of 2): O clap your hands 59–60
O clap your hands - 2a pars (of 2): God is gone up 60–61
O clap your hands together (I) 3
O clap your hands together (I) 30
O God of gods 101–102
O God the King of glory 63–65
O God which has taught 86–87
O God who [which] hast prepared 195
O God, be merciful unto us (= Deus misereatur (canticle)) 197–198
O hear my prayer Lord 138–139
O how amiable 128–130
O let me hear thy loving kindness 143–144
O let my mouth be filled 1
O Lord consider my distress 167–168
O Lord how are they increased 173–174
O Lord how joyful 110–113
O Lord make thy servant Charles 106–107
O Lord my God 169
O Lord our Governor (Psalm for Ascension Day) 61–63
O Lord thou hast searched me out 133
O Lord which for our sakes 31
O Lord, grant the King a long life (I) 198
O Lord, let me know mine end 164
O praise the Lord laud ye 12–13
O pray for the peace of Jerusalem 17–18
O pray for the peace of Jerusalem (I - 6vv) 148–149
O sing unto the Lord a new song 2
O sing unto the Lord a new song 123–124
O sing unto the Lord a new song 192–193
Out of the deep 66–67
Out of the deep 160–161
Out of the Deep (I) 150
Out of the deep (II) 161–162
Ponder my words O Lord 134–135
Praise the Lord o ye his servants 118–119
Praise the Lord ye servants 186–188
Preserve me, O Lord 144–145
Put me not to rebuke 165, 167
Rejoice in the Lord O ye righteous 183–184
Save me O God for the waters are come 142
See sinful soul 40–42
Sing we merrily unto God our strength 185–186
Stephen being full of the holy spirit 11–12
The blessed lamb (Anthem for Good Friday) 43–44
The Lord is my shepherd 152
This is the record of John 5
Thou art my king, O God 1
Thou God that guid'st [guidest] 105–106
Turn thou us o good Lord 39–40
Turn thou us o good Lord (Anthem for Ash Wednesday) 25–26
Unto thee o Lord 171–172
We praise thee O father 49–50
We will rejoice in thy salvation 21–24
We will rejoice in thy salvation 28–29
When the Lord turned again the captivity of Sion 177–179
Ye that fear the Lord 202–204

Set: MSS Mus. C 2, C 3, C 7 [Part I], C 14

Type: Partbooks

No images available

GB-DRc Mus. C 2

No images available

GB-DRc Mus. C 3

No images available

GB-DRc Mus. C 7 [Part I]

No images available

GB-DRc Mus. C 14

denotes primary source study

Crosby, Brian. 1986. A Catalogue of Durham Cathedral Music Manuscripts.  Oxford. Pages: 35.

Monson, Craig. 1982. Authenticity and Chronology in Byrd's Church Anthems. Journal of the American Musicological Society, 280-305. Pages: 299-300. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems.  London. Pages: l-14,21,99-112. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Crosby, Brian. 1973-74. Durham Cathedral's Liturgical Music Manuscripts c. 1620-c. 1640. Durham University Journal, 40-51. Pages: 43-4. Notes: physical description (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Notes: contents list (partial); concordances (partial).

Morehen, John. 1969. The Sources of English Cathedral Music, c. 1617-c. 1644. Cambridge University, Unpublished Ph.D. dissertation. Pages: 72ff, Ex. 14. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: III,215-23; XII,122; XXI,201; XXIII, 149ff. Notes: contents list (partial); concordances (partial).

Le Huray, Peter. 1960. Towards A Definitive Study of Pre-Restoration Anglican Service Music. Musica Disciplina, 167-95. Pages: 187-92. Notes: physical description (partial); mention of MS; discussion.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XXIII, 126-7,132. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: II,xxxiv,xxxvi-xxxvii; IV, xxx-xxxii, xxxiv-xxxv, xxxvii-xxxix. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description