CH-Bu F VI 26 h

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Early 16th century

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F VI 26 h
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 220 x 315 (size varies) mm
Other Identifiers
  • CCM: BasU F.VI.26h
Copyists
Relationships
External Links
Provenance
  • Basel? Switzerland
Contents Contains 20 compositions, 6 from 5 composers, 14 are anonymous.
General Description

Individual fragments. The organ tablature in this part of the manuscript is attributed to 'Joh. Kreys Organista.'

DIAMM, 2017
Physical Description

Most of the fragments are so frayed that a size is difficult to specify

DIAMM, 2017
Binding

No covers

DIAMM, 2017
Watermark

(1) resembles PiccardO X, 245; (2) re-sembles PiccardO V, 210; (3) resembles PiccardO IV, 21; (4) resembles PiccardO XVI, 347-8

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

New pencil foliation.

DIAMM, 2017
Decoration

One green initial.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26a: 2 Masses, 1 Kyrie fragment, 1 textless fragment = 4. 26b: 1 Mass (another copy of one of the Masses in 26a), 1 Magnificat (incomplete) = 2. 26c: An organ treatise, in tablature. 26d: 2 Magnificats, 2 motets = 4. 26e: 1 Mass. 26f: 11 German secular pieces. 26g: 2 Latin threnodies, one on the death of Bonifacius Amerbach, the other on the death of his son Basilius. 26h: Fragments of Mass sections and motets, plus 1 page of an organ tablature. Total for manuscript = 21 vocal works plus fragments

Brumel-1, J. Fabri-1, (Josquin)-1, E. Koler-1, Kotter-1, Lallahe-1, (Prioris?)-1, Ryter-2, anonymous

26a: 10 paper folios, 320 x 220. New pencil foliation.

26b: 8 paper folios, 318 x 220. New pencil foliation. One red initial.

26c: (Organ treatise). The name "Osswald Holtzach" appears on page 1; whether he is the composer, scribe, or simply an owner of this part of the manuscript is not clear.

26d: 14 paper folios, ca. 318 x 220. New pencil foliation.

26e: 12 paper folios, ca. 318 x 220. New pencil foliation.

26f: 8 paper folios, ca. 315 x 220. Some folios are frayed around the edges. New pencil foliation. Modern orange paper cover. Some red and red/black initials.

26g: 1 paper partbook (T-4 folios), 160 x 212. New pencil foliation. No covers or index. A few initials are red.

26h: 11 individual paper fragments, ca. 220 x 315 (size varies, and most are so frayed that a size is difficult to specify). One green initial. The organ tablature in this part of the manuscript is attributed to "Joh. Kreys Organista."

The organ treatise (26c) is dated 1515; the two threnodies in 26g can be approximately dated from the fact that Bonifacius Amerbach died in 1562, his son Basilius in 1591; ca. 1520 for the rest of the manuscript (KirschQM).

Vol 4

BasU F.VI.26h Revised entry

BASEL. Öffentliche Bibliothek der Universität. MS F.VI.26h

1 Kyrie, 1 Credo, 5 Mass Proper sections, I Magnificat, 4 hymns, 4 motets, 1 German secular piece, 3 textless pieces = 20*

'Most pieces incomplete or fragmentary. Above summary excludes one piece in keyboard tablature on f. 7'.

(J. Fabri?)-2, (Finck)-1, (Isaac)-1, (Josquin/La Rue)-1, anon-15

11 fragmentary paper folios, of varying sizes (ca. 290-320 x 195-220). Miscellaneous collection of originally separate, mostly unrelated folios. Modern pencil foliation, 1-10 ("6" applied to two separate folios; ff. 1-2 are two portions of single original folio). Folios now preserved loose in modern pasteboard box.

Copied by Jodocus Fabri, Johannes Kreis, Lucas Paliurus, and five anonymous scribes (see KmetzH for details). Fabri also wrote part of BasU F.VI.26d; one anonymous scribe also wrote BasU F.IX.25. One green calligraphic initial; no other decoration. Watermarks: (1) resembles PiccardO X, 245; (2) re-sembles PiccardO V, 210; (3) resembles PiccardO IV, 21; (4) resembles PiccardO XVI, 347-8 (KmetzH).

Ca. 1500-20 (KmetzH). Probably copied in Basel or vicinity. Possibly acquired by present library in 1823, from collection of Remigius Faesch, a Basel lawyer.

KmetzH:DLCpFpDis; RichKM:DpLp(31-2); StaeMI:Lp(III,14); MacCrackenU: LpCp( 126-7)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii. Notes: concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 122. Notes: concordances (partial); incipits (partial).

Merian, Wilhelm. 1920. Drei Handschriften aus der Frühzeit des Klavierspiels. Archiv für Musikwissenschaft, 2: 22-47. Pages: 43ff. Notes: mention of MS.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, 23: . Pages: 28-32. Notes: contents list; incipits (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description