A single Tenor partbook.
CH-Bu F VI 26 g
Öffentliche Bibliothek der Universität, Basel, Switzerland
partbook: Early 16th century
| Archive | Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu) |
|---|---|
| Shelfmark | F VI 26 g |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 160 x 212 mm |
| Other Identifiers |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 7 compositions from 1 composer. |
General Description
Binding
No covers
Notation
not indicated
Ruling
Staff height 15
Foliation
New pencil foliation.
Decoration
A few initials are red.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
26a: 2 Masses, 1 Kyrie fragment, 1 textless fragment = 4. 26b: 1 Mass (another copy of one of the Masses in 26a), 1 Magnificat (incomplete) = 2. 26c: An organ treatise, in tablature. 26d: 2 Magnificats, 2 motets = 4. 26e: 1 Mass. 26f: 11 German secular pieces. 26g: 2 Latin threnodies, one on the death of Bonifacius Amerbach, the other on the death of his son Basilius. 26h: Fragments of Mass sections and motets, plus 1 page of an organ tablature. Total for manuscript = 21 vocal works plus fragments
Brumel-1, J. Fabri-1, (Josquin)-1, E. Koler-1, Kotter-1, Lallahe-1, (Prioris?)-1, Ryter-2, anonymous
26a: 10 paper folios, 320 x 220. New pencil foliation.
26b: 8 paper folios, 318 x 220. New pencil foliation. One red initial.
26c: (Organ treatise). The name "Osswald Holtzach" appears on page 1; whether he is the composer, scribe, or simply an owner of this part of the manuscript is not clear.
26d: 14 paper folios, ca. 318 x 220. New pencil foliation.
26e: 12 paper folios, ca. 318 x 220. New pencil foliation.
26f: 8 paper folios, ca. 315 x 220. Some folios are frayed around the edges. New pencil foliation. Modern orange paper cover. Some red and red/black initials.
26g: 1 paper partbook (T-4 folios), 160 x 212. New pencil foliation. No covers or index. A few initials are red.
26h: 11 individual paper fragments, ca. 220 x 315 (size varies, and most are so frayed that a size is difficult to specify). One green initial. The organ tablature in this part of the manuscript is attributed to "Joh. Kreys Organista."
The organ treatise (26c) is dated 1515; the two threnodies in 26g can be approximately dated from the fact that Bonifacius Amerbach died in 1562, his son Basilius in 1591; ca. 1520 for the rest of the manuscript (KirschQM).
Vol 4
BasU F.VI.26g
Delete entry; no pre-1550 repertory.
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Sets
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MS F.VI.26 (a-h)
Partbooks · 8 sources
‡ denotes primary source study
Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii. Notes: concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 122. Notes: concordances (partial); incipits (partial).
Merian, Wilhelm. 1920. Drei Handschriften aus der Frühzeit des Klavierspiels. Archiv für Musikwissenschaft, 2: 22-47. Pages: 43ff. Notes: mention of MS.
Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, 23: . Pages: 28-32. Notes: contents list; incipits (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description