CH-Bu F VI 26 h

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Early 16th century

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F VI 26 h
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 220 x 315 (size varies) mm
Other Identifiers
  • CCM: BasU F.VI.26h
Copyists
Relationships
External Links
Provenance
  • Basel? Switzerland
Contents 22 pieces from 6 composers
General Description

Individual fragments. The organ tablature in this part of the manuscript is attributed to 'Joh. Kreys Organista.'

DIAMM, 2017
Physical Description

Most of the fragments are so frayed that a size is difficult to specify

DIAMM, 2017
Binding

No covers

DIAMM, 2017
Watermark

(1) resembles PiccardO X, 245; (2) re-sembles PiccardO V, 210; (3) resembles PiccardO IV, 21; (4) resembles PiccardO XVI, 347-8

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

New pencil foliation.

DIAMM, 2017
Decoration

One green initial.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26a: 2 Masses, 1 Kyrie fragment, 1 textless fragment = 4. 26b: 1 Mass (another copy of one of the Masses in 26a), 1 Magnificat (incomplete) = 2. 26c: An organ treatise, in tablature. 26d: 2 Magnificats, 2 motets = 4. 26e: 1 Mass. 26f: 11 German secular pieces. 26g: 2 Latin threnodies, one on the death of Bonifacius Amerbach, the other on the death of his son Basilius. 26h: Fragments of Mass sections and motets, plus 1 page of an organ tablature. Total for manuscript = 21 vocal works plus fragments

Brumel-1, J. Fabri-1, (Josquin)-1, E. Koler-1, Kotter-1, Lallahe-1, (Prioris?)-1, Ryter-2, anonymous

26a: 10 paper folios, 320 x 220. New pencil foliation.

26b: 8 paper folios, 318 x 220. New pencil foliation. One red initial.

26c: (Organ treatise). The name "Osswald Holtzach" appears on page 1; whether he is the composer, scribe, or simply an owner of this part of the manuscript is not clear.

26d: 14 paper folios, ca. 318 x 220. New pencil foliation.

26e: 12 paper folios, ca. 318 x 220. New pencil foliation.

26f: 8 paper folios, ca. 315 x 220. Some folios are frayed around the edges. New pencil foliation. Modern orange paper cover. Some red and red/black initials.

26g: 1 paper partbook (T-4 folios), 160 x 212. New pencil foliation. No covers or index. A few initials are red.

26h: 11 individual paper fragments, ca. 220 x 315 (size varies, and most are so frayed that a size is difficult to specify). One green initial. The organ tablature in this part of the manuscript is attributed to "Joh. Kreys Organista."

The organ treatise (26c) is dated 1515; the two threnodies in 26g can be approximately dated from the fact that Bonifacius Amerbach died in 1562, his son Basilius in 1591; ca. 1520 for the rest of the manuscript (KirschQM).

Vol 4

BasU F.VI.26h Revised entry

BASEL. Öffentliche Bibliothek der Universität. MS F.VI.26h

1 Kyrie, 1 Credo, 5 Mass Proper sections, I Magnificat, 4 hymns, 4 motets, 1 German secular piece, 3 textless pieces = 20*

'Most pieces incomplete or fragmentary. Above summary excludes one piece in keyboard tablature on f. 7'.

(J. Fabri?)-2, (Finck)-1, (Isaac)-1, (Josquin/La Rue)-1, anon-15

11 fragmentary paper folios, of varying sizes (ca. 290-320 x 195-220). Miscellaneous collection of originally separate, mostly unrelated folios. Modern pencil foliation, 1-10 ("6" applied to two separate folios; ff. 1-2 are two portions of single original folio). Folios now preserved loose in modern pasteboard box.

Copied by Jodocus Fabri, Johannes Kreis, Lucas Paliurus, and five anonymous scribes (see KmetzH for details). Fabri also wrote part of BasU F.VI.26d; one anonymous scribe also wrote BasU F.IX.25. One green calligraphic initial; no other decoration. Watermarks: (1) resembles PiccardO X, 245; (2) re-sembles PiccardO V, 210; (3) resembles PiccardO IV, 21; (4) resembles PiccardO XVI, 347-8 (KmetzH).

Ca. 1500-20 (KmetzH). Probably copied in Basel or vicinity. Possibly acquired by present library in 1823, from collection of Remigius Faesch, a Basel lawyer.

KmetzH:DLCpFpDis; RichKM:DpLp(31-2); StaeMI:Lp(III,14); MacCrackenU: LpCp( 126-7)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Salve regina misericordie vita dulcedo O dulcis Maria Anon. Anonymous
Appears on: 1
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie vita dulcedo] O dulcis Maria [incomplete]
1, 2 Regina caeli Laetare alleluia II: Resurrexit sicut dixit alleluia Anon. Anonymous
Appears on: 1, 2
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Regina celi] Letare alleluia II: Resurrexit sicut dixit alleluia
3 untexted fragments [J. Fabri?]
Appears on: 3
Genres: textless
Source Attribution: [J. Fabri?]
Voice: [no designation]
Languages: none
Voice Text: Textless fragments
4 untexted Anon. -

untexted

Appears on: 4
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
4v untexted fragments [J. Fabri?]
Appears on: 4v
Genres: textless
Source Attribution: [J. Fabri?]
Voice: [no designation]
Languages: none
Voice Text: Textless fragments
5 Und ouch ein yetlicher ein gebratne wurst AB only - Anonymous
Appears on: 5
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Und ouch ein yetlicher ein gebratne wurst [AB only]
5v German poetry, no music Anon. -

German poetry, no music

Appears on: 5v
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: German poetry, no music
6a, 6b Missa Beata Virgine = Missa Coronata 3.3: Credo [Josquin/La Rue]
Appears on: 6a, 6b
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem [from Missa De beata Virgine] 3.3 [AB only]
6a, 6b Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum AB only Anon. Anonymous
Appears on: 6a, 6b
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Rorate] Celi desuper et nubes pluant Vs: [Caeli enarrant] Et opera manuum [AB only]
6a, 6b O lux beata trinitas et principalis 2 Te mane laudam carmine te deprecamur Anon. Anonymous
Appears on: 6a, 6b
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [O lux beata trinitas et principalis 2 Te mane [laudam carmine te deprecamur] [DAB only]
6av, 6bv Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: 6av, 6bv
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Suscepimus] Deus misericordiam tuam Vs: [Magnus dominus] In civitate dei [AB only]
6av, 6bv Cibavit eos Ex adipe frumenti Vs: Exsultate deo Jubilate deo Jacob AB only Anon. Anonymous
Appears on: 6av, 6bv
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Cibavit eos] Ex adipe frumenti Vs: [Exsultate deo] Jubilate deo Jacob [AB only]
6av, 6bv Alleluia. Dies sanctificatus illuxit nobis Anon. Anonymous
Appears on: 6av, 6bv
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit [AB only]
6av, 6bv Alleluia. Vidimus stellam eius in oriente Anon. Anonymous
Appears on: 6av, 6bv
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vidimus stellam eius [AB only]
6av, 6bv Veni redemptor gentium ostende partum 4 Procedens de thalamo suo pudoris AB only [Finck]
Appears on: 6av, 6bv
Genres: Hymn
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni redemptor gentium ostende partum] 4 Procedens [de thalamo suo pudoris] [AB only]
6av, 6bv Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico AB only Anon. Anonymous
Appears on: 6av, 6bv
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni redemptor gentium ostende partum] 2 Non ex virili semine [sed mystico] [AB only]
6av Gaude visceribus mater in intimis 2 Cuius magnifica est generatio B only Anon. Anonymous
Appears on: 6av
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gaude visceribus mater in intimis] 2 Cuius magnifica [est generatio] [B only]
7 Keyboard tablature -
Appears on: 7
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Keyboard tablature, inscription at bottom of page: "Johannes Kreys Organista/Optimus."
7v Salve genitrix sancta DT only Anon. Anonymous
Appears on: 7v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve genitrix sancta [DT only]
8–8v Magnificat primi toni: Et exultavit Anon. Anonymous
Appears on: 8–8v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi? toni]: Et exultavit spiritus meus [incomplete]
9 ... Ab insidiis diaboli ... Libera nos Domine peccatores AB Anon. Anonymous
Appears on: 9
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: ... Ab insidiis diaboli ... Libera nos domine peccatores [incomplete AB] /
10 Missa Freundlicher gruss?: Kyrie eleison Anon. Anonymous
Appears on: 10
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Greek
Voice Text: Kirie eleyson [from Missa Freundlicher gruss?] [DT only]
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Fabri, Jodocus
Finck, Heinrich
Isaac, Heinrich (ca. 1450–1517)
Kreys, Johannes
Composition Composers (? Uncertain) Folios / Pages
... Ab insidiis diaboli ... Libera nos Domine peccatores AB Anonymous 9
Alleluia. Dies sanctificatus illuxit nobis Anonymous 6av, 6bv
Alleluia. Vidimus stellam eius in oriente Anonymous 6av, 6bv
Cibavit eos Ex adipe frumenti Vs: Exsultate deo Jubilate deo Jacob AB only Anonymous 6av, 6bv
Gaude visceribus mater in intimis 2 Cuius magnifica est generatio B only Anonymous 6av
Keyboard tablature 7
Magnificat primi toni: Et exultavit Anonymous 8–8v
Missa Beata Virgine = Missa Coronata 3.3: Credo 6a, 6b
Missa Freundlicher gruss?: Kyrie eleison Anonymous 10
O lux beata trinitas et principalis 2 Te mane laudam carmine te deprecamur Anonymous 6a, 6b
Regina caeli Laetare alleluia II: Resurrexit sicut dixit alleluia Anonymous 1, 2
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum AB only Anonymous 6a, 6b
Salve genitrix sancta DT only Anonymous 7v
Salve regina misericordie vita dulcedo O dulcis Maria Anonymous 1
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 6av, 6bv
Und ouch ein yetlicher ein gebratne wurst AB only Anonymous 5
untexted fragments 3
untexted fragments 4v
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico AB only Anonymous 6av, 6bv
Veni redemptor gentium ostende partum 4 Procedens de thalamo suo pudoris AB only 6av, 6bv

Set: MS F.VI.26 (a-h)

Type: Partbooks

No images available

CH-Bu F VI 26 a

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CH-Bu F VI 26 b

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CH-Bu F VI 26 c

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CH-Bu F VI 26 d

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CH-Bu F VI 26 e

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CH-Bu F VI 26 f

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CH-Bu F VI 26 g

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CH-Bu F VI 26 h

denotes primary source study

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii. Notes: concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 122. Notes: concordances (partial); incipits (partial).

Merian, Wilhelm. 1920. Drei Handschriften aus der Frühzeit des Klavierspiels. Archiv für Musikwissenschaft, 22-47. Pages: 43ff. Notes: mention of MS.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 28-32. Notes: contents list; incipits (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description