D-Bga MS XX. HA StUB Königsberg Nr. 7

Geheimes Staatsarchiv - Preußischer Kulturbesitz , Berlin, Germany

partbook: 1537

Archive Geheimes Staatsarchiv - Preußischer Kulturbesitz , Berlin, Germany (D-Bga)
Shelfmark MS XX. HA StUB Königsberg Nr. 7
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 322 x 203 mm
Other Identifiers
  • CCM: KönSU 1740
  • olim (Former shelfmark): Pb 11
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 100 pieces from 39 composers
General Description

A Bassus partbook from a set originally of five volumes. Copied by Matthias Krüger. On the inside front cover is the library plate of Duke Albert of Prussia. This partbook was apparently separated from the others during World War II; the others may be lost, existing only in microfilmed copies

DIAMM, 2017
Binding

Dark-brown leather covers with tooled ornamentation; the back cover is worm-eaten

DIAMM, 2017
Watermark

Main watermark (shield with double cross surmounted by crown = coat of arms of city of Danzig) resembles Briquet #1250ff and #5775-6; other watermarks include a crown (resembles Briquet #5006-7), an ox head with staff and serpent (= Briquet #15457), and an ox head with staff and cross.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern stamped foliation

DIAMM, 2017
Decoration

Some red accidentals and other marks; four pictures of Biblical scenes

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

For GöttSA 7

13 Masses, 1 Kyrie-Gloria pair, 2 Credos, 1 Te Deum, 75 motets = 92

The following composer list applies to the complete set of part-books which originally constituted KönSU 1740. Some of the attributions listed below as being in the manuscript are not present in the bassus book which is now GöttSA 7. Bruck-1, Bruck/(Josquin)-1, Brumel-1, (Brumel/Josquin)-1, Büchner? [Bucherus]-1, Capella-1, Conseil-4, Conseil/(Lupi)-1, Courtois [Mortois]-1, Craen/(C. Festa/A. Févin/Josquin/Morales)-1, (Ducis/Masson)-1, Eckel-2, C. Festa/(Gombert)-1, Finck-1, Gascongne-2, Gascongne/(Lafage/Lupus)-1, Gombert/(Hellinck)-1, Haugk [Virgilius]/(Gombert/Mahu)-1, Hellinck-1, Isaac-5, Jaquet of Mantua [Jacquet]-2, Jaquet of Mantua/(Berchem)-1, Jhan of Ferrara? [Mgr. Jan]-3, Josquin-3, La Rue-2, La Rue/(Josquin)-1, Lebrun-1, Mahu-2, Moulu [Mallu]-2, Mouton-2, Mouton/(Gombert/Verdelot)-1, Mouton/(Bauldeweyn/Josquin)-1, Mouton/(Josquin/Silva)-1, Richafort-2, Richafort/(Gombert)-1, Richafort/(Sermisy)-1, Senfl-1, Sermisy-3, Sermisy/(Lafage/Jaquet of Mantua)-1, Stoltzer-1, Stoltzer/Musa? [Tho: Wuesth]-1, Verdelot-2, Walter-1, Willaert-16, Willaert/ (Ivo [not = de Vento])-2, anon-9

1 paper partbook of an original 5 (B-ii + 170 + i folios), 322 x 203. Modern stamped foliation. Dark-brown leather covers with tooled ornamentation; the back cover is worm-eaten. Copied by Matthias Krüger. Some red accidentals and other marks; four pictures of Biblical scenes. Four watermarks are found in the manuscript; I resembles but is not identical to a number of entries in Briquet, II resembles Briquet #5006 and #5007, III is Briquet #15457, IV is not identified. On the inside front cover is the library plate of Duke Albert of Prussia. This partbook was apparently separated from the others during World War II; the others may be lost (see KönSU 1740 for description and information on partbooks DATQ).

Gatherings 1-4 dated 1537 in manuscript; "1543" is found on the cover and may be the date of gatherings 5-12. Copied for the court of Duke Albert of Prussia at Königsberg.

In Vol 4, replaced by BERLIN (WEST). Geheimes Staatsarchiv Preussischer Kulturbesitz. MS XX. HA StUB Königsberg Nr. 7 [see also KönSU 1740]

Vol 4

For GöttSA 7, corrections for Vol 1. (Replaces GöttSA 7)

BERLIN (WEST). Geheimes Staatsarhiv Preussischer Kulturbesitz. MS XX. HA StUB Konigsberg Nr.7 [see also KonSU 1740]

13 Masses, 1 Kyrie-Gloria pair, 2 Credos, 1 Te Deum, 77 motets, 4 sets of responses, 1 German sacred piece = 99

(Arbiter/Buchner?)-1, (Barri/Willaert)-2, (Brück)-1, (Bruck/Josquin)-1, Brumel-1, (Brumel/Josquin)-1, (Capella/Isaac)-1, (Conseil)-4, (Conseil/Lupi)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/ Josquin/Morales)-1, (Ducis/Maffoni)-1, (Eckel)-2, (C. Festa/Gombert)-1, (C. Festa?/Wircker?)-1, (Finck)-1, (Gascongne)-2, (Gascongne/Lafage/Lupus)-1, (Gombert/Haugk/Mahu)-1, (Gombert/Hellinck)-1, (Gombert/Mouton/Verdelot)-1, (Gombert/ Richafort)-1, Hellinck-1, Isaac-5, (Jaquet of Mantua)-3, (Jaquet of Mantua/Lafage/Sermisy)-1, (Jhan of Ferrara)-3, (Josquin)-4, (Josquin/Mouton/Silva)-1, (La Rue)-2, La Rue/(Josquin)-1, (Lebrun)-1, (Mahu)-2, Moulu [Pe: mallu]-2, Mouton-2, Mouton/ (Bauldeweyn/Josquin)-1, (L. Padovano)-1, (Richafort)-2, Richafort/(Sermisy)-1, (Senfl)-1, (Sermisy)-2, (Sermisy/Verdelot)-1, Stoltzer-1, Stoltzer/(T. Wüst)-1, (Verdelot)-2, (Willaert)-16, anon-14

For physical description, date/provenance, and bibliography, see KönSU 1740 in Vol. II. Add the following to date/provenance paragraph: "Missing since World War II, except for bassus book, which reached Staatliches Archivlager in Göttingen, and was assigned the call number 'MS 7.' Bassus book subsequently transferred to Geheimes Staatsarchiv Preussischer Kulturbesitz in West Berlin, and received call number 'MS XX. HA StUB Königsberg Nr. 7'."

Bowles, of Oxford; no firm evidence for Herefordshire provenance or connection with Hereford Cathedral (BowersNSE).

Vol. 2

For KönSU 1740

13 Masses, 1 Kyrie-Gloria pair, 2 Credos, 1 Te Deum, 75 motets, 25 responses, 1 German sacred piece = 118

Brück-1, Bruck/(Josquin)-1, Brumel-1, (Brumel/Josquin)-1, Buchner? [Bucherus]-1, Capella-1, Conseil-4, Conseil/(Lupi)-1, Courtois [Jo: Mortois]-1, Craen/(C. Festa/A. Févin/Josquin/Morales)-1, (Ducis/Masson)-1, Eckel-2, C. Festa/(Gombert)-1, Finck-1, Gascongne-2, Gascongne/(Lafage/Lupus)-1, Gombert/(Hellinck)-1, Haugk [Virgilius]/(Gombert/Mahu)-1, Hellinck-1, Isaac-5, Jaquet of Mantua-3, Jhan of Ferrara-3, Josquin-4, La Rue-2, La Rue/(Josquin)-1, Lebrun-1, Mahu-2, Moulu [Mallu]-2, Mouton-2, Mouton/(Bauldeweyn/Josquin)-1, Mouton/(Gombert/Verdelot)-1, Mouton/(Josquin/Silva)-1, Richafort-2, Richafort/(Gombert)-1, Richafort/(Sermisy)-1, Senfl-1, Sermisy -2, Sermisy/(Jaquet of Mantua/Lafage)-1, Sermisy/(Verdelot)-1, Stoltzer-1, Stoltzer/T. Wüst [Stoltzer vel Wuest (altus); Tho: Wuesth (tenor)]-1, Verdelot-2, Walter? [Jo: W.]-1, Willaert-16, Willaert/(Ivo [not = de Vento])-2, anon-34

5 paper partbooks (D-ii + 174 folios, A-ii + 188 + i, T-ii + 174 + i, B-ii + 170 + i, Q-i + 139), 322 x 203. No original foliation; original ink numbering of motets (including Te Deum and German sacred piece): 1-54 ("50" used twice) + 1-22. Original covers of dark brown leather, elaborately tooled with ornamental designs (Biblical scenes), voice designations, date "1543" ("1544" on Q), and initials "M.K." [= Matthias Krüger]; remnants of metal clasps. No index.

Copied by Matthias Krüger (LogeM); see general index for other manuscripts attributed to the same scribe. Some accidentals and corrections added in red ink. No initials or decoration. Main watermark (shield with double cross surmounted by crown = coat of arms of city of Danzig) resembles Briquet #1250ff and #5775-6; other watermarks include a crown (resembles Briquet #5006-7), an ox head with staff and serpent (= Briquet #15457), and an ox head with staff and cross.

Ca. 1537-44 (date 1537 in manuscript; dates 1543 and 1544 on covers). Possibly copied in Königsberg, but origin elsewhere in East Prussia also possible (see LogeM). The compiler, scribe, and original owner was Matthias Krüger. Acquired ca. 1564 by Duke Albrecht of Prussia (bookplate inside front cover). Ducal library later incorporated into Staatsbibliothek in Königsberg.

Vol 4

For KönSU 1740, corrections for Vol 2.

In heading, change "GöttSA 7" to "BerlGS 7 [see Supplement in Vol. IV]."

Contents: 13 Masses, 1 Kyrie-Gloria pair, 2 Credos, 1 Te Deum, 77 motets, 4 sets of responses, 1 German sacred piece = 99

Composers: Change "Büchner? [Bucherus]-1" to "Büchner? [Bucherus]/ (Arbiter)-1"; change "Capella-1" to "Capella/(Isaac)-l"; change "(Ducis/ Masson)-1" to "(Ducis/Maffoni)-1"; change "Willaert/(Ivo [not = Vento])-2" to "Willaert/(Barri)-2"; change "Walter? [Jo: W.]-l" to "Wircker? [Jo: W.]/ (C. Festa?)-1"; add "(L. Padovano)-1 "; change "anon-34" to "anon-14."

Provenance/history: Missing since World War II, except for bassus book, which reached Staatliches Archivlager in Göttingen, and was assigned call number "MS 7." Bassus subsequently transferred to Geheimes Staatsarchiv Preussischer Kulturbesitz in West Berlin, under call number "MS XX. HA StUB Königsberg Nr. 7." See BerlGS 7 in Supplement for revised information on bassus book; latter entry supersedes that for GöttSA 7 in Vol. I.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Benedicite Dominus Jesus Christus Anon. Anonymous
Appears on: 1
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite Dominus Ihesus Christus
1v Laus Deo pax vivis reges sit eterna Anon. Anonymous
Appears on: 1v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laus deo pax vivis reges sit eterna
3–3v Set of responses Amen. Et cum spiritu tuo. Gloria tibi domine. Anon. Anonymous
Appears on: 3–3v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Gloria tibi domine.
3v Set of responses Et cum spiritu tuo. Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Amen. Anon. Anonymous
Appears on: 3v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Amen. Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est. Amen.
4 Set of responses Sed libera nos a malo. Amen. Et cum spiritu tuo. Amen. Anon. Anonymous
Appears on: 4
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Sed libera nos a malo. Amen. Et cum spiritu tuo. Amen.
4v Set of responses Deo vero vivo eterno. Et cum spiritu tuo. Gloria tibi domine. Anon. Anonymous
Appears on: 4v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Deo vero vivo eterno. Et cum spiritu tuo. Gloria tibi domine.
5–7v Missa de Apostolis a5: KGSA (Gloria is from Isaac's Missa Solemnis) [Isaac]
Appears on: 5–7v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa de Apostolis] [KGSA]* *Gloria is from Isaacvs Missa Solemnis.
7v–10v Missa Solemnis a5: KGSA (Gloria is from Isaac's Missa Apostolis) H: Isaac
Appears on: 7v–10v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: H: Isaac
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Officium Angelicum [= Missa Solemnis] [KGSA]* *Gloria is from Isaacvs Missa de Apostolis.
10v–13 Missa Summum: KGSA Thomaso Stoltzer
Appears on: 10v–13
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Thomaso Stoltzer
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Summum [KGSA]
13v–15 Missa Angelicum: KG Tho: Stolczer [= Stoltzer]/[T. Wüst]
Appears on: 13v–15
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Tho: Stolczer [= Stoltzer]/[T. Wüst]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Angelicum [KG]
15v–18v Missa Pascale a5 KGSA H Isaac
Appears on: 15v–18v
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: H Isaac
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Pascale [KGSA]
18v–21 Missa J'ai pris amours = Die Geger Mess: KGSA H. Ysac [= Isaac]
Appears on: 18v–21
Genres: Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: H. Ysac [= Isaac]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Die Geger Mess [= Missa J'ay pris amours] [KGSA]
21–22v Patrem de village (II) 13.6 [Credo] [Brumel/Josquin]
Appears on: 21–22v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Brumel/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Vilayge] Patrem omnipotentem 13.6
22v–24 Patrem omnipotentem [Credo] Anon. Anonymous
Appears on: 22v–24
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
25–32v Missa Panis quem ego dabo Lupus Helynck [= Hellinck]
Appears on: 25–32v
Genres: Mass Ordinary
Source Attribution: Lupus Helynck [= Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Panis quem ego dabo
33–37v Missa Philomena previa Richaforth [= Richafort]/[Sermisy]
Appears on: 33–37v
Genres: Mass Ordinary
Source Attribution: Richaforth [= Richafort]/[Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Philomena
40–43v Missa Mittit ad virginem Pe: Mallu [= Moulu]
Appears on: 40–43v
Genres: Mass Ordinary
Source Attribution: Pe: Mallu [= Moulu]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Mittit ad virginem
43v–48v Missa Quem dicunt homines Jo: Moton [= Mouton]
Appears on: 43v–48v
Genres: Mass Ordinary
Source Attribution: Jo: Moton [= Mouton]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Quem dicunt homines
51–57v Missa Bon temps reviendra tu jamais Anthoni Bru: [= Brumel]
Appears on: 51–57v
Genres: Mass Ordinary
Source Attribution: Anthoni Bru: [= Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Bon temps]
57v–63 Missa Cum jocunditate = Missa Dirige 3.4 Petri de La Rue/ [Josquin]
Appears on: 57v–63
Genres: Mass Ordinary
Source Attribution: Petri de La Rue/ [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Cum Jocunditate 3.4
General Note

lacks Agnus II

64–68v Missa L'homme armé I [La Rue]
Appears on: 64–68v
Genres: Mass Ordinary
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé]
68v–75 Missa Da pacem Domine 3.2 Jo: Mouton/[Bauldeweyn/ Josquin]
Appears on: 68v–75
Genres: Mass Ordinary
Source Attribution: Jo: Mouton/[Bauldeweyn/ Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Da pacem domine 3.2
76–77v Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) [Josquin/Mouton/Silva]
Appears on: 76–77v
Genres: Te Deum
Source Attribution: [Josquin/Mouton/Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur 26.16
77v–79 Si bona suscepimus de manu Domini II: Dominus dedit abstulit sicut III: In omnibus hiis non peccavit [Finck]
Appears on: 77v–79
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: Dominus dedit abstulit sicut III: In omnibus hiis non peccavit
79–80 Domine Jesu Christe memento quod tu II: Et concede mihi omnipotens Deus [B038] [Willaert]
Appears on: 79–80
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Domine Ihesu Christe memento quod tu II: Et concede mihi omnipotens deus
80–81v Auxilientur mihi domine Jesu Christe II: Et ideo de tua pietate confisca [Willaert]
Appears on: 80–81v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Auxilientur mihi domine Ihesu Christe II: Et ideo de tua pietate confisca
81v–82 Adonai Domine Deus magne et mirabilis [Jaquet of Mantua]
Appears on: 81v–82
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [Adonai] Domine deus magne et mirabilis
82–82v Ista est speciosa ista est pulchriora [Isaac]
Appears on: 82–82v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Ista est speciosa ista est pulchriora
82v–83 Rex autem David cooperto capite incedens [Gascongne/Lafage/ Lupus]
Appears on: 82v–83
Genres: Motet
Source Attribution: [Gascongne/Lafage/ Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Rex autem David cooperto capite
83–84 O quam magnificum est nomen tuum [Gascongne]
Appears on: 83–84
Genres: Motet
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: O quam magnificum est nomen tuum
84–84v O bone et dulcissime Jesu Christe [Jhan of Ferrara]
Appears on: 84–84v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: O bone et dulcissime Ihesu Christe
84v–85 Saepe expugnaverunt - 1a pars (of 2): Saepe expugnaverunt me a juventute mea [Arbiter/Buchner?]
Appears on: 84v–85
Genres: Motet
Source Attribution: [Arbiter/Buchner?]
Voice: [no designation]
Languages: Latin
Voice Text: Discubuit Ihesus et discipuli eius II: Et accepto pane gracias agerus III: Fecit asuerus grande convivium
85–85v Saepe expugnaverunt - 2a pars (of 2): Fiant sicut fenum tectorum -
Appears on: 85–85v
Genres: Motet
86–86v Mytten wir ym leben syndt mit dem tod [Bruck]
Appears on: 86–86v
Genres: Chorale, Sacred Song
Source Attribution: [Bruck]
Voice: [no designation]
Languages: German
Voice Text: Mytten wir ym leben syndt mit dem tod
86v–87v Caelorum candor splenduit novum sidus [Jaquet of Mantua]
Appears on: 86v–87v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Coelorum candor splenduit novum sydus
87v–88 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum [Willaert]
Appears on: 87v–88
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum
88v–89 Aspice Domine de sede sancta tua (4vv) [Jaquet of Mantua/ Lafage/Sermisy]
Appears on: 88v–89
Genres: Motet
Source Attribution: [Jaquet of Mantua/ Lafage/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine de sede sancta tua
89–90 Doce me Domine facere voluntatem tuam II: Educes de tribulacione anima [Jhan of Ferrara]
Appears on: 89–90
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Doce me domine facere voluntatem tua II: Educes de tribulacione anima
90–91 Quare tristis es anima mea et quare II: Quare oblitus es mei et quare III: Dum dicunt michi per singulos [Gascongne]
Appears on: 90–91
Genres: Motet
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Quare tristis es anima mea et quare II: Quare oblitus es mei et quare III: Dum dicunt michi per singulos
91v–92v Aspice Domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge [C. Festa/Gombert]
Appears on: 91v–92v
Genres: Motet
Source Attribution: [C. Festa/Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge
92v–94 Saulus adhuc spirans minarum et caedis II: Et cum iter faceret contingit III: Saule Saule quid me persequeris [Richafort]
Appears on: 92v–94
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Saulus adhuc spirans [minarum et caedis] II: Et cum iter faceret contingit III: Saule Saule quid me persequeris
94–95 Deus in nomine tuo salvum me fac II: Averte mala inimicis meis [Eckel]
Appears on: 94–95
Genres: Motet
Source Attribution: [Eckel]
Voice: [no designation]
Languages: Latin
Voice Text: Deus in nomine tuo salvum me fac II: Averte mala inimicis meis
95v–96 Adjuva me Domine et salvus ero et meditabor II: Servus tuus ego sum da mihi intellectum [Conseil]
Appears on: 95v–96
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva me domine et salvus ero II: Servus tuus ego sum da mihi
96v–97v Levavi oculos meos in montes unde II: Dominus custodit te Dominus [Gombert/Richafort]
Appears on: 96v–97v
Genres: Motet
Source Attribution: [Gombert/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Levavi oculos meos in montes unde II: Dominus custodit te dominus
97v–98v Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius [Sermisy]
Appears on: 97v–98v
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius II: Hec est generatio quaerentium
98v–99v Magnum hereditatis misterium (B058) [Willaert]
Appears on: 98v–99v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Magnum hereditatis misterium templum
99v–101 Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via [Willaert]
Appears on: 99v–101
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes immolant II: Dic nobis Maria quid vidisti
101–102 O praesul egregie clare lux laetitiae II: O plebs navetica non tanquam [Richafort]
Appears on: 101–102
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: O presul egregie clare lux leticie II: O plebs navetica non tanquam
102v–103 Petre tu pastor ovium princeps 20.10 [Josquin]
Appears on: 102v–103
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Petre tu pastor ovium princeps 20.10
103–104v In te domine speravi non confundar II: Quoniam fortitudo mea et refugium [Conseil]
Appears on: 103–104v
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
104v–105 Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) [Conseil/Lupi]
Appears on: 104v–105
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus Israhel II: Honor virtus et pietas et potestas
105v–106 In tua paciencia possedisti animam [Jaquet of Mantua]
Appears on: 105v–106
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: In tua paciencia possedisti animam
106–106v Cerne ergo meos gemitus miserere [Jhan of Ferrara]
Appears on: 106–106v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Cerne ergo meos gemitus miserere
107–108 Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) [Willaert]
Appears on: 107–108
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Nostra ut pura pectora
108–109 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum [Willaert]
Appears on: 108–109
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum ave domina angelorum II: Gaude gloriosa super omnes
109–110 Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/A. Févin/Josquin/Morales]
Appears on: 109–110
Genres: Motet
Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis 26.12
General Note

Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

110–111 Confessor Dei sancte Nicolae suscipe II: Ecce enim festus est nobis Alternate text: "Martir Christe sancte Sebastiane." [Sermisy]
Appears on: 110–111
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Confessor dei sancte Nicolae suscipe* II: Ecce enim festus est nobis *Alternate text: "Martir Christe sancte Sebastiane."
111–112 Domine Deus exercituum fortis et potens (2p. Igitur dissipa gentes que bella) [Mouton]
Appears on: 111–112
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus exercituum fortis et potens II: Igitur dissipa gentes que bella
112–113 Nigra sum sed formosa filiae Jerusalem II: Nolite me considerare quod fusca [Eckel]
Appears on: 112–113
Genres: Motet
Source Attribution: [Eckel]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filie Iherusalem II: Nolite me considerare quod fusca
113–114 Patefacte sunt janue caeli Christi II: Mortem enim quam salvator noster [Willaert]
Appears on: 113–114
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Patefacte sunt ianue celi Christi II: Mortem enim quam salvator noster
114–115 Surge Petre et indue te vestimentis tuis (2p. Angelus Domini astitit et lumen) [partes occasionally reversed] [Gombert/Mouton/ Verdelot]
Appears on: 114–115
Genres: Motet
Source Attribution: [Gombert/Mouton/ Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te vestimentis II: Angelus domini astitit et lux
115–116 Cur quisquam corradat opes jam resque [Gombert/Haugk/Mahu]
Appears on: 115–116
Genres: Motet
Source Attribution: [Gombert/Haugk/Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Cur quisquam corrodat opes iam resque
116–117v Alleluia. Regem ascendentem in caelum (2p. Non turbetur cor vestrum ego) [Moulu]
Appears on: 116–117v
Genres: Alleluia, Motet
Source Attribution: [Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Regem ascendentem in celum II: Non turbetur cor vestrum ego
118–119 Salve crux sancta arbor digna II: Causa eciam vite foret cunctis [Willaert]
Appears on: 118–119
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Salve crux sancta arbor digna II: Causa eciam vite foret cunctis
119–120 Benedicta es caelorum regina et mundi (2p. Per illud ave prolatum et tuum) (4vv) [Willaert]
Appears on: 119–120
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina II: Per illud ave prolatum
120v–121 Mirabile mysterium declaratur hodie (B059) [Willaert]
Appears on: 120v–121
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Mirabile misterium declaratur hodie
121–122 Non moriar sed vivam et narrabo opera [Senfl]
Appears on: 121–122
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Non moriar sed vivam et narrabo opera
122–122v Alleluia. Laudate Dominum laudate 15.1 II: Quoniam confirmata est super nos [Josquin]
Appears on: 122–122v
Genres: Alleluia, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Laudate dominum laudate 15.1 II: Quoniam confirmata est super nos
123–124 Beati omnes qui timent Dominum qui ambulant II: Ecce sic benedicetur homo qui timet [Gombert/Hellinck]
Appears on: 123–124
Genres: Motet
Source Attribution: [Gombert/Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum II: Ecce sic benedicetur homo
124–125v Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) [Courtois]
Appears on: 124–125v
Genres: Motet
Source Attribution: [Courtois]
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit in tabernaculo II: Ad nihilum deductus est in conspectu
125v–127 Domini est terra et plenitudo eius II: Haec est generacio querencium [La Rue]
Appears on: 125v–127
Genres: Motet
Source Attribution: [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius II: Hec est generacio querencium
127–128 Congratulamini mihi omnes qui diligitis [Sermisy/Verdelot]
Appears on: 127–128
Genres: Motet
Source Attribution: [Sermisy/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini michi omnes qui diligitis
128–128v Ite in mundum universum Alleluia 19.11 [Josquin]
Appears on: 128–128v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in mundum universum halleluia 19.11
129–129v Alleluia Hodie Christus natus est = Palle palle [Capella/Isaac]
Appears on: 129–129v
Genres: Alleluia, Motet
Source Attribution: [Capella/Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Hodie Christus natus est [= Palle palle]
129v–130v In illo tempore assumpsit Jesus duodecim 19.5 [Bruck/Josquin]
Appears on: 129v–130v
Genres: Motet
Source Attribution: [Bruck/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore assumpsit Ihesus 19.5
130v–132 Confitebor tibi Domine quoniam iratus II: Notas facite in populis ad invenciones Anon. Anonymous
Appears on: 130v–132
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine quoniam iratus II: Notas facite in populis ad invenciones
132–133v Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) [Ducis/Maffoni]
Appears on: 132–133v
Genres: Motet
Source Attribution: [Ducis/Maffoni]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudiet dominus vocem II: O domine libera animam meam
133v–134v Sit tibi laus sancta trinitas II: Sit tibi laus sancta trinitas Anon. Anonymous
Appears on: 133v–134v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sit tibi laus sancta trinitas II: Sit tibi laus sancta trinitas
136–136v Tota pulchra es amica mea et macula [Lebrun]
Appears on: 136–136v
Genres: Motet
Source Attribution: [Lebrun]
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
136v–138 Video in hac ara crucis sacerdos II: Equidem si moriendum est in tua [C. Festa?/Wircker?]
Appears on: 136v–138
Genres: Motet
Source Attribution: [C. Festa?/Wircker?]
Voice: [no designation]
Languages: Latin
Voice Text: Video in hac ara crucis sacerdos II: Equidem si moriendum est in tua
138–139 Ecce quam bonum et quam jucundum habitare [Mahu]
Appears on: 138–139
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iocundum
139–139v Unum cole Deum nec vana iura per ipsum [Willaert]
Appears on: 139–139v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Unum cole deum nec vana iura per ipsum
139v–140 Ecce Maria genuit nobis salvatorem (B043) [Willaert]
Appears on: 139v–140
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem
140–140v Ego infelix peccator confiteor Deo [Barri/Willaert]
Appears on: 140–140v
Genres: Motet
Source Attribution: [Barri/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ego infelix peccator confiteor deo
140v–142v Parce mihi domine nihil enim sunt dies II: Peccavi quid faciam tibi O custos [Barri/Willaert]
Appears on: 140v–142v
Genres: Motet
Source Attribution: [Barri/Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Parce mihi domine nihil enim sunt dies II: Peccavi quid faciam tibi O custos
142v–144 Domine refugium factus es nobis II: Notum fecisti nobis letatem tua [Willaert]
Appears on: 142v–144
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Domine refugium factus es nobis II: Notum fecisti nobis letatem tua
144–144v Ascendens Christus in altum Alleluia [Willaert]
Appears on: 144–144v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum halleluia
144v–147 Deus venerunt gentes in hereditatem tuam (2p. Effunde iram tuam in gentes; 3p. Adjuva nos Deus salutaris noster) [Conseil]
Appears on: 144v–147
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Deus venerunt gentes in hereditatem II: Effunde iram tuam in gentes III: Adiuva nos deus salutaris
147–148 Domine Jesu Christe fili Dei vivi qui de caelis [B037] [Willaert]
Appears on: 147–148
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Domine Ihesu Christe fili dei vivi
148–148v Regina caeli laetare halleluia II: Resurrexit sicut dixit Alleluia Anon. Anonymous
Appears on: 148–148v
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi laetare halleluia II: Resurrexit sicut dixit halleluia
149–150v Inviolata integra et casta es Maria II: Nostra ut pura pectora III: O benigna O regina O Maria Anon. Anonymous
Appears on: 149–150v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Nostra ut pura pectora III: O benigna O regina O Maria
150v–151v Si autem impius egerit penitenciam Anon. Anonymous
Appears on: 150v–151v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si autem impius egerit penitenciam
151v–152 Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram [L. Padovano]
Appears on: 151v–152
Genres: Motet
Source Attribution: [L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus et super hanc petram
152v–153 Dum preambularet Dominus juxta mare Anon. Anonymous
Appears on: 152v–153
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dum preambularet dominus iuxta mare
153–154 Domine quid multiplicati sunt qui tribulant II: Ego dormivi et soporatus sum [Conseil]
Appears on: 153–154
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Domine quid multiplicati sunt qui tribulant II: Ego dormivi et soporatus sum
154–154v Nativitas gloriose virginis Marie Anon. Anonymous
Appears on: 154–154v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas gloriose virginis Marie
154v–156 Regina caeli 25.2 II. Resurrexit sicut dixit Alleluia [Josquin]
Appears on: 154v–156
Genres: Regina caeli laetare
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi laetare halleluia 25.2 II: Resurrexit sicut dixit halleluia
156–156v Ecce quam bonum et quam jucundum habitare [Verdelot]
Appears on: 156–156v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iocundum
156v–157 Ecce nunc benedicite omnes servi Domini qui statis [Verdelot]
Appears on: 156v–157
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [Ecce nunc benedicite] Omnes servi domini qui statis
157–158v In convertendo Dominus captivitatem Sion II: Convertere domine captivitatem [Mahu]
Appears on: 157–158v
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Syon II: Convertere domine captivitatem
Composer Compositions
Anonymous
Barre, Leonardo (fl. 1537-after 1555)
Bauldeweyn, Noel (ca. 1480–1529)
Bruck, Arnold von (ca. 1500–1554)
Brumel, Antoine (ca. 1460–ca. 1513)
Capellus, Andreas
Conseil, Jean (ca. 1498–1534)
Courtois, Jean (fl. 1530-1545)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Eckel, Matthias
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Finck, Heinrich
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hagenperger, H.
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lupi, Johannes (ca. 1506–1539)
Maffoni, Hieronymus
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Padovano [Patavus], Laurus
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Adjuva me Domine et salvus ero et meditabor II: Servus tuus ego sum da mihi intellectum 95v–96
Adonai Domine Deus magne et mirabilis 81v–82
Alleluia Hodie Christus natus est = Palle palle 129–129v
Alleluia. Laudate Dominum laudate 15.1 II: Quoniam confirmata est super nos 122–122v
Alleluia. Regem ascendentem in caelum (2p. Non turbetur cor vestrum ego) 116–117v
Ascendens Christus in altum Alleluia 144–144v
Aspice Domine de sede sancta tua (4vv) 88v–89
Aspice Domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge 91v–92v
Auxilientur mihi domine Jesu Christe II: Et ideo de tua pietate confisca 80–81v
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum 87v–88
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum 108–109
Beati omnes qui timent Dominum qui ambulant II: Ecce sic benedicetur homo qui timet 123–124
Benedicite Dominus Jesus Christus Anonymous 1
Benedicta es caelorum regina et mundi (2p. Per illud ave prolatum et tuum) (4vv) 119–120
Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) 104v–105
Caelorum candor splenduit novum sidus 86v–87v
Cerne ergo meos gemitus miserere 106–106v
Confessor Dei sancte Nicolae suscipe II: Ecce enim festus est nobis Alternate text: "Martir Christe sancte Sebastiane." 110–111
Confitebor tibi Domine quoniam iratus II: Notas facite in populis ad invenciones Anonymous 130v–132
Congratulamini mihi omnes qui diligitis 127–128
Cur quisquam corradat opes jam resque 115–116
Deus in nomine tuo salvum me fac II: Averte mala inimicis meis 94–95
Deus venerunt gentes in hereditatem tuam (2p. Effunde iram tuam in gentes; 3p. Adjuva nos Deus salutaris noster) 144v–147
Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) 132–133v
Doce me Domine facere voluntatem tuam II: Educes de tribulacione anima 89–90
Domine Deus exercituum fortis et potens (2p. Igitur dissipa gentes que bella) 111–112
Domine Jesu Christe fili Dei vivi qui de caelis [B037] 147–148
Domine Jesu Christe memento quod tu II: Et concede mihi omnipotens Deus [B038] 79–80
Domine quid multiplicati sunt qui tribulant II: Ego dormivi et soporatus sum 153–154
Domine quis habitabit in tabernaculo suo (2p. Ad nihilum deductus est in conspectu) 124–125v
Domine refugium factus es nobis II: Notum fecisti nobis letatem tua 142v–144
Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius 97v–98v
Domini est terra et plenitudo eius II: Haec est generacio querencium 125v–127
Dum preambularet Dominus juxta mare Anonymous 152v–153
Ecce Maria genuit nobis salvatorem (B043) 139v–140
Ecce nunc benedicite omnes servi Domini qui statis 156v–157
Ecce quam bonum et quam jucundum habitare 138–139
Ecce quam bonum et quam jucundum habitare 156–156v
Ego infelix peccator confiteor Deo 140–140v
In convertendo Dominus captivitatem Sion II: Convertere domine captivitatem 157–158v
In illo tempore assumpsit Jesus duodecim 19.5 129v–130v
In te domine speravi non confundar II: Quoniam fortitudo mea et refugium 103–104v
In tua paciencia possedisti animam 105v–106
Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) 107–108
Inviolata integra et casta es Maria II: Nostra ut pura pectora III: O benigna O regina O Maria Anonymous 149–150v
Ista est speciosa ista est pulchriora 82–82v
Ite in mundum universum Alleluia 19.11 128–128v
Laus Deo pax vivis reges sit eterna Anonymous 1v
Levavi oculos meos in montes unde II: Dominus custodit te Dominus 96v–97v
Magnum hereditatis misterium (B058) 98v–99v
Mirabile mysterium declaratur hodie (B059) 120v–121
Missa Angelicum: KG 13v–15
Missa Bon temps reviendra tu jamais 51–57v
Missa Cum jocunditate = Missa Dirige 3.4 57v–63
Missa Da pacem Domine 3.2 68v–75
Missa de Apostolis a5: KGSA (Gloria is from Isaac's Missa Solemnis) 5–7v
Missa J'ai pris amours = Die Geger Mess: KGSA 18v–21
Missa L'homme armé I 64–68v
Missa Mittit ad virginem 40–43v
Missa Panis quem ego dabo 25–32v
Missa Pascale a5 KGSA 15v–18v
Missa Philomena previa 33–37v
Missa Quem dicunt homines 43v–48v
Missa Solemnis a5: KGSA (Gloria is from Isaac's Missa Apostolis) 7v–10v
Missa Summum: KGSA 10v–13
Mytten wir ym leben syndt mit dem tod 86–86v
Nativitas gloriose virginis Marie Anonymous 154–154v
Nigra sum sed formosa filiae Jerusalem II: Nolite me considerare quod fusca 112–113
Non moriar sed vivam et narrabo opera 121–122
O bone et dulcissime Jesu Christe 84–84v
O praesul egregie clare lux laetitiae II: O plebs navetica non tanquam 101–102
O quam magnificum est nomen tuum 83–84
Parce mihi domine nihil enim sunt dies II: Peccavi quid faciam tibi O custos 140v–142v
Patefacte sunt janue caeli Christi II: Mortem enim quam salvator noster 113–114
Patrem de village (II) 13.6 [Credo] 21–22v
Patrem omnipotentem [Credo] Anonymous 22v–24
Petre tu pastor ovium princeps 20.10 102v–103
Quare tristis es anima mea et quare II: Quare oblitus es mei et quare III: Dum dicunt michi per singulos 90–91
Regina caeli 25.2 II. Resurrexit sicut dixit Alleluia 154v–156
Regina caeli laetare halleluia II: Resurrexit sicut dixit Alleluia Anonymous 148–148v
Rex autem David cooperto capite incedens 82v–83
Saepe expugnaverunt - 1a pars (of 2): Saepe expugnaverunt me a juventute mea 84v–85
Saepe expugnaverunt - 2a pars (of 2): Fiant sicut fenum tectorum 85–85v
Salve crux sancta arbor digna II: Causa eciam vite foret cunctis 118–119
Sancta Trinitas unus Deus miserere nobis (6vv) 109–110
Saulus adhuc spirans minarum et caedis II: Et cum iter faceret contingit III: Saule Saule quid me persequeris 92v–94
Set of responses Amen. Et cum spiritu tuo. Gloria tibi domine. Anonymous 3–3v
Set of responses Deo vero vivo eterno. Et cum spiritu tuo. Gloria tibi domine. Anonymous 4v
Set of responses Et cum spiritu tuo. Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Amen. Anonymous 3v
Set of responses Sed libera nos a malo. Amen. Et cum spiritu tuo. Amen. Anonymous 4
Si autem impius egerit penitenciam Anonymous 150v–151v
Si bona suscepimus de manu Domini II: Dominus dedit abstulit sicut III: In omnibus hiis non peccavit 77v–79
Sit tibi laus sancta trinitas II: Sit tibi laus sancta trinitas Anonymous 133v–134v
Surge Petre et indue te vestimentis tuis (2p. Angelus Domini astitit et lumen) [partes occasionally reversed] 114–115
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) 76–77v
Tota pulchra es amica mea et macula 136–136v
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 151v–152
Unum cole Deum nec vana iura per ipsum 139–139v
Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via 99v–101
Video in hac ara crucis sacerdos II: Equidem si moriendum est in tua 136v–138

denotes primary source study

Dieleman, A M E. 2010. Berlin, Geheimes Staatsarchiv Preussischer Kulturbesitz MS 7: Codicological, Textual and Contextual Aspects of a Mid-Sixteenth-Century Prussian Music Manuscript. Universiteit Utrecht, Masters.

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe.  München.

Bowers, Roger, and Andrew B Wathey. 1984. New Sources of English Fifteenth- and Sixteenth-Century Polyphony. Early Music History, 299-349. Pages: 315-33 [incorporates completed study by David Fallows mentioned in Vol. II entry for this source]. Notes: physical description; contents list; concordances; texts; transcription; eFDis.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxvii, 35-8, 48, 73, 78, 23-9*, 52-3*; III, 18, 107-12, 178-9. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,142ff. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 134. Notes: concordances (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: (IV,xx-xxi. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 140-l. Notes: physical description (partial).

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III.xi. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 248, 276-8, 284-5, 318-9. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 140. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 167, 171-2, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: (II.xiv. Notes: concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62, 87; II, 159ff, 193-4. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: VI, xxiv-xxv. Notes: contents list (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1349-50. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, viii, 85ff. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft.  Kassel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XIX, xx-xxii. Notes: physical description (partial); contents list (partial); concordances (partial).

Müller-Blattau, Joseph. 1924. Die musikalischen Schätze der Staatsund Universitätsbibliothek zu Königsberg i. Pr. Zeitschrift für Musikwissenschaft, 215-39. Pages: 222-6. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

David Wyatt

Saturday, 10 June, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description