The Tenor and Quintus partbooks of set originally of five (?) volumes, now bound together with a Tenor book of print RISM S1146. Copied by one or two main scribes and one or more additional scribes; #53-54 copied by Mattheus Neander, who is named in inscription on f. 37 of Tenor book. Of east central German origin; possibly copied in Zwickau or Borna.
| Archive | Ratsschulbibliothek, Zwickau, Germany (D-Z) |
|---|---|
| Shelfmark | Mu 1348-1420 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 168 x 210 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 105 compositions, 100 from 17 composers, 5 are anonymous. |
General Description
Extent
ff 70 (Tenor) + 24 (Quintus)
Binding
Original covers of parchment cut from chant manuscript.
Notation
black void mensural
Foliation
Other numberings: Original ink numbering of pieces in two series, 1-52 + 1-29; two slightly later additions between first and second series numbered 53-54 by modern hand.
Foliation
Modern stamped foliation and modern pencil foliation in each book; both systems completely accurate and congruent. Tenor 70ff, Quintus 24ff.
Decoration
No initials or decoration.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Gloria, 29 motets, 5 German sacred pieces, 43 German secular pieces, 4 Italian secular pieces, 1 Latin secular piece = 83
Bacchius-1, (Brandt/Senfl)-1, Clemens non Papa-10, (Crecquillon)-1, C. Hollander-7, Ivo de Vento-7, Lassus-10, Le Maistre -3, Maillard-1, Meiland-2, G. Otto-7, Payen-1, Peu d'argent-1, Scandello-21, (Vaet)-1, Wert/(Lassus)-1, anon-8
("Lestu mir nichts zur letzte" (#21 of first series) attributed to "Matt. Le Maistre" by original scribe, but attribution subsequently crossed out, either by original scribe or by approximately contemporary hand. This piece not included in count of Le Maistre works in above list. See also OsN, 136.)
2 paper partbooks of an original 5? (T-70 folios, Q-24), 168 x 210, now bound together with T book of print RISM S1146. Modern stamped foliation and modern pencil foliation in each book; both systems completely accurate and congruent. Original ink numbering of pieces in two series, 1-52 + 1-29; two slightly later additions between first and second series numbered 53-54 by modern hand. Original covers of parchment cut from chant manuscript. No index. Copied by one or two main scribes and one or more additional scribes; #53-54 copied by Mattheus Neander, named in inscription on f. 37 of T book. No initials or decoration.
Last third of 16th century. Of east central German origin; possibly copied in Zwickau or Borna.
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‡ denotes primary source study
Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640). Tutzing. Pages: 136. Notes: contents list (partial); mention of MS; discussion.
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 4ff. Notes: contents list (partial); concordances (partial).
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 837. Notes: mention of MS.
Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 15. Notes: physical description (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description