D-Z Mu 1348-1420

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 1348-1420
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 168 x 210 mm
Other Identifiers
  • CCM: ZwiR 103/3
  • Other catalogues/source: VolBM 7
  • olim (Former shelfmark): Mus.103.3b
  • olim (Former shelfmark): MS 103,3
  • olim (Former shelfmark): 69.2.40
  • olim (Former shelfmark): MS CIII,3
Copyists
Relationships
External Authorities
Provenance
  • Zwickau or Borna? Bavaria, Germany
Contents 105 pieces from 18 composers
General Description

The Tenor and Quintus partbooks of set originally of five (?) volumes, now bound together with a Tenor book of print RISM S1146. Copied by one or two main scribes and one or more additional scribes; #53-54 copied by Mattheus Neander, who is named in inscription on f. 37 of Tenor book. Of east central German origin; possibly copied in Zwickau or Borna.

DIAMM, 2017
Extent

ff 70 (Tenor) + 24 (Quintus)

DIAMM, 2022
Binding

Original covers of parchment cut from chant manuscript.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces in two series, 1-52 + 1-29; two slightly later additions between first and second series numbered 53-54 by modern hand.

DIAMM, 2017
Foliation

Modern stamped foliation and modern pencil foliation in each book; both systems completely accurate and congruent. Tenor 70ff, Quintus 24ff.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria, 29 motets, 5 German sacred pieces, 43 German secular pieces, 4 Italian secular pieces, 1 Latin secular piece = 83

Bacchius-1, (Brandt/Senfl)-1, Clemens non Papa-10, (Crecquillon)-1, C. Hollander-7, Ivo de Vento-7, Lassus-10, Le Maistre -3, Maillard-1, Meiland-2, G. Otto-7, Payen-1, Peu d'argent-1, Scandello-21, (Vaet)-1, Wert/(Lassus)-1, anon-8

("Lestu mir nichts zur letzte" (#21 of first series) attributed to "Matt. Le Maistre" by original scribe, but attribution subsequently crossed out, either by original scribe or by approximately contemporary hand. This piece not included in count of Le Maistre works in above list. See also OsN, 136.)

2 paper partbooks of an original 5? (T-70 folios, Q-24), 168 x 210, now bound together with T book of print RISM S1146. Modern stamped foliation and modern pencil foliation in each book; both systems completely accurate and congruent. Original ink numbering of pieces in two series, 1-52 + 1-29; two slightly later additions between first and second series numbered 53-54 by modern hand. Original covers of parchment cut from chant manuscript. No index. Copied by one or two main scribes and one or more additional scribes; #53-54 copied by Mattheus Neander, named in inscription on f. 37 of T book. No initials or decoration.

Last third of 16th century. Of east central German origin; possibly copied in Zwickau or Borna.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v (Q: 1-1v) So will ich frisch und fröhlich sein Ant: Scandelli
Appears on: 1–1v (Q: 1-1v)
Genres: Lied
Source Attribution: Ant: Scandelli
1v Mit Lieb bin ich umfangen Ant. Scand.
Appears on: 1v
Genres: Lied
Source Attribution: Ant. Scand.
2–2v (Q: 1v-2) Von deinetwegen bin ich hie Scandell[us]
Appears on: 2–2v (Q: 1v-2)
Genres: Lied
Source Attribution: Scandell[us]
2v–3r (Q: 2-2v) Ach herziges Herz mein Schmerz erkennen tu Ant. Scandell.
Appears on: 2v–3r (Q: 2-2v)
Genres: Lied
Source Attribution: Ant. Scandell.
3–3v (Q: 2v-3v) Ich weiss mir ein festes gebautes haus Ant. Scand.
Appears on: 3–3v (Q: 2v-3v)
Genres: Song
Source Attribution: Ant. Scand.
4 Schein uns du liebe Sonne und gib uns deinen Schein Ant: Scand:
Appears on: 4
Genres: Lied
Source Attribution: Ant: Scand:
4–5 Ach Gott wem soll ichs klagen das heimliche leiden Ant: Scand:
Appears on: 4–5
Genres: Sacred Song
Source Attribution: Ant: Scand:
General Note

Notated with soprano clef

5–5v (Q: 3v-4) Es wollt' ein Jäg' jagen Iuo de Vento
Appears on: 5–5v (Q: 3v-4)
Genres: Lied
Source Attribution: Iuo de Vento
5v–6 (Q: 4-4v) Frau ich verhoff' in kurzer Zeit Iuo de Vento
Appears on: 5v–6 (Q: 4-4v)
Genres: Lied
Source Attribution: Iuo de Vento
6–6v (Q: 4v-5) Es folg ein klein' Waldvögelein Iuo de Vento
Appears on: 6–6v (Q: 4v-5)
Genres: Lied
Source Attribution: Iuo de Vento
7 (Q: 5v) Ich stund an einem Morgen Iuo de Vento
Appears on: 7 (Q: 5v)
Genres: Lied
Source Attribution: Iuo de Vento
7v–8 (Q: 6-6v) Ich sollt' einmal spazieren gahn Iuo de Vent[o]
Appears on: 7v–8 (Q: 6-6v)
Genres: Lied
Source Attribution: Iuo de Vent[o]
8–8v Ach edles Bild bis nicht so wild Christia: Hollander
Appears on: 8–8v
Genres: Lied
Source Attribution: Christia: Hollander
8v–9 Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) Clem. n. p.
Appears on: 8v–9
Genres: Contrafactum, Song
Source Attribution: Clem. n. p.
9–10 Ganz sehr betrubt ist mir mein Herz (2p. Scheiden von lieb und das thut weh; 3p. Scheiden und wer hat dich erdacht; 4p. Gesegne dich Gott) Jacob Meiland
Appears on: 9–10
Genres: Lied
Source Attribution: Jacob Meiland
10–10v Ganz sehr betrübt ist mir mein Herz Georg. Otto
Appears on: 10–10v
Genres: Lied
Source Attribution: Georg. Otto
11 Es ging ein Mäd' im Maien - Anonymous
Appears on: 11
Genres: Lied
General Note

Labelled "Ex Italico. Media Vox"

11–11v Den liebsten Buhlen den ich hab' Christia: Hollander
Appears on: 11–11v
Genres: Lied
Source Attribution: Christia: Hollander
12–12v Ach du edler Rebensaft wie wünsch' ich mir so oft Cle: no[n] Papam
Appears on: 12–12v
Genres: Lied
Source Attribution: Cle: no[n] Papam
12v Brich nicht an mir mein Zuversicht Matth. Le Maistre
Appears on: 12v
Genres: Lied
Source Attribution: Matth. Le Maistre
13 Lässtu mir nichts zur Letze Matth. Le Maistre
Appears on: 13
Genres: Lied
Source Attribution: Matth. Le Maistre
General Note

original attribution crossed out, either by original scribe or by approximately contemporary hand

13v Ich hett mir fürgenommen zu dienen - Anonymous
Appears on: 13v
Genres: Lied
14 Recht inniglich ich mir erwählt -
Appears on: 14
Genres: Lied
14 Ach Gott in meinem Herzen trag' ich brennende Schmerzen - Anonymous
Appears on: 14
Genres: Lied
14v Herz edle Frucht mit Ehr' und Zucht -
Appears on: 14v
Genres: Lied
14v–15 (Q: 6v-7) Im Maien hört man die Hahnen kreien -
Appears on: 14v–15 (Q: 6v-7)
Genres: Lied
15–15v Ich schwing mein horn ins jammerthal -
Appears on: 15–15v
Genres: Song
15v–16 (Q: 7-7v) Den liebsten Buhlen den ich hab' Scandell[us]
Appears on: 15v–16 (Q: 7-7v)
Genres: Lied
Source Attribution: Scandell[us]
16–17 (Q: 7v-9) Man sagt wohl - 1a pars (of 2): Man sagt wohl in dem Maien Scandell[us]
Appears on: 16–17 (Q: 7v-9)
Genres: Motet
Source Attribution: Scandell[us]
16–17 (Q: 7v-9) Man sagt wohl - 2a pars (of 2): Nu bis mir Gott willkommen -
Appears on: 16–17 (Q: 7v-9)
Genres: Lied
17–18 Ach Mädlein fein möcht es gesein Georg: Otto
Appears on: 17–18
Genres: Lied
Source Attribution: Georg: Otto
18–18v (Q: 9-9v) Gross' Lieb' hat mich umfangen -
Appears on: 18–18v (Q: 9-9v)
Genres: Lied
18v–19 (Q: 9v-10) Ein Mädlein sagt mir freundlich zu -
Appears on: 18v–19 (Q: 9v-10)
Genres: Lied
19v Marito me m'a ditto c'ho sì bona -
Appears on: 19v
Genres: Madrigal (Italian)
19v Fuse o donne belle Ant. Scan:
Appears on: 19v
Genres: Madrigal (Italian)
Source Attribution: Ant. Scan:
20–21v Cucurucu - 1a pars (of 2): Cucurucu u scontienta u beschina Ant: Scan:
Appears on: 20–21v
Genres: Canzon
Source Attribution: Ant: Scan:
20–21v Cucurucu - 2a pars (of 2): Lassa carumpa canella lassa Martina lassa Lucia -
Appears on: 20–21v
Genres: Canzon
21v–24 Der Wein der schmeckt - 1a pars (of 3): Der Wein der schmeckt mir also wohl Christ: Holl:
Appears on: 21v–24
Genres: Lied
Source Attribution: Christ: Holl:
21v–24 Der Wein der schmeckt - 2a pars (of 3): Das glaub' ich gern ich armes Weib -
Appears on: 21v–24
Genres: Lied
21v–24 Der Wein der schmeckt - 3a pars (of 3): O Weib es ist ein alt's Sprichwort -
Appears on: 21v–24
Genres: Lied
24–25 Ist keiner hie - 1a pars (of 2): Ist keiner hie der spricht zu mir Christ: Holl:
Appears on: 24–25
Genres: Lied
Source Attribution: Christ: Holl:
24–25 Ist keiner hie - 2a pars (of 2): Mich dürst' so sehr schenk tapfer ein -
Appears on: 24–25
Genres: Lied
25v–26 Das mir Niemands hold ist Christ: Holl:
Appears on: 25v–26
Genres: Lied
Source Attribution: Christ: Holl:
26–26v Schön bin ich nit Iuo de Vento
Appears on: 26–26v
Genres: Lied
Source Attribution: Iuo de Vento
27–27v Die Brünnlein die da fließen Iuo de Vento
Appears on: 27–27v
Genres: Lied
Source Attribution: Iuo de Vento
27v–28 Die Brünnlein die da fließen Ant: Scand:
Appears on: 27v–28
Genres: Canzon
Source Attribution: Ant: Scand:
28v Kein Lieb' ohn' Leid mag mir nicht widerfahren -
Appears on: 28v
Genres: Lied
29–29v Den schönsten Buhlen den ich hab' Georg. Otto
Appears on: 29–29v
Genres: Lied
Source Attribution: Georg. Otto
29v–30 (Q: 10v-11) Itzt geht's an ein Scheiden Georg. Otto
Appears on: 29v–30 (Q: 10v-11)
Genres: Lied
Source Attribution: Georg. Otto
30v–31 (Q: 11-11v) Wie schön blüht uns der Maien Georg. Otto
Appears on: 30v–31 (Q: 11-11v)
Genres: Lied
Source Attribution: Georg. Otto
31–31v Bleibe bei uns Herr Jesu Christ Georg. Otto
Appears on: 31–31v
Genres: Sacred Song
Source Attribution: Georg. Otto
31v–32 Wohlauf gut Gesell' von hinnen Georg Otto
Appears on: 31v–32
Genres: Lied
Source Attribution: Georg Otto
General Note

Labelled "Ad Aequales. Media Vox."

32–32v Ach wie ist doch so schwere Pein Ant: Scand:
Appears on: 32–32v
Genres: Lied
Source Attribution: Ant: Scand:
32v–34 Gleichwie Moses - 1a pars (of 2): Gleichwie Moses in der Wüsten Ant: Scand:
Appears on: 32v–34
Genres: Motet
Source Attribution: Ant: Scand:
32v–34 Gleichwie Moses - 2a pars (of 2): Also hat Gott die Welt geliebet -
Appears on: 32v–34
Genres: Motet
34–35 Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele Ant: Scand:
Appears on: 34–35
Genres: Chorale, Sacred Song
Source Attribution: Ant: Scand:
34–35 Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt -
Appears on: 34–35
Genres: Motet
35v (Q: 11v-12) Vater unser im Himmelreich Orl. di Lass[us]
Appears on: 35v (Q: 11v-12)
Genres: Motet, Pater noster
Source Attribution: Orl. di Lass[us]
36 (Q: 12-12v) Ich ruf' zu dir herr Jesu Christ Orl. di Lass[us]
Appears on: 36 (Q: 12-12v)
Genres: Motet
Source Attribution: Orl. di Lass[us]
36v Est salus nobis Dominus benigna et fugae - Anonymous
Appears on: 36v
Genres: Motet
General Note

This and the following piece are the later additions by Mattheus Neander

37 Veni novena -
Appears on: 37
Genres: Motet
General Note

at end "In memoriam Christoph. Nackij cum ex illustrj Academia Lipsensj discederet, scribebat haec Mattheus Neander Coldicensis, tunc temporis Cantor in Borna." VollhardtC (1899) suggests that 'scribebat' implies composition as well as copying.

40–40v (Q: 13-13v) Vitam quae faciunt beatiorem jucundissime -
Appears on: 40–40v (Q: 13-13v)
Genres: Motet
40v–41 Gloria tibi Domine gloria tibi sancte CLEMENS N. PAPA
Appears on: 40v–41
Genres: Response
Source Attribution: CLEMENS N. PAPA
41v–42 (Q: 13v-14) Gaudete filiae Jerusalem nam flores apparuerunt Jac: Meil:
Appears on: 41v–42 (Q: 13v-14)
Genres: Motet
Source Attribution: Jac: Meil:
General Note

Quintus is here 2nd Altus

42v–43v Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require -
Appears on: 42v–43v
Genres: Motet
42v–43v Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias -
Appears on: 42v–43v
Genres: Motet
43v–45 Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem Clem N. P.
Appears on: 43v–45
Genres: Motet
Source Attribution: Clem N. P.
43v–45 Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac -
Appears on: 43v–45
Genres: Motet
45–45v Habe fiduciam in Domino Anton. Scand:
Appears on: 45–45v
Genres: Motet
Source Attribution: Anton. Scand:
45v–47 Dominus Deus - 1a pars (of 2): Dominus Deus salutis meae Nicolaus Paÿen
Appears on: 45v–47
Genres: Motet
Source Attribution: Nicolaus Paÿen
45v–47 Dominus Deus - 2a pars (of 2): Confige ergo pater consolationis -
Appears on: 45v–47
Genres: Motet
47–47v O fili Dei memento semper mei qui sum C. N. P. [=Clemens Non Papa]
Appears on: 47–47v
Genres: Motet
Source Attribution: C. N. P. [=Clemens Non Papa]
47v–48v Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens C: N. P. [=Clemens Non Papa]
Appears on: 47v–48v
Genres: Motet
Source Attribution: C: N. P. [=Clemens Non Papa]
47v–48v Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt -
Appears on: 47v–48v
Genres: Motet
48v–49v (Q: 14v-15) Omnia quae fecisti nobis Domine in vero Orland. di Lass[us]
Appears on: 48v–49v (Q: 14v-15)
Genres: Motet
Source Attribution: Orland. di Lass[us]
49v–50 (Q: 15-15v) Veni in hortum meum Orl: Di Lassus
Appears on: 49v–50 (Q: 15-15v)
Genres: Motet
Source Attribution: Orl: Di Lassus
50–51 (Q: 16-16v) In me transierunt irae tuae Orl. di Lass[us]
Appears on: 50–51 (Q: 16-16v)
Genres: Motet
Source Attribution: Orl. di Lass[us]
51–51v Veni in hortum meum - Anonymous
Appears on: 51–51v
Genres: Motet
51v–52 (Q: 16v-17) Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Orl: Di Lass[us]
Appears on: 51v–52 (Q: 16v-17)
Genres: Motet
Source Attribution: Orl: Di Lass[us]
General Note

Quintus = Tenor 2

51v–52 (Q: 16v-17) Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 51v–52 (Q: 16v-17)
Genres: Motet
General Note

Quintus = Tenor 2

52v–53 (Q: 17v) Susanna se videns rapi stuprandam fraude (5vv) Orl: Di Lass[us]
Appears on: 52v–53 (Q: 17v)
Genres: Contrafactum, Motet
Source Attribution: Orl: Di Lass[us]
General Note

Quintus - alto clef

53–53v (Q: 18-18v) Ingenmuit Susanna [= Susanna se videns] Christ: Holl:
Appears on: 53–53v (Q: 18-18v)
Genres: Contrafactum, Motet
Source Attribution: Christ: Holl:
General Note

Quintus labelled "2d[us] Tenor"

54–54v (Q: 18v-19v) Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis Orl: Di Lass[us]
Appears on: 54–54v (Q: 18v-19v)
Genres: Motet
Source Attribution: Orl: Di Lass[us]
54–54v (Q: 18v-19v) Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph -
Appears on: 54–54v (Q: 18v-19v)
Genres: Motet
54v–56 Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium nobilis Clemens no[n] Papa
Appears on: 54v–56
Genres: Motet
Source Attribution: nobilis Clemens no[n] Papa
54v–56 Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans -
Appears on: 54v–56
Genres: Motet
56v–57 Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras C. N. P. [=Clemens Non Papa]
Appears on: 56v–57
Genres: Monophonic conductus
Source Attribution: C. N. P. [=Clemens Non Papa]
56v–57 Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est -
Appears on: 56v–57
Genres: Motet
57v–58 Venit ergo rex die septimo ut lugeret C. N. P. [=Clemens Non Papa]
Appears on: 57v–58
Genres: Motet
Source Attribution: C. N. P. [=Clemens Non Papa]
58v–59 Vidi Jerusalem descendentem de caelo ornatam C. N. P. [=Clemens Non Papa]
Appears on: 58v–59
Genres: Motet
Source Attribution: C. N. P. [=Clemens Non Papa]
59–59v Praeparate corda vestra Domino et servite Maillart
Appears on: 59–59v
Genres: Motet
Source Attribution: Maillart
59v–60 (Q: 19v-20) Rusticus amabilem obsecrabat virginem Christ: Holl:
Appears on: 59v–60 (Q: 19v-20)
Genres: Motet
Source Attribution: Christ: Holl:
General Note

Quintus labelled "2d[us] Discant[us]"

60–61 (Q: 20-21) Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Jaches Werth
Appears on: 60–61 (Q: 20-21)
Genres: Motet
Source Attribution: Jaches Werth
General Note

Quintus - alto clef

60–61 (Q: 20-21) Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 60–61 (Q: 20-21)
Genres: Motet
General Note

Quintus - alto clef

61v–62v Fertur in conviviis - 1a pars (of 6): Fertur in conviviis Orl: di Lass[us]
Appears on: 61v–62v
Genres: Chanson
Source Attribution: Orl: di Lass[us]
General Note

Unclear whether all partes are copied

61v–62v Fertur in conviviis - 2a pars (of 6): Volo inter omnia -
Appears on: 61v–62v
Genres: Chanson
61v–62v Fertur in conviviis - 3a pars (of 6): Potatores incliti -
Appears on: 61v–62v
Genres: Chanson
61v–62v Fertur in conviviis - 4a pars (of 6): Meum est propositum -
Appears on: 61v–62v
Genres: Chanson
61v–62v Fertur in conviviis - 5a pars (of 6): Et plusque ecclesiam -
Appears on: 61v–62v
Genres: Chanson
61v–62v Fertur in conviviis - 6a pars (of 6): Requiem aeternam -
Appears on: 61v–62v
Genres: Chanson
62v–63v (Q: 21-22v ) Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco Johan de Bachi
Appears on: 62v–63v (Q: 21-22v )
Genres: Motet
Source Attribution: Johan de Bachi
62v–63v (Q: 21-22v ) Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 62v–63v (Q: 21-22v )
64–64v (Q: 22v-23v) Pater noster Martin: Peüdargent
Appears on: 64–64v (Q: 22v-23v)
Genres: Motet, Pater noster
Source Attribution: Martin: Peüdargent
64v–65 Domine Deus pater caelestis benedic nobis Ant. Scand.
Appears on: 64v–65
Genres: Motet
Source Attribution: Ant. Scand.
65–65v Gratias agimus tibi Domine Deus eiusdem ['the same' - Scandello]
Appears on: 65–65v
Genres: Motet
Source Attribution: eiusdem ['the same' - Scandello]
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Maillard, Jean (fl. c1538–1570)
Meiland, Jacob (1542–1577)
Neander, Mattheus
Otto, Georg
Payen, Nicolas
Peudargent, Martin von Huy
Scandello, Antonio
Senfl, Ludwig (ca. 1486–ca. 1543)
Vaet, Jacobus (ca. 1529–ca. 1567)
Vento, Ivo de
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Ach du edler Rebensaft wie wünsch' ich mir so oft 12–12v
Ach edles Bild bis nicht so wild 8–8v
Ach Gott in meinem Herzen trag' ich brennende Schmerzen Anonymous 14
Ach Gott wem soll ichs klagen das heimliche leiden 4–5
Ach herziges Herz mein Schmerz erkennen tu 2v–3r (Q: 2-2v)
Ach Mädlein fein möcht es gesein 17–18
Ach wie ist doch so schwere Pein 32–32v
Bleibe bei uns Herr Jesu Christ 31–31v
Brich nicht an mir mein Zuversicht 12v
Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium 54v–56
Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans 54v–56
Cucurucu - 1a pars (of 2): Cucurucu u scontienta u beschina 20–21v
Cucurucu - 2a pars (of 2): Lassa carumpa canella lassa Martina lassa Lucia 20–21v
Das mir Niemands hold ist 25v–26
Den liebsten Buhlen den ich hab' 11–11v
Den liebsten Buhlen den ich hab' 15v–16 (Q: 7-7v)
Den schönsten Buhlen den ich hab' 29–29v
Der Wein der schmeckt - 1a pars (of 3): Der Wein der schmeckt mir also wohl 21v–24
Der Wein der schmeckt - 2a pars (of 3): Das glaub' ich gern ich armes Weib 21v–24
Der Wein der schmeckt - 3a pars (of 3): O Weib es ist ein alt's Sprichwort 21v–24
Die Brünnlein die da fließen 27–27v
Die Brünnlein die da fließen 27v–28
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis 54–54v (Q: 18v-19v)
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph 54–54v (Q: 18v-19v)
Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens 47v–48v
Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt 47v–48v
Domine Deus pater caelestis benedic nobis 64v–65
Dominus Deus - 1a pars (of 2): Dominus Deus salutis meae 45v–47
Dominus Deus - 2a pars (of 2): Confige ergo pater consolationis 45v–47
Ein Mädlein sagt mir freundlich zu 18v–19 (Q: 9v-10)
Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) 8v–9
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require 42v–43v
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias 42v–43v
Es folg ein klein' Waldvögelein 6–6v (Q: 4v-5)
Es ging ein Mäd' im Maien Anonymous 11
Es wollt' ein Jäg' jagen 5–5v (Q: 3v-4)
Est salus nobis Dominus benigna et fugae Anonymous 36v
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 62v–63v (Q: 21-22v )
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 62v–63v (Q: 21-22v )
Fertur in conviviis - 1a pars (of 6): Fertur in conviviis 61v–62v
Fertur in conviviis - 2a pars (of 6): Volo inter omnia 61v–62v
Fertur in conviviis - 3a pars (of 6): Potatores incliti 61v–62v
Fertur in conviviis - 4a pars (of 6): Meum est propositum 61v–62v
Fertur in conviviis - 5a pars (of 6): Et plusque ecclesiam 61v–62v
Fertur in conviviis - 6a pars (of 6): Requiem aeternam 61v–62v
Frau ich verhoff' in kurzer Zeit 5v–6 (Q: 4-4v)
Fuse o donne belle 19v
Ganz sehr betrubt ist mir mein Herz (2p. Scheiden von lieb und das thut weh; 3p. Scheiden und wer hat dich erdacht; 4p. Gesegne dich Gott) 9–10
Ganz sehr betrübt ist mir mein Herz 10–10v
Gaudete filiae Jerusalem nam flores apparuerunt 41v–42 (Q: 13v-14)
Gleichwie Moses - 1a pars (of 2): Gleichwie Moses in der Wüsten 32v–34
Gleichwie Moses - 2a pars (of 2): Also hat Gott die Welt geliebet 32v–34
Gloria tibi Domine gloria tibi sancte 40v–41
Gratias agimus tibi Domine Deus 65–65v
Gross' Lieb' hat mich umfangen 18–18v (Q: 9-9v)
Habe fiduciam in Domino 45–45v
Herz edle Frucht mit Ehr' und Zucht 14v
Ich hett mir fürgenommen zu dienen Anonymous 13v
Ich ruf' zu dir herr Jesu Christ 36 (Q: 12-12v)
Ich schwing mein horn ins jammerthal 15–15v
Ich sollt' einmal spazieren gahn 7v–8 (Q: 6-6v)
Ich stund an einem Morgen 7 (Q: 5v)
Ich weiss mir ein festes gebautes haus 3–3v (Q: 2v-3v)
Im Maien hört man die Hahnen kreien 14v–15 (Q: 6v-7)
In me transierunt irae tuae 50–51 (Q: 16-16v)
Ingenmuit Susanna [= Susanna se videns] 53–53v (Q: 18-18v)
Ist keiner hie - 1a pars (of 2): Ist keiner hie der spricht zu mir 24–25
Ist keiner hie - 2a pars (of 2): Mich dürst' so sehr schenk tapfer ein 24–25
Itzt geht's an ein Scheiden 29v–30 (Q: 10v-11)
Kein Lieb' ohn' Leid mag mir nicht widerfahren 28v
Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele 34–35
Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt 34–35
Lässtu mir nichts zur Letze 13
Man sagt wohl - 1a pars (of 2): Man sagt wohl in dem Maien 16–17 (Q: 7v-9)
Man sagt wohl - 2a pars (of 2): Nu bis mir Gott willkommen 16–17 (Q: 7v-9)
Marito me m'a ditto c'ho sì bona 19v
Mit Lieb bin ich umfangen 1v
O fili Dei memento semper mei qui sum 47–47v
Omnia quae fecisti nobis Domine in vero 48v–49v (Q: 14v-15)
Pater noster 64–64v (Q: 22v-23v)
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem 43v–45
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 43v–45
Praeparate corda vestra Domino et servite 59–59v
Recht inniglich ich mir erwählt 14
Rusticus amabilem obsecrabat virginem 59v–60 (Q: 19v-20)
Schein uns du liebe Sonne und gib uns deinen Schein 4
Schön bin ich nit 26–26v
So will ich frisch und fröhlich sein 1–1v (Q: 1-1v)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 51v–52 (Q: 16v-17)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 51v–52 (Q: 16v-17)
Susanna se videns rapi stuprandam fraude (5vv) 52v–53 (Q: 17v)
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 60–61 (Q: 20-21)
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 60–61 (Q: 20-21)
Vater unser im Himmelreich 35v (Q: 11v-12)
Veni in hortum meum 49v–50 (Q: 15-15v)
Veni in hortum meum Anonymous 51–51v
Veni novena 37
Venit ergo rex die septimo ut lugeret 57v–58
Vidi Jerusalem descendentem de caelo ornatam 58v–59
Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras 56v–57
Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est 56v–57
Vitam quae faciunt beatiorem jucundissime 40–40v (Q: 13-13v)
Von deinetwegen bin ich hie 2–2v (Q: 1v-2)
Wie schön blüht uns der Maien 30v–31 (Q: 11-11v)
Wohlauf gut Gesell' von hinnen 31v–32

denotes primary source study

Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640).  Tutzing. Pages: 136. Notes: contents list (partial); mention of MS; discussion.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 4ff. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: mention of MS.

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 15. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description