Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1–1v (Q: 1-1v) | So will ich frisch und fröhlich sein | Ant: Scandelli | |
Appears on:
1–1v (Q: 1-1v)
Genres:
Lied
Source Attribution:
Ant: Scandelli
|
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1v | Mit Lieb bin ich umfangen | Ant. Scand. | |
Appears on:
1v
Genres:
Lied
Source Attribution:
Ant. Scand.
|
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2–2v (Q: 1v-2) | Von deinetwegen bin ich hie | Scandell[us] | |
Appears on:
2–2v (Q: 1v-2)
Genres:
Lied
Source Attribution:
Scandell[us]
|
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2v–3r (Q: 2-2v) | Ach herziges Herz mein Schmerz erkennen tu | Ant. Scandell. | |
Appears on:
2v–3r (Q: 2-2v)
Genres:
Lied
Source Attribution:
Ant. Scandell.
|
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3–3v (Q: 2v-3v) | Ich weiss mir ein festes gebautes haus | Ant. Scand. | |
Appears on:
3–3v (Q: 2v-3v)
Genres:
Song
Source Attribution:
Ant. Scand.
|
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4 | Schein uns du liebe Sonne und gib uns deinen Schein | Ant: Scand: | |
Appears on:
4
Genres:
Lied
Source Attribution:
Ant: Scand:
|
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4–5 | Ach Gott wem soll ichs klagen das heimliche leiden | Ant: Scand: | |
Appears on:
4–5
Genres:
Sacred Song
Source Attribution:
Ant: Scand:
General NoteNotated with soprano clef |
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5–5v (Q: 3v-4) | Es wollt' ein Jäg' jagen | Iuo de Vento | |
Appears on:
5–5v (Q: 3v-4)
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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5v–6 (Q: 4-4v) | Frau ich verhoff' in kurzer Zeit | Iuo de Vento | |
Appears on:
5v–6 (Q: 4-4v)
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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6–6v (Q: 4v-5) | Es folg ein klein' Waldvögelein | Iuo de Vento | |
Appears on:
6–6v (Q: 4v-5)
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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7 (Q: 5v) | Ich stund an einem Morgen | Iuo de Vento | |
Appears on:
7 (Q: 5v)
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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7v–8 (Q: 6-6v) | Ich sollt' einmal spazieren gahn | Iuo de Vent[o] | |
Appears on:
7v–8 (Q: 6-6v)
Genres:
Lied
Source Attribution:
Iuo de Vent[o]
|
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8–8v | Ach edles Bild bis nicht so wild | Christia: Hollander | |
Appears on:
8–8v
Genres:
Lied
Source Attribution:
Christia: Hollander
|
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8v–9 | Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) | Clem. n. p. | |
Appears on:
8v–9
Genres:
Contrafactum, Song
Source Attribution:
Clem. n. p.
|
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9–10 | Ganz sehr betrubt ist mir mein Herz (2p. Scheiden von lieb und das thut weh; 3p. Scheiden und wer hat dich erdacht; 4p. Gesegne dich Gott) | Jacob Meiland | |
Appears on:
9–10
Genres:
Lied
Source Attribution:
Jacob Meiland
|
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10–10v | Ganz sehr betrübt ist mir mein Herz | Georg. Otto | |
Appears on:
10–10v
Genres:
Lied
Source Attribution:
Georg. Otto
|
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11 | Es ging ein Mäd' im Maien | - | Anonymous |
Es ging ein Mäd' im MaienAnonymous
Appears on:
11
Genres:
Lied
General NoteLabelled "Ex Italico. Media Vox" |
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11–11v | Den liebsten Buhlen den ich hab' | Christia: Hollander | |
Appears on:
11–11v
Genres:
Lied
Source Attribution:
Christia: Hollander
|
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12–12v | Ach du edler Rebensaft wie wünsch' ich mir so oft | Cle: no[n] Papam | |
Appears on:
12–12v
Genres:
Lied
Source Attribution:
Cle: no[n] Papam
|
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12v | Brich nicht an mir mein Zuversicht | Matth. Le Maistre | |
Appears on:
12v
Genres:
Lied
Source Attribution:
Matth. Le Maistre
|
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13 | Lässtu mir nichts zur Letze | Matth. Le Maistre | |
Appears on:
13
Genres:
Lied
Source Attribution:
Matth. Le Maistre
General Noteoriginal attribution crossed out, either by original scribe or by approximately contemporary hand |
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13v | Ich hett mir fürgenommen zu dienen | - | Anonymous |
Ich hett mir fürgenommen zu dienenAnonymous
Appears on:
13v
Genres:
Lied
|
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14 | Recht inniglich ich mir erwählt | - | |
Appears on:
14
Genres:
Lied
|
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14 | Ach Gott in meinem Herzen trag' ich brennende Schmerzen | - | Anonymous |
Appears on:
14
Genres:
Lied
|
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14v | Herz edle Frucht mit Ehr' und Zucht | - | |
Appears on:
14v
Genres:
Lied
|
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14v–15 (Q: 6v-7) | Im Maien hört man die Hahnen kreien | - | |
Appears on:
14v–15 (Q: 6v-7)
Genres:
Lied
|
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15–15v | Ich schwing mein horn ins jammerthal | - | |
Appears on:
15–15v
Genres:
Song
|
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15v–16 (Q: 7-7v) | Den liebsten Buhlen den ich hab' | Scandell[us] | |
Appears on:
15v–16 (Q: 7-7v)
Genres:
Lied
Source Attribution:
Scandell[us]
|
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16–17 (Q: 7v-9) | Man sagt wohl - 1a pars (of 2): Man sagt wohl in dem Maien | Scandell[us] | |
Appears on:
16–17 (Q: 7v-9)
Genres:
Motet
Source Attribution:
Scandell[us]
|
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16–17 (Q: 7v-9) | Man sagt wohl - 2a pars (of 2): Nu bis mir Gott willkommen | - | |
Appears on:
16–17 (Q: 7v-9)
Genres:
Lied
|
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17–18 | Ach Mädlein fein möcht es gesein | Georg: Otto | |
Appears on:
17–18
Genres:
Lied
Source Attribution:
Georg: Otto
|
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18–18v (Q: 9-9v) | Gross' Lieb' hat mich umfangen | - | |
Appears on:
18–18v (Q: 9-9v)
Genres:
Lied
|
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18v–19 (Q: 9v-10) | Ein Mädlein sagt mir freundlich zu | - | |
Appears on:
18v–19 (Q: 9v-10)
Genres:
Lied
|
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19v | Marito me m'a ditto c'ho sì bona | - | |
Appears on:
19v
Genres:
Madrigal (Italian)
|
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19v | Fuse o donne belle | Ant. Scan: | |
Appears on:
19v
Genres:
Madrigal (Italian)
Source Attribution:
Ant. Scan:
|
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20–21v | Cucurucu - 1a pars (of 2): Cucurucu u scontienta u beschina | Ant: Scan: | |
Appears on:
20–21v
Genres:
Canzon
Source Attribution:
Ant: Scan:
|
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20–21v | Cucurucu - 2a pars (of 2): Lassa carumpa canella lassa Martina lassa Lucia | - | |
Appears on:
20–21v
Genres:
Canzon
|
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21v–24 | Der Wein der schmeckt - 1a pars (of 3): Der Wein der schmeckt mir also wohl | Christ: Holl: | |
Appears on:
21v–24
Genres:
Lied
Source Attribution:
Christ: Holl:
|
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21v–24 | Der Wein der schmeckt - 2a pars (of 3): Das glaub' ich gern ich armes Weib | - | |
Appears on:
21v–24
Genres:
Lied
|
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21v–24 | Der Wein der schmeckt - 3a pars (of 3): O Weib es ist ein alt's Sprichwort | - | |
Appears on:
21v–24
Genres:
Lied
|
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24–25 | Ist keiner hie - 1a pars (of 2): Ist keiner hie der spricht zu mir | Christ: Holl: | |
Appears on:
24–25
Genres:
Lied
Source Attribution:
Christ: Holl:
|
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24–25 | Ist keiner hie - 2a pars (of 2): Mich dürst' so sehr schenk tapfer ein | - | |
Appears on:
24–25
Genres:
Lied
|
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25v–26 | Das mir Niemands hold ist | Christ: Holl: | |
Appears on:
25v–26
Genres:
Lied
Source Attribution:
Christ: Holl:
|
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26–26v | Schön bin ich nit | Iuo de Vento | |
Appears on:
26–26v
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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27–27v | Die Brünnlein die da fließen | Iuo de Vento | |
Appears on:
27–27v
Genres:
Lied
Source Attribution:
Iuo de Vento
|
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27v–28 | Die Brünnlein die da fließen | Ant: Scand: | |
Appears on:
27v–28
Genres:
Canzon
Source Attribution:
Ant: Scand:
|
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28v | Kein Lieb' ohn' Leid mag mir nicht widerfahren | - | |
Appears on:
28v
Genres:
Lied
|
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29–29v | Den schönsten Buhlen den ich hab' | Georg. Otto | |
Appears on:
29–29v
Genres:
Lied
Source Attribution:
Georg. Otto
|
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29v–30 (Q: 10v-11) | Itzt geht's an ein Scheiden | Georg. Otto | |
Appears on:
29v–30 (Q: 10v-11)
Genres:
Lied
Source Attribution:
Georg. Otto
|
|||
30v–31 (Q: 11-11v) | Wie schön blüht uns der Maien | Georg. Otto | |
Appears on:
30v–31 (Q: 11-11v)
Genres:
Lied
Source Attribution:
Georg. Otto
|
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31–31v | Bleibe bei uns Herr Jesu Christ | Georg. Otto | |
Appears on:
31–31v
Genres:
Sacred Song
Source Attribution:
Georg. Otto
|
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31v–32 | Wohlauf gut Gesell' von hinnen | Georg Otto | |
Appears on:
31v–32
Genres:
Lied
Source Attribution:
Georg Otto
General NoteLabelled "Ad Aequales. Media Vox." |
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32–32v | Ach wie ist doch so schwere Pein | Ant: Scand: | |
Appears on:
32–32v
Genres:
Lied
Source Attribution:
Ant: Scand:
|
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32v–34 | Gleichwie Moses - 1a pars (of 2): Gleichwie Moses in der Wüsten | Ant: Scand: | |
Appears on:
32v–34
Genres:
Motet
Source Attribution:
Ant: Scand:
|
|||
32v–34 | Gleichwie Moses - 2a pars (of 2): Also hat Gott die Welt geliebet | - | |
Appears on:
32v–34
Genres:
Motet
|
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34–35 | Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele | Ant: Scand: | |
Appears on:
34–35
Genres:
Chorale, Sacred Song
Source Attribution:
Ant: Scand:
|
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34–35 | Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt | - | |
Appears on:
34–35
Genres:
Motet
|
|||
35v (Q: 11v-12) | Vater unser im Himmelreich | Orl. di Lass[us] | |
Appears on:
35v (Q: 11v-12)
Genres:
Motet, Pater noster
Source Attribution:
Orl. di Lass[us]
|
|||
36 (Q: 12-12v) | Ich ruf' zu dir herr Jesu Christ | Orl. di Lass[us] | |
Appears on:
36 (Q: 12-12v)
Genres:
Motet
Source Attribution:
Orl. di Lass[us]
|
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36v | Est salus nobis Dominus benigna et fugae | - | Anonymous |
Est salus nobis Dominus benigna et fugaeAnonymous
Appears on:
36v
Genres:
Motet
General NoteThis and the following piece are the later additions by Mattheus Neander |
|||
37 | Veni novena | - | |
Appears on:
37
Genres:
Motet
General Noteat end "In memoriam Christoph. Nackij cum ex illustrj Academia Lipsensj discederet, scribebat haec Mattheus Neander Coldicensis, tunc temporis Cantor in Borna." VollhardtC (1899) suggests that 'scribebat' implies composition as well as copying. |
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40–40v (Q: 13-13v) | Vitam quae faciunt beatiorem jucundissime | - | |
Appears on:
40–40v (Q: 13-13v)
Genres:
Motet
|
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40v–41 | Gloria tibi Domine gloria tibi sancte | CLEMENS N. PAPA | |
Appears on:
40v–41
Genres:
Response
Source Attribution:
CLEMENS N. PAPA
|
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41v–42 (Q: 13v-14) | Gaudete filiae Jerusalem nam flores apparuerunt | Jac: Meil: | |
Appears on:
41v–42 (Q: 13v-14)
Genres:
Motet
Source Attribution:
Jac: Meil:
General NoteQuintus is here 2nd Altus |
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42v–43v | Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require | - | |
Appears on:
42v–43v
Genres:
Motet
|
|||
42v–43v | Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias | - | |
Appears on:
42v–43v
Genres:
Motet
|
|||
43v–45 | Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem | Clem N. P. | |
Appears on:
43v–45
Genres:
Motet
Source Attribution:
Clem N. P.
|
|||
43v–45 | Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac | - | |
Appears on:
43v–45
Genres:
Motet
|
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45–45v | Habe fiduciam in Domino | Anton. Scand: | |
Appears on:
45–45v
Genres:
Motet
Source Attribution:
Anton. Scand:
|
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45v–47 | Dominus Deus - 1a pars (of 2): Dominus Deus salutis meae | Nicolaus Paÿen | |
Appears on:
45v–47
Genres:
Motet
Source Attribution:
Nicolaus Paÿen
|
|||
45v–47 | Dominus Deus - 2a pars (of 2): Confige ergo pater consolationis | - | |
Appears on:
45v–47
Genres:
Motet
|
|||
47–47v | O fili Dei memento semper mei qui sum | C. N. P. [=Clemens Non Papa] | |
Appears on:
47–47v
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
|
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47v–48v | Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens | C: N. P. [=Clemens Non Papa] | |
Appears on:
47v–48v
Genres:
Motet
Source Attribution:
C: N. P. [=Clemens Non Papa]
|
|||
47v–48v | Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt | - | |
Appears on:
47v–48v
Genres:
Motet
|
|||
48v–49v (Q: 14v-15) | Omnia quae fecisti nobis Domine in vero | Orland. di Lass[us] | |
Appears on:
48v–49v (Q: 14v-15)
Genres:
Motet
Source Attribution:
Orland. di Lass[us]
|
|||
49v–50 (Q: 15-15v) | Veni in hortum meum | Orl: Di Lassus | |
Appears on:
49v–50 (Q: 15-15v)
Genres:
Motet
Source Attribution:
Orl: Di Lassus
|
|||
50–51 (Q: 16-16v) | In me transierunt irae tuae | Orl. di Lass[us] | |
Appears on:
50–51 (Q: 16-16v)
Genres:
Motet
Source Attribution:
Orl. di Lass[us]
|
|||
51–51v | Veni in hortum meum | - | Anonymous |
Veni in hortum meumAnonymous
Appears on:
51–51v
Genres:
Motet
|
|||
51v–52 (Q: 16v-17) | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | Orl: Di Lass[us] | |
Appears on:
51v–52 (Q: 16v-17)
Genres:
Motet
Source Attribution:
Orl: Di Lass[us]
General NoteQuintus = Tenor 2 |
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51v–52 (Q: 16v-17) | Surge propera - 2a pars (of 2): Surge amica mea speciosa mea | - | |
Appears on:
51v–52 (Q: 16v-17)
Genres:
Motet
General NoteQuintus = Tenor 2 |
|||
52v–53 (Q: 17v) | Susanna se videns rapi stuprandam fraude (5vv) | Orl: Di Lass[us] | |
Appears on:
52v–53 (Q: 17v)
Genres:
Contrafactum, Motet
Source Attribution:
Orl: Di Lass[us]
General NoteQuintus - alto clef |
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53–53v (Q: 18-18v) | Ingenmuit Susanna [= Susanna se videns] | Christ: Holl: | |
Appears on:
53–53v (Q: 18-18v)
Genres:
Contrafactum, Motet
Source Attribution:
Christ: Holl:
General NoteQuintus labelled "2d[us] Tenor" |
|||
54–54v (Q: 18v-19v) | Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis | Orl: Di Lass[us] | |
Appears on:
54–54v (Q: 18v-19v)
Genres:
Motet
Source Attribution:
Orl: Di Lass[us]
|
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54–54v (Q: 18v-19v) | Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph | - | |
Appears on:
54–54v (Q: 18v-19v)
Genres:
Motet
|
|||
54v–56 | Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium | nobilis Clemens no[n] Papa | |
Appears on:
54v–56
Genres:
Motet
Source Attribution:
nobilis Clemens no[n] Papa
|
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54v–56 | Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans | - | |
Appears on:
54v–56
Genres:
Motet
|
|||
56v–57 | Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras | C. N. P. [=Clemens Non Papa] | |
Appears on:
56v–57
Genres:
Monophonic conductus
Source Attribution:
C. N. P. [=Clemens Non Papa]
|
|||
56v–57 | Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est | - | |
Appears on:
56v–57
Genres:
Motet
|
|||
57v–58 | Venit ergo rex die septimo ut lugeret | C. N. P. [=Clemens Non Papa] | |
Appears on:
57v–58
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
|
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58v–59 | Vidi Jerusalem descendentem de caelo ornatam | C. N. P. [=Clemens Non Papa] | |
Appears on:
58v–59
Genres:
Motet
Source Attribution:
C. N. P. [=Clemens Non Papa]
|
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59–59v | Praeparate corda vestra Domino et servite | Maillart | |
Appears on:
59–59v
Genres:
Motet
Source Attribution:
Maillart
|
|||
59v–60 (Q: 19v-20) | Rusticus amabilem obsecrabat virginem | Christ: Holl: | |
Appears on:
59v–60 (Q: 19v-20)
Genres:
Motet
Source Attribution:
Christ: Holl:
General NoteQuintus labelled "2d[us] Discant[us]" |
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60–61 (Q: 20-21) | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | Jaches Werth | |
Appears on:
60–61 (Q: 20-21)
Genres:
Motet
Source Attribution:
Jaches Werth
General NoteQuintus - alto clef |
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60–61 (Q: 20-21) | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | - | |
Appears on:
60–61 (Q: 20-21)
Genres:
Motet
General NoteQuintus - alto clef |
|||
61v–62v | Fertur in conviviis - 1a pars (of 6): Fertur in conviviis | Orl: di Lass[us] | |
Appears on:
61v–62v
Genres:
Chanson
Source Attribution:
Orl: di Lass[us]
General NoteUnclear whether all partes are copied |
|||
61v–62v | Fertur in conviviis - 2a pars (of 6): Volo inter omnia | - | |
Appears on:
61v–62v
Genres:
Chanson
|
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61v–62v | Fertur in conviviis - 3a pars (of 6): Potatores incliti | - | |
Appears on:
61v–62v
Genres:
Chanson
|
|||
61v–62v | Fertur in conviviis - 4a pars (of 6): Meum est propositum | - | |
Appears on:
61v–62v
Genres:
Chanson
|
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61v–62v | Fertur in conviviis - 5a pars (of 6): Et plusque ecclesiam | - | |
Appears on:
61v–62v
Genres:
Chanson
|
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61v–62v | Fertur in conviviis - 6a pars (of 6): Requiem aeternam | - | |
Appears on:
61v–62v
Genres:
Chanson
|
|||
62v–63v (Q: 21-22v ) | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco | Johan de Bachi | |
Appears on:
62v–63v (Q: 21-22v )
Genres:
Motet
Source Attribution:
Johan de Bachi
|
|||
62v–63v (Q: 21-22v ) | Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei | - | |
Appears on:
62v–63v (Q: 21-22v )
|
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64–64v (Q: 22v-23v) | Pater noster | Martin: Peüdargent | |
Appears on:
64–64v (Q: 22v-23v)
Genres:
Motet, Pater noster
Source Attribution:
Martin: Peüdargent
|
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64v–65 | Domine Deus pater caelestis benedic nobis | Ant. Scand. | |
Appears on:
64v–65
Genres:
Motet
Source Attribution:
Ant. Scand.
|
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65–65v | Gratias agimus tibi Domine Deus | eiusdem ['the same' - Scandello] | |
Appears on:
65–65v
Genres:
Motet
Source Attribution:
eiusdem ['the same' - Scandello]
|