D-Z 69.1.38 [Discantus]

Ratsschulbibliothek, Zwickau, Germany

partbook: 1531 (date in T book)

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	69.1.38 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	100 x 102 mm
Other Identifiers	CCM: ZwiR 78/2 Other catalogues/source: VollBM [see bibliography] 1 olim (Former shelfmark): MS LXXVIII,2 olim (Former shelfmark): MS 78,2
Notations	black void mensural
Relationships	Roth, Stephan (1492–1546) (owner) Zwickau Ratsschulbibliothek (owner)
Provenance	Zwickau? Saxony, Germany
Contents	66 pieces from 7 composers

General Description

A Discantus partbook from a set of four volumes. Copied by two scribes, one for the Latin setttings the other for the German (VollBM), or perhaps a single scribe at different times (Call). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017

Extent

i + 47 leaves

DIAMM, 2017

Binding

Original parchment covers cut from older manuscript, inscribed with voice designations.

DIAMM, 2017

Ruling

Red staves from f. 19' to end of music in each book.

DIAMM, 2017

Foliation

Modern stamped foliation in each book.

DIAMM, 2017

Decoration

ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins.

DIAMM, 2017

Index

none

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 27 Latin secular pieces (Horatian odes, etc.), 23 German secular pieces, 2 French secular pieces, 13 textless pieces = 66

(Eckel)-1, (Grefinger/Senfl)-1, Josquin-1, (Senfl)-6, (Stoltzer)-3, (Tritonius)-16, anon-38

4 paper partbooks (D-i + 48 folios, A-i + 49, T-i + 49, B-i + 47), 100 x 102. Modern stamped foliation in each book. Blank folios, or blank staves only— D: 22-22', 46-48'; A: 45'-49'; T: 43'-49'; B: 22-22', 46'-47'. Original parchment covers cut from older manuscript, inscribed with voice designations. No index. Copied by two scribes (VollBM), or perhaps a single scribe at different times (Call). Ff. 2-13' in all books have red or green inked initials in plain block style; a few initials have crude floral decorations extending into margins. Red staves from f. 19' to end of music in each book.

1531 (date in T book). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Arma virumque cano Troiae qui primus	Anon.	Anonymous
Arma virumque cano Troiae qui primus Anonymous Appears on: 2 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Arma virumque cano Troiae qui primus Non-music contents description text from Vrgil's Aeneid
2	Altera jam bellis teritur civilibus aetas	[Tritonius]	Tritonius, Petrus
Altera jam bellis teritur civilibus aetas Tritonius, Petrus Appears on: 2 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Altera iam bellis teritur civilibus aetas Non-music contents description text from Horace's Odes
2v	Beatus ille qui procul negociis	Anon.	Anonymous
Beatus ille qui procul negociis Anonymous Appears on: 2v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatus ille qui procul negociis Non-music contents description text from Horace's Odes
3–3v	Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum)	[Tritonius]	Tritonius, Petrus
Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) Tritonius, Petrus Appears on: 3–3v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Cur me querelis exanimas tuis nec [= Vides ut alta stet nive candidum] Non-music contents description text from Horace's Odes
3v–4	Diffugere nives redeunt jam gramina campis	[Tritonius]	Tritonius, Petrus
Diffugere nives redeunt jam gramina campis Tritonius, Petrus Appears on: 3v–4 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Diffugere nives redeunt iam gramina campis Non-music contents description text from Horace's Odes
4	Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres)	[Tritonius]	Tritonius, Petrus
Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) Tritonius, Petrus Appears on: 4 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Et thure et fidibus iuvat placare [= Sic te diva potens Cypri sic fratres]
4v	Festo quid pocius die Neptuni faciem?	Anon.	Anonymous
Festo quid pocius die Neptuni faciem? Anonymous Appears on: 4v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Festo quid pocius die Neptuni faciem? Non-music contents description text from Horace's Odes General Note Said to be in 5vv - only 4 copied?
4v	G.... - 1a pars (of 4)	Anon.	-
G.... - 1a pars (of 4) - Appears on: 4v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
5	G.... - 2a pars (of 4)	Anon.	-
G.... - 2a pars (of 4) - Appears on: 5 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
5	G.... - 3a pars (of 4)	Anon.	-
G.... - 3a pars (of 4) - Appears on: 5 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
5	G.... - 4a pars (of 4)	Anon.	-
G.... - 4a pars (of 4) - Appears on: 5 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
5v	Horrida tempestas caelum contraxit et imbres	[Tritonius]	Tritonius, Petrus
Horrida tempestas caelum contraxit et imbres Tritonius, Petrus Appears on: 5v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Horrida tempestas coelum contraxit et imbres Non-music contents description text from Horace's Odes
6–6v	Jam satis terris nivis atque dirae	Anon.	Anonymous
Jam satis terris nivis atque dirae Anonymous Appears on: 6–6v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Iam satis terris nivis atque dirae Non-music contents description text from Horace's Odes
6v	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 6v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson Non-music contents description text from Horace's Odes
7	Lydia dic per omnes te deos oro Sybarim	[Tritonius]	Tritonius, Petrus
Lydia dic per omnes te deos oro Sybarim Tritonius, Petrus Appears on: 7 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Lydia dic per omnes te deos oro Sybarim Non-music contents description text from Horace's Odes
7v–8	Maecenas atavis editae regibus O et presidium	[Tritonius]	Tritonius, Petrus
Maecenas atavis editae regibus O et presidium Tritonius, Petrus Appears on: 7v–8 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Mecoenas atavis editae regibus O et presidium Non-music contents description text from Horace's Odes General Note annotated: "Discantu[m] ex tenore petes" - Discantus is copied in Tenor book & vice versa
8–8v	Miserarum est neque amori dare ludum	Anon.	Anonymous
Miserarum est neque amori dare ludum Anonymous Appears on: 8–8v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Miserarum est neque amori dare ludum Non-music contents description text from Horace's Odes
9	Non ebur neque aureum mea renidet in domo	[Tritonius]	Tritonius, Petrus
Non ebur neque aureum mea renidet in domo Tritonius, Petrus Appears on: 9 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Non ebur neque aureum mea renidet in domo Non-music contents description text from Horace's Odes
9v	O crudelis adhuc et Veneris	[Tritonius]	Tritonius, Petrus
O crudelis adhuc et Veneris Tritonius, Petrus Appears on: 9v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Italian Voice Text: O crudelis adhuc et veneris muneribus [= Tu ne quaesieris scire nefas quem mihi] Non-music contents description text from Horace's Odes
9v–10	Pecti nihil me sicut antea juvat	[Tritonius]	Tritonius, Petrus
Pecti nihil me sicut antea juvat Tritonius, Petrus Appears on: 9v–10 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Pecti nihil me sicut antea iuvat Non-music contents description text from Horace's Odes
10v–11	Quis multa gracilis te puer in rosa	[Tritonius]	Tritonius, Petrus
Quis multa gracilis te puer in rosa Tritonius, Petrus Appears on: 10v–11 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Quis multa gracilis te puer in rosa Non-music contents description text from Horace's Odes
11–11v	Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae)	[Tritonius]	Tritonius, Petrus
Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) Tritonius, Petrus Appears on: 11–11v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Rectius vives Lycini neque altum semper [= Iam satis terris nivis atque dirae] Non-music contents description text from Horace's Odes
12	Solvitur acris hyems grata vice veris	Anon.	Anonymous
Solvitur acris hyems grata vice veris Anonymous Appears on: 12 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Solvitur acris hyems grata vice veris General Note Bassus copied in Discantus book, and vice versa: with annotation "Discantum ex Basso"/"Bassus ex discanto"
12v	Tu ne quesieris scire nephas quem mihi	Anon.	Anonymous
Tu ne quesieris scire nephas quem mihi Anonymous Appears on: 12v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tu ne quesieris scire nephas quem mihi Non-music contents description text from Horace's Odes
13	Vivamus mea Lesbia atque amemus	[Tritonius]	Tritonius, Petrus
Vivamus mea Lesbia atque amemus Tritonius, Petrus Appears on: 13 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Vivamus mea Lesbia atque amemus Non-music contents description text by Catullus
13v	Iam efficaci do manus scientiae	[Tritonius]	Tritonius, Petrus
Iam efficaci do manus scientiae Tritonius, Petrus Appears on: 13v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Iam efficaci do manus scienciae Non-music contents description text from Horace's Odes
13v–14	Miserarum est neque amori dare ludum	[Tritonius]	Tritonius, Petrus
Miserarum est neque amori dare ludum Tritonius, Petrus Appears on: 13v–14 Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Miserarum est neque amori dare ludum Non-music contents description text from Horace's Odes
14v	Solvitur acris hyems grata vice veris	[Tritonius]	Tritonius, Petrus
Solvitur acris hyems grata vice veris Tritonius, Petrus Appears on: 14v Genres: Motet Source Attribution: [Tritonius] Voice: [no designation] Languages: Latin Voice Text: Solvitur acris hyems [grata vice veris] Non-music contents description text from Horace's Odes
15	[Greek setting?] untexted - 1a pars (of 7)	Anon.	-
[Greek setting?] untexted - 1a pars (of 7) - Appears on: 15 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless General Note untexted, but with a greek letter as incipit
15	[Greek setting?] untexted - 2a pars (of 7)	Anon.	-
[Greek setting?] untexted - 2a pars (of 7) - Appears on: 15 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
15v	[Greek setting?] untexted - 3a pars (of 7)	Anon.	-
[Greek setting?] untexted - 3a pars (of 7) - Appears on: 15v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
15v	[Greek setting?] untexted - 4a pars (of 7)	Anon.	-
[Greek setting?] untexted - 4a pars (of 7) - Appears on: 15v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
15v–16	[Greek setting?] untexted - 5a pars (of 7)	Anon.	-
[Greek setting?] untexted - 5a pars (of 7) - Appears on: 15v–16 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
16	[Greek setting?] untexted - 6a pars (of 7)	Anon.	-
[Greek setting?] untexted - 6a pars (of 7) - Appears on: 16 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
16v	[Greek setting?] untexted - 7a pars (of 7)	Anon.	-
[Greek setting?] untexted - 7a pars (of 7) - Appears on: 16v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
16v–17	En tibi carmen modulosque dulces nostra	Anon.	Anonymous
En tibi carmen modulosque dulces nostra Anonymous Appears on: 16v–17 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: En tibi carmen modulosque dulces nostra Non-music contents description text source unidentified
17v	Vox bona Calliope musarum maxima	Anon.	Anonymous
Vox bona Calliope musarum maxima Anonymous Appears on: 17v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vox bona calliope musarum maxima Non-music contents description text by Helius Eobanus Hessus (1488-1540), Lutheran humanist, from "Bonae valetudinis conservandae praecepta" (1524)
18	Unica nobilium medicorum gloria	Anon.	Anonymous
Unica nobilium medicorum gloria Anonymous Appears on: 18 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Unica nobilium medicorum gloria Non-music contents description text by Erasmus, the beginning of his "carmen De senectute" ('Ad Gulielmum Copum, medicorum eruditissimum') (1506)
18v–19	Pecti nihil me sicut antea juvat	Anon.	Anonymous
Pecti nihil me sicut antea juvat Anonymous Appears on: 18v–19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pecti nihil [me sicut antea iuvat] Non-music contents description text from Horace's Odes
19v–20	O ho lieber Hans versorg Dein gans	[Eckel]	Eckel, Matthias
O ho lieber Hans versorg Dein gans Eckel, Matthias Appears on: 19v–20 Genres: Song Source Attribution: [Eckel] Voice: [no designation] Languages: German Voice Text: O ho lieber Hans versorg dein gans
20v–21v	Unfall wann ist Deins Wesen genug es deucht [S297]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Unfall wann ist Deins Wesen genug es deucht [S297] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 20v–21v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Unfal wan ist [deins wesens genug]
21v–23	Grossmechtig und freundlich vor aller welt	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Grossmechtig und freundlich vor aller welt Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 21v–23 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Grossmechtig und szo freud [= Grossmechtig und freundlich vor aller welt] General Note Discantus & Bassus have blank staves, the music not copied
23–24	Entlaubet ist uns der Wald gen diesen Winter	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Entlaubet ist uns der Wald gen diesen Winter Stoltzer, Thomas (ca. 1480–1526) Appears on: 23–24 Genres: Song Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Entlaubett ist der walde [gen disem winter]
24–25	O liebe gantz	Anon.	Anonymous
O liebe gantz Anonymous Appears on: 24–25 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: O liebe gantz
25v–26	Es hatt' ein Bauer ein Töchterlein	Anon.	Anonymous
Es hatt' ein Bauer ein Töchterlein Anonymous Appears on: 25v–26 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Es hett ein pauer ein tochterlein
26v–27v	Die Brünnlein, die da fliessen (4vv, S54)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Die Brünnlein, die da fliessen (4vv, S54) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26v–27v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Die brunlein die da vlÿssen
28–28v	Wohl kommt der Mai [S349]	[Grefinger/Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Wohl kommt der Mai [S349] Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 28–28v Genres: Lied Source Attribution: [Grefinger/Senfl] Voice: [no designation] Languages: German Voice Text: Wol kumpt der meÿ [mit macherlei der blümlein] General Note attributed to Grefinger in In Georg Forster's "Frischen teutsche Liedlein"
28v–29	Mag ich herzlieb erwerben dich so sprich	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mag ich herzlieb erwerben dich so sprich Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 28v–29 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Mag ich herzlieb [erwerben dich so sprich]
29v–30	Fur andern all Lob ich mit Schall	Anon.	Anonymous
Fur andern all Lob ich mit Schall Anonymous Appears on: 29v–30 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Fur andernn all lob ich mitt schall
30–31	Nun merck ich wol dass ich nit soll	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Nun merck ich wol dass ich nit soll Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 30–31 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Nun merck ich woll [das ich nit soll]
31–32	Ihrs gleichen lebt auf Erden nicht	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Ihrs gleichen lebt auf Erden nicht Stoltzer, Thomas (ca. 1480–1526) Appears on: 31–32 Genres: Song Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Irs gleichen lebt auff erden nicht
32v–33	Gluck Ehr' und Gut	[Hellinck?]	Hellinck, Lupus (ca. 1494–1541) (?)
Gluck Ehr' und Gut Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 32v–33 Genres: Song Source Attribution: [Hellinck?] Voice: [no designation] Languages: German Voice Text: Gluck eer und gutt
33–34	Heimlich bin ich in treuen Dein	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Heimlich bin ich in treuen Dein Stoltzer, Thomas (ca. 1480–1526) Appears on: 33–34 Genres: Song Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Heimlich bin ich in trewen dein
34–34v	Zart weiblichs Bild	Anon.	Anonymous
Zart weiblichs Bild Anonymous Appears on: 34–34v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Zart weiblichs bild
35–35v	Ich scheid do hin noch bleibt mein sinn?	Anon.	Anonymous
Ich scheid do hin noch bleibt mein sinn? Anonymous Appears on: 35–35v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ich scheid do hin [noch bleibt mein sinn?]
35v–37	O Frau mein Tröst	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
O Frau mein Tröst Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 35v–37 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: O fraw mein tröst
37–38	Von Herzen ich thu freuen mich	Anon.	Anonymous
Von Herzen ich thu freuen mich Anonymous Appears on: 37–38 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Von hertzen ich thu freuen [mich]
38–38v	Warum hab' ich so herziglich	Anon.	Anonymous
Warum hab' ich so herziglich Anonymous Appears on: 38–38v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Warumb hab ich szo hertiglich
39–40	Sauffen nach gunst	Anon.	Anonymous
Sauffen nach gunst Anonymous Appears on: 39–40 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Sauffen nach gunst
40–40v	Du hessigs gluck	Anon.	Anonymous
Du hessigs gluck Anonymous Appears on: 40–40v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Du hessigs gluck
40v–41	Ehrenwert auf erd von tugend schön	Anon.	Anonymous
Ehrenwert auf erd von tugend schön Anonymous Appears on: 40v–41 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ern werd auff erd [= Ehrenwert auf erd von tugend schön]
41v–42	Ehr gib ich ihr die artlich Kunst	Anon.	Anonymous
Ehr gib ich ihr die artlich Kunst Anonymous Appears on: 41v–42 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Eer gib ich ir die artlich kunst
42–43	untexted	Anon.	-
untexted - Appears on: 42–43 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
43–43v	untexted 28.39	Josquin	Despres, Josquin (ca. 1450–1521)
untexted 28.39 Despres, Josquin (ca. 1450–1521) Appears on: 43–43v Genres: textless Source Attribution: Josquin Voice: [no designation] Languages: none Voice Text: Textless 28.39
44–44v	Si la nature en la diversite se resiouist	Anon.	Anonymous
Si la nature en la diversite se resiouist Anonymous Appears on: 44–44v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Si la nature en la diversite [se resiouist] Concordances RISM 1528-8 & 1531-2
44v–45v	Gentil galans	Anon.	Anonymous
Gentil galans Anonymous Appears on: 44v–45v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French, Italian Voice Text: Gentil gallans

Composer	Compositions
Anonymous	Arma virumque cano Troiae qui primus – 2 Beatus ille qui procul negociis – 2v Du hessigs gluck – 40–40v Ehr gib ich ihr die artlich Kunst – 41v–42 Ehrenwert auf erd von tugend schön – 40v–41 En tibi carmen modulosque dulces nostra – 16v–17 Es hatt' ein Bauer ein Töchterlein – 25v–26 Festo quid pocius die Neptuni faciem? – 4v Fur andern all Lob ich mit Schall – 29v–30 G.... - 1a pars (of 4) – 4v G.... - 2a pars (of 4) – 5 G.... - 3a pars (of 4) – 5 G.... - 4a pars (of 4) – 5 Gentil galans – 44v–45v Ich scheid do hin noch bleibt mein sinn? – 35–35v Jam satis terris nivis atque dirae – 6–6v Kyrie eleison – 6v Miserarum est neque amori dare ludum – 8–8v O liebe gantz – 24–25 Pecti nihil me sicut antea juvat – 18v–19 Sauffen nach gunst – 39–40 Si la nature en la diversite se resiouist – 44–44v Solvitur acris hyems grata vice veris – 12 Tu ne quesieris scire nephas quem mihi – 12v Unica nobilium medicorum gloria – 18 Von Herzen ich thu freuen mich – 37–38 Vox bona Calliope musarum maxima – 17v Warum hab' ich so herziglich – 38–38v Zart weiblichs Bild – 34–34v [Greek setting?] untexted - 1a pars (of 7) – 15 [Greek setting?] untexted - 2a pars (of 7) – 15 [Greek setting?] untexted - 3a pars (of 7) – 15v [Greek setting?] untexted - 4a pars (of 7) – 15v [Greek setting?] untexted - 5a pars (of 7) – 15v–16 [Greek setting?] untexted - 6a pars (of 7) – 16 [Greek setting?] untexted - 7a pars (of 7) – 16v untexted – 42–43
Despres, Josquin (ca. 1450–1521)	untexted 28.39 – 43–43v
Eckel, Matthias	O ho lieber Hans versorg Dein gans – 19v–20
Hellinck, Lupus (ca. 1494–1541)	(?) Gluck Ehr' und Gut – 32v–33
Senfl, Ludwig (ca. 1486–ca. 1543)	Die Brünnlein, die da fliessen (4vv, S54) – 26v–27v Grossmechtig und freundlich vor aller welt – 21v–23 Mag ich herzlieb erwerben dich so sprich – 28v–29 Nun merck ich wol dass ich nit soll – 30–31 O Frau mein Tröst – 35v–37 Unfall wann ist Deins Wesen genug es deucht [S297] – 20v–21v (?) Wohl kommt der Mai [S349] – 28–28v
Stoltzer, Thomas (ca. 1480–1526)	Entlaubet ist uns der Wald gen diesen Winter – 23–24 Heimlich bin ich in treuen Dein – 33–34 Ihrs gleichen lebt auf Erden nicht – 31–32
Tritonius, Petrus	Altera jam bellis teritur civilibus aetas – 2 Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum) – 3–3v Diffugere nives redeunt jam gramina campis – 3v–4 Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres) – 4 Horrida tempestas caelum contraxit et imbres – 5v Iam efficaci do manus scientiae – 13v Lydia dic per omnes te deos oro Sybarim – 7 Maecenas atavis editae regibus O et presidium – 7v–8 Miserarum est neque amori dare ludum – 13v–14 Non ebur neque aureum mea renidet in domo – 9 O crudelis adhuc et Veneris – 9v Pecti nihil me sicut antea juvat – 9v–10 Quis multa gracilis te puer in rosa – 10v–11 Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae) – 11–11v Solvitur acris hyems grata vice veris – 14v Vivamus mea Lesbia atque amemus – 13

Composition	Composers (? Uncertain)	Folios / Pages
[Greek setting?] untexted - 1a pars (of 7)	-	15
[Greek setting?] untexted - 2a pars (of 7)	-	15
[Greek setting?] untexted - 3a pars (of 7)	-	15v
[Greek setting?] untexted - 4a pars (of 7)	-	15v
[Greek setting?] untexted - 5a pars (of 7)	-	15v–16
[Greek setting?] untexted - 6a pars (of 7)	-	16
[Greek setting?] untexted - 7a pars (of 7)	-	16v
Altera jam bellis teritur civilibus aetas	Tritonius, Petrus	2
Arma virumque cano Troiae qui primus	Anonymous	2
Beatus ille qui procul negociis	Anonymous	2v
Cur me querelis exanimas tuis nec (= Vides ut alta stet nive candidum)	Tritonius, Petrus	3–3v
Die Brünnlein, die da fliessen (4vv, S54)	Senfl, Ludwig (ca. 1486–ca. 1543)	26v–27v
Diffugere nives redeunt jam gramina campis	Tritonius, Petrus	3v–4
Du hessigs gluck	Anonymous	40–40v
Ehr gib ich ihr die artlich Kunst	Anonymous	41v–42
Ehrenwert auf erd von tugend schön	Anonymous	40v–41
En tibi carmen modulosque dulces nostra	Anonymous	16v–17
Entlaubet ist uns der Wald gen diesen Winter	Stoltzer, Thomas (ca. 1480–1526)	23–24
Es hatt' ein Bauer ein Töchterlein	Anonymous	25v–26
Et thure et fidibus juvat placare (= Sic te diva potens Cypri sic fratres)	Tritonius, Petrus	4
Festo quid pocius die Neptuni faciem?	Anonymous	4v
Fur andern all Lob ich mit Schall	Anonymous	29v–30
G.... - 1a pars (of 4)	-	4v
G.... - 2a pars (of 4)	-	5
G.... - 3a pars (of 4)	-	5
G.... - 4a pars (of 4)	-	5
Gentil galans	Anonymous	44v–45v
Gluck Ehr' und Gut	Hellinck, Lupus (ca. 1494–1541) (?)	32v–33
Grossmechtig und freundlich vor aller welt	Senfl, Ludwig (ca. 1486–ca. 1543)	21v–23
Heimlich bin ich in treuen Dein	Stoltzer, Thomas (ca. 1480–1526)	33–34
Horrida tempestas caelum contraxit et imbres	Tritonius, Petrus	5v
Iam efficaci do manus scientiae	Tritonius, Petrus	13v
Ich scheid do hin noch bleibt mein sinn?	Anonymous	35–35v
Ihrs gleichen lebt auf Erden nicht	Stoltzer, Thomas (ca. 1480–1526)	31–32
Jam satis terris nivis atque dirae	Anonymous	6–6v
Kyrie eleison	Anonymous	6v
Lydia dic per omnes te deos oro Sybarim	Tritonius, Petrus	7
Maecenas atavis editae regibus O et presidium	Tritonius, Petrus	7v–8
Mag ich herzlieb erwerben dich so sprich	Senfl, Ludwig (ca. 1486–ca. 1543)	28v–29
Miserarum est neque amori dare ludum	Anonymous	8–8v
Miserarum est neque amori dare ludum	Tritonius, Petrus	13v–14
Non ebur neque aureum mea renidet in domo	Tritonius, Petrus	9
Nun merck ich wol dass ich nit soll	Senfl, Ludwig (ca. 1486–ca. 1543)	30–31
O crudelis adhuc et Veneris	Tritonius, Petrus	9v
O Frau mein Tröst	Senfl, Ludwig (ca. 1486–ca. 1543)	35v–37
O ho lieber Hans versorg Dein gans	Eckel, Matthias	19v–20
O liebe gantz	Anonymous	24–25
Pecti nihil me sicut antea juvat	Tritonius, Petrus	9v–10
Pecti nihil me sicut antea juvat	Anonymous	18v–19
Quis multa gracilis te puer in rosa	Tritonius, Petrus	10v–11
Rectius vives Lycini neque altum semper (= Iam satis terris nivis atque dirae)	Tritonius, Petrus	11–11v
Sauffen nach gunst	Anonymous	39–40
Si la nature en la diversite se resiouist	Anonymous	44–44v
Solvitur acris hyems grata vice veris	Anonymous	12
Solvitur acris hyems grata vice veris	Tritonius, Petrus	14v
Tu ne quesieris scire nephas quem mihi	Anonymous	12v
Unfall wann ist Deins Wesen genug es deucht [S297]	Senfl, Ludwig (ca. 1486–ca. 1543)	20v–21v
Unica nobilium medicorum gloria	Anonymous	18
untexted	-	42–43
untexted 28.39	Despres, Josquin (ca. 1450–1521)	43–43v
Vivamus mea Lesbia atque amemus	Tritonius, Petrus	13
Von Herzen ich thu freuen mich	Anonymous	37–38
Vox bona Calliope musarum maxima	Anonymous	17v
Warum hab' ich so herziglich	Anonymous	38–38v
Wohl kommt der Mai [S349]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	28–28v
Zart weiblichs Bild	Anonymous	34–34v

Set: MS 78,2

Type: Partbooks

No images available

D-Z 69.1.38 [Altus]

No images available

D-Z 69.1.38 [Bassus]

No images available

D-Z 69.1.38 [Discantus]

No images available

D-Z 69.1.38 [Tenor]

‡ denotes primary source study

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 346-51. Notes: contents list; incipits.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 44,50. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 169, 184. Notes: physical description (partial); contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IX,1843-4. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI,43-4,95,100. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 125, 128 XV, 143,147-9,152. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: LXXII,102ff. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 1-3. Notes: physical description (partial); contents list; concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description