D-Z 69.2.12 [Discantus 1]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1580

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.12 [Discantus 1]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 205 x 162-70 mm
Other Identifiers
  • CCM: ZwiR 33/34
  • Other catalogues/source: VollBM [see bibliography] 19; 482; 637
  • olim (Former shelfmark): MS 33,34
  • olim (Former shelfmark): MS XXXIII,34
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 32 pieces from 18 composers
General Description

A Discantus I partbook from a set of five volumes. Copied mostly by Cornelius Freundt (c. 1535-91), cantor at Church of St. Mary, Zwickau. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

loss of pages in all but the Discantus 2 (& Bassus?) book.

DIAMM, 2022
Binding

Bassus book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil.

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Red inked initials in plain block style; attributions, beginnings of texts, and 'Altera pars' indications also in red

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 motets

Buissons-1, (Cadéac)-1, (Clemens non Papa)-2, (Clemens non Papa/Crecquillon)-1, Cleve/(Baston)-1, (Deiss)-1, Freundt-1, (Gombert/Hesdin)-1, Josquin-1, (La Court)-1, Lassus-5, (Lassus/Wert)-1, J. Louys-1, (Marazzi)-1, (Merulo)-1, (Pale-strina)-1, (Phinot)-1, (A. Ponte)-1, Regnart-2, (Rivulo)-1, (Schröter)-1, anon-2

5 paper partbooks (D1-33 folios, D2-i + 43 + i, A-44, T-34, B-44), 205 x 162-70. New pencil foliation in each book. Some original numbering of pieces in red ink, sporadic; other piece numbers added in modern pencil. B book has original parchment covers. No covers remain on other books; unbound gatherings now preserved in modern paper wrappers inscribed with voice designations. No index. Copied mostly by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; see general index for other manuscripts copied by the same scribe. Red inked initials in plain block style; attributions, beginnings of texts, and "Altera pars" indications also in red.

Ca. 1580 (BoettL). Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Cleve/[Baston]
Appears on: 1–2
Genres: Motet
Source Attribution: Cleve/[Baston]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt
2–3 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 2–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane una sabatorum veniunt [2a pars]
3–4 Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra [Clemens non Papa]
Appears on: 3–4
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Velum templi scissum est et omnis terram II: Amen dico tibi hodie mecum eris
4–5 Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes -
Appears on: 4–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen dico tibi hodie mecum eris [2a pars]
5–6 Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris [Clemens non Papa]
Appears on: 5–6
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum praedicate dicentes II: Signa eos qui in me credent
6–7 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 6–7
Voice: [no designation]
Languages: Latin
Voice Text: Signa eos qui in me credunt [2a pars]
8–9 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur [Schröter]
Appears on: 8–9
Genres: Motet
Source Attribution: [Schröter]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam erat Dives qui induebatur II: Accidit autem cum moreretur Lazarus
9v–10v Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 9v–10v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accidit autem dum moreretur Lazarus [2a pars]
10v–11 Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis [Lassus]
Appears on: 10v–11
Genres: Lamentations, Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hierusalem plantabis vineam in montibus tuis II: Gaude et laetare Jacob quia de medio
11v–12 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 11v–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude et laetare Jacob quia de medio [2a pars]
12–13 Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium [Lassus/Wert]
Appears on: 12–13
Genres: Motet
Source Attribution: [Lassus/Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Transeunte domino clamabat coecus ad eum II: Et ait illi Jesus quid vis ut faciam
13–14 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 13–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ait illi Jesus quid vis ut faciam [2a pars]
14v–16 Audite reges et intelligite discite judices Cornel: Freund
Appears on: 14v–16
Genres: Motet
Source Attribution: Cornel: Freund
Voice: [no designation]
Languages: Latin
Voice Text: Audite reges et intelligite discite iudices
16–17 Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit [Clemens non Papa/Crecquillon]
Appears on: 16–17
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Mane nobiscum domine quoniam advesperascit II: Et intravit cum eis et factum est
17–18 Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est -
Appears on: 17–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et intravit cum eis et factum est [2a pars]
18v–19v Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin
Appears on: 18v–19v
Genres: Motet, Stabat Mater
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Christe verbum fons amoris me sentire
19v–20v Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 19v–20v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Eya mater fons amoris me sentire 25.9 [2a pars]
20v–21v Dum complerentur dies pentecostes erant omnes [Rivulo]
Appears on: 20v–21v
Genres: Motet
Source Attribution: [Rivulo]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
22 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orland: [de Lassus]
Appears on: 22
Genres: Motet
Source Attribution: Orland: [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem II: Ecce agnus dei qui tollit peccata
22v Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 22v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce agnus dei qui tollit peccata [2a pars]
23–23v Dicite filiae Sion ecce rex tuus venit Anon. Anonymous
Appears on: 23–23v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dicite filiae Sion ecce rex tuus venit
23v–24v Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem [Gombert/Hesdin]
Appears on: 23v–24v
Genres: Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Spiritus domini replevit orbem II: Laudes deo devotas dulci voce ac sonora
24v–25v Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora -
Appears on: 24v–25v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudes deo devotas dulci voce ac sonora [2a pars]
25v–26v Apparens Christus post passionem suam [Phinot]
Appears on: 25v–26v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Apparens Christus post passionem suam
27–27v In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram [Cadéac]
Appears on: 27–27v
Genres: Motet
Source Attribution: [Cadéac]
Voice: [no designation]
Languages: Latin
Voice Text: In trinitate O fideles confidamus nostram II: Purifica mentes nostras immaculatis
27v In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 27v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Purifica mentes nostras immaculatis [2a pars]
General Note

end of 2a pars missing

28 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 28
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Expectetur sicut pluvia eloquium [2a pars]
General Note

incomplete, lacks beginnign owing to lost pages

28v–29 Hodie beata virgo Maria puerum Jesu [Merulo]
Appears on: 28v–29
Genres: Motet
Source Attribution: [Merulo]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie beata virgo Maria puerum Iesu
29–30 Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget [A. Ponte]
Appears on: 29–30
Genres: Motet
Source Attribution: [A. Ponte]
Voice: [no designation]
Languages: Latin
Voice Text: Si quis vult post me venire abneget II: Quid proderit homini si universum
30–31 Si quis vult - 2a pars (of 2): Quid proderit homini si universum -
Appears on: 30–31
Voice: [no designation]
Languages: Latin
Voice Text: Quid proderit homini si universum [2a pars]
31–31v Surrexit pastor bonus qui animam suam [Lassus]
Appears on: 31–31v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus qui animam suam
31v–32 Tristis est anima mea usque ad mortem [Lassus]
Appears on: 31v–32
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Cadeac, P(ierre?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Freundt, Cornelius (1535–1591)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hesdin, Nicolle des Celliers de (–1538)
Lassus, Orlande de (ca. 1532–1594)
Louys, Jean (ca. 1530–1563)
Merulo, Claudio (1533–1604)
Phinot, Dominique
Ponta, Adamus de
Rivulo, Franziscus de
Schroeter, Leonhard
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Spiritus Domini replevit orbem - 1a pars (of 2): Alleluia. Spiritus Domini replevit orbem 23v–24v
Alleluia. Spiritus Domini replevit orbem - 2a pars (of 2): Laudes deo devotas dulci voce ac sonora 24v–25v
Apparens Christus post passionem suam 25v–26v
Audite reges et intelligite discite judices 14v–16
Dicite filiae Sion ecce rex tuus venit Anonymous 23–23v
Dum complerentur dies pentecostes erant omnes 20v–21v
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 1–2
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 2–3
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 22
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 22v
Hodie beata virgo Maria puerum Jesu 28v–29
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 8–9
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 9v–10v
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 27–27v
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 27v
Ite in orbem universum - 1a pars (of 2): Ite in orbem universum praedicate dicentes 4–5
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 6–7
Jerusalem plantabis - 1a pars (of 2): Jerusalem plantabis vineam in montibus tuis 10v–11
Jerusalem plantabis - 2a pars (of 2): Gaude et laetare Jacob quia de medio gentium 12–13
Mane nobiscum Domine - 1a pars (of 2): Mane nobiscum Domine quoniam advesperascit 16–17
Mane nobiscum Domine - 2a pars (of 2): Et intravit cum eis et factum est 17–18
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 28
Si quis vult - 1a pars (of 2): Si quis vult post me venire abneget 29–30
Si quis vult - 2a pars (of 2): Quid proderit homini si universum 30–31
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 18v–19v
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 19v–20v
Surrexit pastor bonus qui animam suam 31–31v
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 11v–12
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 13–14
Tristis est anima mea usque ad mortem 31v–32
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 3–4
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 5–6

Set: D-Z MS Mus. 33,34

Type: Partbooks

No images available

D-Z 69.2.12 [Altus]

No images available

D-Z 69.2.12 [Bassus]

No images available

D-Z 69.2.12 [Discantus 1]

No images available

D-Z 69.2.12 [Discantus 2]

No images available

D-Z 69.2.12 [Tenor]

denotes primary source study

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 45-6. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII,vi,viii-xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 39-40,230. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description