The main contents are f. 1-43: three dialogues of Rupert de Tuy (publ. by Migne, Paleografia Latina 170, col. 559); f. 43-43v: a letter from Abbot Fulgentius to Franco, a monk; f. 43v-44v: Franco's reply; f. 44v-117v: 12 books de gratia dei; f. 117v-122: two letters by Franco; f. 122v-129: a Latin poem on the schism in the Liège bishopric (publ. by Hauréau, Notices et extraits, vol.XXXI, 2, pp. 165 ff). These are written in a Gothic-looking 12th century minuscule. On f. 129-131v are 10 motets, 8 of which appear in Mo.
F-CA MS A 410
Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Communale), Cambrai, France
non-music MS with interpolated music: 13th century
| Archive | Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Communale), Cambrai, France (F-CA) |
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| Shelfmark | MS A 410 |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 223 x 157 mm |
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| Provenance |
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| Contents | Contains 10 compositions, 10 are anonymous. |
General Description
Liminary Note
On the inner cover of the back binding are the words Iste liber est Jacobi de Vitriaco, curati de Wasiers.
Notation
Longs and breves differentiated in the square motet notation, and c.o.p. ligatures together with occasional conjuncturae of English type are to be found. Towards the end, the breves are replaced by pedes muscarum (i.e. in the last motet), while the T of this work is entirely in Gothic neumes.
Ruling
mainly four-line brown staves, though some have 5 lines and some even 6. There are normally 9 or 10 staves per page; there are 13 on f. 129v
Foliation
129-131v
Foliation
A modern, probably 19th century ink foliation appears at t.r.r. (f. 1 is an 11th century flyleaf which is not included in the modern foliation iIt is upside down and contains a collection of mass texts)
Decoration
red initials and some pen decoration (corpus) mainly brown initials, with some faint red ornament in a few places (music)
Surface
Parchment
RISM Description
RISM B/IV 1: A 12th century parchment manuscript meas. 223 x 157 mm. and containing 131 folios. A modern, probably 19th century ink foliation appears at t.r.r. Preceding, and slightly smaller than f. 1 is an 11th century flyleaf which is not included in the modern foliation. It is upside down and contains a collection of mass texts. On the inner cover of the back binding are the words Iste liber est Jacobi de Vitriaco, curati de Wasiers. The main contents of the ms are as follows : f. 1-43 : three dialogues of Rupert de Tuy (publ. by Migne, Paleografia Latina 170, col. 559); f. 43-43v: a letter from Abbot Fulgentius to Franco, a monk; f. 43v-44v: Franco's reply; f. 44v-117v: 12 books de gratia dei; f. 117v-122: two letters by Franco; f. 122v-129: a Latin poem on the schism in the Liège bishopric (publ. by Hauréau, Notices et extraits, vol.XXXI, 2, pp. 165 ff); f. 129-131v: 10 motets of the 13th century, 8 of them appearing in Mo. The staves for the notation are mainly four-line brown ones, but some have 5 lines and some even 6. There are normally 9 or 10 staves per page, but f. 129v has 13. Longs and breves are differentiated in the square motet notation, and c.o.p. ligatures together with occasional conjuncturae of English type are to be found. Towards the end, the breves are replaced by pedes muscarum (i.e. in the last motet), while the T of this work is entirely in Gothic neumes. The ms corpus is written in a Gothic-looking 12th century minuscule with red initials and some pen decoration. For the music the initials are mainly brown, except for some faint red ornament in a few places.
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back board
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‡ denotes primary source study
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts, vol. 4. Brooklyn: Institute of Mediaeval Music. Pages: 27, 42, 33 (facsimile of Ca 2, 5, 10 after Cl).
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXVIII etc.
Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 375, 382v, 378 (facsimile of Ca 2, 5, 10 after Cl).
Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I-II, nos. 13, 17, 12, 27 (facsimile and transcription of Ca 1, 6-8 after Tu).
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 83f, 94.
Langfors, Arthur. 1945. Deux recueils de sottes chansons. Annales Academiae Scientiarum Fennicae, B 53, 4: . Pages: 95.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 264, 40, 56, 52, 266, 255, 288, 21 (facsimile and transcription of Ca 1-4, 6-8 and 10 after Aio) IV, 75, 187, 256, 259, 261 f, 287, 289, 293.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 104, 125, 126, 157 (facsimile and transcription of Ca 2, 3, 4 and 10 after Hu); I, 226,263, 284, 296, 344.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 162, 166, 170, 178.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 193, 203, 205, 209ff, 220, 290ff, 301, 305.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: II, 33.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 25, 61, 70, 103, 108, 167, 176, 187, 200, 309, 383, 392, 394, 401, 405, 413ff, 427, 431, 434, 447.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 58, 84, 75, 44, 22, 50, 97 (facsimile and transcription of Ca 2-5, 8-10 after Ba); III, 71, 90,98.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Liminary Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description