D-W Cod. Guelf. 293 Musica Handschrift [Discantus]

Herzog August Bibliothek, Wolfenbüttel, Germany

partbook: c. 1560

Archive Herzog August Bibliothek, Wolfenbüttel, Germany (D-W)
Shelfmark Cod. Guelf. 293 Musica Handschrift [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 280-4 x 210 mm
Other Identifiers
  • CCM: WolfA 293
Notations
  • black void mensural
Provenance
  • Ferrara, Italy
Contents 112 pieces from 10 composers
General Description

A Discantus partbook from a set originally of six volumes. Copied by a single scribe. Probably copied in Ferrara.

DIAMM, 2017
Extent

i + 64 leaves

DIAMM, 2017
Binding

Original covers of red leather over boards, blind tooled and gold tooled with voice designations and decorative border designs.

DIAMM, 2017
Watermark

(1) bow and arrow in circle, surmounted by fleur-de-lis (see Briquet #760-2 for general pattern); (2) resembles Briquet #3415; (3) ladder in circle (not in Briquet).

DIAMM, 2017
Date

c. 1560 (StaeML)

DIAMM, 2017
Ruling

Staff height 13.

DIAMM, 2017
Foliation

New pencil foliation.

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

First series of pieces has original ink numbering in Roman numerals, i-l [I-L i.e., 1-50]; second series has original ink numbering, 60-79 (excludes last four pieces; several partes counted as separate items), and also modern numbering, 51-64 (last piece not numbered; #58 and #61 applied to two sections of single piece).

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

27 motets, 3 Italian sacred pieces, 34 Italian secular pieces = 64

L. Barré-2, Donato-3, (D. Ferrabosco)-1, Londariti-3, (Perissone Cambio)-7, Rore-30, A. Viola-1, Willaert-12, anon-5

5 paper partbooks of an original 6 (DATQ-i + 64 folios each, S-i + 32), 280-4 x 210. New pencil foliation. First series of pieces has original ink numbering in Roman numerals, i-l [i.e., 1-50]; second series has original ink numbering, 60-79 (excludes last four pieces; several partes counted as separate items), and also modern numbering, 51-64 (last piece not numbered; #58 and #61 applied to two sections of single piece). Original covers of red leather over boards, blind tooled and gold tooled with voice designations and decorative border designs. No index. Copied by a single scribe. Staff height 13. Inked calligraphic initials. Watermarks: (1) bow and arrow in circle, surmounted by fleur-de-lis (see Briquet #760-2 for general pattern); (2) resembles Briquet #3415; (3) ladder in circle (not in Briquet).

Ca. 1560? (StaeML). Probably copied in Ferrara.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Clare sanctorum senatus apostolorum Adrianus Willaert
Appears on: [-]
Genres: Motet
Source Attribution: Adrianus Willaert
[-] Laus tibi - 1a pars (of 2): Laus tibi sacra rubens Adrianus Willaert
Appears on: [-]
Genres: Motet
Source Attribution: Adrianus Willaert
[-] Laus tibi - 2a pars (of 2): Basilii felix aedes felicia Brugae -
Appears on: [-]
Genres: Motet
[-] In die tribulationis meae renuit consolari Cyprianus de Rore
Appears on: [-]
Genres: Motet
Source Attribution: Cyprianus de Rore
[-] Vado ad eum qui misit me Cyprianus de Rore
Appears on: [-]
Genres: Motet
Source Attribution: Cyprianus de Rore
[-] Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris me [D Ferrabosco]
Appears on: [-]
Genres: Motet
Source Attribution: [D Ferrabosco]
[-] Usquequo Domine - 2a pars (of 2): Illumina oculos meos nequando obdormiam -
Appears on: [-]
Genres: Motet
[-] Audite caeli - 1a pars (of 2): Audite caeli que loquor [L Barré]
Appears on: [-]
Genres: Motet
Source Attribution: [L Barré]
[-] Audite caeli - 2a pars (of 2): Venite et audite omnes -
Appears on: [-]
Genres: Motet
[-] Benedictus Deus et pater Domini nostri Ciprianus de rore
Appears on: [-]
Genres: Motet
Source Attribution: Ciprianus de rore
[-] Creator omnium Deus (5vv) -
Appears on: [-]
Genres: Motet
[-] L'alto signor - 1a pars (of 2): L'alto signor dinanzi a cui non vale -
Appears on: [-]
Genres: Madrigal (Italian)
[-] L'alto signor - 2a pars (of 2): L'una piangh' arde e versa foco -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Se la gratia divina non mi tra fuor -
Appears on: [-]
Genres: Italian secular
[-] Gaude Maria - 1a pars (of 2): Gaude Maria virgo cunctas hereses sola -
Appears on: [-]
Genres: Motet
[-] Gaude Maria - 2a pars (of 2): Gabrielem archangelum credimus -
Appears on: [-]
Genres: Motet
[-] Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas -
Appears on: [-]
Genres: Motet
[-] Tribularer si nescirem - 2a pars (of 2): Secundum multitudinem dolorum [miserationum] meorum -
Appears on: [-]
Genres: Motet
[-] Padre del ciel - 1a pars (of 2): Padre del ciel dopo i perduti giorni -
Appears on: [-]
Genres: Motet
[-] Padre del ciel - 2a pars (of 2): Hor volge Signor mio -
Appears on: [-]
Genres: Motet
[-] Itala quae cecidit - 1a pars (of 2): Itala quae cecidit -
Appears on: [-]
Genres: Motet
[-] Itala quae cecidit - 2a pars (of 2): Una tibi floret -
Appears on: [-]
Genres: Motet
[-] O dolci sguardi - 1a pars (of 2): O dolci sguardi o parolette accorte -
Appears on: [-]
Genres: Italian secular
[-] O dolci sguardi - 2a pars (of 2): Et se tal'hor da begli occhi soavi -
Appears on: [-]
Genres: Italian secular
[-] Nulla scientia - 1a pars (of 2): Nulla scientia melior nulla doctrina -
Appears on: [-]
Genres: Motet
[-] Nulla scientia - 2a pars (of 2): O quam necessaria discussio -
Appears on: [-]
Genres: Motet
[-] Cantiamo lieti - 1a pars (of 2): Cantiamo lieti il fortunato giorno -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Cantiamo lieti - 2a pars (of 2): La terra di novelli et vaghi fiori -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Scielgan l'alme sorelle - 1a pars (of 2): Scielgan l'alme sorelle in li orti suoi -
Appears on: [-]
Genres: Italian secular
[-] Scielgan l'alme sorelle - 2a pars (of 2): Ardir senno virtu bellezz'e fede -
Appears on: [-]
Genres: Italian secular
[-] Fu forse un tempo - 1a pars (of 2): Fu forse un tempo dolce cosa amore -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Fu forse un tempo - 2a pars (of 2): Ogni mio ben crudel -
Appears on: [-]
Genres: Madrigal (Italian)
[-] S'il dissi mai - 1a pars (of 2): S'il dissi mai fortun' a me superba -
Appears on: [-]
Genres: Italian secular
[-] S'il dissi mai - 2a pars (of 2): Ma s'io no 'l dissi quell' ardente face -
Appears on: [-]
Genres: Italian secular
[-] Se voi potessi - 1a pars (of 2): Se voi potessi per turbati segni -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Se voi potessi - 2a pars (of 2): Che gentil pianta in arido terreno -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Se honest' amor - 1a pars (of 2): Se honest' amor puo meritar mercede -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Se honest' amor - 2a pars (of 2): Ond' io spero ch' in fin al ciel -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Quando fra l'altre - 1a pars (of 2): Quando fra l'altre donne ad hor ad hora -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Quando fra l'altre - 2a pars (of 2): Io benedico 'l loco e 'l temp' e l'hora -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Qual donn' attenda - 1a pars (of 2): Qual donn' attend' a gloriosa fama di senno -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Qual donn' attenda - 2a pars (of 2): Iv' il parlar che nullo stil agguaglia -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Quel vago - 1a pars (of 2): Quel vago impallidir ch' el dolce riso -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Quel vago - 2a pars (of 2): Conobb' all' hor si com' in paradiso -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Pommi ov'il sol occide i fior e l'herba -
Appears on: [-]
Genres: Italian secular
[-] Lasso che mal accorto fui da prima -
Appears on: [-]
Genres: Italian secular
[-] Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri Adrian Willaert
Appears on: [-]
Genres: Motet
Source Attribution: Adrian Willaert
[-] Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis -
Appears on: [-]
Genres: Motet
[-] Quis tuos praesul - 1a pars (of 2): Quis tuos praesul valeat -
Appears on: [-]
Genres: Motet
[-] Quis tuos praesul - 2a pars (of 2): Quis [Quin?] tenes legum sophiam -
Appears on: [-]
Genres: Motet
[-] Nunc cognovi - 1a pars (of 2): Nunc cognovi domine quia verus est -
Appears on: [-]
Genres: Motet
[-] Nunc cognovi - 2a pars (of 2): Beati servi tui qui hic stant coram -
Appears on: [-]
Genres: Motet
[-] Tua est potentia Leonardus Barre
Appears on: [-]
Genres: Motet
Source Attribution: Leonardus Barre
General Note

with canon: Fuga quatuor temporum in diapente remissum

[-] O proles Hispanie pavor infidelium (6vv) A. Willaert
Appears on: [-]
Genres: Motet
Source Attribution: A. Willaert
General Note

VogelH lists these 2 pieces by Willaert in the reverse order, this inventory follows RISM-Online.

General Note

canon: Fuga trium temporum in diapente

[-] Sancte Francisce Ad. Willaert
Appears on: [-]
Genres: Motet
Source Attribution: Ad. Willaert
General Note

VogelH lists these 2 pieces by Willaert in the reverse order, this inventory follows RISM-Online.

General Note

canon: Fuga 4 temporum in diapente Intensum

[-] Creator omnium Deus (6vv) -
Appears on: [-]
Genres: Motet
[-] Perche non deggio - 1a pars (of 2): Perche non deggio - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Perche non deggio - 2a pars (of 2): Dolce mio fuoco ardente - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Vidit Dominus Petrum et Andream - Anonymous
Appears on: [-]
Genres: Motet
[-] Infelix ego - 1a pars (of 2): Infelix ego omnium Adriano W
Appears on: [-]
Genres: Motet
Source Attribution: Adriano W
[-] Infelix ego - 2a pars (of 2): Ad te igitur piissime -
Appears on: [-]
Genres: Motet
[-] L'aura le selv' e le campagne - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Illuxit nunc sacra dies celebranda -
Appears on: [-]
Genres: Motet
[-] Amor se quei begl' occhi [Perissone Cambio]
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: [Perissone Cambio]
[-] Si quei bei crin - Anonymous

Si quei bei crin

Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Io vid' in terra [Perissone Cambio]
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: [Perissone Cambio]
[-] Se pur fortuna - 1a pars (of 2): Se pur fortun' a me - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Se pur fortuna - 2a pars (of 2): Scarpella si vedra - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Bella guerriera mia - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
General Note

(NOT Perissone Cambio's setting)

[-] Fiamm' amorosa Baldisera Donato
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Baldisera Donato
[-] Che dolce piu che giocondo stato Viola
Appears on: [-]
Genres: Italian secular
Source Attribution: Viola
[-] Del breve viver mio - 1a pars (of 2): Del breve viver mio Franco Londariti
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Franco Londariti
[-] Del breve viver mio - 2a pars (of 2): Ecco quel che mie piede -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Donna se vaga siete - 1a pars (of 2): Donna se vaga siete Franco Londariti
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Franco Londariti
[-] Donna se vaga siete - 2a pars (of 2): Ch'a me morte per voi -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Lucas Pauli - 1a pars (of 2): Lucas Pauli sectator Franco Londariti
Appears on: [-]
Genres: Motet
Source Attribution: Franco Londariti
[-] Lucas Pauli - 2a pars (of 2): Lucem adepti sunt -
Appears on: [-]
Genres: Motet
[-] O fortuna potens - 1a pars (of 2): O fortuna potens - Anonymous
Appears on: [-]
Genres: Motet
[-] O fortuna potens - 2a pars (of 2): Haec aufert iuvenes - Anonymous
Appears on: [-]
Genres: Motet
[-] Dove sei tu - 1a pars (of 2): Dove sei tu mio caro Adr. W.
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Adr. W.
[-] Dove sei tu - 2a pars (of 2): Chi mi tu tolse oime -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Si traviato e'l folle - 1a pars (of 2): Si traviato e'l folle mio desio a seguitar Cip. d'Rore
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Cip. d'Rore
[-] Si traviato e'l folle - 2a pars (of 2): Et poi che'l fren per forz'a se -
Appears on: [-]
Genres: Madrigal (Italian)
[-] O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie -
Appears on: [-]
Genres: Motet
[-] O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini -
Appears on: [-]
Genres: Motet
[-] Hesperie cum laeta - 1a pars (of 2): Hesperie cum laeta suas inviserat urbes -
Appears on: [-]
Genres: Motet
[-] Hesperie cum laeta - 2a pars (of 2): Quis mihi te similem pinxit -
Appears on: [-]
Genres: Motet
[-] Universi qui te - 1a pars (of 2): Universi qui te exspectant - Anonymous
Appears on: [-]
Genres: Motet
[-] Universi qui te - 2a pars (of 2): Festina Domine - Anonymous
Appears on: [-]
Genres: Motet
[-] Son questi quei - 1a pars (of 2): Son questi quei begl'occhi - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Son questi quei - 2a pars (of 2): Parmi veder ne la tua fronte - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
[-] Amor m' ha posto - 1a pars (of 2): Amor m' ha posto [Perissone Cambio]
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: [Perissone Cambio]
[-] Amor m' ha posto - 2a pars (of 2): I pensier son -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
General Note

stanzas 1-6 are no. 58; stanzas 7-11 at no.61 below

[-] Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena -
Appears on: [-]
Genres: Madrigal, Sacred Song
[-] Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Amor da che tu vuoi - 1a pars (of 2): Amor da che tu vuoi pur ch'io m'arrischi -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Amor da che tu vuoi - 2a pars (of 2): Gentil coppia eccelente chi vi mira -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Nell' amare - 1a pars (of 2): Nell' amar' e fredd' onde -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Nell' amare - 2a pars (of 2): Ceda nata nel mar Venete -
Appears on: [-]
Genres: Madrigal (Italian)
[-] Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparte -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
General Note

stanzas 7-11 are no. 61; stanzas 1-6 are copied at no. 58 above

[-] Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza -
Appears on: [-]
Genres: Madrigal, Sacred Song
[-] Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser -
Appears on: [-]
Genres: Madrigal (Italian), Sacred Song
[-] Quando nascesti Amor (8vv) -
Appears on: [-]
Genres: Madrigal (Italian)
General Note

VogelH & RISM-Online do not make clear how many voices are copied

[-] Amore se cosi dolc' e il mio dolore (8vv) Cipriani
Appears on: [-]
Genres: Madrigal (Italian)
Source Attribution: Cipriani
General Note

VogelH & RISM-Online do not make clear in which books the extra voices are copied

[-] Che fai alma? (8vv) - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
General Note

VogelH & RISM-Online do not make clear in which book the extra voice is copied

[-] Deh dolce anima mia (7vv) - Anonymous
Appears on: [-]
Genres: Madrigal (Italian)
Composer Compositions
Anonymous
Barre, Leonardo (fl. 1537-after 1555)
Donato, Baldassare (ca. 1529–1603)
Ferrabosco, Domenico Maria
Londariti, Francesco
Nasco, Jan
Perissone Cambio
Rore, Cipriano de (ca. 1515–1565)
Viola, Alfonso dalla
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Amor da che tu vuoi - 1a pars (of 2): Amor da che tu vuoi pur ch'io m'arrischi [-]
Amor da che tu vuoi - 2a pars (of 2): Gentil coppia eccelente chi vi mira [-]
Amor m' ha posto - 1a pars (of 2): Amor m' ha posto [-]
Amor m' ha posto - 2a pars (of 2): I pensier son [-]
Amor se quei begl' occhi [-]
Amore se cosi dolc' e il mio dolore (8vv) [-]
Audite caeli - 1a pars (of 2): Audite caeli que loquor [-]
Audite caeli - 2a pars (of 2): Venite et audite omnes [-]
Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri [-]
Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis [-]
Bella guerriera mia Anonymous [-]
Benedictus Deus et pater Domini nostri [-]
Cantiamo lieti - 1a pars (of 2): Cantiamo lieti il fortunato giorno [-]
Cantiamo lieti - 2a pars (of 2): La terra di novelli et vaghi fiori [-]
Che dolce piu che giocondo stato [-]
Che fai alma? (8vv) Anonymous [-]
Clare sanctorum senatus apostolorum [-]
Creator omnium Deus (5vv) [-]
Creator omnium Deus (6vv) [-]
Deh dolce anima mia (7vv) Anonymous [-]
Del breve viver mio - 1a pars (of 2): Del breve viver mio [-]
Del breve viver mio - 2a pars (of 2): Ecco quel che mie piede [-]
Donna se vaga siete - 1a pars (of 2): Donna se vaga siete [-]
Donna se vaga siete - 2a pars (of 2): Ch'a me morte per voi [-]
Dove sei tu - 1a pars (of 2): Dove sei tu mio caro [-]
Dove sei tu - 2a pars (of 2): Chi mi tu tolse oime [-]
Fiamm' amorosa [-]
Fu forse un tempo - 1a pars (of 2): Fu forse un tempo dolce cosa amore [-]
Fu forse un tempo - 2a pars (of 2): Ogni mio ben crudel [-]
Gaude Maria - 1a pars (of 2): Gaude Maria virgo cunctas hereses sola [-]
Gaude Maria - 2a pars (of 2): Gabrielem archangelum credimus [-]
Hesperie cum laeta - 1a pars (of 2): Hesperie cum laeta suas inviserat urbes [-]
Hesperie cum laeta - 2a pars (of 2): Quis mihi te similem pinxit [-]
Illuxit nunc sacra dies celebranda [-]
In die tribulationis meae renuit consolari [-]
Infelix ego - 1a pars (of 2): Infelix ego omnium [-]
Infelix ego - 2a pars (of 2): Ad te igitur piissime [-]
Io vid' in terra [-]
Itala quae cecidit - 1a pars (of 2): Itala quae cecidit [-]
Itala quae cecidit - 2a pars (of 2): Una tibi floret [-]
L'alto signor - 1a pars (of 2): L'alto signor dinanzi a cui non vale [-]
L'alto signor - 2a pars (of 2): L'una piangh' arde e versa foco [-]
L'aura le selv' e le campagne Anonymous [-]
Lasso che mal accorto fui da prima [-]
Laus tibi - 1a pars (of 2): Laus tibi sacra rubens [-]
Laus tibi - 2a pars (of 2): Basilii felix aedes felicia Brugae [-]
Lucas Pauli - 1a pars (of 2): Lucas Pauli sectator [-]
Lucas Pauli - 2a pars (of 2): Lucem adepti sunt [-]
Nell' amare - 1a pars (of 2): Nell' amar' e fredd' onde [-]
Nell' amare - 2a pars (of 2): Ceda nata nel mar Venete [-]
Nulla scientia - 1a pars (of 2): Nulla scientia melior nulla doctrina [-]
Nulla scientia - 2a pars (of 2): O quam necessaria discussio [-]
Nunc cognovi - 1a pars (of 2): Nunc cognovi domine quia verus est [-]
Nunc cognovi - 2a pars (of 2): Beati servi tui qui hic stant coram [-]
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie [-]
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini [-]
O dolci sguardi - 1a pars (of 2): O dolci sguardi o parolette accorte [-]
O dolci sguardi - 2a pars (of 2): Et se tal'hor da begli occhi soavi [-]
O fortuna potens - 1a pars (of 2): O fortuna potens Anonymous [-]
O fortuna potens - 2a pars (of 2): Haec aufert iuvenes Anonymous [-]
O proles Hispanie pavor infidelium (6vv) [-]
Padre del ciel - 1a pars (of 2): Padre del ciel dopo i perduti giorni [-]
Padre del ciel - 2a pars (of 2): Hor volge Signor mio [-]
Perche non deggio - 1a pars (of 2): Perche non deggio Anonymous [-]
Perche non deggio - 2a pars (of 2): Dolce mio fuoco ardente Anonymous [-]
Pommi ov'il sol occide i fior e l'herba [-]
Qual donn' attenda - 1a pars (of 2): Qual donn' attend' a gloriosa fama di senno [-]
Qual donn' attenda - 2a pars (of 2): Iv' il parlar che nullo stil agguaglia [-]
Quando fra l'altre - 1a pars (of 2): Quando fra l'altre donne ad hor ad hora [-]
Quando fra l'altre - 2a pars (of 2): Io benedico 'l loco e 'l temp' e l'hora [-]
Quando nascesti Amor (8vv) [-]
Quel vago - 1a pars (of 2): Quel vago impallidir ch' el dolce riso [-]
Quel vago - 2a pars (of 2): Conobb' all' hor si com' in paradiso [-]
Quis tuos praesul - 1a pars (of 2): Quis tuos praesul valeat [-]
Quis tuos praesul - 2a pars (of 2): Quis [Quin?] tenes legum sophiam [-]
S'il dissi mai - 1a pars (of 2): S'il dissi mai fortun' a me superba [-]
S'il dissi mai - 2a pars (of 2): Ma s'io no 'l dissi quell' ardente face [-]
Sancte Francisce [-]
Scielgan l'alme sorelle - 1a pars (of 2): Scielgan l'alme sorelle in li orti suoi [-]
Scielgan l'alme sorelle - 2a pars (of 2): Ardir senno virtu bellezz'e fede [-]
Se honest' amor - 1a pars (of 2): Se honest' amor puo meritar mercede [-]
Se honest' amor - 2a pars (of 2): Ond' io spero ch' in fin al ciel [-]
Se la gratia divina non mi tra fuor [-]
Se pur fortuna - 1a pars (of 2): Se pur fortun' a me Anonymous [-]
Se pur fortuna - 2a pars (of 2): Scarpella si vedra Anonymous [-]
Se voi potessi - 1a pars (of 2): Se voi potessi per turbati segni [-]
Se voi potessi - 2a pars (of 2): Che gentil pianta in arido terreno [-]
Si quei bei crin Anonymous [-]
Si traviato e'l folle - 1a pars (of 2): Si traviato e'l folle mio desio a seguitar [-]
Si traviato e'l folle - 2a pars (of 2): Et poi che'l fren per forz'a se [-]
Son questi quei - 1a pars (of 2): Son questi quei begl'occhi Anonymous [-]
Son questi quei - 2a pars (of 2): Parmi veder ne la tua fronte Anonymous [-]
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas [-]
Tribularer si nescirem - 2a pars (of 2): Secundum multitudinem dolorum [miserationum] meorum [-]
Tua est potentia [-]
Universi qui te - 1a pars (of 2): Universi qui te exspectant Anonymous [-]
Universi qui te - 2a pars (of 2): Festina Domine Anonymous [-]
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris me [-]
Usquequo Domine - 2a pars (of 2): Illumina oculos meos nequando obdormiam [-]
Vado ad eum qui misit me [-]
Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli [-]
Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser [-]
Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata [-]
Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una [-]
Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera [-]
Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena [-]
Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio [-]
Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno [-]
Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparte [-]
Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha [-]
Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza [-]
Vidit Dominus Petrum et Andream Anonymous [-]

denotes primary source study

Lowinsky, Edward E. 1986. Cipriano de Rore's Venus Motet: Its Poetic and Pictorial Sources.  College of Fine Arts and Communications, Brigham Young University. Pages: 75-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1985. Musikalischer Lustgarten: Kostbare Zeugnisse der Musikgeschichte. Pages: 64-5. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Macey, Patrick. 1983. Savonarola and The Sixteenth-Century Motet. Journal of the American Musicological Society, 422-52. Pages: 440-l. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 233-7, 412-3, 437, 476-8, 8l6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 65, 226-34, 238. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Rifkin, Joshua. 1974. New Light on Music Manuscripts at the Court of Ferrara in the Reigns of Alfonso I and Hercules II. Paper presented at the New England Renaissance Conference at Durham, New Hampshire, October 26, 1974, . Pages: [author has withdrawn claim that Ferrarese court scribe Jean Michel copied WolfA 293]. Notes: physical description; mention of MS; discussion.

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 336ff. Notes: contents list (partial); concordances (partial).

Vogel, Emil. 1890. Die Handschriften nebst den alteren Druckwerken der MusikAbtheilung der Herzogt Bibliothek zu Wolfenbüttel. Die Handschriften der Herzogliche Bibliothek zu Wolfenbüttel.  Wolfenbüttel. Pages: 58-60. Notes: physical description; contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description