A-Wn Mus.Hs. 16704-GF

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: Early 17th century

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 16704-GF
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 460 x 365 mm
Other Identifiers
  • CCM: VienNB Mus. 16704
  • olim (Former shelfmark): A.N. 62.G.3
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 73 pieces from 19 composers
General Description

Copied by Georg Kuglmann, scribe for Styrian archducal court at Graz (FederhM). Copied in Graz, for use at court of Ferdinand, Archduke of Styria (1578-1637; Emperor Ferdinand II from 1619).

DIAMM, 2017
Binding

Original covers of tan leather over heavy wooden boards, blind tooled front and back with identical floral motifs; metal clasps. Ink inscription on front cover: 'Liber Primus de Sanctis A.4.5.6.'

DIAMM, 2017
Watermark

(1) crown and star (not in Briquet); (2) kneeling saint with halo, holding cross (not in Briquet, but see Briquet #7628 for approximate pattern)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 25

DIAMM, 2017
Foliation

Original ink foliation, 1-309

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on ff. 1-2' lists pieces in order of appearance, with number of voices and attributions.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Inventory

ÖNB catalogue

DIAMM, 2025
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 52 motets, 2 Latin/German sacred pieces, 3 German sacred pieces = 58

Bianco-1, Cavaccio-2, Clavius-1, Cleve-1, Duc-1, A. Gabrieli-1, G. Gabrieli-1, Giovanelli-3, C. Hollander-1, Lassus-12 + 1?, Rudolph Lassus-2, A. Padovano-4, Palestrina [Joan P.A. Praenestinus]-17, C. Porta-1, Regnart-1, (Strasser?)-1, Orazio Vecchi-1, Orfeo Vecchi-2, (Walter)-1, Wert/(Lassus)-1, anon-2

309 paper folios, 460 x 365. Original ink foliation, 1-309. Original covers of tan leather over heavy wooden boards, blind tooled front and back with identical floral motifs; metal clasps. Ink inscription on front cover: "Liber Primus de Sanctis A.4.5.6." Original index on ff. 1-2' lists pieces in order of appearance, with number of voices and attributions. Copied by Georg Kuglmann, scribe for Styrian archducal court at Graz (FederhM); Kuglmann also wrote other manuscripts not within scope of this catalogue. Staff height 25. Inked calligraphic initials. Watermarks: (1) crown and star (not in Briquet); (2) kneeling saint with halo, holding cross (not in Briquet, but see Briquet #7628 for approximate pattern).

Early 17th century (ComberP). Copied in Graz, for use at court of Ferdinand, Archduke of Styria (1578-1637; Emperor Ferdinand II from 1619).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2v index - -

index

Appears on: 1–2v
3v–6 Alma redemptoris mater -
Appears on: 3v–6
Genres: Alma redemptoris mater, Antiphon
6v–10 Alma redemptoris mater (5vv) -
Appears on: 6v–10
Genres: Alma redemptoris mater, Antiphon
10v–15 Alma redemptoris mater (6vv) -
Appears on: 10v–15
Genres: Alma redemptoris mater, Antiphon
15v–19 Unus ex duobus qui secuti sunt Dominum (2p. Beatus Andreas cum pervenisset ad locum) -
Appears on: 15v–19
Genres: Motet
24v–27 Canite tuba in Sion quia prope est dies (2p. Rorate caeli desuper et nubes pluant) -
Appears on: 24v–27
Genres: Motet
32v–35 Veni Domine et noli tardare relaxa facinora (2p. Excita Domine potentiam tuam et veni) -
Appears on: 32v–35
Genres: Motet
39v–44 O sancte presul Nicolae - 1a pars (of 2): O sancte presul Nicolae -
Appears on: 39v–44
Genres: Motet
39v–44 O sancte presul Nicolae - 2a pars (of 2): Gaude praesul optime -
Appears on: 39v–44
Genres: Motet
48v–53 Suscipe verbum virgo Maria quod tibi a Domino (2p. Paries quidem filium et virginitatis) -
Appears on: 48v–53
Genres: Motet
58v–62 Columna es -
Appears on: 58v–62
Genres: Motet
62v–65 Quia vidisti me Thoma -
Appears on: 62v–65
Genres: Motet
66v–67 Der Tag der ist - 1a pars (of 5): Der Tag, der ist so freudenreich -
Appears on: 66v–67
Genres: Sacred Song
67v–69 Der Tag der ist - 2a pars (of 5): Ein Kindelein so lobenlich -
Appears on: 67v–69
Genres: Sacred Song
69v–71 Der Tag der ist - 3a pars (of 5): Als wie die Sonne durch scheint -
Appears on: 69v–71
Genres: Sacred Song
71v–72 Der Tag der ist - 4a pars (of 5): Die Hirten auf dem Felde -
Appears on: 71v–72
Genres: Sacred Song
72v–74 Der Tag der ist - 5a pars (of 5): Die edlen Konig hochgeborn -
Appears on: 72v–74
Genres: Sacred Song
74v–81 Congratulamini mihi omnes (2p. Tulerunt Dominum) -
Appears on: 74v–81
Genres: Motet
81v–85 Joseph lieber Joseph mein -
Appears on: 81v–85
Genres: Hymn
85v–89 Nuntium vobis fero - 1a pars (of 2): Nuntium vobis fero de supernis natus est -
Appears on: 85v–89
Genres: Motet
89v–93 Nuntium vobis fero - 2a pars (of 2): Thus deo myrrham troclitem humando -
Appears on: 89v–93
Genres: Motet
93v–96 Sidus ex claro - 1a pars (of 2): Sidus ex claro veniens Olympo virgo quod -
Appears on: 93v–96
Genres: Motet
96v–100 Sidus ex claro - 2a pars (of 2): Qui maris terrae hominum ac Deorum -
Appears on: 96v–100
Genres: Motet
100v–102 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem -
Appears on: 100v–102
Genres: Motet
102v–104 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 102v–104
Genres: Motet
104v–108 Verbum caro factum est et habitavit -
Appears on: 104v–108
Genres: Motet
108v–112 Hodie illuxit nobis dies -
Appears on: 108v–112
Genres: Motet
112v–114 Fit porta Christi pervia -
Appears on: 112v–114
Genres: Motet
114v–118 Lapidabant Stephanum invocantem et dicentem -
Appears on: 114v–118
Genres: Hymn
118v–122 Hic est discipulus -
Appears on: 118v–122
Genres: Motet
122v–127 O bone Jesu illumina oculos Annibale [Padovano]
Appears on: 122v–127
Genres: Motet
Source Attribution: Annibale [Padovano]
127v–132 Quocunque loco fuero (2p. Iam quod quaesivi video) -
Appears on: 127v–132
Genres: Motet
132v–135 O bone Jesu exaudi me separari a te -
Appears on: 132v–135
Genres: Motet
135v–139 Tribus miraculis ornatum diem -
Appears on: 135v–139
Genres: Motet
139v–144 Stella quam viderant magi in oriente -
Appears on: 139v–144
Genres: Motet
144v–148 Saulus cum iter faceret - 1a pars (of 2): Saulus cum iter faceret -
Appears on: 144v–148
Genres: Motet
148v–151 Saulus cum iter faceret - 2a pars (of 2): Respondit Saulus -
Appears on: 148v–151
Genres: Motet
151v–159 Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) -
Appears on: 151v–159
Genres: Motet
159v–162 Ave regina caelorum -
Appears on: 159v–162
Genres: Ave regina caelorum, Motet
162v–165 Ave regina caelorum -
Appears on: 162v–165
Genres: Ave regina caelorum, Motet
165v–169 Surge Petre -
Appears on: 165v–169
Genres: Motet
169v–171 In mitten unser lebens zeit -
Appears on: 169v–171
Genres: Hymn
171v–175 Peccavi domine Annibale [Padovano]
Appears on: 171v–175
Genres: Motet
Source Attribution: Annibale [Padovano]
175v–179 In me transierunt irae tuae -
Appears on: 175v–179
Genres: Motet
179v–183 Pater peccavi - 2a pars (of 2): Quanti mercenarii -
Appears on: 179v–183
Genres: Motet
General Note

partes apparently reversed in this source

183v–186 Pater peccavi - 1a pars (of 2): Pater peccavi -
Appears on: 183v–186
Genres: Motet
186v–190 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum -
Appears on: 186v–190
Genres: Motet
190v–194 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 190v–194
Genres: Motet
194v–199 Laetare Jerusalem Annibale [Padovano]
Appears on: 194v–199
Genres: Motet
Source Attribution: Annibale [Padovano]
199v–203 Emendemus in melius -
Appears on: 199v–203
Genres: Motet
203v–208 Miserere mei Deus (6vv) -
Appears on: 203v–208
Genres: Miserere mei Deus, Motet, Psalm
208v–212 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar -
Appears on: 208v–212
Genres: Motet
212v–216 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium -
Appears on: 212v–216
Genres: Motet
216v–219 Peccantem me quotidie -
Appears on: 216v–219
Genres: Motet
219v–232 Tristis est anima mea -
Appears on: 219v–232
Genres: Motet
232v–235 Domine Jesu Christe -
Appears on: 232v–235
Genres: Motet
236v–240 Regina caeli laetare -
Appears on: 236v–240
Genres: Motet, Regina caeli laetare
240v–247 Regina caeli laetare alleluia (2p. Resurrexit sicut dixit alleluia) -
Appears on: 240v–247
Genres: Motet, Regina caeli laetare
247v–250 Regina caeli laetare (6vv) -
Appears on: 247v–250
Genres: Motet, Regina caeli laetare
Concordances

probably concordant with one of the settings in A-Gu 8

250v–255 Christ ist erstanden -
Appears on: 250v–255
Genres: Hymn
255v–259 Surgens Jesus Dominus noster stans in medio -
Appears on: 255v–259
Genres: Motet
259v–263 Surrexit pastor bonus -
Appears on: 259v–263
Genres: Motet
263v–267 Crucem sanctam subiit -
Appears on: 263v–267
Genres: Motet
267v–273 Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo et accedens -
Appears on: 267v–273
Genres: Motet
273v–279 Angelus Domini descendit - 2a pars (of 2): Et introeuntes in monumentum viderunt -
Appears on: 273v–279
Genres: Motet
279v–282 Haec dies quam fecit Dominus exultemus -
Appears on: 279v–282
Genres: Motet
282v–287 Alleluia. Iam non moritur -
Appears on: 282v–287
Genres: Alleluia, Motet
287v–290 Candidi facti sunt - 1a pars (of 2): Candidi facti sunt Nazarei eius alleluia -
Appears on: 287v–290
Genres: Motet
290v–293 Candidi facti sunt - 2a pars (of 2): Candidiores nive nitidiores lacte -
Appears on: 290v–293
Genres: Motet
293v–296 Domine ostende nobis (2p. Tanto tempore) -
Appears on: 293v–296
Genres: Motet
299v–302 Crucem tuam adoramus Annibale [Padovano]
Appears on: 299v–302
Genres: Motet
Source Attribution: Annibale [Padovano]
302v–305 Viri Galilaei - 1a pars (of 2): Viri Galilaei quid statis aspicientes -
Appears on: 302v–305
Genres: Motet
305v–309 Viri Galilaei - 2a pars (of 2): Ascendit Deus in jubilatione et Dominus -
Appears on: 305v–309
Genres: Motet
Composer Compositions
Anonymous
Bianci, Pier' Antonio
Cavaccio, Giovanni (ca. 1556–1626)
Clavius, Christophorus
Cleve, Johannes de (ca. 1528–1582)
Duc, Filippo / Philippe le
Gabrieli, Andrea (ca. 1532–1585)
Gabrieli, Giovanni (ca. 1554–1612)
Giovannelli, Ruggiero (ca. 1560–1625)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Lassus, Rudolph de
Padovano, Annibale
Palestrina, Giovanni Pierluigi da (1525–1594)
Porta, Costanzo
Regnart, Jacob (ca. 1540–1599)
Vecchi, Orazio (1550–1605)
Vecchi, Orfeo
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Iam non moritur 282v–287
Alma redemptoris mater 3v–6
Alma redemptoris mater (5vv) 6v–10
Alma redemptoris mater (6vv) 10v–15
Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo et accedens 267v–273
Angelus Domini descendit - 2a pars (of 2): Et introeuntes in monumentum viderunt 273v–279
Ave regina caelorum 159v–162
Ave regina caelorum 162v–165
Candidi facti sunt - 1a pars (of 2): Candidi facti sunt Nazarei eius alleluia 287v–290
Candidi facti sunt - 2a pars (of 2): Candidiores nive nitidiores lacte 290v–293
Canite tuba in Sion quia prope est dies (2p. Rorate caeli desuper et nubes pluant) 24v–27
Christ ist erstanden 250v–255
Columna es 58v–62
Congratulamini mihi omnes (2p. Tulerunt Dominum) 74v–81
Crucem sanctam subiit 263v–267
Crucem tuam adoramus 299v–302
Der Tag der ist - 1a pars (of 5): Der Tag, der ist so freudenreich 66v–67
Der Tag der ist - 2a pars (of 5): Ein Kindelein so lobenlich 67v–69
Der Tag der ist - 3a pars (of 5): Als wie die Sonne durch scheint 69v–71
Der Tag der ist - 4a pars (of 5): Die Hirten auf dem Felde 71v–72
Der Tag der ist - 5a pars (of 5): Die edlen Konig hochgeborn 72v–74
Domine Jesu Christe 232v–235
Domine ostende nobis (2p. Tanto tempore) 293v–296
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 100v–102
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 102v–104
Emendemus in melius 199v–203
Fit porta Christi pervia 112v–114
Haec dies quam fecit Dominus exultemus 279v–282
Hic est discipulus 118v–122
Hodie illuxit nobis dies 108v–112
In me transierunt irae tuae 175v–179
In mitten unser lebens zeit 169v–171
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 208v–212
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 212v–216
Joseph lieber Joseph mein 81v–85
Laetare Jerusalem 194v–199
Lapidabant Stephanum invocantem et dicentem 114v–118
Miserere mei Deus (6vv) 203v–208
Nuntium vobis fero - 1a pars (of 2): Nuntium vobis fero de supernis natus est 85v–89
Nuntium vobis fero - 2a pars (of 2): Thus deo myrrham troclitem humando 89v–93
O bone Jesu exaudi me separari a te 132v–135
O bone Jesu illumina oculos 122v–127
O sancte presul Nicolae - 1a pars (of 2): O sancte presul Nicolae 39v–44
O sancte presul Nicolae - 2a pars (of 2): Gaude praesul optime 39v–44
Pater peccavi - 1a pars (of 2): Pater peccavi 183v–186
Pater peccavi - 2a pars (of 2): Quanti mercenarii 179v–183
Peccantem me quotidie 216v–219
Peccavi domine 171v–175
Quia vidisti me Thoma 62v–65
Quocunque loco fuero (2p. Iam quod quaesivi video) 127v–132
Regina caeli laetare 236v–240
Regina caeli laetare (6vv) 247v–250
Regina caeli laetare alleluia (2p. Resurrexit sicut dixit alleluia) 240v–247
Saulus cum iter faceret - 1a pars (of 2): Saulus cum iter faceret 144v–148
Saulus cum iter faceret - 2a pars (of 2): Respondit Saulus 148v–151
Senex puerum portabat puer autem senem (2p. Hodie beata virgo Maria puerum Jesum) 151v–159
Sidus ex claro - 1a pars (of 2): Sidus ex claro veniens Olympo virgo quod 93v–96
Sidus ex claro - 2a pars (of 2): Qui maris terrae hominum ac Deorum 96v–100
Stella quam viderant magi in oriente 139v–144
Surge Petre 165v–169
Surgens Jesus Dominus noster stans in medio 255v–259
Surrexit pastor bonus 259v–263
Suscipe verbum virgo Maria quod tibi a Domino (2p. Paries quidem filium et virginitatis) 48v–53
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 186v–190
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 190v–194
Tribus miraculis ornatum diem 135v–139
Tristis est anima mea 219v–232
Unus ex duobus qui secuti sunt Dominum (2p. Beatus Andreas cum pervenisset ad locum) 15v–19
Veni Domine et noli tardare relaxa facinora (2p. Excita Domine potentiam tuam et veni) 32v–35
Verbum caro factum est et habitavit 104v–108
Viri Galilaei - 1a pars (of 2): Viri Galilaei quid statis aspicientes 302v–305
Viri Galilaei - 2a pars (of 2): Ascendit Deus in jubilatione et Dominus 305v–309

denotes primary source study

Comberiati, Carmelo Peter. 1983. Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II (1576-1612). University of Michigan, Unpublished Ph.D. dissertation. Pages: 171. Notes: physical description; mention of MS; discussion.

Federhofer, Hellmut. 1967. Musikpflege und Musiker am Grazer Habsburgerhof der Erzherzöge Karl und Ferdinand von Innerösterreich (1564-1619).  Mainz. Pages: 96. Notes: mention of MS.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 5. Notes: contents list (partial); concordances (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: IX, 210-3. Notes: physical description; contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description