Composite of originally separate fascicles later bound together. Copied by several scribes.
A-Wn Mus. Hs. 15500
Österreichische Nationalbibliothek, Vienna, Austria
manuscript of polyphony: 1544
| Archive | Österreichische Nationalbibliothek, Vienna, Austria (A-Wn) |
|---|---|
| Shelfmark | Mus. Hs. 15500 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 470 x 310 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| External Authorities | |
| Provenance |
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| Contents | Contains 51 compositions, 39 from 25 composers, 12 are anonymous. |
General Description
Physical Description
Folios trimmed at top, with probable loss of some attributions.
Binding
Original covers of tooled leather, with metal corners, bosses, buckles, and clasps.
Watermark
double eagle with crown
Notation
black void mensural
Foliation
Two systems of modern foliation: first system, 1-328; second system, 1-337, corrects most errors in first system, but omits one folio between 221/222
Decoration
space left for decorative initials, but only a few initials were actually entered
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Mass Proper sections, 17 Magnificats, 3 Te Deums, 2 psalms, 22 motets = 46
(Briant)-1, (Caen/Josquin)-1, (Couillart)-1, Dietrich [Sixti Theoderici]-3, (Du Hamel)-2, (Ducis)-2, Finck-1, (Finck-Josquin)-1, (Isaac)-1, Jaquet of Mantua [Iachet]-1, (Jhan of Ferrara)-1, (Jonckers)-1, (Josquin)-1, (Josquin/Senfl)-1, Lhéritier-1, Lupus-1, (Morales)-4, (Mouton)-1, Richafort-1, Senfl-4, Sermisy [Claudin] -2, Stoltzer-1, Tudual-1, Willaert/(Obrecht)-1, anon-11
338 paper folios, 470 x 325. Composite of originally separate fascicles later bound together. Folios trimmed at top, with probable loss of some attributions. Two systems of modern foliation: first system, 1-328; second system, 1-337, corrects most errors in first system, but omits one folio between 221/222. Blank folios, or blank staves only: 31'-33, 67'-68, 97'-98, 108'-110, 116'-118, 123'-124, 163'-164, 186'-187, 197'-199, 227'-228, 263'-264, 268'-271, 287'-288, 296'-297, 305'-306, 311, 315'-316, 318'-319, 321'-322, 323'-325'. Original covers of tooled leather, with metal corners, bosses, buckles, and clasps. No index. Copied by several scribes. Space left for decorative initials, but only a few initials actually inscribed Watermark: double eagle with crown.
1544 (date on f. 1). Of German origin (KirschE).
The inventory could not be loaded.
‡ denotes primary source study
Elders, Willem. 1981. Ein handschriftlicher 'Liber Psalmorum' aus der deutschen Überlieferung. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, vol. 6. Munich. Pages: 66-7. Notes: contents list (partial); concordances (partial); incipits (partial).
Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 57. Notes: contents list (partial); concordances (partial).
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 655-6, 675, 680, 716-7, 723. Notes: contents list (partial); concordances (partial); incipits (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xliii, 26, 78. Notes: physical description; contents list (partial); concordances (partial).
Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 379. Notes: contents list (partial); concordances (partial).
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlvi, lii. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 170, 185. Notes: physical description (partial); contents list (partial).
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 84-5, 137, 337. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1961. Ein unbeachtetes Chorbuch von 1544 in der Österreichischen Nationalbibliothek Wien. Die Musikforschung, 14: 290-303. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 145, 149. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX 115-23, 194, 198 XCIX, 91, 95. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: CII, vii, 11-24. Notes: contents list (partial); concordances (partial); transcriptions (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description