A-Wn Mus. Hs. 15500

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: 1544

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus. Hs. 15500
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 470 x 310 mm
Other Identifiers
  • CCM: VienNB Mus. 15500
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 51 pieces from 26 composers
General Description

Composite of originally separate fascicles later bound together. Copied by several scribes.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Physical Description

Folios trimmed at top, with probable loss of some attributions.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Binding

Original covers of tooled leather, with metal corners, bosses, buckles, and clasps.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Watermark

double eagle with crown

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Notation

black void mensural

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Foliation

Two systems of modern foliation: first system, 1-328; second system, 1-337, corrects most errors in first system, but omits one folio between 221/222

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Decoration

space left for decorative initials, but only a few initials were actually entered

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Surface

paper

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections, 17 Magnificats, 3 Te Deums, 2 psalms, 22 motets = 46

(Briant)-1, (Caen/Josquin)-1, (Couillart)-1, Dietrich [Sixti Theoderici]-3, (Du Hamel)-2, (Ducis)-2, Finck-1, (Finck-Josquin)-1, (Isaac)-1, Jaquet of Mantua [Iachet]-1, (Jhan of Ferrara)-1, (Jonckers)-1, (Josquin)-1, (Josquin/Senfl)-1, Lhéritier-1, Lupus-1, (Morales)-4, (Mouton)-1, Richafort-1, Senfl-4, Sermisy [Claudin] -2, Stoltzer-1, Tudual-1, Willaert/(Obrecht)-1, anon-11

338 paper folios, 470 x 325. Composite of originally separate fascicles later bound together. Folios trimmed at top, with probable loss of some attributions. Two systems of modern foliation: first system, 1-328; second system, 1-337, corrects most errors in first system, but omits one folio between 221/222. Blank folios, or blank staves only: 31'-33, 67'-68, 97'-98, 108'-110, 116'-118, 123'-124, 163'-164, 186'-187, 197'-199, 227'-228, 263'-264, 268'-271, 287'-288, 296'-297, 305'-306, 311, 315'-316, 318'-319, 321'-322, 323'-325'. Original covers of tooled leather, with metal corners, bosses, buckles, and clasps. No index. Copied by several scribes. Space left for decorative initials, but only a few initials actually inscribed Watermark: double eagle with crown.

1544 (date on f. 1). Of German origin (KirschE).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–14 Magnificat quarti toni: Et exultavit [K.875] Jo: Lheritier
Appears on: 1–14
Genres: BVM, Canticle, Magnificat
Source Attribution: Jo: Lheritier
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quarti Toni: Et exultavit spiritus meus
14v–24 Magnificat octavi toni: Et exultavit [K.1016] Richafort
Appears on: 14v–24
Genres: BVM, Canticle, Magnificat
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Octavi Toni: Et exultavit spiritus meus
24v–31 Magnificat octavi toni: Et exultavit [K.839] Iachet [of Mantua]
Appears on: 24v–31
Genres: BVM, Canticle, Magnificat
Source Attribution: Iachet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Octavi Toni: Et exultavit spiritus meus
33v–46 Magnificat Septimi Toni: Et exultavit [K.784] Henrici Finckii
Appears on: 33v–46
Genres: BVM, Canticle, Magnificat
Source Attribution: Henrici Finckii
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Septimi toni]: Et exultavit spiritus meus
46v–56 Magnificat octavi toni: Et exultavit [Du Hamel]
Appears on: 46v–56
Genres: BVM, Canticle, Magnificat
Source Attribution: [Du Hamel]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Octavi Toni: Et exultavit spiritus meus
56v–67 Magnificat Quinti Toni: Et exultavit spiritus meus [Du Hamel]
Appears on: 56v–67
Genres: BVM, Canticle, Magnificat
Source Attribution: [Du Hamel]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Quinti Toni: Et exultavit spiritus meus
68v–75 Magnificat Quinti Toni: Et exultavit [K.728] [Dietrich]
Appears on: 68v–75
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
75v–83 Magnificat octavi toni: Et exultavit Tugdual [= Tudual]
Appears on: 75v–83
Genres: BVM, Canticle, Magnificat
Source Attribution: Tugdual [= Tudual]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Octavi Toni: Et exultavit spiritus meus
83v–90 Magnificat sexti toni: Anima mea [K.919] [Morales]
Appears on: 83v–90
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: (Magnificat) [Sexti toni]: Anima mea dominum
90v–97 Magnificat sexti toni: Et exultavit [K.919] [Morales]
Appears on: 90v–97
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
98v–108 Magnificat primi toni: Et exultavit spiritus meus [Senfl]
Appears on: 98v–108
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: Et exultavit spiritus meus
110v–116 Magnificat octavi toni: Et exultavit [K.404] Anon. Anonymous
Appears on: 110v–116
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
118v–123 Judica me Deus et discerne causam 17.8 (2p. Et introibo ad altare Dei) [Caen/Josquin]
Appears on: 118v–123
Genres: Motet
Source Attribution: [Caen/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Judica me deus et discerne causam meam 17.8 II: Et introibo ad altare dei ad deum
124v–133 Magnificat septimi toni: Et exultavit spiritus meus Ludovici Senflii
Appears on: 124v–133
Genres: BVM, Canticle, Magnificat
Source Attribution: Ludovici Senflii
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Septimi toni]: Et exultavit spiritus meus
133v–139 Ps. 113: In exitu Israel de Egipto Anon. Anonymous
Appears on: 133v–139
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 113: In exitu Israel de Egipto
139v–151 Magnificat Septimi Toni: Et exultavit [K.730] Sixti Theoderici [= Dietrich]
Appears on: 139v–151
Genres: BVM, Canticle, Magnificat
Source Attribution: Sixti Theoderici [= Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Septimi toni]: Et exultavit spiritus meus
151v–163 Magnificat octavi toni: Et exultavit [K.731] [Dietrich]
Appears on: 151v–163
Genres: BVM, Canticle, Magnificat
Source Attribution: [Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
164v–173 Magnificat quinti toni: Anima mea [K.918] [Morales]
Appears on: 164v–173
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quinti toni]: Anima mea dominum
173v–182 Magnificat quinti toni: Et exultavit [K.918] [Morales]
Appears on: 173v–182
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
182v–186 Benedic anima mea Domino et omnia quae II: Qui redemit de interitu vitam tuam Claudin [de Sermisy]
Appears on: 182v–186
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia que intra II: Qui redemit de interitu vitam tuam
187v–197 Ps. 113: In exitu Israel de Egipto Anon. Anonymous
Appears on: 187v–197
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 113: In exitu Israel de Egipto
199v–206 Pater noster (4vv) (2p. Ave Maria gratia plena) Willart/[Obrecht]
Appears on: 199v–206
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Willart/[Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis II: Ave Maria gratia plena dominus tecum
206v–208 De profundis - 1a pars (of 2): De profundis clamavi ad te Domine [Ducis]
Appears on: 206v–208
Genres: Motet
Source Attribution: [Ducis]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine II: A custodia matutina usque ad noctem
208v–211 De profundis - 2a pars (of 2): A custodia matutina usque ad noctem -
Appears on: 208v–211
Genres: Motet
211v–217 Beatus vir qui timet Dominum in mandatis II: In memoria aeterna erit justus [Ducis]
Appears on: 211v–217
Genres: Motet
Source Attribution: [Ducis]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui timet dominum in mandatis II: In memoria aeterna erit iustus
217v–218 Domine ad adjuvandum me festina gloria Anon. Anonymous
Appears on: 217v–218
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina gloria
218v–222 Jubilate Deo omnis terra servite Domino 17.7 II: Laudate nomen eius quoniam suavis est [Josquin]
Appears on: 218v–222
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra servite domino 17.7 II: Laudate nomen eius quoniam suavis est
222v–224 Benedicta Sit sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 222v–224
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Sit sancta trinitas atque indivisa Vs: (Benedicamus patrem) Cum sancto spiritu
224v–227 Deus canticum novum cantabo tibi Lupus
Appears on: 224v–227
Genres: Motet
Source Attribution: Lupus
Voice: [no designation]
Languages: Latin
Voice Text: Deus canticum novum cantabo tibi alleluia
228v–237 Usquequo domine oblivisceris me in finem II: Illumina oculos meos ne unquam obdormiam Anon. Anonymous
Appears on: 228v–237
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo domine oblivisceris me in finem II: Illumina oculos meos ne unquam obdormiam
237v–245 De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) [Josquin/Senfl]
Appears on: 237v–245
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: A custodia matutina usque ad noctem
245v–249 Oliva fructifera Christus filius Dei tollens Anon. Anonymous
Appears on: 245v–249
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Oliva fructifera Christus filius dei tollens
249v–256 In convertendo Dominus captivitatem Sion II: Converte domine captivitatem nostram Anon. Anonymous
Appears on: 249v–256
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Syon II: Converte domine captivitatem nostram
256v–263 Domine labia mea aperies et os meum [Briant]
Appears on: 256v–263
Genres: Motet
Source Attribution: [Briant]
Voice: [no designation]
Languages: Latin
Voice Text: Domine labia mea aperies et os meum
264v–268 Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) [Senfl]
Appears on: 264v–268
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Quomodo fiet istud angele dei quia virum II: Audi Maria virgo spiritus sanctus
271v–274 Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit [Sermisy]
Appears on: 271v–274
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: Dominus dedit dominus abstulit
274v–277 Veni sancte spiritus (6vv) [M119] Anon.
Appears on: 274v–277
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Veni sancte spiritus) Reple tuorum corda
277v–279 Laudate Dominum omnes gentes, laudate eum [Jonckers]
Appears on: 277v–279
Genres: Motet
Source Attribution: [Jonckers]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
279v–285 Laudate Deum in sanctis eius ut audiatur (2p. Quia cum clamarem ad eum exaudivit) [Mouton]
Appears on: 279v–285
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum in sanctis eius ut audiatur II: Quia cum clamarem ad eum exaudivit
285v–287 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anon. Anonymous
Appears on: 285v–287
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam in medio Vs: (Magnus dominus) In civitate dei nostri
288v–292 Magnus es tu Domine et magnum nomen 21.6 (2p. Tu pauperum refugium tu languorum) [Finck-Josquin]
Appears on: 288v–292
Genres: Motet
Source Attribution: [Finck-Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Magnus es tu domine et magnum nomen 21.6 II: Tu pauperum refugium tu languorum
292v–296 Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) [Couillart]
Appears on: 292v–296
Genres: Motet
Source Attribution: [Couillart]
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilei quid admiramini aspicientes II: Videntibus illis elevatus est ut nubes
297v–310v (Ff. 305v-306 blank) Te Deum - 1a pars (of 3): Te Deum laudamus [Jhan of Ferrara]
Appears on: 297v–310v (Ff. 305v-306 blank)
Genres: Te Deum
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
297v–310v (Ff. 305v-306 blank) Te Deum - 2a pars (of 3): Patrem immense majestatis -
Appears on: 297v–310v (Ff. 305v-306 blank)
Genres: Motet
297v–310v (Ff. 305v-306 blank) Te Deum - 3a pars (of 3): Te tamen quaesumus famulis tuis -
Appears on: 297v–310v (Ff. 305v-306 blank)
Genres: Motet
311v–323 (Ff. 315v-316, 318v-319, 321v-322 blank) Te Deum laudamus [Senfl]
Appears on: 311v–323 (Ff. 315v-316, 318v-319, 321v-322 blank)
Genres: Liturgical work, Te Deum
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
326 Altus (fragment for following piece) - Anonymous
Appears on: 326
Genres: Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Altus fragment for following piece
326v–331 Te Deum laudamus Tibi omnes angeli Thomas Stoltzer
Appears on: 326v–331
Genres: Liturgical work, Te Deum
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Tibi omnes angeli tibi
331v–335 Salva nos Domine vigilantes custodi nos (= Missa Salva nos Domine: Kyrie) [Isaac]
Appears on: 331v–335
Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Salva nos domine vigilantes custodi nos [= Kyrie from Missa Salva nos]
335v–337 Salva nos domine vigilantes custodi nos Anon. Anonymous
Appears on: 335v–337
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos domine vigilantes custodi nos
337v untexted fragment - -
Appears on: 337v
Genres: fragment, textless
Voice: [no designation]
Languages: none
Voice Text: Textless fragment
Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Brumen, Denis
Caen, Arnold
Couillart
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Ducis, Benedictus
Ferrara, Maistre Jhan of (ca. 1485–1538)
Finck, Heinrich
Hamel, Joannes du
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Tudual
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Altus (fragment for following piece) Anonymous 326
Beatus vir qui timet Dominum in mandatis II: In memoria aeterna erit justus 211v–217
Benedic anima mea Domino et omnia quae II: Qui redemit de interitu vitam tuam 182v–186
Benedicta Sit sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu Anonymous 222v–224
De profundis - 1a pars (of 2): De profundis clamavi ad te Domine 206v–208
De profundis - 2a pars (of 2): A custodia matutina usque ad noctem 208v–211
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) 237v–245
Deus canticum novum cantabo tibi 224v–227
Domine ad adjuvandum me festina gloria Anonymous 217v–218
Domine labia mea aperies et os meum 256v–263
In convertendo Dominus captivitatem Sion II: Converte domine captivitatem nostram Anonymous 249v–256
Jubilate Deo omnis terra servite Domino 17.7 II: Laudate nomen eius quoniam suavis est 218v–222
Judica me Deus et discerne causam 17.8 (2p. Et introibo ad altare Dei) 118v–123
Laudate Deum in sanctis eius ut audiatur (2p. Quia cum clamarem ad eum exaudivit) 279v–285
Laudate Dominum omnes gentes, laudate eum 277v–279
Magnificat octavi toni: Et exultavit 46v–56
Magnificat octavi toni: Et exultavit 75v–83
Magnificat octavi toni: Et exultavit [K.1016] 14v–24
Magnificat octavi toni: Et exultavit [K.404] Anonymous 110v–116
Magnificat octavi toni: Et exultavit [K.731] 151v–163
Magnificat octavi toni: Et exultavit [K.839] 24v–31
Magnificat primi toni: Et exultavit spiritus meus 98v–108
Magnificat quarti toni: Et exultavit [K.875] 1–14
Magnificat quinti toni: Anima mea [K.918] 164v–173
Magnificat Quinti Toni: Et exultavit [K.728] 68v–75
Magnificat quinti toni: Et exultavit [K.918] 173v–182
Magnificat Quinti Toni: Et exultavit spiritus meus 56v–67
Magnificat Septimi Toni: Et exultavit [K.730] 139v–151
Magnificat Septimi Toni: Et exultavit [K.784] 33v–46
Magnificat septimi toni: Et exultavit spiritus meus 124v–133
Magnificat sexti toni: Anima mea [K.919] 83v–90
Magnificat sexti toni: Et exultavit [K.919] 90v–97
Magnus es tu Domine et magnum nomen 21.6 (2p. Tu pauperum refugium tu languorum) 288v–292
Oliva fructifera Christus filius Dei tollens Anonymous 245v–249
Pater noster (4vv) (2p. Ave Maria gratia plena) 199v–206
Ps. 113: In exitu Israel de Egipto Anonymous 133v–139
Ps. 113: In exitu Israel de Egipto Anonymous 187v–197
Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) 264v–268
Salva nos domine vigilantes custodi nos Anonymous 335v–337
Salva nos Domine vigilantes custodi nos (= Missa Salva nos Domine: Kyrie) 331v–335
Si bona suscepimus de manu Domini II: Dominus dedit Dominus abstulit 271v–274
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 285v–287
Te Deum - 1a pars (of 3): Te Deum laudamus 297v–310v (Ff. 305v-306 blank)
Te Deum - 2a pars (of 3): Patrem immense majestatis 297v–310v (Ff. 305v-306 blank)
Te Deum - 3a pars (of 3): Te tamen quaesumus famulis tuis 297v–310v (Ff. 305v-306 blank)
Te Deum laudamus 311v–323 (Ff. 315v-316, 318v-319, 321v-322 blank)
Te Deum laudamus Tibi omnes angeli 326v–331
untexted fragment - 337v
Usquequo domine oblivisceris me in finem II: Illumina oculos meos ne unquam obdormiam Anonymous 228v–237
Veni sancte spiritus (6vv) [M119] 274v–277
Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) 292v–296

denotes primary source study

Elders, Willem. 1981. Ein handschriftlicher 'Liber Psalmorum' aus der deutschen Überlieferung. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen.  Munich. Pages: 66-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 57. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 655-6, 675, 680, 716-7, 723. Notes: contents list (partial); concordances (partial); incipits (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xliii, 26, 78. Notes: physical description; contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 379. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlvi, lii. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 170, 185. Notes: physical description (partial); contents list (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 84-5, 137, 337. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1961. Ein unbeachtetes Chorbuch von 1544 in der Österreichischen Nationalbibliothek Wien. Die Musikforschung, 290-303. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 145, 149. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX 115-23, 194, 198 XCIX, 91, 95. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: CII, vii, 11-24. Notes: contents list (partial); concordances (partial); transcriptions (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description