F-CA Inc. B 144

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

non-music MS with interpolated music: 14th century

Archive Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark Inc. B 144
Surface Parchment
Numbering System None
Format portrait
Measurements boards 312 x 219; back pastedown 302 x 210 mm
External Links
Provenance
  • France
Contents 4 pieces from 2 composers
General Description

Sermones Bernardi (Tomus I). A leaf useda s a paste-down, containing an otherwise unknown motet; the rear board contains a 'mirror image' offset of the pages. The front board has an offset of a page removed from this book and now f. 2v of MS B 1328, a motet by Machaut.

See also Lerch's reconstruction of these and other fragments as 'F-CA(n)'.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

In parentheses is given the series and number in Lerch's re-foliation of the B 1328 fragments.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017

front board

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
front board (=L-I:16v) Qui es promesses de Fortune se fie / Ha, Fortune, trop suis mis loing de port / Et non est qui adjuvat -
Machaut, Guillaume de (ca. 1300–1377)

Qui es promesses de Fortune se fie / Ha, Fortune, trop suis mis loing de port / Et non est qui adjuvat

Machaut, Guillaume de (ca. 1300–1377)
Appears on: front board (=L-I:16v)
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: indescipherable
i (L-I:9) Cede locum cede fortuna perpere / Nam sum qui fueram / Beati qui persecutionem - Anonymous

Cede locum cede fortuna perpere / Nam sum qui fueram / Beati qui persecutionem

Anonymous
Appears on: i (L-I:9)
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cede locum cede fortuna perpere / Nam sum qui fueram / Beati qui persecutionem
i_v (L-I:9v) Patrem ab eterno / Patrem omnipotentem / Talis est - Anonymous

Patrem ab eterno / Patrem omnipotentem / Talis est

Anonymous
Appears on: i_v (L-I:9v)
Genres: Mass Ordinary, Motet, Troped Credo
Voice: [no designation]
Languages: Latin
Voice Text: Patrem ab eterno / Patrem omnipotentem / Tallis est
General Note

CMM 29, 66-67; Hasselman, The French Chanson II, 169-172
back board - - Anonymous

[Unknown Title]

Appears on: back board
Voice: [no designation]
Languages: Latin
Voice Text: Floret cum vana gloria / Florens vigor Neuma
General Note

Sanders, The Earlz Motets, 37-43; Leclercq, Contribution II, 8-12
Composer Compositions
Anonymous
Machaut, Guillaume de (ca. 1300–1377)
Composition Composers (? Uncertain) Folios / Pages
Cede locum cede fortuna perpere / Nam sum qui fueram / Beati qui persecutionem Anonymous i (L-I:9)
Patrem ab eterno / Patrem omnipotentem / Talis est Anonymous i_v (L-I:9v)
Qui es promesses de Fortune se fie / Ha, Fortune, trop suis mis loing de port / Et non est qui adjuvat
Machaut, Guillaume de (ca. 1300–1377)
front board (=L-I:16v)

Images ©2000 Ville de Cambrai

Set: Cambrai fragments

Type: Fragments of a whole

F-CA Inc. B 56

No images available

F-CA Inc. B 135

F-CA Inc. B 144

F-CA Inc. B 145

F-CA Inc. B 165

F-CA Inc. B 166

F-CA Inc. C 52

F-CA MS B 220

F-CA MS B 322

F-CA MS B 447

F-CA MS B 1328

F-CA MS C 647

‡ denotes primary source study

Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research.  New York and London: Garland.

Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter.

Fallows, David. 1976. L'origine du ms. 1328 de Cambrai. Revue de musicologie, 275-80.

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Julia Craig-McFeely

Thursday, 17 August, 2023

Richard Dudas

Wednesday, 22 July, 2020

Identified concordance of Floret / Florens / Neuma with copy in B-Br MS 19606.