D-Sl Cod. mus. I 2° 43

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1540

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 43
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 450 x 320 mm
Other Identifiers
  • CCM: StuttL 43
  • olim (Former shelfmark): MS Musica folio I 43
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 15 pieces from 11 composers
General Description

Copied by a single scribe, who also wrote ff. 87'-93' of StuttL 42; GottH identification of this scribe as Nikolaus Peuschel probably incorrect (Call). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1540 (GottH).

DIAMM, 2017
Foliation

Modern foliation, 1-149; original foliation mostly obliterated by later trimming.

DIAMM, 2017
Decoration

Large inked calligraphic initial on f. 1'; inked initials in plain block style on ff. 25'-26, 29'-30, 35'-36, 42'-43, 53'-54.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 motets

(Gombert)-1, (Lhéritier/Willaert)-1, (Richafort/Verdelot)-1, (Senfl)-2, (Silva/Werrecore)-1, (Stoltzer/Werrecore)-1, (Unterholtzer)-1, (Walter)-1, (Willaert)-2, anon-4

149 paper folios, 450 x 320. Modern foliation, 1-149; original foliation mostly obliterated by later trimming. Original covers of tooled leather over pasteboard.

No index. Copied by a single scribe, who also wrote ff. 87'-93' of StuttL 42; GottH identification of this scribe as Nikolaus Peuschel probably incorrect (Call). Large inked calligraphic initial on f. 1'; inked initials in plain block style on ff. 25'-26, 29'-30, 35'-36, 42'-43, 53'-54.

Ca. 1540 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–14 Deus in nomine tuo salvum me fac II: Ecce enim Deus adjuvat me -
Willaert, Adrian (ca. 1490–1562) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)

Deus in nomine tuo salvum me fac II: Ecce enim Deus adjuvat me

Willaert, Adrian (ca. 1490–1562) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)
Appears on: 1v–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus in nomine tuo
General Note

II. Ecce enim
14v–25 Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167] -
Willaert, Adrian (ca. 1490–1562)

Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167]

Willaert, Adrian (ca. 1490–1562)
Appears on: 14v–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jesu Christe
General Note

II. O bone Jesu
25v–35 Beati omnes qui timent Dominum qui ambulant (2p. Filii tui sicut novelle olivarum) -
Werrecore, Matthias Hermann (?)
Stoltzer, Thomas (ca. 1480–1526) (?)

Beati omnes qui timent Dominum qui ambulant (2p. Filii tui sicut novelle olivarum)

Werrecore, Matthias Hermann (?)
Stoltzer, Thomas (ca. 1480–1526) (?)
Appears on: 25v–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent
General Note

II. Gilii tui (Tenor: uxor tua)
35v–49 Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) -
Senfl, Ludwig (ca. 1486–ca. 1543)

Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74)

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 35v–49
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro
General Note

II. Plenum gratia III. In principio
49v–61 De profundis clamavi ad te Domine (2p. Sustiniut anima) - Anonymous

De profundis clamavi ad te Domine (2p. Sustiniut anima)

Anonymous
Appears on: 49v–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad tes
General Note

II. Sustiniut anima
61v–68 Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes) -
Werrecore, Matthias Hermann (?)
Silva, Andreas de (ca. 1475–ca. 1522) (?)

Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes)

Werrecore, Matthias Hermann (?)
Silva, Andreas de (ca. 1475–ca. 1522) (?)
Appears on: 61v–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus qui animam suam II: Ecce crucem domini fugite partes
General Note

II. Ecce crucem domini
68v–72 Ne proiicias nos in tempore senectutis nostre -
Willaert, Adrian (ca. 1490–1562)

Ne proiicias nos in tempore senectutis nostre

Willaert, Adrian (ca. 1490–1562)
Appears on: 68v–72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ne projicias nos
72v–80 Si bona suscepimus de manu Domini -
Richafort, Jean (ca. 1480–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)

Si bona suscepimus de manu Domini

Richafort, Jean (ca. 1480–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Appears on: 72v–80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu Domini
80v–90 Expurgate vetus fermentum (2p. Itaque festum) - Anonymous

Expurgate vetus fermentum (2p. Itaque festum)

Anonymous
Appears on: 80v–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Expurgate vetus fermentum
General Note

II. Itaque festum
90v–94 Veni sancte spiritus et emitte caelitus - Anonymous

Veni sancte spiritus et emitte caelitus

Anonymous
Appears on: 90v–94
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus
94v–101 Haec est autem - Anonymous

Haec est autem

Anonymous
Appears on: 94v–101
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Haec est autem
101v–116 Summe parens rerum (2p. Hanc animam) - Anonymous

Summe parens rerum (2p. Hanc animam)

Anonymous
Appears on: 101v–116
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Summe parens rerum
General Note

II. Hanc animam (Ten: Morte mundus)
116v–127 Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur) -
Senfl, Ludwig (ca. 1486–ca. 1543)

Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur)

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 116v–127
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui prophetice prompsisti
General Note

II. Qui expansis III. Vita in ligno
127v–134 Ecce ego mitto vos sicut oves in medio -
Unterholzer, Rupertus

Ecce ego mitto vos sicut oves in medio

Unterholzer, Rupertus
Appears on: 127v–134
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce ego mitto vos sicut oves in medio
134v–149 Emendemus in melius quae ignoranter (2p. Peccavimus Domine) -
Lassus, Orlande de (ca. 1532–1594)

Emendemus in melius quae ignoranter (2p. Peccavimus Domine)

Lassus, Orlande de (ca. 1532–1594)
Appears on: 134v–149
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius
General Note

II. Peccavimus domine
Composer Compositions
Anonymous
Lassus, Orlande de (ca. 1532–1594)
Lheritier, Jean (ca. 1480–ca. 1551)
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Silva, Andreas de (ca. 1475–ca. 1522)
Stoltzer, Thomas (ca. 1480–1526)
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480–ca. 1532)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Beati omnes qui timent Dominum qui ambulant (2p. Filii tui sicut novelle olivarum)
Werrecore, Matthias Hermann (?)
Stoltzer, Thomas (ca. 1480–1526) (?)
25v–35
De profundis clamavi ad te Domine (2p. Sustiniut anima) Anonymous 49v–61
Deus in nomine tuo salvum me fac II: Ecce enim Deus adjuvat me
Willaert, Adrian (ca. 1490–1562) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)
1v–14
Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167]
Willaert, Adrian (ca. 1490–1562)
14v–25
Ecce ego mitto vos sicut oves in medio
Unterholzer, Rupertus
127v–134
Emendemus in melius quae ignoranter (2p. Peccavimus Domine)
Lassus, Orlande de (ca. 1532–1594)
134v–149
Expurgate vetus fermentum (2p. Itaque festum) Anonymous 80v–90
Haec est autem Anonymous 94v–101
Ne proiicias nos in tempore senectutis nostre
Willaert, Adrian (ca. 1490–1562)
68v–72
Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur)
Senfl, Ludwig (ca. 1486–ca. 1543)
116v–127
Si bona suscepimus de manu Domini
Richafort, Jean (ca. 1480–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
72v–80
Summe parens rerum (2p. Hanc animam) Anonymous 101v–116
Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes)
Werrecore, Matthias Hermann (?)
Silva, Andreas de (ca. 1475–ca. 1522) (?)
61v–68
Veni sancte spiritus et emitte caelitus Anonymous 90v–94
Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74)
Senfl, Ludwig (ca. 1486–ca. 1543)
35v–49

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 349-51, 389-90, 514, 810. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 37, 82-5, 95, 435, 449-50. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv, lvii. Notes: physical description (partial); contents list (partial); concordances (partial).

Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 233-7. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 76-8. Notes: physical description; contents list; concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 107, 169, 182. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: XI, 123-5. Notes: physical description; contents list (partial); concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 32, passim. Notes: physical description (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 174ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 32. Notes: physical description (partial); contents list.

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Edward Tambling

Thursday, 13 April, 2023

First piece identified as the Willaert/Lheritier setting of Deus in nomine

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description