D-Rp B. 216-219 (1)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid 16th century

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	B. 216-219 (1)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	208 x 146 mm
Other Identifiers	CCM: RegB B216-9
Notations	black void mensural
Relationships	? Stomius, Johannes (1502–1562) (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001171847)
Provenance	Salzburg? Austria
Contents	Contains 37 compositions, 22 from 8 composers, 15 are anonymous.

General Description

A Prima Vox partbook from a (complete) set of three volumes. Copied by five or six scribes (StaeMI distinguishes six hands, but his Scribe II and Scribe IV may be variant forms of same hand); one hand also appears in RegB B220-2. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017

Binding

Original covers of brown/black leather over cardboard, tooled with ornamental designs and voice designations

DIAMM, 2017

Watermark

Briquet #444 (StaeMI).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 15

DIAMM, 2017

Foliation

Modern pencil foliation in each book.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

inventory from Kolb

DIAMM, 2021

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 1 Mass Proper section, 14 motets, 9 German sacred pieces = 30

(A. Agricola/Aulenus/Cuvenor)-1, Finck-1, Isaac-1 + 4?, Jonas [possibly author of text rather than composer of music]-1, Obrecht-1, (Stoltzer)-1, Stomius-6, anon-14

3 paper partbooks (Prima Vox, Secunda Vox, Tertia Vox-i + 65 folios each), 208 x 146. Modern pencil foliation in each book. Original covers of brown/black leather over cardboard, tooled with ornamental designs and voice designations. No index. Copied by five or six scribes (StaeMI distinguishes six hands, but his Scribe II and Scribe IV may be variant forms of same hand); one hand also appears in RegB B220-2. Staff height 15. No initials or decoration. Watermark is Briquet #444 (StaeMI).

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
front pastedown	Regnum mundi et omnem ornatum	3	-	Anonymous
Regnum mundi et omnem ornatum Anonymous Appears on: front pastedown Genres: Motet Number of voices: 3 General Note (not the anon. 'Regnum mundi' in RISM 1528-2)
1–1v	Illumina oculos meos - 1a pars (of 2): Illumina oculos meos (= Quis dabit pacem)	3	H. Isaac	Isaac, Heinrich (ca. 1450–1517)
Illumina oculos meos - 1a pars (of 2): Illumina oculos meos (= Quis dabit pacem) Isaac, Heinrich (ca. 1450–1517) Appears on: 1–1v Genres: Contrafactum, Motet Source Attribution: H. Isaac Number of voices: 3 Concordances RISM [c.1535]-14 (prima pars only); 1542-8, 1560-1
1–1v	Illumina oculos meos - 2a pars (of 2): Fac mecum signum in bonum (= Quam tuas laudes)	-	-	Isaac, Heinrich (ca. 1450–1517)
Illumina oculos meos - 2a pars (of 2): Fac mecum signum in bonum (= Quam tuas laudes) Isaac, Heinrich (ca. 1450–1517) Appears on: 1–1v Genres: Contrafactum, Motet
2–2v	In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo	3	-	Stoltzer, Thomas (ca. 1480–1526)
In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo Stoltzer, Thomas (ca. 1480–1526) Appears on: 2–2v Genres: Motet Number of voices: 3
2v–3	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	3	-	Anonymous
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes Anonymous Appears on: 2v–3 Genres: Motet Number of voices: 3
2v–3	Grates nunc omnes - 2a pars (of 2): Huic oportet	3	-	Anonymous
Grates nunc omnes - 2a pars (of 2): Huic oportet Anonymous Appears on: 2v–3 Genres: Motet Number of voices: 3
3–10	Missa Paschale (3vv)	3	-	Isaac, Heinrich (ca. 1450–1517) (?)
Missa Paschale (3vv) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 3–10 Genres: Mass Ordinary Number of voices: 3
10v–18v	Missa Solenne (3vv)	3	'eiusdem' (i.e. same as the previous Mass, which is unattributed!)	Isaac, Heinrich (ca. 1450–1517) (?)
Missa Solenne (3vv) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 10v–18v Genres: Mass Ordinary Source Attribution: 'eiusdem' (i.e. same as the previous Mass, which is unattributed!) Number of voices: 3
19–27v	Missa Summum	3	'eiusdem' (i.e. same as the previous Mass, which is unattributed!)	Isaac, Heinrich (ca. 1450–1517) (?)
Missa Summum Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 19–27v Genres: Mass Ordinary Source Attribution: 'eiusdem' (i.e. same as the previous Mass, which is unattributed!) Number of voices: 3
28	Sub tuum praesidium	3	-	Anonymous
Sub tuum praesidium Anonymous Appears on: 28 Genres: Motet Number of voices: 3
28v–34v	Missa de Beata Virgine a3	3	'anon' [in Greek]	Isaac, Heinrich (ca. 1450–1517) (?)
Missa de Beata Virgine a3 Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 28v–34v Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: 'anon' [in Greek] Number of voices: 3 General Note (See StaehelinMI, 50, for discussion of attribution)
35	Veniens o sancte consolator	3	-	Anonymous
Veniens o sancte consolator Anonymous Appears on: 35 Genres: Motet Number of voices: 3
35v–41v	'Missa Auleni': Kyrie	3	'anon' [in Greek]	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Kyrie Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 35v–41v Genres: Kyrie eleison, Mass Ordinary Source Attribution: 'anon' [in Greek] Number of voices: 3
35v–41v	'Missa Auleni': Gloria	3	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Gloria Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 35v–41v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
35v–41v	'Missa Auleni': Credo	3	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Credo Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 35v–41v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 General Note lacks 'Et incarnatus' - see FabregasMBC269-70, 274-78
35v–41v	'Missa Auleni': Sanctus	3	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Sanctus Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 35v–41v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note lacks 'Benedictus' - see FabregasMBC269-70, 274-78
35v–41v	'Missa Auleni': Agnus Dei	3	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Agnus Dei Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 35v–41v Genres: Agnus Dei, Mass Ordinary Number of voices: 3
42	Wol dem der in Gottes forcht	3	-	Anonymous
Wol dem der in Gottes forcht Anonymous Appears on: 42 Genres: Psalm Number of voices: 3
42v	Es woll uns got genedig sein	3	-	Anonymous
Es woll uns got genedig sein Anonymous Appears on: 42v Genres: Psalm Number of voices: 3
42v–43	Cum ascendisset aurora	3	-	Anonymous
Cum ascendisset aurora Anonymous Appears on: 42v–43 Genres: Motet Number of voices: 3
43	Veniens o sancte consolator	3	-	Anonymous
Veniens o sancte consolator Anonymous Appears on: 43 Genres: Motet Number of voices: 3
43v–48v	Salve regina (3vv)	3	Jacobus Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Salve regina (3vv) Obrecht, Jacobus (ca. 1457–1505) Appears on: 43v–48v Genres: Motet, Salve Regina Source Attribution: Jacobus Obrecht Number of voices: 3 Item Bibliography Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: 16:85-96.
49–50	Resonet in laudibus - 1a pars (of 3): Resonet in laudibus	3	Johannes Stomius	Stomius, Johannes (1502–1562)
Resonet in laudibus - 1a pars (of 3): Resonet in laudibus Stomius, Johannes (1502–1562) Appears on: 49–50 Genres: Motet Source Attribution: Johannes Stomius Number of voices: 3
49–50	Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israel	3	-	Stomius, Johannes (1502–1562)
Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israel Stomius, Johannes (1502–1562) Appears on: 49–50 Genres: Motet Number of voices: 3
49–50	Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini	3	-	Stomius, Johannes (1502–1562)
Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini Stomius, Johannes (1502–1562) Appears on: 49–50 Genres: Motet Number of voices: 3
50v	Dies est laetitiae	3	eiusdem ('the same') (i.e. Johannes Stomius)	Stomius, Johannes (1502–1562)
Dies est laetitiae Stomius, Johannes (1502–1562) Appears on: 50v Genres: Motet Source Attribution: eiusdem ('the same') (i.e. Johannes Stomius) Number of voices: 3
51	Gelobet seistu Jesu Christ	3	eiusdem ('the same') (i.e. Johannes Stomius)	Stomius, Johannes (1502–1562)
Gelobet seistu Jesu Christ Stomius, Johannes (1502–1562) Appears on: 51 Genres: Hymn Source Attribution: eiusdem ('the same') (i.e. Johannes Stomius) Number of voices: 3
51v	Puer natus in Bethlehem	3	eiusdem authoris ('the same') (i.e. Johannes Stomius)	Stomius, Johannes (1502–1562)
Puer natus in Bethlehem Stomius, Johannes (1502–1562) Appears on: 51v Genres: Motet Source Attribution: eiusdem authoris ('the same') (i.e. Johannes Stomius) Number of voices: 3
51v	Surrexit Christus hodie	3	idem ('the same') (i.e. Johannes Stomius)	Stomius, Johannes (1502–1562)
Surrexit Christus hodie Stomius, Johannes (1502–1562) Appears on: 51v Genres: Motet Source Attribution: idem ('the same') (i.e. Johannes Stomius) Number of voices: 3
52	Wo got der Herr nit bey uns	3	Justus Jonas [possibly author of the text rather than the music]	Jonas, Justus (?)
Wo got der Herr nit bey uns Jonas, Justus (?) Appears on: 52 Genres: Psalm Source Attribution: Justus Jonas [possibly author of the text rather than the music] Number of voices: 3
52v–62	Missa de Beata Virgine (3vv)	3	Henricus Finck	Finck, Heinrich
Missa de Beata Virgine (3vv) Finck, Heinrich Appears on: 52v–62 Genres: Mass Ordinary Source Attribution: Henricus Finck Number of voices: 3
62v	Vater unser in Himmelreich	3	-	Anonymous
Vater unser in Himmelreich Anonymous Appears on: 62v Genres: Pater noster Number of voices: 3
63	Nun freut euch lieben Christen	3	-	Anonymous
Nun freut euch lieben Christen Anonymous Appears on: 63 Genres: Sacred Song Number of voices: 3
63v–64	Wir glauben all an einen Gott	3	-	Anonymous
Wir glauben all an einen Gott Anonymous Appears on: 63v–64 Genres: Sacred Song Number of voices: 3
64v	Da pacem Domine	3	-	Anonymous
Da pacem Domine Anonymous Appears on: 64v Genres: Motet Number of voices: 3
65	Mensch wiltu leben	3	-	Anonymous
Mensch wiltu leben Anonymous Appears on: 65 Genres: Sacred Song Number of voices: 3
65–65v	Nun bitten wir den heiligen Geist	3	-	Anonymous
Nun bitten wir den heiligen Geist Anonymous Appears on: 65–65v Genres: Sacred Song Number of voices: 3

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) 'Missa Auleni': Agnus Dei – 35v–41v (?) 'Missa Auleni': Credo – 35v–41v (?) 'Missa Auleni': Gloria – 35v–41v (?) 'Missa Auleni': Kyrie – 35v–41v (?) 'Missa Auleni': Sanctus – 35v–41v
Anonymous	Cum ascendisset aurora – 42v–43 Da pacem Domine – 64v Es woll uns got genedig sein – 42v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes – 2v–3 Grates nunc omnes - 2a pars (of 2): Huic oportet – 2v–3 Mensch wiltu leben – 65 Nun bitten wir den heiligen Geist – 65–65v Nun freut euch lieben Christen – 63 Regnum mundi et omnem ornatum – front pastedown Sub tuum praesidium – 28 Vater unser in Himmelreich – 62v Veniens o sancte consolator – 35 Veniens o sancte consolator – 43 Wir glauben all an einen Gott – 63v–64 Wol dem der in Gottes forcht – 42
Aulen, Johannes (late 15th century)	'Missa Auleni': Agnus Dei – 35v–41v 'Missa Auleni': Credo – 35v–41v 'Missa Auleni': Gloria – 35v–41v 'Missa Auleni': Kyrie – 35v–41v 'Missa Auleni': Sanctus – 35v–41v
Finck, Heinrich	Missa de Beata Virgine (3vv) – 52v–62
Isaac, Heinrich (ca. 1450-1517)	Illumina oculos meos - 1a pars (of 2): Illumina oculos meos (= Quis dabit pacem) – 1–1v Illumina oculos meos - 2a pars (of 2): Fac mecum signum in bonum (= Quam tuas laudes) – 1–1v (?) Missa Paschale (3vv) – 3–10 (?) Missa Solenne (3vv) – 10v–18v (?) Missa Summum – 19–27v (?) Missa de Beata Virgine a3 – 28v–34v
Jonas, Justus	(?) Wo got der Herr nit bey uns – 52
Obrecht, Jacobus (ca. 1457-1505)	Salve regina (3vv) – 43v–48v
Stoltzer, Thomas (ca. 1480-1526)	In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo – 2–2v
Stomius, Johannes (1502-1562)	Dies est laetitiae – 50v Gelobet seistu Jesu Christ – 51 Puer natus in Bethlehem – 51v Resonet in laudibus - 1a pars (of 3): Resonet in laudibus – 49–50 Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israel – 49–50 Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini – 49–50 Surrexit Christus hodie – 51v

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	35v–41v
'Missa Auleni': Credo	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	35v–41v
'Missa Auleni': Gloria	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	35v–41v
'Missa Auleni': Kyrie	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	35v–41v
'Missa Auleni': Sanctus	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	35v–41v
Cum ascendisset aurora	Anonymous	42v–43
Da pacem Domine	Anonymous	64v
Dies est laetitiae	Stomius, Johannes (1502–1562)	50v
Es woll uns got genedig sein	Anonymous	42v
Gelobet seistu Jesu Christ	Stomius, Johannes (1502–1562)	51
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes	Anonymous	2v–3
Grates nunc omnes - 2a pars (of 2): Huic oportet	Anonymous	2v–3
Illumina oculos meos - 1a pars (of 2): Illumina oculos meos (= Quis dabit pacem)	Isaac, Heinrich (ca. 1450–1517)	1–1v
Illumina oculos meos - 2a pars (of 2): Fac mecum signum in bonum (= Quam tuas laudes)	Isaac, Heinrich (ca. 1450–1517)	1–1v
In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo	Stoltzer, Thomas (ca. 1480–1526)	2–2v
Mensch wiltu leben	Anonymous	65
Missa de Beata Virgine (3vv)	Finck, Heinrich	52v–62
Missa de Beata Virgine a3	Isaac, Heinrich (ca. 1450–1517) (?)	28v–34v
Missa Paschale (3vv)	Isaac, Heinrich (ca. 1450–1517) (?)	3–10
Missa Solenne (3vv)	Isaac, Heinrich (ca. 1450–1517) (?)	10v–18v
Missa Summum	Isaac, Heinrich (ca. 1450–1517) (?)	19–27v
Nun bitten wir den heiligen Geist	Anonymous	65–65v
Nun freut euch lieben Christen	Anonymous	63
Puer natus in Bethlehem	Stomius, Johannes (1502–1562)	51v
Regnum mundi et omnem ornatum	Anonymous	front pastedown
Resonet in laudibus - 1a pars (of 3): Resonet in laudibus	Stomius, Johannes (1502–1562)	49–50
Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israel	Stomius, Johannes (1502–1562)	49–50
Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini	Stomius, Johannes (1502–1562)	49–50
Salve regina (3vv)	Obrecht, Jacobus (ca. 1457–1505)	43v–48v
Sub tuum praesidium	Anonymous	28
Surrexit Christus hodie	Stomius, Johannes (1502–1562)	51v
Vater unser in Himmelreich	Anonymous	62v
Veniens o sancte consolator	Anonymous	35
Veniens o sancte consolator	Anonymous	43
Wir glauben all an einen Gott	Anonymous	63v–64
Wo got der Herr nit bey uns	Jonas, Justus (?)	52
Wol dem der in Gottes forcht	Anonymous	42

Set: B. 216-219

Type: Partbooks

No images available

D-Rp B. 216-219 (1)

No images available

D-Rp B. 216-219 (2)

No images available

D-Rp B. 216-219 (3)

‡ denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 150-153. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvi, 50-l, 76-8, 56-61*; III, 186-8. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28. Notes: physical description; mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 41-2, 168, 183. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 35, 45-6, Faks. VII; II, 22, 47-8, 111. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7. Kassel and Basel. Pages: 21-5. Notes: contents list; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397, 407; LVII, 3-16, 99-100; LXVI, 174-5. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XXX, vi, 145-56 [incorrectly referred to as MS B.117]. Notes: physical description (partial); contents list (partial); transcription (partial).

Ambros, August Wilhelm. 1887-1911. Geschichte der Musik. Leipzig. Pages: V, xx-xxiii, 46-60, 247-79, 305-13. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

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Benjamin Ory

Tuesday, 4 July, 2023

image links provided for this set

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Rp B. 216-219 (1)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid 16th century

General Description

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Surface

DIAMM Note

Census Catalogue of Music Description

General Note

Concordances

General Note

General Note

General Note

Item Bibliography

Set: B. 216-219

Type: Partbooks

Benjamin Ory

Tuesday, 4 July, 2023

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017