A Secunda Vox partbook from a (complete) set of three volumes. Copied by five or six scribes (StaeMI distinguishes six hands, but his Scribe II and Scribe IV may be variant forms of same hand); one hand also appears in RegB B220-2. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | B. 216-219 (2) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 208 x 146 mm |
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| Contents | Contains 37 compositions, 22 from 8 composers, 15 are anonymous. |
General Description
Binding
Original covers of brown/black leather over cardboard, tooled with ornamental designs and voice designations
Watermark
Briquet #444 (StaeMI).
Notation
black void mensural
Ruling
Staff height 15
Foliation
Modern pencil foliation in each book.
Decoration
No initials or decoration.
Surface
paper
DIAMM Note
inventory from Kolb
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Masses, 1 Mass Proper section, 14 motets, 9 German sacred pieces = 30
(A. Agricola/Aulenus/Cuvenor)-1, Finck-1, Isaac-1 + 4?, Jonas [possibly author of text rather than composer of music]-1, Obrecht-1, (Stoltzer)-1, Stomius-6, anon-14
3 paper partbooks (Prima Vox, Secunda Vox, Tertia Vox-i + 65 folios each), 208 x 146. Modern pencil foliation in each book. Original covers of brown/black leather over cardboard, tooled with ornamental designs and voice designations. No index. Copied by five or six scribes (StaeMI distinguishes six hands, but his Scribe II and Scribe IV may be variant forms of same hand); one hand also appears in RegB B220-2. Staff height 15. No initials or decoration. Watermark is Briquet #444 (StaeMI).
Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).
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Sets
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B. 216-219
Partbooks · 3 sources
‡ denotes primary source study
Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 150-153. Notes: contents list; concordances.
Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Notes: contents list; description.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvi, 50-l, 76-8, 56-61*; III, 186-8. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28. Notes: physical description; mention of MS; discussion.
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 41-2, 168, 183. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 35, 45-6, Faks. VII; II, 22, 47-8, 111. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.
Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7. Kassel and Basel. Pages: 21-5. Notes: contents list; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397, 407; LVII, 3-16, 99-100; LXVI, 174-5. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XXX, vi, 145-56 [incorrectly referred to as MS B.117]. Notes: physical description (partial); contents list (partial); transcription (partial).
Ambros, August Wilhelm. 1887-1911. Geschichte der Musik. Leipzig. Pages: V, xx-xxiii, 46-60, 247-79, 305-13. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description