Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 3–4 | Missa C'est à grand tort: Kyrie | Eberhardus Vicinus | |
|
Appears on:
3–4
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Eberhardus Vicinus
Voice:
Discantus
Languages:
Greek
Mensuration:
cut-c
Clef:
c1
Voice Text:
Missa cest à grand tort : Kyrie eleyson
|
|||
| 4–5 | Missa C'est à grand tort: Gloria | - | |
|
Appears on:
4–5
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus
|
|||
| 5–8 | Missa C'est à grand tort: Credo | - | |
|
Appears on:
5–8
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Patrem omnipotentem factorem coeli & terrae
|
|||
| 8–9 | Missa C'est à grand tort: Sanctus | - | |
|
Appears on:
8–9
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sanctus Dominus Deus Sabaoth
|
|||
| 9–10 | Missa C'est à grand tort: Agnus Dei | - | |
|
Appears on:
9–10
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Agnus Dei
|
|||
| 10–11 | Usquequo Domine oblivisceris me in finem | Anon. | Anonymous |
Usquequo Domine oblivisceris me in finemAnonymous
Appears on:
10–11
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Usquequo Domine oblivisceris mei in finem
|
|||
| 11–12 | In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum | Anon. | Anonymous |
|
Appears on:
11–12
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In te Domine speravi non confundar - 2da pars: Quoniam fortitudo mea et refugium - 3tia pars: In manus tuas Domine commendo spiritum
|
|||
| 12–13 | Puis qui'il convient et sans nul contredict | [Hailland] | |
|
Appears on:
12–13
Genres:
Chanson
Source Attribution:
[Hailland]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Puis qui'il convient] untexted
|
|||
| 14–15 | Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) | Anon. | Anonymous |
|
Appears on:
14–15
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Summe parens et imago patris flatusque II: Huc adsis roseis sertis redimitus Apollo
|
|||
| 16 | Adjuva me Domine - 1a pars (of 2): Adjuva me Domine | [Conseil] | |
|
Appears on:
16
Genres:
Motet
Source Attribution:
[Conseil]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Adiuva me domine & salvus ero & meditabor
|
|||
| 17 | Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum | - | |
|
Appears on:
17
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
2da pars : Servus tuus ego sum da mihi intellectum
|
|||
| 18 | Gott dank ich ietz unnd allezeit | Anon. | |
|
Appears on:
18
Genres:
Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Gott danck ich ietz unnd allezeit
|
|||
| 18–19 | Ach Gott wem soll ichs klagen das heimliche leiden | [Buechmaier] | |
|
Appears on:
18–19
Genres:
Song
Source Attribution:
[Buechmaier]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ach Got wem soll ich klagen mein leÿd
|
|||
| 19 | Ach Gott, wem soll ichs klagen das heimliche Leiden | Johannes à Keutzenhoff | |
|
Appears on:
19
Genres:
Song
Source Attribution:
Johannes à Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ach Got wem soll ich klagenn mein leÿd
|
|||
| 19–21 | Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) | Joannes Pötzinger | |
|
Appears on:
19–21
Genres:
Motet
Source Attribution:
Joannes Pötzinger
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tempus adest abitus niveis amora quadrigis II: Et quia distrahimur diversis tractibus
|
|||
| 21–22 | C'est a grant tort que moi povrette endure | [Sermisy] | |
|
Appears on:
21–22
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[C'est à grand tort] untexted
|
|||
| 22–23 | Si tu te plains d'amours tant seulement | [Susato] | |
|
Appears on:
22–23
Genres:
Chanson
Source Attribution:
[Susato]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Si tu te plains] untexted
|
|||
| 23 | Hinc abiens quoniam cogor / So schwing ich mich | [Othmayr] | |
|
Appears on:
23
Genres:
Contrafactum, Motet, Song
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Hinc abiens quoniam cogor
|
|||
| 24–25 | Graecia quae quondam virtute / Trink wein | Casparus Othmair | |
|
Appears on:
24–25
Genres:
Contrafactum, Motet, Song
Source Attribution:
Casparus Othmair
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Graecia quae quondam virtute
|
|||
| 25–26 | Chara Joanna veni sanctum solare Joannem | Joannes Keutzenhoff | |
|
Appears on:
25–26
Genres:
Motet
Source Attribution:
Joannes Keutzenhoff
Voice:
[no designation]
Languages:
Latin
Clef:
g3
Voice Text:
Chara Joanna veni sanctum solare Joannem
|
|||
| 27 | Ob ich schon arm und elend bin | Anon. | Anonymous |
Ob ich schon arm und elend binAnonymous
Appears on:
27
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ob ich schon arm und elend bin
|
|||
| 27 | Beatus vir qui non abiit ... Selig ist der Mann | Anon. | Anonymous |
|
Appears on:
27
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Beatus vir qui non abiit ... Selig ist der man
|
|||
| 28 | Vivre ne puis content sans sa présence | Antonio Gardane/[Sermisy] |
Gardano, Antonio
(?)
|
|
Appears on:
28
Genres:
Chanson
Source Attribution:
Antonio Gardane/[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
g3
Voice Text:
Vivre ne puis [text incipit only]
|
|||
| 28–29 | Sophia span das füllin an den wagen | [Buechmaier] |
Buchner, Hans
(?)
|
|
Appears on:
28–29
Genres:
Song
Source Attribution:
[Buechmaier]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Sophia span das füllin an den wagen
|
|||
| 29–30 | Was unfahls quall in nöthen thut | Matthias Eckel | |
|
Appears on:
29–30
Genres:
Song
Source Attribution:
Matthias Eckel
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Was unfahls quall in nöthen thut
|
|||
| 30 | Longtemps y a que je vis en espoir | [Dulot/Sermisy] |
Dulot, Francois
(?)
|
|
Appears on:
30
Genres:
Chanson
Source Attribution:
[Dulot/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Long temps [text incipit only]
|
|||
| 30–32 | Non argus largus non Magdalena Mathusalem | Othmarus | |
|
Appears on:
30–32
Genres:
Motet
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Non argus largus non Magdalena Mathusalem
|
|||
| 32–33 | Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium | [Clemens non Papa] | |
|
Appears on:
32–33
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Caecilia virgo gloriosa semper evangelium Christi
|
|||
| 34–35 | Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans | - | |
|
Appears on:
34–35
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
g2
Voice Text:
Pars secunda : Biduanis ac triduanis ieiuniis orans
|
|||
| 35–36 | Weinikhen / Auserlesner franzosen | Anon. | Anonymous |
Weinikhen / Auserlesner franzosenAnonymous
Appears on:
35–36
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Weinikhen [text incipit only]
|
|||
| 36 | Dulcis memoria et suavis recordatio (= Doulce memoire) | Manchicourt/[Sandrin] | |
|
Appears on:
36
Genres:
Motet
Source Attribution:
Manchicourt/[Sandrin]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Dulce memori [text incipit only]
|
|||
| 37–38 | Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) | Anon. | Anonymous |
|
Appears on:
37–38
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Si quod amo liceat plenis contingere votis II: Tunc ego Mercurii vitricus esse velum
|
|||
| 38 | Cur mittis violas nempe ut violentius | Nicolaus Borboni (possibly author of text rather than composer of music (HartmannNB)) | |
|
Appears on:
38
Genres:
Motet
Source Attribution:
Nicolaus Borboni (possibly author of text rather than composer of music (HartmannNB))
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Cur mittis violas nempe ut violentius
|
|||
| 39–40 | Quid ultra debui facere ego quidem | Nicolaus Borbonius (possibly author of text) | Anonymous |
Quid ultra debui facere ego quidemAnonymous
Appears on:
39–40
Genres:
Motet
Source Attribution:
Nicolaus Borbonius (possibly author of text)
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Quid ultra debui facere ego quidem
|
|||
| 40 | Rex autem David cooperto capite incedens | [Willaert] | |
|
Appears on:
40
Genres:
Motet
Source Attribution:
[Willaert]
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Rex autem David cooperto capite incedens
|
|||
| 41–42 | Vulnerasti cor meum (2p. Veni in ortum meum) | Conradus Rein | |
|
Appears on:
41–42
Genres:
Motet
Source Attribution:
Conradus Rein
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Vulnerasti cor meum soror mea sponsa II: Veni in hortum meum soror mea
General NoteChristoph Baumgartner (DIAMM communication) explains that the ascription of 'Vulnerasti cor meum (2p. Veni in ortum meum)' to Conrad Rein in D-Rp A. R. 940-941 (D) and (A) is probably incorrect, since Rein as a German Protestant composer would hardly have been included in the Motetti della corona (1514), where this piece is included and which features only French/Flemish composers, nor in sources such as E-PAbm 6832 or I-CMac L. |
|||
| 42–43 | Schön bin ich nicht mein höchster hort | [Finck] | |
|
Appears on:
42–43
Genres:
Song
Source Attribution:
[Finck]
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Schön bin ich nicht mein höchster hort
|
|||
| 43 | Mit fried und freud ich fahr dahin | Anon. | Anonymous |
Mit fried und freud ich fahr dahinAnonymous
Appears on:
43
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mit fried und freud ich fhar(!) dahin
|
|||
| 43–45 | Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora | Ph: Verdelot/[Lupi] | |
|
Appears on:
43–45
Genres:
Motet
Source Attribution:
Ph: Verdelot/[Lupi]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Quam pulchra es et quam decora charissima
|
|||
| 45–46 | Quam pulchra est - 2a pars (of 2): Veni dilecte mi | - | |
|
Appears on:
45–46
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Secunda pars : Veni dilecte mi egrediamur in hortum
|
|||
| 46 | Propter bonos geschwenckos | Anon. | Anonymous |
Propter bonos geschwenckosAnonymous
Appears on:
46
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Propter bonos geschwenckos(!) [text incipit only]
|
|||
| 46–48 | Het sold ein meisken gaen om win | M. | |
|
Appears on:
46–48
Genres:
Song
Source Attribution:
M.
Voice:
[no designation]
Languages:
Flemish
Mensuration:
cut-c
Clef:
g2
Voice Text:
Heth sold ein meisken gaen om win [text incipit only]
|
|||
| 48–49 | Ich hab gehört von Gottes wort | Paulus Schalreutter | |
|
Appears on:
48–49
Genres:
Sacred Song
Source Attribution:
Paulus Schalreutter
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ich hab gehört von Gottes wort
|
|||
| 49–51 | Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas | Clemens non Papa | |
|
Appears on:
49–51
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Carole magnus eras cum solus regna tenebas
|
|||
| 51–52 | Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero | - | |
|
Appears on:
51–52
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Nunc omnes nato tu regis à puero
|
|||
| 52–53 | Nur leichtsinnig (= D'amour me plains) | [Pathie] | |
|
Appears on:
52–53
Genres:
Song
Source Attribution:
[Pathie]
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Nuhr leichtsinnig [= D'amour me plains] [text incipit only]
|
|||
| 53 | Ade zur guten Nacht, ade gesund sehn wir | Anon. | Anonymous |
Ade zur guten Nacht, ade gesund sehn wirAnonymous
Appears on:
53
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Ade zur guten nacht ade gesundt sehn wir
|
|||
| 54 | Durch Adams Fall ist ganz verderbt | Anon. | Anonymous |
Durch Adams Fall ist ganz verderbtAnonymous
Appears on:
54
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Durch Adams phal ist gantz verderbt
|
|||
| 54–56 | Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) | Anon. | Anonymous |
|
Appears on:
54–56
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Quam pulchra es amica mea columba mea II: Labia tua distillantia guttur tuum
|
|||
| 56 | In te Domine speravi non confundar 28.18 | Joskin Dascanio | |
|
Appears on:
56
Genres:
Contrafactum, Motet
Source Attribution:
Joskin Dascanio
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
In te domine speravi non confundar
|
|||
| 57 | Veni electa mea et ponam in te thronum | Anon. | Anonymous |
Veni electa mea et ponam in te thronumAnonymous
Appears on:
57
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Veni electa mea et ponam in te thronum
|
|||
| 58 | Sicut lilium inter spinas sic anima mea | Antonius Brummel | |
|
Appears on:
58
Genres:
Motet
Source Attribution:
Antonius Brummel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Sicut lilium inter spinas sic amica mea
|
|||
| 58 | Kommt her zu mir, spricht Gottes Sohn | Johannes Keutzenhoff | |
|
Appears on:
58
Genres:
Chorale, Sacred Song
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Kompt herzu mir spricht Gottes Sohn [text incipit only]
|
|||
| 59 | Pour un plaisir qui si peu dure | [Crecquillon] | |
|
Appears on:
59
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Pour un plaisir] untexted
|
|||
| 60–61 | Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati | Galliculus [= Hähnel]/[Förster] | |
|
Appears on:
60–61
Genres:
Motet
Source Attribution:
Galliculus [= Hähnel]/[Förster]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Quare fremuerunt gentes et populi meditati
|
|||
| 61–63 | Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus | - | |
|
Appears on:
61–63
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
secunda pars : Disrumpanus vincula eorum et proiiciamus
|
|||
| 63–65 | Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu | - | |
|
Appears on:
63–65
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
tertia pars : Dominus dixit ad me filius meus
|
|||
| 65–66 | In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum | [Moulu/Mouton] | |
|
Appears on:
65–66
Genres:
Motet
Source Attribution:
[Moulu/Mouton]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
In illo tempore accesserunt ad Jesum Pharisaei
|
|||
| 67–68 | In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem | - | |
|
Appears on:
67–68
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Pars secunda : Propter hoc dimittet homo patrem
|
|||
| 68–71 | Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) | Burckhardus Caballus/[H. Faber] | |
|
Appears on:
68–71
Genres:
Motet
Source Attribution:
Burckhardus Caballus/[H. Faber]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Non bonum est hominem esse solum II: Dixitque Adam hoc nunc os ex ossibus
|
|||
| 71–72 | Si de present peine j'endure dire puis | [Susato] | |
|
Appears on:
71–72
Genres:
Chanson
Source Attribution:
[Susato]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Si de present peine] untexted
|
|||
| 72 | O reynischer wein du schmeckst mir wol | Anon. | Anonymous |
O reynischer wein du schmeckst mir wolAnonymous
Appears on:
72
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
O reynischer wein du schmeckst mir wol
|
|||
| 72–74 | Rebus in adversis patiens terit omnia | [Othmayr] | |
|
Appears on:
72–74
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Rebus in adversis patiens terit omnia
|
|||
| 74–75 | Je prens en gre le dure mort (4vv) | Rogiri cantio cygnaea [= Pathie?]/[Baston/Clemens non Papa/Janequin] | |
|
Appears on:
74–75
Genres:
Motet
Source Attribution:
Rogiri cantio cygnaea [= Pathie?]/[Baston/Clemens non Papa/Janequin]
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Le prens [= Je prens en gré] [text incipit only]
|
|||
| 75–76 | Ich bin durch freulins willen geneith | [Othmayr] | |
|
Appears on:
75–76
Genres:
Song
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ich bin durch freulins willen geneith
|
|||
| 77–78 | Rex autem David cooperto capite incedens | [Gascongne/Lafage/Lupus] |
Fage, Jean de la
(?)
|
|
Appears on:
77–78
Genres:
Motet
Source Attribution:
[Gascongne/Lafage/Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Rex autem David cooperto capite incedens
|
|||
| 78–79 | Nun lass uns frisch und fröhlich sein | Anon. | Anonymous |
Nun lass uns frisch und fröhlich seinAnonymous
Appears on:
78–79
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Nuhn lass uns frisch und frölich sein
|
|||
| 79–80 | Bewahr mich Herr und sei nicht fern | [Zirler] | |
|
Appears on:
79–80
Genres:
Sacred Song
Source Attribution:
[Zirler]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Bewar mich her und sey nicht fern
|
|||
| 80–81 | Meum est propositum in taberna mori | Anon. | Anonymous |
Meum est propositum in taberna moriAnonymous
Appears on:
80–81
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Meum est propositum in taberna mori
|
|||
| 81–84 | Philippe qui videt me alleluia | [Othmayr] | |
|
Appears on:
81–84
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Philippe qui videt me alleluia
|
|||
| 84–85 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | [Clemens non Papa/Manchicourt] | |
|
Appears on:
84–85
Genres:
Motet
Source Attribution:
[Clemens non Papa/Manchicourt]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pater peccavi in coelum et coram te
|
|||
| 85–86 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
|
Appears on:
85–86
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
pars sequens : Quanti mercenarii in domo patris
|
|||
| 86–87 | Ein gutes närrisch Tänz | Gasp. Othmeir | |
|
Appears on:
86–87
Genres:
Song
Source Attribution:
Gasp. Othmeir
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ein gutes nerrisch tentz [untexted]
|
|||
| 88 | Contingat illis turturum concordia cor meum | Anon. | Anonymous |
|
Appears on:
88
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Contingat illis turturum concordia
|
|||
| 89 | Non habites ubi sumptus lucra exuperant | Anon. | Anonymous |
Non habites ubi sumptus lucra exuperantAnonymous
Appears on:
89
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Non habites ubi praevalem bonis sunt
|
|||
| 90–91 | Adjuva nos Deus salutaris noster | Thomas Crequillon | |
|
Appears on:
90–91
Genres:
Motet
Source Attribution:
Thomas Crequillon
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Adiuva nos deus salutaris noster
|
|||
| 91–92 | Vincat amor recti pulcherrima quaeque | [Othmayr] | |
|
Appears on:
91–92
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Vincat amor recti pulcherrima queque
|
|||
| 92–93 | Scaevola tu coenas apud omnes nullus | [Othmayr] | |
|
Appears on:
92–93
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Scevola tu coenas apud omnes nullus
|
|||
| 93–94 | Vineae florentes odorem / Wir haben einen guten Wirt | [Othmayr?] |
Othmayr, Caspar
(?)
|
|
Appears on:
93–94
Genres:
Motet
Source Attribution:
[Othmayr?]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vineae florentes odorem
|
|||
| 94–95 | Ambulans Jesus juxta mare Galileae | Anon. | Anonymous |
Ambulans Jesus juxta mare GalileaeAnonymous
Appears on:
94–95
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Ambulans Jhesus iuxta mare Galileae
|
|||
| 96 | Sauff aus und machts nicht lange | Hermannus Finck |
Finck, Heinrich
(?)
|
|
Appears on:
96
Genres:
Song
Source Attribution:
Hermannus Finck
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Sauff aus und machts nicht lange
|
|||
| 96 | Eia, der Vogel ass ein Ei, da gab er | Gasp. Othmeir [= Othmayr] | |
|
Appears on:
96
Genres:
Song
Source Attribution:
Gasp. Othmeir [= Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Eia der vogel ass ein eÿ da gab er
|
|||
| 96–97 | Frisch und frölich wölln wir leben | Johannes Keutzenhoff | |
|
Appears on:
96–97
Genres:
Song
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Frisch und frölich wölln wir leben
|
|||
| 97–99 | Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) | Jachet [of Mantua]/[Morales/Rore] | |
|
Appears on:
97–99
Genres:
Motet
Source Attribution:
Jachet [of Mantua]/[Morales/Rore]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Orabat Jhesum mulier Cananaea ad dominum [= Clamabat autem mulier Chananaea]
|
|||
| 99 | Uncur | Hermannus Finck |
Finck, Heinrich
(?)
|
Uncur
|
|||
| 99–101 | Tota pulchra es amica mea et macula | Anon. | Anonymous |
Tota pulchra es amica mea et maculaAnonymous
Appears on:
99–101
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Tota pulcra es amica mea et macula
|
|||
| 101–104 | Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) | Pionier | |
|
Appears on:
101–104
Genres:
Motet
Source Attribution:
Pionier
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Lapidabant Stephanum invocantem et dicentem II: Positus autem genibus clamavit voce
|
|||
| 104–105 | Der töricht spricht es ist kein Got | Sigismund Hemel | |
|
Appears on:
104–105
Genres:
Sacred Song
Source Attribution:
Sigismund Hemel
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Der töricht spricht es ist kein Got
|
|||
| 105 | Optima virtutum Sophia mea viscera | Anon. | Anonymous |
Optima virtutum Sophia mea visceraAnonymous
Appears on:
105
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Optima virtutum Sophia mea viscera
|
|||
| 106 | Vostre beaulte plaisant et lyé me donne recreation | [Gombert/Lupi] | |
|
Appears on:
106
Genres:
Chanson
Source Attribution:
[Gombert/Lupi]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
[Vostre beaulté] untexted
|
|||
| 107–108 | Quand' io pens' al martire amor che tu | [Arcadelt] | |
|
Appears on:
107–108
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quand' io pens' al martire [text incipit only]
|
|||
| 108–109 | Ver' inferno e'l mio petto ver' infernale | [Arcadelt] | |
|
Appears on:
108–109
Genres:
Italian secular, Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Ver' infernve 'l mio petto] untexted
|
|||
| 109–110 | Voi ve n' andat' al cielo occhi beati | [Arcadelt] | |
|
Appears on:
109–110
Genres:
Italian secular, Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Voi ve n' andat' al cielo] untexted
|
|||
| 110–111 | Ahime dov'è'l bel viso in cui solea | [Arcadelt] | |
|
Appears on:
110–111
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Ahime [text incipit only]
|
|||
| 111–112 | Fammi pur guerr' amor quando tu vuoi | [Arcadelt] | |
|
Appears on:
111–112
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
Smero (gallicum) [=title? otherwise untexted] [=Fammi pur]
|
|||
| 112 | Jamais en ce monde n'aurais regrets | [Crecquillon] | |
|
Appears on:
112
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
[Jamais en ce monde] [= #239, p. 309] untexted
|
|||
| 113 | Donna leggiadra e bella che con le vostre | [Verdelot] | |
|
Appears on:
113
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c2
Voice Text:
[Donna leggiadra] untexted
|
|||
| 113–114 | Divini occhi sereni occhi sempre di gratia | [Verdelot] | |
|
Appears on:
113–114
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
[Divini occhi sereni] untexted
|
|||
| 114 | Guerissez moi du mal que mon coeur porte | [Crecquillon] | |
|
Appears on:
114
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Guerissez moy] untexted
|
|||
| 114–115 | Pungente dardo che 'l mio cor consumi | Jachet Berchem/[Arcadelt] | |
|
Appears on:
114–115
Genres:
Madrigal (Italian)
Source Attribution:
Jachet Berchem/[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pungente dardo ch' el mio [text incipit only]
|
|||
| 115–116 | Quanta belta quanta gratia e splendore | Archadelt | |
|
Appears on:
115–116
Genres:
Italian secular
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quanta belta quanta gratia [text incipit only]
|
|||
| 116–117 | Poss'io morir di mala morte s'io non v'amo | Archadelt | |
|
Appears on:
116–117
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Poss' io morir di mala [text incipit only]
|
|||
| 117 | Ahi se la donna mia qual'hor lasso mi vede | Archadelt | |
|
Appears on:
117
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ahi se la donna mia qualhor [text incipit only]
|
|||
| 117–118 | Il bianco e dolce cigno cantando more | Archadelt | |
|
Appears on:
117–118
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Il bianco e dolce cigno cantando [text incipit only] [= #119, p.140]
|
|||
| 118–119 | Non ch'io non voglio mai altro pensiero | Archadelt | |
|
Appears on:
118–119
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Non ch' io non voglio mai [text incipit only]
|
|||
| 119–120 | Deh dimm' amor se l'alma di costei | Archadelt | |
|
Appears on:
119–120
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Deh dimmi' amor sel' alma [text incipit only]
|
|||
| 120–121 | Io dico che fra voi potenti Dei convien | [Arcadelt] | |
|
Appears on:
120–121
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
"Ichnoio"? [text incipit only]
|
|||
| 121–122 | Quanti travagli e pene, quant' ogn' hor dogli e morti | Archadelt | |
|
Appears on:
121–122
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quanti travagli [text incipit only]
|
|||
| 122–123 | Se per colpa del vostro fiero sdegno | Archadelt | |
|
Appears on:
122–123
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Se per colpa [text incipit only]
|
|||
| 123–125 | Io non trovo me stesso stella del ciel | Vincentius Ruffus | |
|
Appears on:
123–125
Genres:
Italian secular
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
g2
Voice Text:
Io non trovo me stesso stella del ciel [text incipit only]
|
|||
| 125–126 | A che cerchar gli specchi et fonti | Vincentius Ruffus | |
|
Appears on:
125–126
Genres:
Italian secular
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
g2
Voice Text:
A che cerchar gli specchi et fonti [text incipit only]
|
|||
| 126–128 | Amor poiche non vuole la bella donna | Vincentius Ruffus | |
|
Appears on:
126–128
Genres:
Italian secular
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Amor poiche non vole la bella Donna con noi [text incipit only]
|
|||
| 128–129 | Sent'un pensier in me d'amor che dice | Vincentius Ruffus | |
|
Appears on:
128–129
Genres:
Chanson
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
g2
Voice Text:
Sent' un pensier in me d'amor che dice [text incipit only]
|
|||
| 129 | Languir me fais sans t'avoir offensé | [Mouton/Sermisy] | |
|
Appears on:
129
Genres:
Chanson
Source Attribution:
[Mouton/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Languir me fais [text incipit only]
|
|||
| 130 | Ces facheux sots qui mesdisent d'aymer | Anon. | Anonymous |
Ces facheux sots qui mesdisent d'aymerAnonymous
Appears on:
130
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ces veus chanter [= Ces fascheux sotz] [text incipit only]
|
|||
| 130–131 | Jouissance vous donnerai, mon ami | [La Rue/Sermisy] | |
|
Appears on:
130–131
Genres:
Chanson
Source Attribution:
[La Rue/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Josiante vocis donne min [= Joyssance vous donneray] [text incipit only]
|
|||
| 131 | Amy souffrez que je vous ayme | Anon. | Anonymous |
Amy souffrez que je vous aymeAnonymous
Appears on:
131
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Amisso frou [= Amy souffrez] [text incipit only]
|
|||
| 131–132 | Venite / Ihr schlemmer frei zu diesem guten wein | Anon. | Anonymous |
|
Appears on:
131–132
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Venite ir schlemmer freÿ zu diesem gueten wein
|
|||
| 132–133 | Veu le grief mal ou sans fin je labeure | Anon. | Anonymous |
Veu le grief mal ou sans fin je labeureAnonymous
Appears on:
132–133
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Voile grifmall [= Veu le grief mal] [text incipit only]
|
|||
| 133 | Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant | [Sermisy] | |
|
Appears on:
133
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Dant que viverai [= Tant que vivray] [text incipit only]
|
|||
| 134 | Vater unser im Himmelreich (= Le content est riche) | [Gombert/Sermisy] | |
|
Appears on:
134
Genres:
Contrafactum, Motet, Pater noster
Source Attribution:
[Gombert/Sermisy]
Voice:
[no designation]
Languages:
French, German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Le content est [text incipit] then German text underlaid: "[V]atter unser im himelreich der du uns"
|
|||
| 134–135 | D'ou [dont] vient cela belle je vous supply | [Sermisy] | |
|
Appears on:
134–135
Genres:
Italian secular
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Dant viencella [= Dont vient cela] [text incipit only]
|
|||
| 135 | Vivray je tousjours en soucy pour vous | [Sermisy] | |
|
Appears on:
135
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Viverai ie tous [= Vivray-je tousjours] [text incipit only]
|
|||
| 135–136 | Vous perdez temps de me dire mal d'elle | [Crecquillon/Sandrin/Sermisy] | |
|
Appears on:
135–136
Genres:
Chanson
Source Attribution:
[Crecquillon/Sandrin/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vous perden temps [= Vous perdez temps] [text incipit only]
|
|||
| 136–137 | Accedite omnes / Ihr Schlemmer frei Herr Wirt | Anon. | Anonymous |
|
Appears on:
136–137
Genres:
Contrafactum, Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Accedite ir schlemmer freÿ Her wirt
|
|||
| 137–138 | Je ne scay pas comment a mon entendement | Anon. | Anonymous |
Je ne scay pas comment a mon entendementAnonymous
Appears on:
137–138
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
J[e] ne scai [text incipit only]
|
|||
| 137–138 | Le coeur est bon et le vouloir aussi | [Sermisy?] | |
|
Appears on:
137–138
Genres:
Chanson
Source Attribution:
[Sermisy?]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Lemer est bon [= Le cueur est bon] [text incipit only]
|
|||
| 138–139 | Jamque miraissoe | Anon. | Anonymous |
Jamque miraissoeAnonymous
Appears on:
138–139
Genres:
Secular
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Jamque miraiosoe [text incipit only]
|
|||
| 139 | Fortune laissez moi la vie Puisque tu veulx | Anon. | Anonymous |
|
Appears on:
139
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Fortuna [= Fortune laissez moy] [text incipit only]
|
|||
| 140 | Il est jour dit l'alouette allons jouer | [Sermisy] | |
|
Appears on:
140
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Il est iour [text incipit only]
|
|||
| 140–141 | Il bianco e dolce cigno cantando more | Archadelt | |
|
Appears on:
140–141
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Il bianco [e dolce cigno] [text incipit only] [= #92, p. 117]
|
|||
| 141–142 | Vita della mia vita quando gran tort | [Verdelot] | |
|
Appears on:
141–142
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vita della mia [text incipit only]
|
|||
| 142 | Gehe wie es will, demnach ich soll mich | [Wolff] | |
|
Appears on:
142
Genres:
Song
Source Attribution:
[Wolff]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Gehe wie es wöll [text incipit only]
|
|||
| 143 | Douleur me bat et tristesse m'affolle | Anon. | Anonymous |
Douleur me bat et tristesse m'affolleAnonymous
Appears on:
143
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Doleur me bat [text incipit only]
|
|||
| 144 | Hola he par la vertu goy dieu vous gart | Anon. | Anonymous |
Hola he par la vertu goy dieu vous gartAnonymous
Appears on:
144
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Holla hoi per lanerta hoi [= Hola he par la vertu goy]
|
|||
| 144–145 | Helas amour je pensoye bien avoir | [Godard] | |
|
Appears on:
144–145
Genres:
Chanson
Source Attribution:
[Godard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
g2
Voice Text:
Helas amour [text incipit only]
|
|||
| 145 | Il n'est celui qui naît quelque adventure | [Cadéac] | |
|
Appears on:
145
Genres:
Chanson
Source Attribution:
[Cadéac]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Il nest celluy [text incipit only]
|
|||
| 146 | Venus par toutt cherche son filz perdu | [Sermisy] | |
|
Appears on:
146
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Venus par toutt [text incipit only]
|
|||
| 147 | En grant douleur faict son triste demeure | [Villiers] | |
|
Appears on:
147
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
En grant douleur [text incipit only]
|
|||
| 147–148 | O triste adieu qui tant me mescontente | [Certon] | |
|
Appears on:
147–148
Genres:
Chanson
Source Attribution:
[Certon]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
O triste adieu [text incipit only]
|
|||
| 148 | Ce qui souloit en deux se despartir | [Sandrin] | |
|
Appears on:
148
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ce qui souloit [text incipit only]
|
|||
| 149 | Fortune hellas [alors] que n'avois cognoissance | [Certon/Cléreau] |
Clereau, Pierre
(?)
|
|
Appears on:
149
Genres:
Chanson
Source Attribution:
[Certon/Cléreau]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Fortune allors [text incipit only]
|
|||
| 149–150 | Vous perdes temps de me dire mal d'elle | [Arcadelt] | |
|
Appears on:
149–150
Genres:
Chanson
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vous perdes temps [text incipit only]
|
|||
| 150 | Pourtant si je suis brunette ami | [Sermisy] | |
|
Appears on:
150
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pourtant si je suis [text incipit only]
|
|||
| 151 | Vous usurpez dames injustement le commander | [Sandrin] | |
|
Appears on:
151
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vous usurpez [text incipit only]
|
|||
| 151–152 | Quando ritrovo la mia pastorella | [C. Festa] | |
|
Appears on:
151–152
Genres:
Italian secular
Source Attribution:
[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pastorella [= Quando ritrovo la mia pastorella] [title/text incipit only]
|
|||
| 152–153 | Mit hohem fleiss freundlicher weis | Anon. | Anonymous |
Mit hohem fleiss freundlicher weisAnonymous
Appears on:
152–153
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mit hohem fleiss [text incipit only]
|
|||
| 153–154 | Hilf glück mit freuden (= Gaude laetare Jerusalem) | Anon. | Anonymous |
|
Appears on:
153–154
Genres:
Contrafactum, Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Hilf glückh mit freuden [= Gaude laetare Jerusalem] [text incipit only]
|
|||
| 154–155 | Maudite soit la mondaine richesse | [Sermisy] | |
|
Appears on:
154–155
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Multito fait [= Mauldicte soit] [text incipit only]
|
|||
| 155–156 | Voulant amour sub parler gracieulx | [Arcadelt] | |
|
Appears on:
155–156
Genres:
Chanson
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Voulant amour [text incipit only]
|
|||
| 156–157 | Si mon travail vous peult donner plaisir | [Sandrin/Sermisy] | |
|
Appears on:
156–157
Genres:
Chanson
Source Attribution:
[Sandrin/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Si mon traval [text incipit only - individual letters spaced throughout the piece!]
|
|||
| 157–158 | Mon coeur voulut dedans soy recepvoir | [Sermisy] | |
|
Appears on:
157–158
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mon cueur [text incipit only]
|
|||
| 158 | L'heur et malheur de vostre cognoissance | [Villiers] | |
|
Appears on:
158
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Leuhr et malheur [= L'heur et malheur] [text incipit only]
|
|||
| 159 | Bandez vostre arc du traict de jouissance | [Buus] | |
|
Appears on:
159
Genres:
Chanson
Source Attribution:
[Buus]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Bandez vostre [text incipit only - individual letters spaced throughout the music!]
|
|||
| 159–160 | Amours brusle par son ardente flamme | [Maillard] | |
|
Appears on:
159–160
Genres:
Chanson
Source Attribution:
[Maillard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Amours brusle [text incipit only]
|
|||
| 160–161 | Le deuil issu de la joye incertaine | [Sandrin/Villiers] | |
|
Appears on:
160–161
Genres:
Chanson
Source Attribution:
[Sandrin/Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Le dueil issu de [text incipit only]
|
|||
| 161–162 | Puisque prier n'est de vous entendu | [Certon/Panurge] |
Panurge
(?)
|
|
Appears on:
161–162
Genres:
Chanson
Source Attribution:
[Certon/Panurge]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Puis que prier [text incipit only]
|
|||
| 162 | Si à t'aymer ton maintien gratieulx | [Campis] | |
|
Appears on:
162
Genres:
Chanson
Source Attribution:
[Campis]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sia taymer [= Si à t'aymer] [text incipit only]
|
|||
| 163 | Si par faveur d'amour mostez le pris | [L. Bourgeois] | |
|
Appears on:
163
Genres:
Chanson
Source Attribution:
[L. Bourgeois]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Si par faveur [text incipit only]
|
|||
| 163–164 | Mon coeur entier j'ai donne vraiement | [F. de Lys] | |
|
Appears on:
163–164
Genres:
Chanson
Source Attribution:
[F. de Lys]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mon cueur entier [text incipit only]
|
|||
| 164–165 | Ung pouvre aÿmant de l'amour mesdisoit | [G. Coste] | |
|
Appears on:
164–165
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ung pouvre aÿmant [text incipit only]
|
|||
| 165 | M'amye a eu de Dieu le don que de beauté | [Cléreau] | |
|
Appears on:
165
Genres:
Chanson
Source Attribution:
[Cléreau]
Voice:
[no designation]
Languages:
French
Voice Text:
Mamye a eude [text incipit only]
|
|||
| 165–166 | Rigueur me tient et doulx acueil | [G. Coste] | |
|
Appears on:
165–166
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Rigueur me rient [= Rigueur me tient] [text incipit only]
|
|||
| 166–167 | L'amour première en jeunesse innocente | [Sandrin] | |
|
Appears on:
166–167
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Lamour premiere [text incipit only]
|
|||
| 167 | Si comme espoir je n'ai de guarison | [Maillard] | |
|
Appears on:
167
Genres:
Chanson
Source Attribution:
[Maillard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Si comme espoir [text incipit only]
|
|||
| 168 | Si les oyseaulx n'avoyent espoir sortir | [G. Coste] | |
|
Appears on:
168
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Siles aÿse aulx [= Si les oyseaulx] [text incipit only]
|
|||
| 168–169 | Ung moins aymant aura peult estre mieulx | [Certon] | |
|
Appears on:
168–169
Genres:
Chanson
Source Attribution:
[Certon]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c2
Voice Text:
Ung moins aÿmant [text incipit only]
|
|||
| 169–170 | Ne penses pas mesdisans envieulx | [F. de Lys] | |
|
Appears on:
169–170
Genres:
Chanson
Source Attribution:
[F. de Lys]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ne penses pas [text incipit only]
|
|||
| 170–171 | Je n'oserois le penser véritable | [Villiers] | |
|
Appears on:
170–171
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
De noseroÿs le penser [= Je n'oserois le penser] [text incipit only]
|
|||
| 171 | En lieu du bien que doux souloient | [F. de Lys/Quentin] | |
|
Appears on:
171
Genres:
Chanson
Source Attribution:
[F. de Lys/Quentin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
En lieu du bien [text incipit only]
|
|||
| 172 | Las si mon coeur eut mis en aultre part | [Buus] | |
|
Appears on:
172
Genres:
Chanson
Source Attribution:
[Buus]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Lassi mon cueur [text incipit only]
|
|||
| 172–173 | Preste moÿ lung de tes yeulx bien | [Villiers] | |
|
Appears on:
172–173
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
c1
Voice Text:
Preste moÿ lung [text incipit only]
|
|||
| 173–175 | Timor et tremor venit in Ninivem civitatem | Clemens non Papa | |
|
Appears on:
173–175
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Timor et tremor venit in Niniven civitatem
|
|||
| 176–177 | Tota pulchra es amica mea et macula | Cle: Morel | |
|
Appears on:
176–177
Genres:
Motet
Source Attribution:
Cle: Morel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tota pulcra es amica mea et macula
|
|||
| 177–178 | Tota pulchra es amica mea et macula | Cornelius Canis | |
|
Appears on:
177–178
Genres:
Motet
Source Attribution:
Cornelius Canis
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Tota pulcra es amica mea et macula
|
|||
| 178–179 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | Adrianus Vuillart | |
|
Appears on:
178–179
Genres:
Motet
Source Attribution:
Adrianus Vuillart
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Pater peccavi in coelum et coram te
|
|||
| 179–180 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
|
Appears on:
179–180
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Quanti mercenarii in domo patris
|
|||
| 180–182 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | Petrus Manchicourt | |
|
Appears on:
180–182
Genres:
Motet
Source Attribution:
Petrus Manchicourt
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pater peccavi in coelum et coram te
|
|||
| 182–183 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
|
Appears on:
182–183
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Quanti mercenarii in domo patris
|
|||
| 184–185 | In me transierunt irae tuae et terrores | Maillart | |
|
Appears on:
184–185
Genres:
Motet
Source Attribution:
Maillart
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In me transierunt irae tuae et terrores
|
|||
| 185–186 | Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor | Jacobus Clemens non Papa | |
|
Appears on:
185–186
Genres:
Motet
Source Attribution:
Jacobus Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Adesto dolori meo deus nimium fatigor
|
|||
| 186–188 | Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie | - | |
|
Appears on:
186–188
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Interiora mea efferbuerunt
|
|||
| 188–189 | In te Domine speravi non confundar | Clemens non Papa | |
|
Appears on:
188–189
Genres:
Motet, Te Deum
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
In te domine speravi non confundar
|
|||
| 190–194 | Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) | Benedictus Appenzeller | |
|
Appears on:
190–194
Genres:
Motet
Source Attribution:
Benedictus Appenzeller
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
|
|||
| 194–195 | Gaudete psallentes mire laudantes virginis | Anon. | Anonymous |
|
Appears on:
194–195
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Gaudete psallentes mire laudantes virginis
|
|||
| 195–196 | Defali convivium | Anon. | Anonymous |
Defali conviviumAnonymous
Appears on:
195–196
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
D.e.de. f.a.fa ... defali convivium
|
|||
| 196–198 | Nun meisterlich wir heben singen an | Anon. | Anonymous |
Nun meisterlich wir heben singen anAnonymous
Appears on:
196–198
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Nuhn meysterlich wir heben singen an
|
|||
| 198–199 | Mein einigs A. ich Dein beleib und mich | [Hofhaimer] | |
|
Appears on:
198–199
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mein einiges A. ich dein beleib und mich
|
|||
| 199–200 | Une fillette bien gorriere embrassa | [Clemens non Papa/Janequin] | |
|
Appears on:
199–200
Genres:
Chanson
Source Attribution:
[Clemens non Papa/Janequin]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
[Une fillette bien gorriere] untexted
|
|||
| 200 | Vergangen ist mir glück und heil | [Förster] | |
|
Appears on:
200
Genres:
Song
Source Attribution:
[Förster]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vergangen ist mir glückh und heyl
|
|||
| 201 | Da pacem Domine in diebus nostris | [Bruck] | |
|
Appears on:
201
Genres:
Motet
Source Attribution:
[Bruck]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Da pacem domine in diebus nostris
|
|||
| 201–203 | Welscher tantz | Anon. | Anonymous |
Welscher tantzAnonymous
Appears on:
201–203
Genres:
Dance, Secular
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
none
Clef:
c1
Voice Text:
Welscher tantz
|
|||
| 203–204 | In natali Domini clamant mortales / Wo ist uns das Kind geborn | [Hähnel] | |
|
Appears on:
203–204
Genres:
Motet
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin, German
Clef:
g3
Voice Text:
In natali domini ... Wo ist uns das kindelein
|
|||
| 204 | Christum wir sollen loben schon | Anon. | Anonymous |
Christum wir sollen loben schonAnonymous
Appears on:
204
Genres:
Hymn, Motet, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Christum wir sollen loben schon
|
|||
| 205 | Parvulus nobis nascitur de virgine | [J. Hermann] | |
|
Appears on:
205
Genres:
Hymn
Source Attribution:
[J. Hermann]
Voice:
[no designation]
Languages:
Latin
Mensuration:
3
Clef:
c1
Voice Text:
Parvulus nobis nascitur de virgine
|
|||
| 205 | Gelobet seist Du, Jesu Christ, dass Du Mensch | [Walter] | |
|
Appears on:
205
Genres:
Chorale, Sacred Song
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Gelobet seÿstu Jesu Christ das du mensch
|
|||
| 206 | Wie geht es zu, dass heut und nu | [Bruck] | |
|
Appears on:
206
Genres:
Song
Source Attribution:
[Bruck]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Wie geht es zu das heut und nu
|
|||
| 207 | Puer natus est nobis et filius datus est 26.9 | [Josquin/Mouton] | |
|
Appears on:
207
Genres:
Motet
Source Attribution:
[Josquin/Mouton]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Puer natus est nobis et filius datus
|
|||
| 208 | Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) | Anon. | Anonymous |
|
Appears on:
208
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Grates nunc omnes reddamus domino Deo II: Nos liberavit de diabolica potestate III: Huic oportet ut canamus cum angelis
|
|||
| 209–210 | Sum tuus in vita (4vv) [M109] | [Senfl] | |
|
Appears on:
209–210
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sum tuus in vita tua sunt mea funera
|
|||
| 211 | Was ist die Welt, gelt hat allein den Preis | [Senfl] | |
|
Appears on:
211
Genres:
Song
Source Attribution:
[Senfl]
Voice:
Altus
Languages:
German
Mensuration:
cut-c
Clef:
c3
Voice Text:
Was ist die weltt gelt hat allein den preiss
Layoutlaid out on a circular stave - headed 'Altus' |
|||
| 212 | Möcht ich Gunst haben bei dir das kann ich | Anon. | Anonymous |
|
Appears on:
212
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Möcht ich gunst han bey dir das khan ich
Layoutlaid out on a circular stave |
|||
| 213–214 | Apparuit benignitas et humanitas salvatoris | Galliculus [= Hähnel] | |
|
Appears on:
213–214
Genres:
Motet
Source Attribution:
Galliculus [= Hähnel]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Apparuit benignitas et humanitas salvatoris
|
|||
| 214–215 | Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) | Anon. | Anonymous |
|
Appears on:
214–215
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Ecce quam bonum et quam iucundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit dominus
|
|||
| 215–216 | Missa Quant j'ai au coeur: Benedictus | [Isaac] | |
|
Appears on:
215–216
Genres:
Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Benedictus [from Missa Quant j'ay au cueur] [text incipit only]
|
|||
| 217–218 | Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem | Benedictus Ducis/[Maffoni] | |
|
Appears on:
217–218
Genres:
Motet
Source Attribution:
Benedictus Ducis/[Maffoni]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Dilexi quoniam exaudiet dominus vocem
|
|||
| 218–219 | Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam | - | |
|
Appears on:
218–219
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
g2
Voice Text:
Secunda pars : O domine libera animam meam
|
|||
| 219–220 | Freundlicher grüss mit buss ward mir heimlich | Anon. | Anonymous |
|
Appears on:
219–220
Genres:
Lied
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Freundlicher gruss mit buss wardt mir
|
|||
| 220–223 | Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant | Clemens non Papa | |
|
Appears on:
220–223
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Maria Magdalene et altera Maria ibant
|
|||
| 223–225 | Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius | - | |
|
Appears on:
223–225
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
pars secunda : Cito euntes dicite discipulis eius
|
|||
| 225–226 | Ach lieb mit leid wie hast Dein B'scheid | [Hofhaimer] | |
|
Appears on:
225–226
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ach lieb mit leÿd wie hastu dein bescheidt
|
|||
| 226–228 | Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require | Thomas Crequilon | |
|
Appears on:
226–228
Genres:
Motet
Source Attribution:
Thomas Crequilon
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Erravi sicut ovis quae periit require
|
|||
| 228–229 | Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias | - | |
|
Appears on:
228–229
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Delicta iuventutis meae et ignorantias
|
|||
| 230–231 | Zucht Ehr und Lob ihr wohnet bei | [Hofhaimer] | |
|
Appears on:
230–231
Genres:
Secular
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Zucht ehr und lob ir whonet beÿ
|
|||
| 231–233 | Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis | Crequilon/[C. Hollander] | |
|
Appears on:
231–233
Genres:
Motet
Source Attribution:
Crequilon/[C. Hollander]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Congratulamini mihi omnes qui diligitis
|
|||
| 233–235 | Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi | - | |
|
Appears on:
233–235
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Tulerunt dominum meum et nescio ubi
|
|||
| 235–236 | Disce bone clerice virgines amare | [Coclico] | |
|
Appears on:
235–236
Genres:
Motet
Source Attribution:
[Coclico]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c1
Voice Text:
[Disce bone clerice virgines amare] untexted
|
|||
| 236–237 | Studenten Art und Freulen zart | Anon. | Anonymous |
Studenten Art und Freulen zartAnonymous
Appears on:
236–237
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c4
Voice Text:
Studenten arth und freulen zart
|
|||
| 237–242 | Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) | Andreas Grundler | |
|
Appears on:
237–242
Genres:
Motet
Source Attribution:
Andreas Grundler
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
... Ita desiderat anima mea II: Quare tristis es anima mea III: In die mandavit dominus misericordiam
|
|||
| 242 | Unam petii Domino hanc inveni haec erit | Johannes Stahel | |
|
Appears on:
242
Genres:
Italian secular
Source Attribution:
Johannes Stahel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Unam petij a domino hanc inveni haec erit
|
|||
| 242–244 | Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) | Verdeloth | |
|
Appears on:
242–244
Genres:
Motet
Source Attribution:
Verdeloth
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Domine Deus qui conteris bella ab initio II: Allide virtutem eorum in virtute tuae
|
|||
| 244–245 | Madonna al volto mio | Jacomus Foglianus [= G. Fogliano]/[C. Festa] | |
|
Appears on:
244–245
Genres:
Italian secular
Source Attribution:
Jacomus Foglianus [= G. Fogliano]/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Madonna al volto mio pallid' et smorto [text incipit only]
|
|||
| 245–246 | Che si puo piu vedere madonna | Idem eiusdem (=Foglianus)/[C. Festa] | |
|
Appears on:
245–246
Genres:
Madrigal (Italian)
Source Attribution:
Idem eiusdem (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Che si puo piu vedere madonna [text incipit only]
|
|||
| 247 | Madonna io vo am' e taccio ve'l puo giurar | Eiusdem autoris (=Foglianus)/[C. Festa] | |
|
Appears on:
247
Genres:
Madrigal (Italian)
Source Attribution:
Eiusdem autoris (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Madonna io vam'è taccio ve'l puo giurar [text incipit only]
|
|||
| 248–249 | Che parlo o dove sono chi m'inganna | Foglianus/[C. Festa] | |
|
Appears on:
248–249
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Che parlo o dove sono chi m'inganna [text incipit only]
|
|||
| 249–251 | Nuptiae factae sunt in Chana Gallileae | [Barra/Elimon] |
Elimon (Elimot)
(?)
|
|
Appears on:
249–251
Genres:
Motet
Source Attribution:
[Barra/Elimon]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Nuptiae factae sunt in Cana Galileae
|
|||
| 251–252 | Se non fosse il sperar che mi conforta | Foglianus/[C. Festa] | |
|
Appears on:
251–252
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Se non fosse il sperar che mi conforta
|
|||
| 253–254 | Venut'era madonna al mio languire | Foglianus/[C. Festa] | |
|
Appears on:
253–254
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Venut' era madonna al mio languire [text incipit only]
|
|||
| 254–255 | Se non fosse il sperar che mi conforta | Praecedens autor (=Foglianus)/[C. Festa] | |
|
Appears on:
254–255
Genres:
Italian secular
Source Attribution:
Praecedens autor (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Se non fosse il sperar che mi conforta [text incipit only]
|
|||
| 255–256 | Ingiustissimo amor perche si raro | Foglianus/[C. Festa] | |
|
Appears on:
255–256
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ingiustissimo amor perche si raro [text incipit only]
|
|||
| 257–258 | Tria sunt munera- 1a pars (of 2): Tria sunt munera | Goessen Junckers | |
|
Appears on:
257–258
Genres:
Motet
Source Attribution:
Goessen Junckers
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tria sunt munera preciosa quae obtulerunt
|
|||
| 258–260 | Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae | - | |
|
Appears on:
258–260
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda Pars : Reges Tharsis & insulae munera
|
|||
| 260–261 | In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum | Josquin de Prees | |
|
Appears on:
260–261
Genres:
Motet
Source Attribution:
Josquin de Prees
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
In principio erat verbum Et verbum
|
|||
| 261–263 | In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo | - | |
|
Appears on:
261–263
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Fuit homo missus à deo cui nomen
|
|||
| 263–264 | In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est | - | |
|
Appears on:
263–264
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Tertia pars : Et verbum caro factum est et habitavit
|
|||
| 264–265 | Gaudent in caelis animae sanctorum | Archadelt | |
|
Appears on:
264–265
Genres:
Motet
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Gaudent in coelis animae sanctorum
|
|||
| 266–267 | Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora | Lupi/[Mouton] | |
|
Appears on:
266–267
Genres:
Motet
Source Attribution:
Lupi/[Mouton]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Quam pulcra es amica mea et quam decora
|
|||
| 267–268 | Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum | - | |
|
Appears on:
267–268
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Altera pars : Veni dilecte mi egrediamur in agrum
|
|||
| 268–269 | Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem | Lheritier | |
|
Appears on:
268–269
Genres:
Motet
Source Attribution:
Lheritier
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Senex puerum portabat puer autem senem
|
|||
| 270–271 | Senex puerum - 2a pars (of 2): Hodie beata virgo | - | |
|
Appears on:
270–271
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secuda pars : Hodie beata virgo Maria puerum Jesum
|
|||
| 271–272 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | Richafort/[Caen/Lupus] |
Caen, Arnold
(?)
|
|
Appears on:
271–272
Genres:
Motet
Source Attribution:
Richafort/[Caen/Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Hierusalem luge & exue te vestibus
|
|||
| 272–273 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - |
Caen, Arnold
(?)
|
|
Appears on:
272–273
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
secunda pars : Deduc quasi torrentem lachrÿmas
|
|||
| 274–275 | Deus qui sedes super thronum (4vv) | Joannes Waltherus/[Verdelot] | |
|
Appears on:
274–275
Genres:
Motet
Source Attribution:
Joannes Waltherus/[Verdelot]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Deus qui sedes super thronum & iudicas
|
|||
| 275–276 | Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice | [Walter] | |
|
Appears on:
275–276
Genres:
Motet
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Vere beatus et deo factus meritus auspice
|
|||
| 277–278 | Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus | - | |
|
Appears on:
277–278
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
secunda pars : Hanc ardet hanc amplexibus dulcissimus
|
|||
| 278–279 | Festum nunc celebre magnaque gaudia (5vv) | [Walter] | |
|
Appears on:
278–279
Genres:
Motet
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Festum nunc celebre magnaque gaudia
|
|||
| 279–280 | Dum complerentur dies Pentecostes erant omnes | Archadelt/[Verdelot] | |
|
Appears on:
279–280
Genres:
Motet
Source Attribution:
Archadelt/[Verdelot]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Dum complerentur dies pentecostes erant
|
|||
| 280–282 | Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum | Jachet [of Mantua] | |
|
Appears on:
280–282
Genres:
Motet
Source Attribution:
Jachet [of Mantua]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Cantate domino canticum novum laus eius
|
|||
| 282–284 | Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei | - | |
|
Appears on:
282–284
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Cantate ei et psallite narrate
|
|||
| 284–285 | Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria | Lheritier/[Conseil/Willaert] | |
|
Appears on:
284–285
Genres:
Motet
Source Attribution:
Lheritier/[Conseil/Willaert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Beata Dei genitrix virgo Maria cuius viscera
|
|||
| 285–286 | Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam | - | |
|
Appears on:
285–286
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Secunda Pars : Et beata quae credidit quoniam
|
|||
| 286–287 | Jam non dicam - 1a pars (of 2): Jam non dicam vos servos | Richafort/[Lupus] | |
|
Appears on:
286–287
Genres:
Motet
Source Attribution:
Richafort/[Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Jam non dicam vos servos sed amicos
|
|||
| 287–288 | Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis | - | |
|
Appears on:
287–288
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Cum venerit ille spiritus veritatis
|
|||
| 288–289 | Ogni belta madonna ch'io veggi'altrui | Foglianus/[C. Festa] | |
|
Appears on:
288–289
Genres:
Madrigal (Italian)
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Ogni belta madonna ch'io veggi' altrui [text incipit only]
|
|||
| 289–290 | Sopra una verde è dilettosa riva | Foglianus/[C. Festa] | |
|
Appears on:
289–290
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Sopra una verde è dilettosa riva [text incipit only]
|
|||
| 290–291 | Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) | Foglianus/[Compère/C. Festa] | |
|
Appears on:
290–291
Genres:
Contrafactum, Italian secular
Source Attribution:
Foglianus/[Compère/C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c1
Voice Text:
Venit' amant' insieme a pianger forte [= Ne doibt on prendre] [text incipit only]
|
|||
| 291–292 | Afflitti spiriti miei siate contenti | Foglianus/[C. Festa] | |
|
Appears on:
291–292
Genres:
Motet
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Afflitti spiriti miei siate contenti [text incipit only]
|
|||
| 292–293 | Madonna io prend'ardire narrar con lingua | Fogl[ianus]/[C. Festa] | |
|
Appears on:
292–293
Genres:
Italian secular
Source Attribution:
Fogl[ianus]/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c2
Voice Text:
Madonna io prend'ardire narrar con lingua [text incipit only]
|
|||
| 293–295 | Una donna l'altrier fissa mirai piu lucente | Fogl[ianus]/[C. Festa/Pisano] |
Pisano, Bernardo
(?)
|
|
Appears on:
293–295
Genres:
Italian secular
Source Attribution:
Fogl[ianus]/[C. Festa/Pisano]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
g2
Voice Text:
Una donna l'altrier fissa mirai piu lucente [text incipit only]
|
|||
| 295–296 | Ne recorderis peccata mea Domine cum veneris | [Hemmerlen] | |
|
Appears on:
295–296
Genres:
Motet
Source Attribution:
[Hemmerlen]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ne recorderis peccata mea domine cum veneris
|
|||
| 296–298 | Viri Galilaei quid aspicitis in caelum | Anon. | |
|
Appears on:
296–298
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Viri Galilaei quid aspicitis in coelum
|
|||
| 298–299 | Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis | [Josquin/Lebrun/Richafort] | |
|
Appears on:
298–299
Genres:
Motet
Source Attribution:
[Josquin/Lebrun/Richafort]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Congratulamini mihi omnes qui diligitis
|
|||
| 299–300 | Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi | - | |
|
Appears on:
299–300
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
pars secunda : ... Et nescio ubi
|
|||
| 300–302 | Sancta Trinitas unus Deus miserere nobis (6vv) | [A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck | |
|
Appears on:
300–302
Genres:
Motet
Source Attribution:
[A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sancta trinitas unus deus miserere
ConcordancesPubl. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10 |
|||
| 302–303 | O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli | [Rein] | |
|
Appears on:
302–303
Genres:
Motet
Source Attribution:
[Rein]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
O trinitas et deitas alma tibi omnes angeli
|
|||
| 303–304 | O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis | - | |
|
Appears on:
303–304
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
secunda pars : Miserere qui passus es pro nobis
|
|||
| 304–307 | In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) | Anon. | Anonymous |
|
Appears on:
304–307
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c1
Voice Text:
In illo tempore dixit Jhesus discipulis suis II: His autem fieri incipientibus suspiate
|
|||
| 307–308 | Magnum Oseae quem decus virginale parturit | Anon. | Anonymous |
|
Appears on:
307–308
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Magnum Oseae quem decus virginale parturit
|
|||
| 308–309 | Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) | [H. Faber] | |
|
Appears on:
308–309
Genres:
Motet
Source Attribution:
[H. Faber]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Creavit Deus hominem ad imaginem suam II: Crescite et multiplicamini et replete
|
|||
| 309–310 | Jamais en ce monde n'aurais regrets | Crequillon | |
|
Appears on:
309–310
Genres:
Chanson
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
French
Mensuration:
c
Clef:
g2
Voice Text:
Jamais enche monde naraÿ [= Jamais en ce monde n'arays regres] [= #84, p. 112] [text incipit only]
|
|||
| 310–311 | Da trunken sie die liebe lange Nacht | Anon. | Anonymous |
Da trunken sie die liebe lange NachtAnonymous
Appears on:
310–311
Genres:
Quodlibet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Da truncken sie die liebe lange nacht
|
|||
| 312 | Guckguckh hat sich zu todt gefallen | Johan Müller | |
|
Appears on:
312
Genres:
Song
Source Attribution:
Johan Müller
Voice:
[no designation]
Languages:
German
Mensuration:
o-3
Clef:
c1
Voice Text:
Guckguckh hat sich zu todt gefallen
|
|||
| 313–314 | Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur | [Josquin/Mouton/Silva] | |
|
Appears on:
313–314
Genres:
Te Deum
Source Attribution:
[Josquin/Mouton/Silva]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Te deum laudamus te dominum confitemur
|
|||
| 314 | Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis | - | |
|
Appears on:
314
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Patrem immensae maiestatis
|
|||
| 314–316 | Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus | - | |
|
Appears on:
314–316
Genres:
Te Deum
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tertia pars : Te ergo quaesumus famulis tuis
|
|||
| 316 | Von Herzen mein bin ich ir geneigt | Othmarus [= Othmayr] | |
|
Appears on:
316
Genres:
Song
Source Attribution:
Othmarus [= Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Von hertzen mein bin ich ir geneigt
|
|||
| 317 | Lieblich hat sich gesellet mein herz | Othmarus | |
|
Appears on:
317
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Lieblich hat sich gesellet mein hertz
|
|||
| 317–318 | Nun wolt ich lieber elend sein | Othmarus | |
|
Appears on:
317–318
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Nun wolt ich lieber elennd seyn
|
|||
| 318–319 | Wach auff mein hort und hör mein stim | Othmarus | |
|
Appears on:
318–319
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Wach auff mein hort und hör mein stim
|
|||
| 319–320 | Es wolt ein Jäger jagen wolt jagen | Othmarus | |
|
Appears on:
319–320
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Es wolt ein Jäger jagen wolt jagen
|
|||
| 320–321 | Ich ritt einmal spazieren durch den gruenen | Othmarus | |
|
Appears on:
320–321
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Ich ritt einmal spacieren durch den gruenen
|
|||
| 321–322 | Ich armer boss bin ganz verwirrt | Othmarus | |
|
Appears on:
321–322
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ich armer boss bin gantz verwirt
|
|||
| 322–323 | Von Deinetwegen bin ich hie herzlieb | Othmarus | |
|
Appears on:
322–323
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Von deinetwegen bin ich hie hertzlieb
|
|||
| 323 | Ich weiss mir ein medlin hubsch und fein | Othmarus | |
|
Appears on:
323
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c 3
Clef:
g3
Voice Text:
Ich weiss mir ein medlin hubsch und fein
|
|||
| 324 | Mir ist ein feins brauns maidelein gefallen | Matthaeus Greiter | |
|
Appears on:
324
Genres:
Song
Source Attribution:
Matthaeus Greiter
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Mir ist ein pheins brauns medelein gefallen [text incipit only]
|
|||
| 324–325 | Ach Gott wem soll ichs klagen das heimliche leiden | Greiterus | |
|
Appears on:
324–325
Genres:
Song
Source Attribution:
Greiterus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ach Got wem sol ich klagen das heimlich leÿden
|
|||
| 325–326 | Freundlich von art ein freulein zart | Paulus Wüst | |
|
Appears on:
325–326
Genres:
Song
Source Attribution:
Paulus Wüst
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Freundlich von art ein freulein zart
|
|||
| 326–327 | Ich armes maidlein klag mich sehr wie soll mir | [Senfl] | |
|
Appears on:
326–327
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ich armes medlin klag mich sehr wie sol mir
|
|||
| 327 | Ach höchster hort, du edles Blut gedenk | Anon. | Anonymous |
Ach höchster hort, du edles Blut gedenkAnonymous
Appears on:
327
Genres:
Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ach höchster hort du edles blut gedenckh
|
|||
| 328–329 | Ach Gott wem soll ichs klagen das heimliche leiden | Wolf: Grefinger/[Bauldeweyn] | |
|
Appears on:
328–329
Genres:
Song
Source Attribution:
Wolf: Grefinger/[Bauldeweyn]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ach Got wem soll ich klagen das heimlich leÿden
|
|||
| 329 | Mein G'müt und Blüt ist gar entzünden | Andreas Sylvanus/[J. Wenck] |
Wenck, J.
(?)
|
|
Appears on:
329
Genres:
Song
Source Attribution:
Andreas Sylvanus/[J. Wenck]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Mein gmuet unnd bluet ist gar entzünden
|
|||
| 329–330 | Ich weiss ein stoltze müllerin | Cosmas Alderinus | |
|
Appears on:
329–330
Genres:
Song
Source Attribution:
Cosmas Alderinus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g3
Voice Text:
Ich weiss ein stoltze müllerin
|
|||
| 331 | Zart schöne Frau gedenk und schau | Anon. | Anonymous |
Zart schöne Frau gedenk und schauAnonymous
Appears on:
331
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Zart schöne frau gedenkh und schau
|
|||
| 331–332 | Von üppiglichen dingen so wil ichs sehen | Greiterus | |
|
Appears on:
331–332
Genres:
Song
Source Attribution:
Greiterus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Von üppiglichen dingen so wil ichs sehen
|
|||
| 332–333 | Dieweil umsonst jetz alle Kunst am Tag | Lazarus Spengler | |
|
Appears on:
332–333
Genres:
Song
Source Attribution:
Lazarus Spengler
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Dieweil umbsonst ietz alle kunst an tag
|
|||
| 333–336 | Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) | Anon. | Anonymous |
|
Appears on:
333–336
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Miserere mei Domine quoniam infirmus sum II: Et anima mea turbata est valde
|
|||
| 336–338 | In te Domine speravi non confundar | Adrian Petit [Coclico] | |
|
Appears on:
336–338
Genres:
Motet
Source Attribution:
Adrian Petit [Coclico]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In te domine speravi non confundar
|
|||
| 338–340 | Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) | Anon. | Anonymous |
|
Appears on:
338–340
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Praeter rerum seriem parit deum et hominem II: Virtus sancti spiritus opus illud
|
|||
| 340–341 | Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum | [Morales] | |
|
Appears on:
340–341
Genres:
Motet
Source Attribution:
[Morales]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Verbum iniquum et dolosum longe fac
|
|||
| 342–343 | Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi | - | |
|
Appears on:
342–343
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Duo rogavi te ne deneges mihi
|
|||
| 343–344 | Quisquis requiem quaeris feminam cave | [Othmayr] | |
|
Appears on:
343–344
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quisquis requiem quaeris foeminam cave
|
|||
| 344–346 | Omnia vertuntur certe vertuntur amore | Casparus Othmarus | |
|
Appears on:
344–346
Genres:
Motet
Source Attribution:
Casparus Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Omnia vertuntur certe vertuntur amore
|
|||
| 346–348 | Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) | Johannes Bucherus [= Buechmaier] | |
|
Appears on:
346–348
Genres:
Motet
Source Attribution:
Johannes Bucherus [= Buechmaier]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Venite ad me omnes qui laboratis et onerati II: Tollite iugum meum super vos
|
|||
| 348–351 | Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) | Joha. Bucherus | |
|
Appears on:
348–351
Genres:
Motet
Source Attribution:
Joha. Bucherus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Sic deus dilexit mundum ut filium suum II: Haec est autem condemnatio quod lux
|
|||
| 351–352 | Lex per Moÿsen data est gratia et veritas | Johannes Bucherus | |
|
Appears on:
351–352
Genres:
Motet
Source Attribution:
Johannes Bucherus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Lex per Moÿsen data est gratia et veritas
|
|||
| 352–353 | Quam pulcra es amica mea oculi tui | Johannes Stahel | |
|
Appears on:
352–353
Genres:
Motet
Source Attribution:
Johannes Stahel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Quam pulcra es amica mea oculi tui
|
|||
| 353–355 | Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni | Jacquet [of Mantua] | |
|
Appears on:
353–355
Genres:
Alleluia, Motet
Source Attribution:
Jacquet [of Mantua]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Alleluia. Et apparuit Simoni alleluia
|
|||
| 355–356 | Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram | - | |
|
Appears on:
355–356
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars secunda : Qui fecit coelum & terram alleluia
|
|||
| 356–357 | Cum esset desponsata mater Jesu Maria | Henricus Isaac | |
|
Appears on:
356–357
Genres:
Hymn
Source Attribution:
Henricus Isaac
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Cum esset desponsata mater Jhesu Maria
|
|||
| 357–362 | Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) | Leon: Paminger | |
|
Appears on:
357–362
Genres:
Motet
Source Attribution:
Leon: Paminger
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Dixit dominus domino meo sede à dextris II: Juravit dominus et non poenitebit
|
|||
| 362–363 | Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis | Clemens non Papa/[J. Louys] | |
|
Appears on:
362–363
Genres:
Motet
Source Attribution:
Clemens non Papa/[J. Louys]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Haec est arbor dignissima in qua salutis
|
|||
| 363–365 | Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti | - | |
|
Appears on:
363–365
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars secunda : O crux benedicta quae sola fuisti
|
|||
| 365–367 | Si bona suscepimus de manu Domini | Verdeloth/[Richafort] | |
|
Appears on:
365–367
Genres:
Motet
Source Attribution:
Verdeloth/[Richafort]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Si bona suscepimus de manu domini
|
|||
| 367–368 | Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem | Clemens non Papa | |
|
Appears on:
367–368
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Lapidabant Stephanum invocantem et dicentem
|
|||
| 368–369 | Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum | - | |
|
Appears on:
368–369
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Impetum fecerunt unanimiter in eum
|
|||
| 369–370 | In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus | Clemens non Papa | |
|
Appears on:
369–370
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
In honore beatissimae Annae iubilemus
|
|||
| 371–372 | In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio | - | |
|
Appears on:
371–372
Genres:
Contrafactum, Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Pars secunda : Coeleste beneficium introivit in Annam
|
|||
| 372–373 | Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum | Gaspar Othmarus | |
|
Appears on:
372–373
Genres:
Motet
Source Attribution:
Gaspar Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Octo sunt passiones quibus
|
|||
| 373–374 | Hominum laudes honores praelationes | Gaspar Othmeyr | |
|
Appears on:
373–374
Genres:
Motet
Source Attribution:
Gaspar Othmeyr
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Hominum laudes honores praelationes
|
|||
| 374–375 | Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio | Caspar Othmeyr | |
|
Appears on:
374–375
Genres:
Motet
Source Attribution:
Caspar Othmeyr
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g3
Voice Text:
Proin omnis animi elatio lachrima
|
|||
| 375–376 | Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena | Josquin Baston/[Cleve] | |
|
Appears on:
375–376
Genres:
Motet
Source Attribution:
Josquin Baston/[Cleve]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Dum transisset sabbathum Maria Magdalena
|
|||
| 376–378 | Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt | - | |
|
Appears on:
376–378
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Et valde mane una sabbathorum
|
|||
| 378–381 | Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) | Thomas Bachofen | |
|
Appears on:
378–381
Genres:
Motet
Source Attribution:
Thomas Bachofen
Voice:
[no designation]
Languages:
Latin
Clef:
g3
Voice Text:
Beati omnes qui timent Dominum qui ambulant II: Benedicat tibi dominus ex Sion
|
|||
| 381–382 | Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium | [Senfl] | |
|
Appears on:
381–382
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Collegerunt pontifices & pharisaei
|
|||
| 383–384 | Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine | - | |
|
Appears on:
383–384
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Pars sequentium : Unus autem ex ipsis Caÿphas nomine
|
|||
| 384–385 | Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate | Anon. | Anonymous |
|
Appears on:
384–385
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Si diligitis me mandata mea servate
|
|||
| 385–387 | Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est | - | Anonymous |
|
Appears on:
385–387
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Pars secunda : Accipite spiritum sanctum in vobis
|
|||
| 387–388 | Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis | Adrianus Vuillart/[Obrecht] | |
|
Appears on:
387–388
Genres:
Motet
Source Attribution:
Adrianus Vuillart/[Obrecht]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pater noster qui es in coelis
|
|||
| 389 | Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium | Phil. Verdeloth/[Lasson] |
Lasson, Mathieu
(?)
|
|
Appears on:
389
Genres:
Motet
Source Attribution:
Phil. Verdeloth/[Lasson]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Virtute magna reddebant apostoli
|
|||
| 389–390 | Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto | - |
Lasson, Mathieu
(?)
|
|
Appears on:
389–390
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Repleti sunt quidem spiritu sancto
|
|||
| 391 | Dulces exuviae dum fata Deusque (3vv) | Joannes Mouton/[Willaert] | |
|
Appears on:
391
Genres:
Motet
Source Attribution:
Joannes Mouton/[Willaert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Dulces exuviae dum fata deusque
General NoteThis 4vv Dulces exuviae is the 3vv Dulces exuviae elsewhere attributed to Adrian Willaert, with a fourth si placet voice. The attribution to Mouton is surely spurious. (The 4vv Mouton version in London Royal 8 G. vii is a different piece.) (information provided by Benjamin Ory.) |
|||
| 391–392 | Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis | Johan. Walterus | |
|
Appears on:
391–392
Genres:
Motet
Source Attribution:
Johan. Walterus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c6
Voice Text:
Deus misereatur nostri et benedicat nobis
|
|||
| 393–394 | Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam | - | |
|
Appears on:
393–394
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars sequentium : Laetentur et exultent gentes quoniam
|
|||
| 394–395 | Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum | Adrianus Vuillart/[Obrecht] | |
|
Appears on:
394–395
Genres:
Ave Maria, Motet
Source Attribution:
Adrianus Vuillart/[Obrecht]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ave Maria gratia plena dominus tecum
|
|||
| 395–397 | Quem dicunt homines - 1a pars (of 2): Quem dicunt homines | Johannes Richafort | |
|
Appears on:
395–397
Genres:
Motet
Source Attribution:
Johannes Richafort
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quem dicunt homines esse filium hominis
|
|||
| 397–398 | Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit | - | |
|
Appears on:
397–398
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secnda pars : Petre diligis me qui respondit
|
|||
| 398–400 | Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum | Lupus [Hellinck]/[Gombert] | |
|
Appears on:
398–400
Genres:
Motet
Source Attribution:
Lupus [Hellinck]/[Gombert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Beati omnes qui timent dominum qui ambulant
|
|||
| 400–401 | Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo | - | |
|
Appears on:
400–401
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secundapars : Ecce sic benedicetur homo qui timet
|
|||
| 401–403 | Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio | Anon. | Anonymous |
|
Appears on:
401–403
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Beatus vir: Qui non abiit in consilio
|
|||
| 403 | Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam | - | Anonymous |
|
Appears on:
403
Genres:
Monophonic conductus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Non sic impii non sic sed tanquam
|
|||
| 404–406 | Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) | Ludovicus Senfel | |
|
Appears on:
404–406
Genres:
Motet
Source Attribution:
Ludovicus Senfel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Homo quidam fecit coenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite
|
|||
| 406–407 | Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide | Clemens non Papa | |
|
Appears on:
406–407
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ierusalem surge et sta in excelso
|
|||
| 407–409 | Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide | - | |
|
Appears on:
407–409
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars secunda : Leva in circuitu oculos tuos
|
|||
| 409 | Veri adoratores adorabunt patrem in spiritu | Simon Cellarius | |
|
Appears on:
409
Genres:
Motet
Source Attribution:
Simon Cellarius
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Veri adoratores adorabunt patrem in spiritu
|
|||
| 409–412 | Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi | Josquin | |
|
Appears on:
409–412
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Qui habitat in adiutorio altissimi
|
|||
| 412–414 | Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum | - | |
|
Appears on:
412–414
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c 3
Clef:
c2
Voice Text:
Secunda pars : Non accedat ad te malum
|
|||
| 414–417 | Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) | Janin | |
|
Appears on:
414–417
Genres:
Motet
Source Attribution:
Janin
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Super salutem et omnem pulchritudinem II: Dixi sapientiae soror mea et prudentiam
|
|||
| 417–418 | Da Jacob das Kleid ansah mit großem Schmerzen | Ludovicus Senfl/[Alder] | |
|
Appears on:
417–418
Genres:
Motet
Source Attribution:
Ludovicus Senfl/[Alder]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Da Jacob das kleid ansah mit grossem schmertzen
|
|||
| 418–419 | Tu es Petrus et super hanc petram | [L. Padovano] | |
|
Appears on:
418–419
Genres:
Motet
Source Attribution:
[L. Padovano]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Tu es Petrus et super hanc petram
|
|||
| 419–420 | Non eadem facies anni non aeris idem | Anon. | Anonymous |
Non eadem facies anni non aeris idemAnonymous
Appears on:
419–420
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Non eadem facies anni non aeris idem
|
|||
| 420–422 | Scandala ne mundi cures ecclesia Christi | Anon. | Anonymous |
Scandala ne mundi cures ecclesia ChristiAnonymous
Appears on:
420–422
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Scandala ne mundi cures ecclesia
|
|||
| 423–425 | Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) | Sebastianus Hollandt/[C. Hollander/Lassus] | |
|
Appears on:
423–425
Genres:
Motet
Source Attribution:
Sebastianus Hollandt/[C. Hollander/Lassus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Dum transisset sabbathum Maria Magdalene II: Et valde mane una sabbathorum
|
|||
| 425 | Prima die sabbatorum Maria Magdalena | Lupus Hellinck | |
|
Appears on:
425
Genres:
Motet
Source Attribution:
Lupus Hellinck
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Primo die sabbatorum Maria Magdalena
|
|||
| 426–427 | Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus | La Fage | |
|
Appears on:
426–427
Genres:
Motet
Source Attribution:
La Fage
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Super flumina Babilonis illic sedimus
|
|||
| 427–429 | Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero | - | |
|
Appears on:
427–429
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Si oblitus fuero tui Jerusalem
|
|||
| 429–430 | Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) | Constantinus Festa | |
|
Appears on:
429–430
Genres:
Motet
Source Attribution:
Constantinus Festa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Hierusalem quae occidis prophetas et lapidas [= Florentia tempus est penitentiae]
|
|||
| 430–431 | O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) | Verdelot | |
|
Appears on:
430–431
Genres:
Contrafactum, Motet
Source Attribution:
Verdelot
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
O fili dei succurre miseris iuva pusillanimes [= Sancta Maria succurre miseris iuva]
|
|||
| 431–432 | Ecce Dominus veniet nolite timere 14.5 | Incerti autoris [Jonckers/Josquin/Senfl] | |
|
Appears on:
431–432
Genres:
Motet
Source Attribution:
Incerti autoris [Jonckers/Josquin/Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ecce dominus veniet nolite timere
|
|||
| 432 | Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis | Leon: Paminger | |
|
Appears on:
432
Genres:
Motet
Source Attribution:
Leon: Paminger
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
untexted
|
|||
| 433 | Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt | - | |
|
Appears on:
433
Genres:
Motet
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
Voice Text:
untexted
|
|||
| 433 | untexted fragment | - | - |
untexted fragment
Appears on:
433
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
g2
General Noteincomplete - music copied to end of the recto, with custos, but no music overleaf on verso |
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| 435 | Erhalt uns Her bei Deinem wort und steur | Anon. | Anonymous |
Erhalt uns Her bei Deinem wort und steurAnonymous
Appears on:
435
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Erhalt uns Her bei deinem wort und steur
|
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| 435–436 | Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit | Johan. Mouton/[Lafage] |
Fage, Jean de la
(?)
|
|
Appears on:
435–436
Genres:
Motet
Source Attribution:
Johan. Mouton/[Lafage]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Elisabeth Zachariae magnum virum genuit
|
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| 436–437 | Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit | - |
Fage, Jean de la
(?)
|
|
Appears on:
436–437
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Secunda pars : Inter natos mulierum non surrexit
|
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| 437–438 | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret | Georg: Prenner | |
|
Appears on:
437–438
Genres:
Motet
Source Attribution:
Georg: Prenner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Factum est silentium in caelo dum committeret
|
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| 439 | Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei | - | |
|
Appears on:
439
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c 3
Clef:
g2
Voice Text:
Altera pars : Millia millium ministrabant ei
|
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| 440–441 | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | Orlandus [de Lassus]/[Wert] | |
|
Appears on:
440–441
Genres:
Motet
Source Attribution:
Orlandus [de Lassus]/[Wert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Transeunte domino clamabat caecus ad eum
|
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| 441–442 | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | - | |
|
Appears on:
441–442
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda Pars : Et ait illi Jesus quid vis ut faciam
|
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