D-Rp A. R. 849-852

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1569-75

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 849-852
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	315 x 210 mm
Other Identifiers	CCM: RegB 849-52
Notations	Hufnagel black void mensural square chant
Copyists	? Zollner, Erasmus Music
Relationships	? Gymnasium Poeticum (copied at)
Provenance	Gymnasium Poeticum , Regensburg, Bavaria, Germany
Contents	36 pieces from 24 composers

General Description

Composite of several originally separate fascicles later bound together. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017

Binding

Original covers of beige parchment over cardboard; paper slip pasted to front cover bears inscription: 'Cantional / I / De festo Adventus Domini / II / Etliche Muteten de festo Nativitatis / III / Psalmi in Festum Nativitatis Christi / No. 1. ' Back cover decorated with elaborate painted initial in blue, green, gray, and gold leaf

DIAMM, 2017

Watermark

coat of arms of city of Regensburg (resembles Briquet #1142)

DIAMM, 2017

Notation

Monophonic pieces and some polyphony copied in chant notation, including some Hufnagel; remaining contents in black void mensural

DIAMM, 2017

Ruling

Staff height 17-18

DIAMM, 2017

Foliation

New pencil foliation, 1-166, includes flyleaves; two motet fascicles, A.R. 840 and A.R. 841, also have original ink foliation, 1-80 and 1-15, respectively

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-18 and 1-3

DIAMM, 2017

Decoration

Red painted initials, most in Gothic style, a few in plain block or calligraphic style; headings and text incipits in red ink.

DIAMM, 2017

Index

Original index of one motet fascicle (= A.R. 840) on new f. 32 lists pieces in order of appearance, with attributions; no other indices.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 3 psalms with corresponding monophonic antiphons, 2 hymns, 21 motets, 8 German sacred pieces =35 + 4 monophonic liturgical pieces = 39

Bacchius-1, Bruck-4, Clemens non Papa-1, Cleve-2, Gascongne/(Mouton)-1, Hähnel [Johan. Galliculus]-1, Hellinck-2, Jaquet of Mantua [Jacquet]-1, Josquin/(Lebrun/Richafort)-1, Kerle-1, Lasson-1, Lassus-1, Meiland-2, Paminger-2, Phinot-1, Senfl-2, Szamotułczyk [Vuenceslaus Schamotulinus]-1, Utendal-1, Verdelot-1, Willaert-1, anon-11

166 paper folios, 312 x 205. Composite of several originally separate fascicles later bound together. New pencil foliation, 1-166; new ff. 50-164 also have original ink foliation, 1-115. Original numbering of pieces, I-XXVI, in last fascicle (A.R. 852). New ff. 23'-24, 34'-35', 36'-37, 47'-49, and 164'-166' are blank. Original covers of parchment over cardboard, with two leather ties; paper slip pasted to front cover bears inscription: "Cantionale / I / De festo Paschalis / II / Etliche geschriebene Muteten / de eodem / Nr 4." No index.

Monophonic music and some polyphonic pieces copied in chant notation, including some Hufnagel notation; remaining contents in white mensural notation. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Painted red initials on new ff. 49'-50; other initials inked, most in Gothic style, a few in plain block or calligraphic style. Watermark is coat of arms of city of Regensburg (resembles Briquet #1142-4).

1569-75 (dates in manuscript). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4v–6	Domine ad adjuvandum me festina gloria	Anon.	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 4v–6 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
6v–12	Ps. 15: Conserva me Domine quoniam speravi Sanctis qui sunt in terra eius Chant intonation for "Alleluia" at top of f. 6v	Anon.	Anonymous
Ps. 15: Conserva me Domine quoniam speravi Sanctis qui sunt in terra eius Chant intonation for "Alleluia" at top of f. 6v Anonymous Appears on: 6v–12 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 15: (Conserva me domine quoniam speravi) Sanctis qui sunt in terra eius (Chant intonation for "Alleluia" at top of f. 6v)
12v–16	Ps. 3: Domine quid multiplicati sunt Multi insurgunt adversum me Chant intonation for "Alleluia" at top of f. 12v	Anon.	Anonymous
Ps. 3: Domine quid multiplicati sunt Multi insurgunt adversum me Chant intonation for "Alleluia" at top of f. 12v Anonymous Appears on: 12v–16 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 3: (Domine quid multiplicati sunt) Multi insurgunt adversum me (Chant intonation for "Alleluia" at top of f. 12v)
16v–20	Ps. 109: Dixit Dominus Domino meo sede à dextris Virgam virtutis tuae emittet Chant intonation for antiphon "Cito euntes" at top of f. 16v	Anon.	Anonymous
Ps. 109: Dixit Dominus Domino meo sede à dextris Virgam virtutis tuae emittet Chant intonation for antiphon "Cito euntes" at top of f. 16v Anonymous Appears on: 16v–20 Genres: Antiphon, Chant, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 109: (Dixit dominus domino meo sede à dextris) Virgam virtutis tuae emittet (Chant intonation for antiphon "Cito euntes" at top of f. 16v)
20v–22	Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens	Anon.	Anonymous
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens Anonymous Appears on: 20v–22 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Vita sanctorum decus angelorum] 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis dominus refulgens
22v–23	Chant	-	Anonymous
Chant Anonymous Appears on: 22v–23 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant
24v–29	Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 5 Corda tu sursum modo nostra tolle	Leonartus Paminger	Paminger, Leonhard (1495–1567)
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 5 Corda tu sursum modo nostra tolle Paminger, Leonhard (1495–1567) Appears on: 24v–29 Genres: Motet Source Attribution: Leonartus Paminger Voice: [no designation] Languages: Latin Voice Text: [Vita sanctorum decus angelorum] 2 Tu tuo laetos famulos trophaeo 5 Corda tu sursum modo nostra tolle
29v–31	Domine ad adjuvandum me festina gloria	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Domine ad adjuvandum me festina gloria Lassus, Orlande de (ca. 1532–1594) Appears on: 29v–31 Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum [me festina]
31v–34	Alleluia. Laudate Dominum omnes gentes	Leonartus Paminger	Paminger, Leonhard (1495–1567)
Alleluia. Laudate Dominum omnes gentes Paminger, Leonhard (1495–1567) Appears on: 31v–34 Genres: Alleluia, Motet Source Attribution: Leonartus Paminger Voice: [no designation] Languages: Latin Voice Text: Alleluia. Laudate dominum omnes gentes
37v–47	In exitu Israel de Aegypto	Jacobo Meilando	Meiland, Jacob (1542–1577)
In exitu Israel de Aegypto Meiland, Jacob (1542–1577) Appears on: 37v–47 Genres: Psalm Source Attribution: Jacobo Meilando Voice: [no designation] Languages: Latin Voice Text: In exitu Israël de Aegypto domus Jacob
49v–52	Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Johan. Galliculus [= Hähnel]	Galliculus, Johannes
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 49v–52 Genres: Hymn Source Attribution: Johan. Galliculus [= Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
52v–55	Prima die sabbatorum Maria Magdalena	Lupus Hellinck	Hellinck, Lupus (ca. 1494–1541)
Prima die sabbatorum Maria Magdalena Hellinck, Lupus (ca. 1494–1541) Appears on: 52v–55 Genres: Motet Source Attribution: Lupus Hellinck Voice: [no designation] Languages: Latin Voice Text: Prima die sabatorum Maria Magdalena
55v–61	Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram	Jacquet [of Mantua]	Mantua, Jacquet de (1483–1559)
Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram Mantua, Jacquet de (1483–1559) Appears on: 55v–61 Genres: Alleluia, Motet Source Attribution: Jacquet [of Mantua] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Surrexit dominus vere alleluia II: Qui fecit coelum et terram surrexit
61v–67	Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)	Josquin de Press/[Lebrun/Richafort]	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 61v–67 Genres: Motet Source Attribution: Josquin de Press/[Lebrun/Richafort] Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio ubi
67v–71	Congratulamini mihi omnes qui diligitis	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Congratulamini mihi omnes qui diligitis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 67v–71 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes qui diligitis
71v–75	Christus surrexit mala nostra texit (2p. Alleluia. Laudemus te hodie carmine)	Johannes de Bacchi	Bacchius, Johannes de (–ca. 1557)
Christus surrexit mala nostra texit (2p. Alleluia. Laudemus te hodie carmine) Bacchius, Johannes de (–ca. 1557) Appears on: 71v–75 Genres: Motet Source Attribution: Johannes de Bacchi Voice: [no designation] Languages: Latin Voice Text: Christus surrexit mala nostra texit II: Alleluia. Laudemus te hodie carmine
75v–78	Ego sum pastor bonus alleluia et cognosco	Vuenceslaus Schamotulinus [= Szamotuczyk]	Szamotul, Waclaw z
Ego sum pastor bonus alleluia et cognosco Szamotul, Waclaw z Appears on: 75v–78 Genres: Motet Source Attribution: Vuenceslaus Schamotulinus [= Szamotuczyk] Voice: [no designation] Languages: Latin Voice Text: Ego sum pastor bonus alleluia
78v–82	Alleluia. Noli flere Maria	M. Gasconge/[Mouton]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Mouton, Jean (ca. 1459–1522) (?)
Alleluia. Noli flere Maria Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 78v–82 Genres: Alleluia, Motet Source Attribution: M. Gasconge/[Mouton] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Noli flere Maria alleluia
82v–88	Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam	Lasson	Lasson, Mathieu
Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam Lasson, Mathieu Appears on: 82v–88 Genres: Motet Source Attribution: Lasson Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam
88v–93	Gaudeamus omnes in Domino diem festum	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Gaudeamus omnes in Domino diem festum Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 88v–93 Genres: Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino diem festum
93v–97	Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554)
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) Bruck, Arnold von (ca. 1500–1554) Appears on: 93v–97 Genres: Hymn, Motet, Sacred Song Source Attribution: Arnoldus de Bruck Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Des sollen wir alle fro
97v–105	Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Dess sollen wir alle	Anon.	Anonymous
Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Dess sollen wir alle Anonymous Appears on: 97v–105 Genres: Hymn, Motet, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Dess sollen wir alle
105v–108	Ego sum qui sum et consilium meum	Dominicus Finot	Phinot, Dominique
Ego sum qui sum et consilium meum Phinot, Dominique Appears on: 105v–108 Genres: Motet Source Attribution: Dominicus Finot Voice: [no designation] Languages: Latin Voice Text: Ego sum qui sum et consilium meum
108v–112	Surrexit pastor bonus qui animam suam	Orlandus di Lassus	Lassus, Orlande de (ca. 1532–1594)
Surrexit pastor bonus qui animam suam Lassus, Orlande de (ca. 1532–1594) Appears on: 108v–112 Genres: Motet Source Attribution: Orlandus di Lassus Voice: [no designation] Languages: Latin Voice Text: Surrexit pastor bonus qui animam suam
112v–116	Mane nobiscum Domine quoniam advesperascit	Jacobus Meilandus	Meiland, Jacob (1542–1577)
Mane nobiscum Domine quoniam advesperascit Meiland, Jacob (1542–1577) Appears on: 112v–116 Genres: Motet Source Attribution: Jacobus Meilandus Voice: [no designation] Languages: Latin Voice Text: Mane nobiscum domine quoniam advesperascit
116v–120	Christ lag in Todesbanden für unser Sünd	Lupus Hellinck	Hellinck, Lupus (ca. 1494–1541)
Christ lag in Todesbanden für unser Sünd Hellinck, Lupus (ca. 1494–1541) Appears on: 116v–120 Genres: Hymn, Motet, Sacred Song Source Attribution: Lupus Hellinck Voice: [no designation] Languages: German Voice Text: Christ lag in todesbanden fur unser sünd
120v–123	Christ lag in Todesbanden für unser Sünd	Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554)
Christ lag in Todesbanden für unser Sünd Bruck, Arnold von (ca. 1500–1554) Appears on: 120v–123 Genres: Hymn, Motet, Sacred Song Source Attribution: Arnoldus de Bruck Voice: [no designation] Languages: German Voice Text: Christ lag in todesbanden fur unser sünd
123v–127	Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554)
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) Bruck, Arnold von (ca. 1500–1554) Appears on: 123v–127 Genres: Hymn, Motet, Sacred Song Source Attribution: Arnoldus de Bruck Voice: [no designation] Languages: German, Greek Voice Text: Christ der ist erstanden von der marter II: Wer er nit erstanden so wer die welt
127v–130	Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554)
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) Bruck, Arnold von (ca. 1500–1554) Appears on: 127v–130 Genres: Hymn, Motet, Sacred Song Source Attribution: Arnoldus de Bruck Voice: [no designation] Languages: German Voice Text: Christ der ist erstanden alleluia II: Wer er nit erstanden alleluia
130v–135	Angelus Domini descendit de caelo alleluia (2p. Respondens angelus dixit mulieribus)	Johan. de Cleve	Cleve, Johannes de (ca. 1528–1582)
Angelus Domini descendit de caelo alleluia (2p. Respondens angelus dixit mulieribus) Cleve, Johannes de (ca. 1528–1582) Appears on: 130v–135 Genres: Motet Source Attribution: Johan. de Cleve Voice: [no designation] Languages: Latin Voice Text: Angelus domini descendit de coelo alleluia II: Respondens angelus dixit mulieribus
135v–139	Expurgate vetus fermentum alleluia II: Non in fermento maliciae et nequitiae	Johan. de Cleve/[Guyot]	Cleve, Johannes de (ca. 1528–1582)
Expurgate vetus fermentum alleluia II: Non in fermento maliciae et nequitiae Cleve, Johannes de (ca. 1528–1582) Appears on: 135v–139 Genres: Motet Source Attribution: Johan. de Cleve/[Guyot] Voice: [no designation] Languages: Latin Voice Text: Expurgate vetus fermentum alleluia II: Non in fermento maliciae et nequitiae
139v–142	Also heilig ist der Tag, dass ihn niemand	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Also heilig ist der Tag, dass ihn niemand Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 139v–142 Genres: Sacred Song Source Attribution: L. Senfel Voice: [no designation] Languages: German Voice Text: Also heylig ist diser tag das Ihn niemand
142v–145	Christ ist erstanden (6vv) [S39]	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden (6vv) [S39] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 142v–145 Genres: Sacred Song Source Attribution: L. Senfel Voice: [no designation] Languages: German Voice Text: Christ der ist erstanden alleluia
145v–150	Fratres expurgate vetus fermentum ut sitis	Alexander Utental	Utendal, Alexander (ca. 1530–1581)
Fratres expurgate vetus fermentum ut sitis Utendal, Alexander (ca. 1530–1581) Appears on: 145v–150 Genres: Motet Source Attribution: Alexander Utental Voice: [no designation] Languages: Latin Voice Text: Fratres expurgate vetus fermentum ut sitis
150v–158	Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via	Adrianus Vuillaert	Willaert, Adrian (ca. 1490–1562)
Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via Willaert, Adrian (ca. 1490–1562) Appears on: 150v–158 Genres: Motet Source Attribution: Adrianus Vuillaert Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via?
158v–164	Maria Magdalene et altera Maria ibant (2p. Cito euntes dicite discipulis eius)	Jacobus de Kerle	Kerle, Jacobus de
Maria Magdalene et altera Maria ibant (2p. Cito euntes dicite discipulis eius) Kerle, Jacobus de Appears on: 158v–164 Genres: Motet Source Attribution: Jacobus de Kerle Voice: [no designation] Languages: Latin Voice Text: Maria Magdalene et altera Maria ibant II: Cito euntes dicite discipulis eius

Composer	Compositions
Anonymous	Chant – 22v–23 Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Dess sollen wir alle – 97v–105 Domine ad adjuvandum me festina gloria – 4v–6 Ps. 109: Dixit Dominus Domino meo sede à dextris Virgam virtutis tuae emittet Chant intonation for antiphon "Cito euntes" at top of f. 16v – 16v–20 Ps. 15: Conserva me Domine quoniam speravi Sanctis qui sunt in terra eius Chant intonation for "Alleluia" at top of f. 6v – 6v–12 Ps. 3: Domine quid multiplicati sunt Multi insurgunt adversum me Chant intonation for "Alleluia" at top of f. 12v – 12v–16 Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens – 20v–22
Bacchius, Johannes de (–ca. 1557)	Christus surrexit mala nostra texit (2p. Alleluia. Laudemus te hodie carmine) – 71v–75
Bruck, Arnold von (ca. 1500–1554)	Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) – 93v–97 Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) – 123v–127 Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro) – 127v–130 Christ lag in Todesbanden für unser Sünd – 120v–123
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Congratulamini mihi omnes qui diligitis – 67v–71
Cleve, Johannes de (ca. 1528–1582)	Angelus Domini descendit de caelo alleluia (2p. Respondens angelus dixit mulieribus) – 130v–135 Expurgate vetus fermentum alleluia II: Non in fermento maliciae et nequitiae – 135v–139
Despres, Josquin (ca. 1450–1521)	(?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 61v–67
Galliculus, Johannes	Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me – 49v–52
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Alleluia. Noli flere Maria – 78v–82
Hellinck, Lupus (ca. 1494–1541)	Christ lag in Todesbanden für unser Sünd – 116v–120 Prima die sabbatorum Maria Magdalena – 52v–55
Kerle, Jacobus de	Maria Magdalene et altera Maria ibant (2p. Cito euntes dicite discipulis eius) – 158v–164
Lasson, Mathieu	Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam – 82v–88
Lassus, Orlande de (ca. 1532–1594)	Domine ad adjuvandum me festina gloria – 29v–31 Surrexit pastor bonus qui animam suam – 108v–112
Mantua, Jacquet de (1483–1559)	Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram – 55v–61
Meiland, Jacob (1542–1577)	In exitu Israel de Aegypto – 37v–47 Mane nobiscum Domine quoniam advesperascit – 112v–116
Mouton, Jean (ca. 1459–1522)	(?) Alleluia. Noli flere Maria – 78v–82
Paminger, Leonhard (1495–1567)	Alleluia. Laudate Dominum omnes gentes – 31v–34 Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 5 Corda tu sursum modo nostra tolle – 24v–29
Phinot, Dominique	Ego sum qui sum et consilium meum – 105v–108
Richafort, Jean (ca. 1480–ca. 1550)	(?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 61v–67
Senfl, Ludwig (ca. 1486–ca. 1543)	Also heilig ist der Tag, dass ihn niemand – 139v–142 Christ ist erstanden (6vv) [S39] – 142v–145
Szamotul, Waclaw z	Ego sum pastor bonus alleluia et cognosco – 75v–78
Utendal, Alexander (ca. 1530–1581)	Fratres expurgate vetus fermentum ut sitis – 145v–150
Verdelot, Philippe (ca. 1480–ca. 1532)	Gaudeamus omnes in Domino diem festum – 88v–93
Willaert, Adrian (ca. 1490–1562)	Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via – 150v–158
le Brun, Jean (fl. early 16th century)	(?) Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi) – 61v–67

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Laudate Dominum omnes gentes	Paminger, Leonhard (1495–1567)	31v–34
Alleluia. Noli flere Maria	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Mouton, Jean (ca. 1459–1522) (?)	78v–82
Alleluia. Surrexit Dominus vere Alleluia II: Qui fecit caelum et terram	Mantua, Jacquet de (1483–1559)	55v–61
Also heilig ist der Tag, dass ihn niemand	Senfl, Ludwig (ca. 1486–ca. 1543)	139v–142
Angelus Domini descendit de caelo alleluia (2p. Respondens angelus dixit mulieribus)	Cleve, Johannes de (ca. 1528–1582)	130v–135
Chant	Anonymous	22v–23
Christ ist erstanden (6vv) [S39]	Senfl, Ludwig (ca. 1486–ca. 1543)	142v–145
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Bruck, Arnold von (ca. 1500–1554)	93v–97
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Bruck, Arnold von (ca. 1500–1554)	123v–127
Christ ist erstanden von der marter allen (2p. Wer er nit erstanden so wär die welt; 3p. Alleluia. Des sollen wir alle fro)	Bruck, Arnold von (ca. 1500–1554)	127v–130
Christ ist erstanden von der marter allen II: Wer er nit erstanden so wär die welt III: Alleluia. Dess sollen wir alle	Anonymous	97v–105
Christ lag in Todesbanden für unser Sünd	Hellinck, Lupus (ca. 1494–1541)	116v–120
Christ lag in Todesbanden für unser Sünd	Bruck, Arnold von (ca. 1500–1554)	120v–123
Christus surrexit mala nostra texit (2p. Alleluia. Laudemus te hodie carmine)	Bacchius, Johannes de (–ca. 1557)	71v–75
Congratulamini mihi 26.3 (2p. Tulerunt Dominum meum et nescio ubi)	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	61v–67
Congratulamini mihi omnes qui diligitis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	67v–71
Congratulamini mihi omnes qui diligitis II: Recedentibus discipulis non recedebam	Lasson, Mathieu	82v–88
Domine ad adjuvandum me festina gloria	Anonymous	4v–6
Domine ad adjuvandum me festina gloria	Lassus, Orlande de (ca. 1532–1594)	29v–31
Ego sum pastor bonus alleluia et cognosco	Szamotul, Waclaw z	75v–78
Ego sum qui sum et consilium meum	Phinot, Dominique	105v–108
Expurgate vetus fermentum alleluia II: Non in fermento maliciae et nequitiae	Cleve, Johannes de (ca. 1528–1582)	135v–139
Fratres expurgate vetus fermentum ut sitis	Utendal, Alexander (ca. 1530–1581)	145v–150
Gaudeamus omnes in Domino diem festum	Verdelot, Philippe (ca. 1480–ca. 1532)	88v–93
In exitu Israel de Aegypto	Meiland, Jacob (1542–1577)	37v–47
Mane nobiscum Domine quoniam advesperascit	Meiland, Jacob (1542–1577)	112v–116
Maria Magdalene et altera Maria ibant (2p. Cito euntes dicite discipulis eius)	Kerle, Jacobus de	158v–164
Prima die sabbatorum Maria Magdalena	Hellinck, Lupus (ca. 1494–1541)	52v–55
Ps. 109: Dixit Dominus Domino meo sede à dextris Virgam virtutis tuae emittet Chant intonation for antiphon "Cito euntes" at top of f. 16v	Anonymous	16v–20
Ps. 15: Conserva me Domine quoniam speravi Sanctis qui sunt in terra eius Chant intonation for "Alleluia" at top of f. 6v	Anonymous	6v–12
Ps. 3: Domine quid multiplicati sunt Multi insurgunt adversum me Chant intonation for "Alleluia" at top of f. 12v	Anonymous	12v–16
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	49v–52
Surrexit pastor bonus qui animam suam	Lassus, Orlande de (ca. 1532–1594)	108v–112
Victimae paschali laudes immolent Christiani II: Dic nobis Maria quid vidisti in via	Willaert, Adrian (ca. 1490–1562)	150v–158
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens	Anonymous	20v–22
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 5 Corda tu sursum modo nostra tolle	Paminger, Leonhard (1495–1567)	24v–29

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 327-8, 599-601, 659, 774. Notes: contents list (partial); concordances (partial); incipits (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110, 117. Notes: physical description (partial); contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description