F-Pn Rés. Vm7 676

Bibliothèque nationale de France, Département de la Musique, Paris, France

manuscript of polyphony: 1502

Archive	Bibliothèque nationale de France, Département de la Musique, Paris, France (F-Pn)
Shelfmark	Rés. Vm7 676
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	240 x 170 mm
Other Identifiers	CCM: ParisBNC 676
Notations	black void mensural
Copyists	Millias / Milliare, Lodovicus Music
Relationships	Rau, of Paris, Arthur (owner) ? Isabella d'Este (1474–1539) (patron) ? d'Este, Ercole I (1471–1505) (patron)
External Links	images IIIF Manifest
Provenance	Mantua or Ferrara? Italy
Contents	Contains 119 compositions, 38 from 21 composers, 81 are anonymous.

General Description

Copied by Lodovicus Millias or Milliare, whose name appears on several folios. Some pieces have text incipits only. Originally 125 folios; 1-8 missing, and f. 99 omitted. Copied in Mantua, for court of Isabella d'Esté, or in Ferrara, for court of Èrcole I d'Este, Duke of Ferrara (BridgmM). Purchased by Bibliothèque Nationale from Paris bookselling firm of Arthur Rau, in 1935; previous ownership not traced.

DIAMM, 2017

Binding

Original covers of stamped leather, with five metal clasps; binding restored in modern times.

DIAMM, 2017

Watermark

resembles Briquet #886 and #11712.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original and modern foliation, 9-125 ('99' omitted; f. 123 and f. 124 reversed in binding).

DIAMM, 2017

Decoration

Initials decorated in blue and red ink; voice designations also in blue and red.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Magnificats, 1 canticle, 2 hymns, 7 motets or laude, 1 litany, 1 Benedicamus domino, 87 Italian secular pieces (a few are laude), 1 Latin secular piece, 2 Latin/Italian secular pieces, 6 French secular pieces, 1 Spanish secular piece, 2 textless pieces = 114

A. Agricola/(Ghiselin)-1, (G. Brocco)-1, (Busnois-anon)-1, Cara-4, (Caron)-2, Compère? [L.C.]-1, (Congiet/Japart)-1, G. Fogliano [Ia. Fo.]-1, (G. Fogliano/Tromboncino)-1, Gerardo [G.L.; fratris Gerardi]-2, Giliardi [Arnulfus]-2, (Hayne van Ghizeghem)-1, Isaac-5, Isaac/(Busnois)-1, (Josquin)-1, (Lurano)-1, (Lurano/ Tromboncino)-1, Plice-1, Tromboncino-5, (Touront)-1, (Ycart)-1, anon-79

116 paper folios of an original 125, 240 x 170. Original and modern foliation, 9-125 ("99" omitted; f. 123 and f. 124 reversed in binding). Original covers of stamped leather, with five metal clasps; binding restored in modern times. No index. Copied by Lodovicus Millias or Milliare, whose name appears on several folios. Initials decorated in blue and red ink; voice designations also in blue and red. Watermarks resemble Briquet #886 and #11712. Some pieces have text incipits only.

1502 (date in manuscript). Copied in Mantua, for court of Isabella d'Esté, or in Ferrara, for court of Èrcole I d'Este, Duke of Ferrara (BridgmM). Purchased by Bibliothèque Nationale from Paris bookselling firm of Arthur Rau, in 1935; previous ownership not traced.

Vol 4

Provenance: Copied in Mantua (William F. Prizer).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
9	Io son l'ucello che sopra i rami d'oro	-	Cara, Marchetto (ca. 1465–1525)
Io son l'ucello che sopra i rami d'oro Cara, Marchetto (ca. 1465–1525) Appears on: 9 Genres: Italian secular Number of voices: 2 of 4 General Note incomplete, Altus & Bassus only
9v–10	Benedictus Dominus Deus Israel	-	Anonymous
Benedictus Dominus Deus Israel Anonymous Appears on: 9v–10 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus deus Israel
10v–11	Rendo l'arme al fier amor	-	Anonymous
Rendo l'arme al fier amor Anonymous Appears on: 10v–11 Genres: Italian secular Number of voices: 3
11v–12	Oyme il cuor oyme la testa	-	Cara, Marchetto (ca. 1465–1525)
Oyme il cuor oyme la testa Cara, Marchetto (ca. 1465–1525) Appears on: 11v–12 Genres: Italian secular Number of voices: 4
12v–13	Helas que pourra devenir	-	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 12v–13 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ave sidus clarissimum/Der Seidenschwanz
13v–14	Ahime il core mi dole	-	Anonymous
Ahime il core mi dole Anonymous Appears on: 13v–14 Genres: Frottola Number of voices: 4
14v–15	Sergonta bergonse	-	Anonymous
Sergonta bergonse Anonymous Appears on: 14v–15 Genres: Frottola Number of voices: 4
15v–16	Colomba senza felle	-	Anonymous
Colomba senza felle Anonymous Appears on: 15v–16 Genres: Frottola Number of voices: 3
16v–17	Rezina [Regina] del cor mio	-	Anonymous
Rezina [Regina] del cor mio Anonymous Appears on: 16v–17 Genres: Frottola Number of voices: 4
17v–18	In te, Domine, speravi per trovar pietà in eterno 28.18	-	Despres, Josquin (ca. 1450–1521) (?)
In te, Domine, speravi per trovar pietà in eterno 28.18 Despres, Josquin (ca. 1450–1521) (?) Appears on: 17v–18 Genres: Frottola Voice: [no designation] Languages: Latin Voice Text: In te domine speravi
18v–19	Patientia ognon mi dice (2p. Io sto male e vivo in stento)	-	Anonymous
Patientia ognon mi dice (2p. Io sto male e vivo in stento) Anonymous Appears on: 18v–19 Genres: Lauda
19v–20	Tente allora Ruzenenta	-	Anonymous
Tente allora Ruzenenta Anonymous Appears on: 19v–20 Genres: Frottola Number of voices: 4 Concordances (not the same as the piece on f.109v-110?)
20v–21	Occultamente me sentia puncto	-	Anonymous
Occultamente me sentia puncto Anonymous Appears on: 20v–21 Genres: Frottola Number of voices: 3
21v–22	Diletto albergo o tu beato nido	-	Cara, Marchetto (ca. 1465–1525)
Diletto albergo o tu beato nido Cara, Marchetto (ca. 1465–1525) Appears on: 21v–22 Genres: Frottola Number of voices: 4
22v–23	O falso mondo che l'homo fai si doglioso	-	Anonymous
O falso mondo che l'homo fai si doglioso Anonymous Appears on: 22v–23 Genres: Frottola Number of voices: 4
23v–24	Mille prove aggio fatto per levarme	-	Anonymous
Mille prove aggio fatto per levarme Anonymous Appears on: 23v–24 Genres: Italian secular Number of voices: 3
24v–25	Fortuna desperata - 1a pars (of 2): Fortuna desperata	-	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata - 1a pars (of 2): Fortuna desperata Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 24v–25 Genres: Italian secular
24v–25	Fortuna desperata - 2a pars (of 2):	-	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata - 2a pars (of 2): Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 24v–25 Genres: Italian secular
25v–26	Rendime il tempo mio	-	Anonymous
Rendime il tempo mio Anonymous Appears on: 25v–26 Genres: Frottola Number of voices: 3
26v–27	Alta regina a te piangendo vegno	-	Anonymous
Alta regina a te piangendo vegno Anonymous Appears on: 26v–27 Genres: Motet Number of voices: 4
27v–28	Non expecto giammai cum tal disio	-	Anonymous
Non expecto giammai cum tal disio Anonymous Appears on: 27v–28 Genres: Frottola Number of voices: 3
28v–29	Chi laria mai creduto	-	Cara, Marchetto (ca. 1465–1525)
Chi laria mai creduto Cara, Marchetto (ca. 1465–1525) Appears on: 28v–29 Genres: Italian secular Number of voices: 4
29v–30	El converrà chio mora	-	Tromboncino, Bartolomeo (1470–ca. 1534)
El converrà chio mora Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 29v–30 Genres: Italian secular Number of voices: 4
30v–31	Si dedero somnum oculis meis	Agricola	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 30v–31 Genres: Motet Source Attribution: Agricola Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis
31v–32	Contento in foco sto corno fenice	-	Anonymous
Contento in foco sto corno fenice Anonymous Appears on: 31v–32 Genres: Italian secular Number of voices: 3
32v–33	O gloriosa regina mundi succurre nobis	-	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 32v–33 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis
33v–34	Ben seria tempo ormai che fin ponesti	-	Anonymous
Ben seria tempo ormai che fin ponesti Anonymous Appears on: 33v–34 Genres: Frottola Number of voices: 4
34v–35	Risguarda il viso mio pallido e aflicto	-	Anonymous
Risguarda il viso mio pallido e aflicto Anonymous Appears on: 34v–35 Genres: Frottola Number of voices: 4
35v–36	El piove mo lasa piovere	-	Anonymous
El piove mo lasa piovere Anonymous Appears on: 35v–36 Genres: Frottola Number of voices: 3
36v–37	Servit(e)ur	-	Anonymous
Servit(e)ur Anonymous Appears on: 36v–37 Genres: Chanson Number of voices: 3
37v–38	A la fe, si si, a la fe bona	-	Anonymous
A la fe, si si, a la fe bona Anonymous Appears on: 37v–38 Genres: Frottola Number of voices: 4
38v–39	Dal cello [cielo] non hebe mai	-	Anonymous
Dal cello [cielo] non hebe mai Anonymous Appears on: 38v–39 Genres: Frottola Number of voices: 4
39v–40	Andate accesi mei suspiri [sospiri]	-	Anonymous
Andate accesi mei suspiri [sospiri] Anonymous Appears on: 39v–40 Genres: Frottola Number of voices: 4
40v–41	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	-	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 40v–41 Genres: Italian secular Number of voices: 3 General Note Title: Mora dona gentile
41v–42	O vergine del cielo imperatrice	-	Anonymous
O vergine del cielo imperatrice Anonymous Appears on: 41v–42 Genres: Lauda Number of voices: 4
42v–43	De tous biens plaine est ma maîtresse	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 42v–43 Genres: Chanson
43v–45	Magnificat octavi toni: Et exultavit [K.604]	-	Arnulfus (fl. c1500)
Magnificat octavi toni: Et exultavit [K.604] Arnulfus (fl. c1500) Appears on: 43v–45 Genres: BVM, Canticle, Magnificat Number of voices: 4 Concordances "this version varies greatly compared to the copy in Milan 2269, especially in the Altus & Bassus" (Kirsch)
45v–46	Ne la digna stella	-	Anonymous
Ne la digna stella Anonymous Appears on: 45v–46 Genres: Lauda Number of voices: 2
46v–47	Alleluia. Crucifixum in carne laudemus	-	Anonymous
Alleluia. Crucifixum in carne laudemus Anonymous Appears on: 46v–47 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Crucifixum in carne laudemus
47v–48	Accueilly m'a la belle	-	Caron, Firminus (ca. 1460–ca. 1475)
Accueilly m'a la belle Caron, Firminus (ca. 1460–ca. 1475) Appears on: 47v–48 Genres: Chanson Number of voices: 3 General Note Title Italianised to: A cui ma le bella
48v–49	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 48v–49 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
49v–50	Je cuide se ce temps me dure	-	Japart, Jean (?) Congiet, Petrus (?)
Je cuide se ce temps me dure Japart, Jean (?) Congiet, Petrus (?) Appears on: 49v–50 Genres: Chanson
50v–51	Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	-	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–51 Genres: Motet Number of voices: 4
51v–52	Or su correr [Hor succorer] voglio a morte	-	Anonymous
Or su correr [Hor succorer] voglio a morte Anonymous Appears on: 51v–52 Genres: Italian secular Number of voices: 4
52v–53	Morte che fai	-	Anonymous
Morte che fai Anonymous Appears on: 52v–53 Genres: Italian secular Number of voices: 4 General Note title: Morte che voy
53v–54	Io mi voglio lamentare	-	Brocco, Giovanni
Io mi voglio lamentare Brocco, Giovanni Appears on: 53v–54 Genres: Italian secular Number of voices: 3
54v–55	Audite vui fenestre	-	Cara, Marchetto (ca. 1465–1525)
Audite vui fenestre Cara, Marchetto (ca. 1465–1525) Appears on: 54v–55 Genres: Frottola Number of voices: 4
55v–56	Requiescant in pace et in pace posidica	-	Anonymous
Requiescant in pace et in pace posidica Anonymous Appears on: 55v–56 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Requiescant in pace et in pace posidica
56v–57	O vui che seguitate il van Cupido	-	Anonymous
O vui che seguitate il van Cupido Anonymous Appears on: 56v–57 Genres: Frottola Number of voices: 4
57v–58	Deh fusse pur qui meco	-	Anonymous
Deh fusse pur qui meco Anonymous Appears on: 57v–58 Genres: Frottola Number of voices: 4
58v–59	Ave virgo mater Christi que Gabrielis	-	Anonymous
Ave virgo mater Christi que Gabrielis Anonymous Appears on: 58v–59 Genres: Lauda Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Ave virgo mater Christi que Gabrielis
59v–60	La mi la sol la mi gia vol	-	Anonymous
La mi la sol la mi gia vol Anonymous Appears on: 59v–60 Genres: Frottola Number of voices: 4
60v–61	Fin che vivo et poi la morte	-	Anonymous
Fin che vivo et poi la morte Anonymous Appears on: 60v–61 Genres: Italian secular
61v–62	Io son maistro barileto	-	Anonymous
Io son maistro barileto Anonymous Appears on: 61v–62 Genres: Italian secular
62v–63	Non se muta il mio volere	-	Anonymous
Non se muta il mio volere Anonymous Appears on: 62v–63 Genres: Frottola Number of voices: 3
63v–64	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	-	Anonymous
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza Anonymous Appears on: 63v–64 Genres: Canzon
64v–65	A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	-	Anonymous
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom Anonymous Appears on: 64v–65 Genres: Canzon
65v–66	L'ocello mi chiamo che perde zornata	-	Anonymous
L'ocello mi chiamo che perde zornata Anonymous Appears on: 65v–66 Genres: Italian secular Number of voices: 3
66v–67	Magnificat: Et exultavit spiritus meus [K.1158]	-	Ycart, Bernhard
Magnificat: Et exultavit spiritus meus [K.1158] Ycart, Bernhard Appears on: 66v–67 Genres: BVM, Canticle, Magnificat Number of voices: 4
67v–68	Se non dormi dona ascolta	-	Compère, Loyset (ca. 1445–1518) (?)
Se non dormi dona ascolta Compère, Loyset (ca. 1445–1518) (?) Appears on: 67v–68 Genres: Frottola Number of voices: 4
68v–69	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 68v–69 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria
69v–70	Or che son di pregion fora	-	Tromboncino, Bartolomeo (1470–ca. 1534)
Or che son di pregion fora Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 69v–70 Genres: Frottola Number of voices: 4
70v–71	Cognosco ben che la mia vita mancha	-	Anonymous
Cognosco ben che la mia vita mancha Anonymous Appears on: 70v–71 Genres: Frottola Number of voices: 4
71v–72	La virtù si vuol seguire	-	Anonymous
La virtù si vuol seguire Anonymous Appears on: 71v–72 Genres: Italian secular Number of voices: 4
72v–73	[faubordon] [K.603]	-	Giliardi, Arnolfo
[faubordon] [K.603] Giliardi, Arnolfo Appears on: 72v–73 Genres: Fauxbourdon/faburden Number of voices: 3 General Note fauxbourdon over a Magnificat?
73v–74	Rusticus ut asinum suum vidit mortuum	-	Anonymous
Rusticus ut asinum suum vidit mortuum Anonymous Appears on: 73v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Rusticus ut asinum suum vidit mortuum
74v–75	Iti sospiri la dove amore vi mena	-	Anonymous
Iti sospiri la dove amore vi mena Anonymous Appears on: 74v–75 Genres: Frottola Number of voices: 4
75v–76	Chi desidra esser felice	-	Anonymous
Chi desidra esser felice Anonymous Appears on: 75v–76 Genres: Frottola Number of voices: 4
76v–77	O triumphale diamanto	G.L.	G.L. (Gerardo?)
O triumphale diamanto G.L. (Gerardo?) Appears on: 76v–77 Genres: Frottola Source Attribution: G.L. Number of voices: 4
77v–78	Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:)	-	Isaac, Heinrich (ca. 1450–1517)
Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:) Isaac, Heinrich (ca. 1450–1517) Appears on: 77v–78 Genres: Contrafactum, Motet Number of voices: 3 General Note Title: Absque verbis
78v–79	Malagrota	Izaac	Isaac, Heinrich (ca. 1450–1517)
Malagrota Isaac, Heinrich (ca. 1450–1517) Appears on: 78v–79 Genres: Frottola Source Attribution: Izaac Number of voices: 3
79v–80	Apresso il sancto uccellone	-	Anonymous
Apresso il sancto uccellone Anonymous Appears on: 79v–80 Genres: Frottola Number of voices: 4
80v–81	Non è al mondo il maggior stento	-	Anonymous
Non è al mondo il maggior stento Anonymous Appears on: 80v–81 Genres: Frottola Number of voices: 4
81v–82	Turcho Turcho et Isabela	-	Anonymous
Turcho Turcho et Isabela Anonymous Appears on: 81v–82 Genres: Frottola Number of voices: 4
82v–83	Io sento amor cum voce aspre et mortale	-	Anonymous
Io sento amor cum voce aspre et mortale Anonymous Appears on: 82v–83 Genres: Frottola Number of voices: 4
83v–84	Soffrire io son disposto ogne tormento	-	Anonymous
Soffrire io son disposto ogne tormento Anonymous Appears on: 83v–84 Genres: Frottola Number of voices: 3
84v–85	Io mi conduco a morte	-	Anonymous
Io mi conduco a morte Anonymous Appears on: 84v–85 Genres: Frottola Number of voices: 3
85v–86	Morte che fai che non pigli	-	Isaac, Heinrich (ca. 1450–1517)
Morte che fai che non pigli Isaac, Heinrich (ca. 1450–1517) Appears on: 85v–86 Genres: Italian secular Number of voices: 4
86v–87	O di infelice	-	Anonymous
O di infelice Anonymous Appears on: 86v–87 Genres: Frottola Number of voices: 3
87v–88	Anguilles anguillions rendes moi mon sacheron	-	Anonymous
Anguilles anguillions rendes moi mon sacheron Anonymous Appears on: 87v–88 Genres: Chanson Number of voices: 4
88v–89	Ben chio serva un cor ingrato	-	Anonymous
Ben chio serva un cor ingrato Anonymous Appears on: 88v–89 Genres: Italian secular Number of voices: 4
89v–90	Crudele	-	Anonymous
Crudele Anonymous Appears on: 89v–90 Genres: Frottola Number of voices: 3
90v–91	Dolze [dolce] isguardo	-	Anonymous
Dolze [dolce] isguardo Anonymous Appears on: 90v–91 Genres: Frottola Number of voices: 4
91v–92	El cigno canta al core	-	Anonymous
El cigno canta al core Anonymous Appears on: 91v–92 Genres: Frottola Number of voices: 3
92v–93	Fatte bene asto meschino	-	Anonymous
Fatte bene asto meschino Anonymous Appears on: 92v–93
93v–94	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 93v–94 Genres: Ave maris stella, BVM, Motet Concordances 'Sumens illud ave' (verse 2) only - concordances (Grey Codex in cape Town, and Montecassino 871) have both verses
94v–95	Hai sventurato me misero et lasso	-	Anonymous
Hai sventurato me misero et lasso Anonymous Appears on: 94v–95 Genres: Frottola Number of voices: 4
95v–96	Io te son servo pur como son stato	-	Anonymous
Io te son servo pur como son stato Anonymous Appears on: 95v–96 Genres: Frottola Number of voices: 4
96v–97	[Litany]	-	Anonymous
[Litany] Anonymous Appears on: 96v–97 Genres: Litany Number of voices: 4
97v–98	L'altra nocte m'insomniava	fratris Gerardi	Gerardus, (frater)
L'altra nocte m'insomniava Gerardus, (frater) Appears on: 97v–98 Genres: Frottola Source Attribution: fratris Gerardi Number of voices: 4
98v–100	Merce merce per dio d'un core contrito	-	Anonymous
Merce merce per dio d'un core contrito Anonymous Appears on: 98v–100 Genres: Frottola Number of voices: 4
100v–101	Non mi far morire a torto	-	Anonymous
Non mi far morire a torto Anonymous Appears on: 100v–101 Genres: Frottola Number of voices: 4
101v–102	O sventurato pelegrino	-	Anonymous
O sventurato pelegrino Anonymous Appears on: 101v–102 Genres: Frottola Number of voices: 4
102v–103	Pocha pace e molta guerra	-	Tromboncino, Bartolomeo (1470–ca. 1534)
Pocha pace e molta guerra Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 102v–103 Genres: Frottola Number of voices: 4
103v–104	Qual semplice ucellino	-	Anonymous
Qual semplice ucellino Anonymous Appears on: 103v–104 Genres: Frottola Number of voices: 4
104v–105	Rimango solo per piangere come morto	-	Anonymous
Rimango solo per piangere come morto Anonymous Appears on: 104v–105 Genres: Frottola Number of voices: 3
105v–106	Sconsolata Philomena	-	Anonymous
Sconsolata Philomena Anonymous Appears on: 105v–106 Genres: Frottola Number of voices: 4
106v–107	Tropo è grave - 1a pars (of 2): Tropo è grave il mio dolore	-	Anonymous
Tropo è grave - 1a pars (of 2): Tropo è grave il mio dolore Anonymous Appears on: 106v–107 Genres: Italian secular Number of voices: 4
107v–108	Vivero patiente e forte	-	Lurano, Filippo de (ca. 1470–ca. 1520)
Vivero patiente e forte Lurano, Filippo de (ca. 1470–ca. 1520) Appears on: 107v–108 Genres: Italian secular Number of voices: 4
108v–109	Forte cosa è la speranza	-	Anonymous
Forte cosa è la speranza Anonymous Appears on: 108v–109 Genres: Frottola Number of voices: 5
109v–110	Tente allora	-	Anonymous
Tente allora Anonymous Appears on: 109v–110 Genres: Frottola Number of voices: 4 Concordances (not the same as the piece on f.19v-20?)
110v–111	L'amor dona chio ti porto	-	Fogliano, Giacomo (1468–1548)
L'amor dona chio ti porto Fogliano, Giacomo (1468–1548) Appears on: 110v–111 Genres: Italian secular Number of voices: 4
111v–112	Scopri lingua il ciecho ardor	-	Tromboncino, Bartolomeo (1470–ca. 1534)
Scopri lingua il ciecho ardor Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 111v–112 Genres: Frottola Number of voices: 4
112v–113	Facia ognun in fin che po - 1a pars (of 2): Facia ognun in fin che po	-	Anonymous
Facia ognun in fin che po - 1a pars (of 2): Facia ognun in fin che po Anonymous Appears on: 112v–113 Genres: Frottola Number of voices: 4
113v–114	Facia ognun in fin che po - 2a pars (of 2): Le disgracie sono apresso	-	Anonymous
Facia ognun in fin che po - 2a pars (of 2): Le disgracie sono apresso Anonymous Appears on: 113v–114 Genres: Frottola Number of voices: 4
114v–115	Se m'a grava el tuo partire	-	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Lurano, Filippo de (ca. 1470–ca. 1520) (?)
Se m'a grava el tuo partire Tromboncino, Bartolomeo (1470–ca. 1534) (?) Lurano, Filippo de (ca. 1470–ca. 1520) (?) Appears on: 114v–115 Genres: Italian secular Number of voices: 4 General Note text here: Sel me gravo il to partire
115v–116	Aime ch'io moro per te donna crudele	-	Cara, Marchetto (ca. 1465–1525)
Aime ch'io moro per te donna crudele Cara, Marchetto (ca. 1465–1525) Appears on: 115v–116 Genres: Italian secular Number of voices: 4
116v–117	La nocte e curta a chi la goda in festa	-	Anonymous
La nocte e curta a chi la goda in festa Anonymous Appears on: 116v–117 Genres: Frottola Number of voices: 4
117v–118	Sa lo pur che mi fai torto	-	Anonymous
Sa lo pur che mi fai torto Anonymous Appears on: 117v–118 Genres: Frottola Number of voices: 4
118v–119	Volsi andare a passo a passo	-	Anonymous
Volsi andare a passo a passo Anonymous Appears on: 118v–119 Genres: Frottola Number of voices: 4
119v–120	Arda il celo e il mondo tuto	-	Anonymous
Arda il celo e il mondo tuto Anonymous Appears on: 119v–120 Genres: Frottola Number of voices: 4
120v–121	A la pesca ogn'homo - 1a pars (of 3): A la pesca ogn'homo	-	Plice, Johannes
A la pesca ogn'homo - 1a pars (of 3): A la pesca ogn'homo Plice, Johannes Appears on: 120v–121 Genres: Frottola Number of voices: 4
121v–122	A la pesca ogn'homo - 2a pars (of 3): Dove andaremo alhora bona	-	Plice, Johannes
A la pesca ogn'homo - 2a pars (of 3): Dove andaremo alhora bona Plice, Johannes Appears on: 121v–122 Genres: Frottola Number of voices: 4
122v–123	A la pesca ogn'homo - 3a pars (of 3): Viva lo pesce è pigliato	-	Plice, Johannes
A la pesca ogn'homo - 3a pars (of 3): Viva lo pesce è pigliato Plice, Johannes Appears on: 122v–123 Genres: Frottola Number of voices: 4
123v	Oymè che adesso io provo	-	Anonymous
Oymè che adesso io provo Anonymous Appears on: 123v Genres: Italian secular Number of voices: 4 General Note title here: Aime ch'adesso io provo
124	La non vol piu esser mia	-	Anonymous
La non vol piu esser mia Anonymous Appears on: 124 Genres: Frottola Number of voices: 4
124v–125	Ave Maria gratia plena Dominus tecum	Trombecim [= Tromboncino]	Tromboncino, Bartolomeo (1470–ca. 1534)
Ave Maria gratia plena Dominus tecum Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 124v–125 Genres: Ave Maria, Lauda Source Attribution: Trombecim [= Tromboncino] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
125v	[untexted duo]	-	Anonymous
[untexted duo] Anonymous Appears on: 125v Genres: textless Number of voices: 2
125v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 125v Genres: Motet Number of voices: 3

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	Si dedero somnum oculis meis – 30v–31
Anonymous	A la chaza - 1a pars (of 2): A la chaza su ognun se spazza – 63v–64 A la chaza - 2a pars (of 2): Te qui balzam, te qui liom – 64v–65 A la fe, si si, a la fe bona – 37v–38 Ahime il core mi dole – 13v–14 Alleluia. Crucifixum in carne laudemus – 46v–47 Alta regina a te piangendo vegno – 26v–27 Andate accesi mei suspiri [sospiri] – 39v–40 Anguilles anguillions rendes moi mon sacheron – 87v–88 Apresso il sancto uccellone – 79v–80 Arda il celo e il mondo tuto – 119v–120 Ave maris stella – 93v–94 Ave maris stella – 125v Ave virgo mater Christi que Gabrielis – 58v–59 Ben chio serva un cor ingrato – 88v–89 Ben seria tempo ormai che fin ponesti – 33v–34 Benedicamus Domino – 48v–49 Benedictus Dominus Deus Israel – 9v–10 Chi desidra esser felice – 75v–76 Cognosco ben che la mia vita mancha – 70v–71 Colomba senza felle – 15v–16 Contento in foco sto corno fenice – 31v–32 Crudele – 89v–90 Dal cello [cielo] non hebe mai – 38v–39 Deh fusse pur qui meco – 57v–58 Dolze [dolce] isguardo – 90v–91 El cigno canta al core – 91v–92 El piove mo lasa piovere – 35v–36 Facia ognun in fin che po - 1a pars (of 2): Facia ognun in fin che po – 112v–113 Facia ognun in fin che po - 2a pars (of 2): Le disgracie sono apresso – 113v–114 Fatte bene asto meschino – 92v–93 Fin che vivo et poi la morte – 60v–61 Forte cosa è la speranza – 108v–109 Hai sventurato me misero et lasso – 94v–95 Io mi conduco a morte – 84v–85 Io sento amor cum voce aspre et mortale – 82v–83 Io son maistro barileto – 61v–62 Io te son servo pur como son stato – 95v–96 Iti sospiri la dove amore vi mena – 74v–75 L'ocello mi chiamo che perde zornata – 65v–66 La mi la sol la mi gia vol – 59v–60 La nocte e curta a chi la goda in festa – 116v–117 La non vol piu esser mia – 124 La virtù si vuol seguire – 71v–72 Merce merce per dio d'un core contrito – 98v–100 Mille prove aggio fatto per levarme – 23v–24 Morte che fai – 52v–53 Ne la digna stella – 45v–46 Non expecto giammai cum tal disio – 27v–28 Non mi far morire a torto – 100v–101 Non se muta il mio volere – 62v–63 Non è al mondo il maggior stento – 80v–81 O di infelice – 86v–87 O falso mondo che l'homo fai si doglioso – 22v–23 O sventurato pelegrino – 101v–102 O vergine del cielo imperatrice – 41v–42 O vui che seguitate il van Cupido – 56v–57 Occultamente me sentia puncto – 20v–21 Or su correr [Hor succorer] voglio a morte – 51v–52 Oymè che adesso io provo – 123v Patientia ognon mi dice (2p. Io sto male e vivo in stento) – 18v–19 Qual semplice ucellino – 103v–104 Rendime il tempo mio – 25v–26 Rendo l'arme al fier amor – 10v–11 Requiescant in pace et in pace posidica – 55v–56 Rezina [Regina] del cor mio – 16v–17 Rimango solo per piangere come morto – 104v–105 Risguarda il viso mio pallido e aflicto – 34v–35 Rusticus ut asinum suum vidit mortuum – 73v–74 Sa lo pur che mi fai torto – 117v–118 Sconsolata Philomena – 105v–106 Sergonta bergonse – 14v–15 Servit(e)ur – 36v–37 Soffrire io son disposto ogne tormento – 83v–84 Tente allora – 109v–110 Tente allora Ruzenenta – 19v–20 Tropo è grave - 1a pars (of 2): Tropo è grave il mio dolore – 106v–107 Turcho Turcho et Isabela – 81v–82 Verbum caro factum est de virgine Maria – 68v–69 Volsi andare a passo a passo – 118v–119 [Litany] – 96v–97 [untexted duo] – 125v
Arnulfus (c1500)	Magnificat octavi toni: Et exultavit [K.604] – 43v–45
Brocco, Giovanni	Io mi voglio lamentare – 53v–54
Busnoys, Antoine (ca. 1430-1492)	(?) Fortuna desperata - 1a pars (of 2): Fortuna desperata – 24v–25 (?) Fortuna desperata - 2a pars (of 2): – 24v–25
Cara, Marchetto (ca. 1465-1525)	Aime ch'io moro per te donna crudele – 115v–116 Audite vui fenestre – 54v–55 Chi laria mai creduto – 28v–29 Diletto albergo o tu beato nido – 21v–22 Io son l'ucello che sopra i rami d'oro – 9 Oyme il cuor oyme la testa – 11v–12
Caron, Firminus (ca. 1460-ca. 1475)	Accueilly m'a la belle – 47v–48 Helas que pourra devenir – 12v–13
Compère, Loyset (ca. 1445-1518)	(?) Se non dormi dona ascolta – 67v–68
Congiet, Petrus	(?) Je cuide se ce temps me dure – 49v–50
Despres, Josquin (ca. 1450-1521)	(?) In te, Domine, speravi per trovar pietà in eterno 28.18 – 17v–18
Fogliano, Giacomo (1468-1548)	L'amor dona chio ti porto – 110v–111
G.L. (Gerardo?)	O triumphale diamanto – 76v–77
Gerardus, (frater)	L'altra nocte m'insomniava – 97v–98
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	De tous biens plaine est ma maîtresse – 42v–43
Giliardi, Arnolfo	[faubordon] [K.603] – 72v–73
Isaac, Heinrich (ca. 1450-1517)	Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:) – 77v–78 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 40v–41 Malagrota – 78v–79 Morte che fai che non pigli – 85v–86 Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus] – 50v–51
Japart, Jean	(?) Je cuide se ce temps me dure – 49v–50
Lurano, Filippo de (ca. 1470-ca. 1520)	(?) Se m'a grava el tuo partire – 114v–115 Vivero patiente e forte – 107v–108
Plice, Johannes	A la pesca ogn'homo - 1a pars (of 3): A la pesca ogn'homo – 120v–121 A la pesca ogn'homo - 2a pars (of 3): Dove andaremo alhora bona – 121v–122 A la pesca ogn'homo - 3a pars (of 3): Viva lo pesce è pigliato – 122v–123
Touront, Johannes (ca. 1450-ca. 1475)	O gloriosa regina mundi succurre nobis – 32v–33
Tromboncino, Bartolomeo (1470-ca. 1534)	Ave Maria gratia plena Dominus tecum – 124v–125 El converrà chio mora – 29v–30 Or che son di pregion fora – 69v–70 Pocha pace e molta guerra – 102v–103 Scopri lingua il ciecho ardor – 111v–112 (?) Se m'a grava el tuo partire – 114v–115
Ycart, Bernhard	Magnificat: Et exultavit spiritus meus [K.1158] – 66v–67

Composition	Composers (? Uncertain)	Folios / Pages
[faubordon] [K.603]	Giliardi, Arnolfo	72v–73
[Litany]	Anonymous	96v–97
[untexted duo]	Anonymous	125v
A la chaza - 1a pars (of 2): A la chaza su ognun se spazza	Anonymous	63v–64
A la chaza - 2a pars (of 2): Te qui balzam, te qui liom	Anonymous	64v–65
A la fe, si si, a la fe bona	Anonymous	37v–38
A la pesca ogn'homo - 1a pars (of 3): A la pesca ogn'homo	Plice, Johannes	120v–121
A la pesca ogn'homo - 2a pars (of 3): Dove andaremo alhora bona	Plice, Johannes	121v–122
A la pesca ogn'homo - 3a pars (of 3): Viva lo pesce è pigliato	Plice, Johannes	122v–123
Absque verbis (=Benedictus, from Missa Quant j'ai au coeur:)	Isaac, Heinrich (ca. 1450–1517)	77v–78
Accueilly m'a la belle	Caron, Firminus (ca. 1460–ca. 1475)	47v–48
Ahime il core mi dole	Anonymous	13v–14
Aime ch'io moro per te donna crudele	Cara, Marchetto (ca. 1465–1525)	115v–116
Alleluia. Crucifixum in carne laudemus	Anonymous	46v–47
Alta regina a te piangendo vegno	Anonymous	26v–27
Andate accesi mei suspiri [sospiri]	Anonymous	39v–40
Anguilles anguillions rendes moi mon sacheron	Anonymous	87v–88
Apresso il sancto uccellone	Anonymous	79v–80
Arda il celo e il mondo tuto	Anonymous	119v–120
Audite vui fenestre	Cara, Marchetto (ca. 1465–1525)	54v–55
Ave Maria gratia plena Dominus tecum	Tromboncino, Bartolomeo (1470–ca. 1534)	124v–125
Ave maris stella	Anonymous	93v–94
Ave maris stella	Anonymous	125v
Ave virgo mater Christi que Gabrielis	Anonymous	58v–59
Ben chio serva un cor ingrato	Anonymous	88v–89
Ben seria tempo ormai che fin ponesti	Anonymous	33v–34
Benedicamus Domino	Anonymous	48v–49
Benedictus Dominus Deus Israel	Anonymous	9v–10
Chi desidra esser felice	Anonymous	75v–76
Chi laria mai creduto	Cara, Marchetto (ca. 1465–1525)	28v–29
Cognosco ben che la mia vita mancha	Anonymous	70v–71
Colomba senza felle	Anonymous	15v–16
Contento in foco sto corno fenice	Anonymous	31v–32
Crudele	Anonymous	89v–90
Dal cello [cielo] non hebe mai	Anonymous	38v–39
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	42v–43
Deh fusse pur qui meco	Anonymous	57v–58
Diletto albergo o tu beato nido	Cara, Marchetto (ca. 1465–1525)	21v–22
Dolze [dolce] isguardo	Anonymous	90v–91
El cigno canta al core	Anonymous	91v–92
El converrà chio mora	Tromboncino, Bartolomeo (1470–ca. 1534)	29v–30
El piove mo lasa piovere	Anonymous	35v–36
Facia ognun in fin che po - 1a pars (of 2): Facia ognun in fin che po	Anonymous	112v–113
Facia ognun in fin che po - 2a pars (of 2): Le disgracie sono apresso	Anonymous	113v–114
Fatte bene asto meschino	Anonymous	92v–93
Fin che vivo et poi la morte	Anonymous	60v–61
Forte cosa è la speranza	Anonymous	108v–109
Fortuna desperata - 1a pars (of 2): Fortuna desperata	Busnoys, Antoine (ca. 1430–1492) (?)	24v–25
Fortuna desperata - 2a pars (of 2):	Busnoys, Antoine (ca. 1430–1492) (?)	24v–25
Hai sventurato me misero et lasso	Anonymous	94v–95
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	12v–13
In te, Domine, speravi per trovar pietà in eterno 28.18	Despres, Josquin (ca. 1450–1521) (?)	17v–18
Io mi conduco a morte	Anonymous	84v–85
Io mi voglio lamentare	Brocco, Giovanni	53v–54
Io sento amor cum voce aspre et mortale	Anonymous	82v–83
Io son l'ucello che sopra i rami d'oro	Cara, Marchetto (ca. 1465–1525)	9
Io son maistro barileto	Anonymous	61v–62
Io te son servo pur como son stato	Anonymous	95v–96
Iti sospiri la dove amore vi mena	Anonymous	74v–75
Je cuide se ce temps me dure	Japart, Jean (?) Congiet, Petrus (?)	49v–50
L'altra nocte m'insomniava	Gerardus, (frater)	97v–98
L'amor dona chio ti porto	Fogliano, Giacomo (1468–1548)	110v–111
L'ocello mi chiamo che perde zornata	Anonymous	65v–66
La mi la sol la mi gia vol	Anonymous	59v–60
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	40v–41
La nocte e curta a chi la goda in festa	Anonymous	116v–117
La non vol piu esser mia	Anonymous	124
La virtù si vuol seguire	Anonymous	71v–72
Magnificat octavi toni: Et exultavit [K.604]	Arnulfus (fl. c1500)	43v–45
Magnificat: Et exultavit spiritus meus [K.1158]	Ycart, Bernhard	66v–67
Malagrota	Isaac, Heinrich (ca. 1450–1517)	78v–79
Merce merce per dio d'un core contrito	Anonymous	98v–100
Mille prove aggio fatto per levarme	Anonymous	23v–24
Morte che fai	Anonymous	52v–53
Morte che fai che non pigli	Isaac, Heinrich (ca. 1450–1517)	85v–86
Ne la digna stella	Anonymous	45v–46
Non expecto giammai cum tal disio	Anonymous	27v–28
Non mi far morire a torto	Anonymous	100v–101
Non se muta il mio volere	Anonymous	62v–63
Non è al mondo il maggior stento	Anonymous	80v–81
O di infelice	Anonymous	86v–87
O falso mondo che l'homo fai si doglioso	Anonymous	22v–23
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	32v–33
O sventurato pelegrino	Anonymous	101v–102
O triumphale diamanto	G.L. (Gerardo?)	76v–77
O vergine del cielo imperatrice	Anonymous	41v–42
O vui che seguitate il van Cupido	Anonymous	56v–57
Occultamente me sentia puncto	Anonymous	20v–21
Or che son di pregion fora	Tromboncino, Bartolomeo (1470–ca. 1534)	69v–70
Or su correr [Hor succorer] voglio a morte	Anonymous	51v–52
Oyme il cuor oyme la testa	Cara, Marchetto (ca. 1465–1525)	11v–12
Oymè che adesso io provo	Anonymous	123v
Patientia ognon mi dice (2p. Io sto male e vivo in stento)	Anonymous	18v–19
Pocha pace e molta guerra	Tromboncino, Bartolomeo (1470–ca. 1534)	102v–103
Qual semplice ucellino	Anonymous	103v–104
Rendime il tempo mio	Anonymous	25v–26
Rendo l'arme al fier amor	Anonymous	10v–11
Requiescant in pace et in pace posidica	Anonymous	55v–56
Rezina [Regina] del cor mio	Anonymous	16v–17
Rimango solo per piangere come morto	Anonymous	104v–105
Risguarda il viso mio pallido e aflicto	Anonymous	34v–35
Rusticus ut asinum suum vidit mortuum	Anonymous	73v–74
Sa lo pur che mi fai torto	Anonymous	117v–118
Salve regina (II) - 3a pars: Gratis accepistis et gratis data [= Ad te clamamus]	Isaac, Heinrich (ca. 1450–1517)	50v–51
Sconsolata Philomena	Anonymous	105v–106
Scopri lingua il ciecho ardor	Tromboncino, Bartolomeo (1470–ca. 1534)	111v–112
Se m'a grava el tuo partire	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Lurano, Filippo de (ca. 1470–ca. 1520) (?)	114v–115
Se non dormi dona ascolta	Compère, Loyset (ca. 1445–1518) (?)	67v–68
Sergonta bergonse	Anonymous	14v–15
Servit(e)ur	Anonymous	36v–37
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	30v–31
Soffrire io son disposto ogne tormento	Anonymous	83v–84
Tente allora	Anonymous	109v–110
Tente allora Ruzenenta	Anonymous	19v–20
Tropo è grave - 1a pars (of 2): Tropo è grave il mio dolore	Anonymous	106v–107
Turcho Turcho et Isabela	Anonymous	81v–82
Verbum caro factum est de virgine Maria	Anonymous	68v–69
Vivero patiente e forte	Lurano, Filippo de (ca. 1470–ca. 1520)	107v–108
Volsi andare a passo a passo	Anonymous	118v–119

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‡ denotes primary source study

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 260-1, 265-6, 274, 279-80. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 170-1, 193-4, 321. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lesure, François. 1979. Manuscrit Italien de Fruttole (1502): Facsimile du Ms de la Bibliothèque nationale, Paris, Rés. Vm1 676. Geneva. Notes: physical description; facsimile.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Cattin, Giulio (editor). 1977. Italian Laude & Latin Unica in MS Capetown, Grey 3. b. 12. Corpus mensurabilis musicae, vol. 76. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x, xix-xx, xvii, xxxii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxv, 32-4, 62, 84. Notes: physical description; contents list (partial); concordances (partial).

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II, ii-xii, 165-6, 175-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 78f, 252, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bridgman, Nanie. 1974. La Vie de Cour au Quattrocento à Ferrare et à Mantoue a Travers la Musique. Quadrivium, 17: 137-45. Notes: contents list (partial); mention of MS; discussion.

Prizer, William Flaville. 1974. Marchetta Cara and the North Italian Frottola. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I, 60-l, passim; II, 21-4, 27, 29, 36, 224-30. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, xxxiii, 84-6, 176-81, 330-1, passim; III, 39, 78, 126, 172, 176. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 155. Notes: contents list (partial); concordances (partial); incipits (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 367. Notes: physical description; contents list (partial); concordances (partial).

Bridgman, Nanie. 1953-6. Un Manuscrit Italien du Début du XVIe Siècle à la Bibliothèque Nationale (Département de la musique, Rés. Vm.' 676). Annales Musicologiques, 1 & 4: 177ff(I)-259ff(IV). Notes: physical description; contents list; concordances; incipits; transcription (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, Tafel 24; X, 801. Notes: mention of MS; facsimile (partial).

Pirro, André. 1940. Histoire de la Musique de h f in du XIVe siècle à la fin du XVIe. Paris. Pages: 157-8, Pl. XIII. Notes: facsimile (partial); mention of MS; discussion.

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François-Pierre Goy

Thursday, 14 January, 2021

Siglum changed as manuscript is in Music department; and incorrect former "Cons. Rés. Vm7 676" shelfmark removed.

François-Pierre Goy

Monday, 2 March, 2020

"Cons" removed from shelfmark - it does not & never should have been included

DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

F-Pn Rés. Vm7 676

Bibliothèque nationale de France, Département de la Musique, Paris, France

manuscript of polyphony: 1502

General Description

Binding

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Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

Concordances

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Concordances

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