A 'Secundi Chori' volume. Earliest layer copied by Giordano Passetto (ca. 1484-1557), maestro di cappella of Padua Cathedral from 1520 until his death; Passetto also copied PadBC A17 and PadBC D27 (ConstRM). Five additional scribes probably include the composers Guainaro, Mosto, and C. Porta, also maestri at Padua Cathedral. Copied in Padua, for use by cathedral choir.
I-Pc MS D.26
Duomo, Biblioteca Capitolare di Padua, Curia Vescovile, Padua, Italy
partbook: c. 1484-1557
| Archive | Duomo, Biblioteca Capitolare di Padua, Curia Vescovile, Padua, Italy (I-Pc) |
|---|---|
| Shelfmark | MS D.26 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Measurements | 390 x 265 mm |
| Other Identifiers |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Relationships |
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| Provenance |
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| Contents | Contains uninventoried compositions from 4 composers. |
General Description
Binding
Original covers of parchment on pasteboard.
Watermark
(1) generally resembles Briquet #11912; (2) generally resembles Briquet #207-9; (3) three-peaked mountain in circle, surmounted by cross (not in Briquet); (4) circle bisected by horizontal line and surmounted by cross (not in Briquet)
Notation
not indicated
Foliation
Foliation, not original, on rectos (missing on some folios); some modern pagination, inaccurate.
Decoration
Inked initials.
Surface
paper
Census Catalogue of Music Description
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22 psalms for two choirs (2 incomplete)
Guainaro-1, Mosto-6, Passetto [Frater jordanus]-12, C. Porta-2, anon-1
MSD25 ("PrimiChori"): 41 + i paper folios, 390 x 265. MS D 26 ("Secundi Chori"): i + 41 + ii paper folios, 390 x 265. Foliation, not original, on rectos (missing on some folios); some modern pagination, inaccurate. Original covers of parchment on pasteboard. No index. Earliest layer copied by Giordano Passetto (ca. 1484-1557), maestro di cappella of Padua Cathedral from 1520 until his death; Passetto also copied PadBC A17 and PadBC D27 (ConstRM). Five additional scribes probably include the composers Guainaro, Mosto, and C. Porta, also maestri at Padua Cathedral. Inked initials. Watermarks: (1) generally resembles Briquet #11912 (also found on ff. 19-98 of PadBC D27); (2) generally resembles Briquet #207-9; (3) three-peaked mountain in circle, surmounted by cross (not in Briquet); (4) circle bisected by horizontal line and surmounted by cross (not in Briquet).
Ca. 1541-95 (ConstRM). Copied in Padua, for use by cathedral choir.
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Sets
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MSS D 25 and D 26
Partbooks · 2 sources
I-Pc MS D.26
Current source
‡ denotes primary source study
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 229-60. Notes: physical description; contents list; incipitsfacsimile (partial).
Garbelotto, Antonio. 1955. Padre Costanza Porta da Cremona O.F.M.Conv. Grande Polifonista del 1500. Rome. Pages: 151-6, 172, opp. 144. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial); mention of MS; discussion.
Garbelotto, Antonio. 1951: (LIII) 1952: (LIV). Codici musicali della biblioteca capitolare di Padova. Rivista Musicale Italiana, 53 & 54: 289-314:(LIII)218-30,289-315:(LIV). Pages: 298ff. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description