| Archive | Duomo, Biblioteca Capitolare di Padua, Curia Vescovile, Padua, Italy (I-Pc) |
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| Shelfmark | MS D.25 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None |
| Measurements | 390 x 265 mm |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Relationships |
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| Provenance |
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| Contents | Contains 4 uninventoried works or miscellaneous sections. |
A 'Primi Chori' volume. Earliest layer copied by Giordano Passetto (ca. 1484-1557), maestro di cappella of Padua Cathedral from 1520 until his death; Passetto also copied PadBC A17 and PadBC D27 (ConstRM). Five additional scribes probably include the composers Guainaro, Mosto, and C. Porta, also maestri at Padua Cathedral. Copied in Padua, for use by cathedral choir.
Original covers of parchment on pasteboard.
(1) generally resembles Briquet #11912; (2) generally resembles Briquet #207-9; (3) three-peaked mountain in circle, surmounted by cross (not in Briquet); (4) circle bisected by horizontal line and surmounted by cross (not in Briquet)
not indicated
Foliation, not original, on rectos (missing on some folios); some modern pagination, inaccurate.
Inked initials.
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
22 psalms for two choirs (2 incomplete)
Guainaro-1, Mosto-6, Passetto [Frater jordanus]-12, C. Porta-2, anon-1
MSD25 ("PrimiChori"): 41 + i paper folios, 390 x 265. MS D 26 ("Secundi Chori"): i + 41 + ii paper folios, 390 x 265. Foliation, not original, on rectos (missing on some folios); some modern pagination, inaccurate. Original covers of parchment on pasteboard. No index. Earliest layer copied by Giordano Passetto (ca. 1484-1557), maestro di cappella of Padua Cathedral from 1520 until his death; Passetto also copied PadBC A17 and PadBC D27 (ConstRM). Five additional scribes probably include the composers Guainaro, Mosto, and C. Porta, also maestri at Padua Cathedral. Inked initials. Watermarks: (1) generally resembles Briquet #11912 (also found on ff. 19-98 of PadBC D27); (2) generally resembles Briquet #207-9; (3) three-peaked mountain in circle, surmounted by cross (not in Briquet); (4) circle bisected by horizontal line and surmounted by cross (not in Briquet).
Ca. 1541-95 (ConstRM). Copied in Padua, for use by cathedral choir.
This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.
| Composers (? Uncertain) | Folios / Pages | Item title | Attribution in Source |
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| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
‡ denotes primary source study
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 229-60. Notes: physical description; contents list; incipitsfacsimile (partial).
Garbelotto, Antonio. 1955. Padre Costanza Porta da Cremona O.F.M.Conv. Grande Polifonista del 1500. Rome. Pages: 151-6, 172, opp. 144. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial); mention of MS; discussion.
Garbelotto, Antonio. 1951: (LIII) 1952: (LIV). Codici musicali della biblioteca capitolare di Padova. Rivista Musicale Italiana, 289-314:(LIII)218-30,289-315:(LIV). Pages: 298ff. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
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NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description