US-NH Miscellaneous MS 170, Filmer 1/d

Yale University, School of Music Library, New Haven, United States

partbook: c. 1588-1603

Archive Yale University, School of Music Library, New Haven, United States (US-NH)
Shelfmark Miscellaneous MS 170, Filmer 1/d
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 168 x 215 mm
Other Identifiers
  • CCM: NHavY 170/1
  • olim (Former shelfmark): Beinecke Library for Rare Books and Manuscripts, Ma21/F48/A11 "Filmer Partbooks"
Relationships
Provenance
  • England
Contents 167 pieces from 30 composers
General Description

A Bassus partbook from a set of five volumes. Compositions grouped in several sections by voice number: I (32 pieces a2 (A-Q books) & a3 (C-T-B books), with 3 pieces a5); II (28 pieces a4); III (36 pieces a5); IV (46 pieces a5); V (17 pieces mostly a6); VI (21 pieces a6).

Copied by one main scribe, with additions by several later hands. Copied in England. Owned by Filmer family, of Kent; purchased by Yale University in 1945.

DIAMM, 2017
Binding

Original covers of dark brown leather over boards, tooled in gold with voice designations and ornamental oval-shaped design.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

New pencil foliation 1-143; original ink foliation in several series, with errors and omissions

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Lamentations, 43 motets, 3 anthems, 61 Italian secular pieces, 5 French secular pieces, 4 English secular pieces, 1 Latin secular piece, 6 textless pieces, 14 instrumental pieces = 139 + 1 duplicate = 140

(Bianco)-2, Byrd-1, (Clemens non Papa)-1, (Daman)-3, (A. Ferrabosco I)-47, (A. Ferrabosco I/Verdelot)-1, Flecknall-1, (A. Gabrieli) -1, Hilton the Elder-1, T. Holmes-1, (Ingegneri)-1, (Lassus)-25, (Marenzio)-16, (Philippe de Monte)-2, Nau [Mr: Noe]-1, (Palestrina)-1, Portman-1, (Quintiani)-3, (G. Renaldi)-4, (Rore)-3, (Sandrin)-1, (Striggio)-1, (Wert)-1, W. White-2, J. Wilson-2, J. Wilson/(Grandi)-1, L. Woodson I-1, anon-14

5 paper partbooks (D-142 + ii folios, AT-142 + i folios each, B-143, Q-142), 168 x 215. New pencil foliation (DQ: 1-142; ATB: 1-143); original ink foliation in several series, with errors and omissions. Original covers of dark brown leather over boards, tooled in gold with voice designations and ornamental oval-shaped design. Incomplete original index on rear flyleaf of A book groups pieces by genre and number of voices ("mottet of 5 pts," "madrigali 5 pts," "mottet of 6 pts," etc.), with subgrouping under each section by order of appearance (pieces listed by folio number only). Copied by one main scribe, with additions by several later hands. Staff height 15. No initials or decoration.

Ca. 1588-1603 (ForF). Copied in England. Owned by Filmer family, of Kent; purchased by Yale University in 1945.

Vol 4

Composers: Change "Nau" to "E. Nau."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 A caso un giorno - 1a pars (of 4): A caso un giorno -
Appears on: 1
Genres: Madrigal (Italian)
1v A caso un giorno - 2a pars (of 4): Vaga d'uider -
Appears on: 1v
Genres: Madrigal (Italian)
2 A caso un giorno - 3a pars (of 4): Con quel poco -
Appears on: 2
Genres: Madrigal (Italian)
2v A caso un giorno - 4a pars (of 4): Mentre ch'ella -
Appears on: 2v
Genres: Madrigal (Italian)
3 Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum -
Appears on: 3
Genres: Motet
3v Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite -
Appears on: 3v
Genres: Motet
4 Christus resurgens ex mortuis jam non -
Appears on: 4
Genres: Motet
4v–5 Ave regina caelorum (3vv) -
Appears on: 4v–5
Genres: Ave regina caelorum, Motet
5v O passi - Anonymous

O passi

Anonymous
Appears on: 5v
Genres: Madrigal (Italian)
6 O bel viso - Anonymous

O bel viso

Anonymous
Appears on: 6
Genres: Madrigal (Italian)
6v Che dolce - Anonymous

Che dolce

Anonymous
Appears on: 6v
Genres: Madrigal (Italian)
7 [untitled] - Anonymous

[untitled]

Anonymous
Appears on: 7
Genres: Madrigal (Italian)
7 [untitled] - Anonymous

[untitled]

Anonymous
Appears on: 7
Genres: Madrigal (Italian)
7v Pavan a6 Will. White
Appears on: 7v
Genres: Dance
Source Attribution: Will. White
8 Hor pien d'altro -
Appears on: 8
Genres: Madrigal (Italian)
8v Pavan a6 Will. White
Appears on: 8v
Genres: Dance
Source Attribution: Will. White
[-] - - Anonymous

[Unknown Title]

Appears on: [-]
11 Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore -
Appears on: 11
Genres: Madrigal (Italian)
11v Mentre ch'altiero amore - 2a pars (of 7): E quel foco -
Appears on: 11v
Genres: Madrigal (Italian)
12 Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno -
Appears on: 12
Genres: Madrigal (Italian)
12v Mentre ch'altiero amore - 4a pars (of 7): Perche come -
Appears on: 12v
Genres: Madrigal (Italian)
13 Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina -
Appears on: 13
Genres: Madrigal (Italian)
13v Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor -
Appears on: 13v
Genres: Madrigal (Italian)
14 Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna -
Appears on: 14
Genres: Madrigal (Italian)
14v Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi -
Appears on: 14v
Genres: Madrigal (Italian)
15 Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor -
Appears on: 15
Genres: Madrigal (Italian)
15v Amor io sento un respirar -
Appears on: 15v
Genres: Madrigal (Italian)
16 Poscia che troppo - 1a pars (of 2): Poscia che troppo -
Appears on: 16
Genres: Madrigal (Italian)
16v Poscia che troppo - 2a pars (of 2): Santa madre del ciel -
Appears on: 16v
Genres: Madrigal (Italian)
17 Come avra vita - 1a pars (of 2): Come havra vita amor -
Appears on: 17
Genres: Madrigal (Italian)
17 Come avra vita - 2a pars (of 2): Come havre fin -
Appears on: 17
Genres: Madrigal (Italian)
17v Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta -
Appears on: 17v
Genres: Madrigal (Italian)
17v Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor -
Appears on: 17v
Genres: Madrigal (Italian)
General Note

(It is not clear from Ham1989 whether this 2a pars is copied or omitted from the ms.)

18 Sola te cerco ogn' hor' -
Appears on: 18
Genres: Madrigal (Italian)
18v O fastiditi - 1a pars (of 2): O fastiditi gia del pianger -
Appears on: 18v
Genres: Madrigal (Italian)
19 O fastiditi - 2a pars (of 2): Tempo sarebbe -
Appears on: 19
Genres: Madrigal (Italian)
19v–20 Vezzosi augelli in fra le verdi fronde -
Appears on: 19v–20
Genres: Madrigal (Italian)
20v Ahi dispietata morte ahi crudel vita -
Appears on: 20v
Genres: Italian secular
21 Lavinia se non siete -
Appears on: 21
Genres: Madrigal (Italian)
21v–22 Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge -
Appears on: 21v–22
Genres: Madrigal (Italian)
22v–23 Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco -
Appears on: 22v–23
Genres: Madrigal (Italian)
23v–24 L'empio tuo stral amore -
Appears on: 23v–24
Genres: Madrigal (Italian)
24v–25 Fuerunt mihi lachrimae (C36) -
Appears on: 24v–25
Genres: Motet
25v–26 Inclina Domine - 3a pars (of 6): Quoniam tu, Domine -
Appears on: 25v–26
Genres: Motet
26v Dulcis memoria et suavis recordatio (= Doulce memoire) -
Appears on: 26v
Genres: Motet
General Note

Latin text "Dolce memori"

27 Miserere mihi Domine - Anonymous
Appears on: 27
Genres: Psalm
[-] - - Anonymous

[Unknown Title]

Appears on: [-]
29v–30 Da pacem Domine (I) (C27) -
Appears on: 29v–30
Genres: Motet
Concordances

also copied in GB-Ob MS Mus. Sch. c. 45-50, GB-Och MS Mus. 78-82 & 463-467

30v–31 Ingemuit Susanna (C43) -
Appears on: 30v–31
31v–32 Mirabile mysterium (C47) -
Appears on: 31v–32
Genres: Motet
32v–33 Laboravi in gemitu meo -
Appears on: 32v–33
Genres: Motet
33v–34 Ad Dominum cum tribularer (C1) -
Appears on: 33v–34
Genres: Motet
34v–35 Sana me Domine (C56) - 1a pars (of 2): Sana me Domine -
Appears on: 34v–35
Genres: Motet
35v–36 Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine -
Appears on: 35v–36
Genres: Motet
36v–37 Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) -
Appears on: 36v–37
Genres: Motet
37v–38 Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) -
Appears on: 37v–38
Genres: Motet
38v–39 Peccantem me quotidie -
Appears on: 38v–39
39v–40 Musica laeta suum gaudet (C79) -
Appears on: 39v–40
Genres: Motet
40v–41 Qui consolabatur me recessit a me -
Appears on: 40v–41
Genres: Motet
41v–42 Heu mihi Domine (I) (C37) -
Appears on: 41v–42
Genres: Motet
42v–44 Lamentations [...] Aleph (5vv - C65) -
Appears on: 42v–44
44v–45 Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) -
Appears on: 44v–45
Genres: Psalm
45v–46 Judica me - 1a pars (of 2): Judica me Domine (C44) -
Appears on: 45v–46
Genres: Motet
46v–47 Peccata mea Domine (C53) -
Appears on: 46v–47
Genres: Motet
47v–48 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) -
Appears on: 47v–48
Genres: Motet
48v–49 Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) -
Appears on: 48v–49
Genres: Motet
49v–50 Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14) -
Appears on: 49v–50
Genres: Psalm
50v–51 In nomine (F84) - Exaudi vocem -
Appears on: 50v–51
Genres: In nomine
51v–52 In nomine (F85) -
Appears on: 51v–52
Genres: In nomine
52v–53 In nomine (F86, C222) -
Appears on: 52v–53
Genres: In nomine
53v–54 Tribulationem et dolorem inveni (C63) -
Appears on: 53v–54
Genres: Motet
54v–55 Judica me - 2a pars (of 2): Vide humilitatem meam (C45) -
Appears on: 54v–55
Genres: Motet
55v–56 O heavenly God, O Father dear -
Appears on: 55v–56
Genres: Anthem
56v–57 O mighty God preserve -
Appears on: 56v–57
Genres: Anthem
57v–58 Miserere nostri Domine -
Appears on: 57v–58
Genres: Motet
58v–60 De Lamentatione Jeremiae (C64) -
Appears on: 58v–60
Genres: Lamentations, Motet
60v In resurrectione tua W. Bird
Appears on: 60v
Genres: Motet
Source Attribution: W. Bird
61 In nomine a5 Mr. Woodsone
Appears on: 61
Genres: English Consort music
Source Attribution: Mr. Woodsone
61v Se voi sete cor mio quanto ben -
Appears on: 61v
Genres: Madrigal (Italian)
62 Hai tu crudel - Anonymous

Hai tu crudel

Anonymous
Appears on: 62
Genres: Madrigal (Italian)
62v 'Mouta' - Anonymous

'Mouta'

Anonymous
Appears on: 62v
Genres: Madrigal (Italian)
63 [untitled] - Anonymous

[untitled]

Anonymous
Appears on: 63
Genres: Madrigal (Italian)
[-] - - Anonymous

[Unknown Title]

Appears on: [-]
69v 'Donna' - Anonymous

'Donna'

Anonymous
Appears on: 69v
Genres: Madrigal (Italian)
70 Quella donna real -
Appears on: 70
Genres: Madrigal (Italian)
70v Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel -
Appears on: 70v
Genres: Madrigal (Italian)
71 Guidomi in parte - 2a pars (of 2): Da Indi in qua sol -
Appears on: 71
Genres: Madrigal (Italian)
71v–72 Giunto a la tomba - 1a pars (of 4): Giunto a la tomba -
Appears on: 71v–72
Genres: Madrigal (Italian)
72v Giunto a la tomba - 2a pars (of 4): Non di morte sei tu -
Appears on: 72v
Genres: Madrigal (Italian)
73 Giunto a la tomba - 3a pars (of 4): Da gli lor tu -
Appears on: 73
Genres: Madrigal (Italian)
73v Giunto a la tomba - 4a pars (of 4): Et amando morro -
Appears on: 73v
Genres: Madrigal (Italian)
74 Dolorosi martir', fieri tormenti -
Appears on: 74
Genres: Madrigal (Italian)
74v–75 Dolce mentre il ciel -
Appears on: 74v–75
Genres: Madrigal (Italian)
75v Felice ohime -
Appears on: 75v
Genres: Madrigal (Italian)
76v Miserere nostri Domine (C3) -
Appears on: 76v
Genres: Motet
76v–77 Las, voulez vous qu'une -
Appears on: 76v–77
Genres: Chanson
77v–78 Aupres de vous -
Appears on: 77v–78
Genres: Chanson
78v–79 Tu dolc' anima mea -
Appears on: 78v–79
Genres: Madrigal (Italian)
79v–80 Chi per voi non sospirar -
Appears on: 79v–80
Genres: Madrigal (Italian)
80v–81 Non ardo - 1a pars (of 2): Non ardo e son nel foco -
Appears on: 80v–81
Genres: Madrigal (Italian)
81v–82 Non ardo - 2a pars (of 2): Foco e 'l mio core -
Appears on: 81v–82
Genres: Madrigal (Italian)
82v–83 Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne -
Appears on: 82v–83
Genres: Madrigal (Italian)
83v–84 Dolce ire - 2a pars (of 2): Forse ancor sia -
Appears on: 83v–84
Genres: Madrigal (Italian)
84v–85 Non ha tante quanto -
Appears on: 84v–85
Genres: Madrigal (Italian)
85v–86 Standomi un giorno - 1a pars (of 6): Standomi un giorno -
Appears on: 85v–86
Genres: Madrigal (Italian)
86v–87 Standomi un giorno - 2a pars (of 6): Indi per alto -
Appears on: 86v–87
Genres: Madrigal (Italian)
87v–88 Standomi un giorno - 3a pars (of 6): In un boschetto -
Appears on: 87v–88
Genres: Madrigal (Italian)
88v–89 Standomi un giorno - 4a pars (of 6): Chiara fontana in quel -
Appears on: 88v–89
Genres: Madrigal (Italian)
89v–90 Standomi un giorno - 5a pars (of 6): Una strania Phenice -
Appears on: 89v–90
Genres: Madrigal (Italian)
90v–91 Standomi un giorno - 6a pars (of 6): Al fin vid' io -
Appears on: 90v–91
Genres: Madrigal (Italian)
91v–92 Ancor ch'io possa dire che d'haver (5vv) -
Appears on: 91v–92
Genres: Madrigal (Italian)
General Note

Striggio's setting is for 6vv. Unclear whether this is a 5vv version, or a different setting entirely?

92v–93 Gia torna a rallegrar l'aria -
Appears on: 92v–93
Genres: Madrigal (Italian)
93v–94 O foible esprit - 1a pars (of 2): O foible esprit -
Appears on: 93v–94
Genres: Chanson
94v–95 O foible esprit - 2a pars (of 2): O jeune archer -
Appears on: 94v–95
Genres: Chanson
95v Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento -
Appears on: 95v
Genres: Madrigal (Italian)
96 Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni -
Appears on: 96
Genres: Madrigal (Italian)
96v–97 Alma Susana ben felice el core ch'arde -
Appears on: 96v–97
Genres: Motet
97v–98 Cantai mentre ch'i arsi del mio foco -
Appears on: 97v–98
Genres: Madrigal (Italian)
98v–99 Io son ferito ahi lasso e chi mi diede -
Appears on: 98v–99
Genres: Madrigal (Italian)
99v–100 O voi che sospirati -
Appears on: 99v–100
100v–101 Creschin a gara sin al ciel -
Appears on: 100v–101
Genres: Madrigal (Italian)
101v–102 Non puo tanto l'amore -
Appears on: 101v–102
Genres: Madrigal (Italian)
102v–103 Dolce esca del mio core -
Appears on: 102v–103
Genres: Madrigal (Italian)
103v–104 Deh non ponete fini -
Appears on: 103v–104
Genres: Madrigal (Italian)
104v–105 Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna -
Appears on: 104v–105
Genres: Madrigal (Italian)
105v–106 Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren -
Appears on: 105v–106
Genres: Madrigal (Italian)
106v–107 Le rossignol plaisant et gratieux -
Appears on: 106v–107
Genres: Madrigal
107v–108 Caro dolce mio ben -
Appears on: 107v–108
Genres: Madrigal (Italian)
108v–109 Mi fa lasso languire -
Appears on: 108v–109
Genres: Madrigal (Italian)
109v–110 Inclina Domine - 5a pars (of 6): Quoniam magnus es -
Appears on: 109v–110
Genres: Motet
110v Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac -
Appears on: 110v
Genres: Motet
111 Locutus sum - 2a pars (of 2): Fac mecum signum in bonum -
Appears on: 111
Genres: Motet
111v Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me -
Appears on: 111v
Genres: Motet
112 Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 112
Genres: Motet
112v Exaudi Domine - Anonymous

Exaudi Domine

Anonymous
Appears on: 112v
Genres: Motet
113v Nel piu fiorito Aprile -
Appears on: 113v
Genres: Madrigal (Italian)
114v 'Amor' - Anonymous

'Amor'

Anonymous
Appears on: 114v
Genres: Madrigal (Italian)
General Note

This item is out of position in the Bassus book - in other books at end of section III (f. 62v/63v)

115v–116 [untitled] - Anonymous

[untitled]

Anonymous
Appears on: 115v–116
Genres: Madrigal (Italian), textless
116v Goe Phebus goe Mr. Flecknall
Appears on: 116v
Genres: Madrigal (English)
Source Attribution: Mr. Flecknall
117 Phillis Mr. R. Portman
Appears on: 117
Genres: Madrigal (English)
Source Attribution: Mr. R. Portman
117v–118 Sing lady sing Mr. John Hilton
Appears on: 117v–118
Genres: Madrigal (English)
Source Attribution: Mr. John Hilton
118v–119 Surge anima mea Mr. John Wilson
Appears on: 118v–119
Genres: Motet
Source Attribution: Mr. John Wilson
119v–120 Let me not, Lord Mr. John Wilson
Appears on: 119v–120
Genres: Anthem
Source Attribution: Mr. John Wilson
120v–121 A Pastoral Mr. Thomas Holmes
Appears on: 120v–121
Source Attribution: Mr. Thomas Holmes
121v O bone Jesu -
Appears on: 121v
Genres: Motet
[-] - - Anonymous

[Unknown Title]

Appears on: [-]
124v–125 Voi volete ch' io muoia -
Appears on: 124v–125
Genres: Madrigal (Italian)
125v–126 Interdette speranze e van desio -
Appears on: 125v–126
Genres: Madrigal (Italian)
126v–127 Cosi m' e l'aspettar -
Appears on: 126v–127
Genres: Madrigal (Italian)
127v–128 Con lagrime ch' ogn' hor' da gli occhi -
Appears on: 127v–128
Genres: Madrigal (Italian)
128v–129 Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia -
Appears on: 128v–129
Genres: Madrigal (Italian)
129v–130 Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre -
Appears on: 129v–130
Genres: Madrigal (Italian)
130v–131 Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno -
Appears on: 130v–131
Genres: Madrigal (Italian)
131v–132 Benedetto di al giorno - 2a pars (of 2): Benedette le voci -
Appears on: 131v–132
Genres: Madrigal (Italian)
132v–133 Mentre che il cor - 1a pars (of 2): Mentre che il cor -
Appears on: 132v–133
Genres: Madrigal (Italian)
133v–134 Mentre che il cor - 2a pars (of 2): Quel foco e morto -
Appears on: 133v–134
Genres: Madrigal (Italian)
134v–135 Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo -
Appears on: 134v–135
Genres: Madrigal (Italian)
135v–136 Lasso me - 2a pars (of 2): Cerco fermar il sol ardo -
Appears on: 135v–136
Genres: Madrigal (Italian)
136v–137 Questi ch' inditio fan del mio tormento -
Appears on: 136v–137
Genres: Madrigal (Italian)
137v–138 Ancor ch'io possa dire che d'haver (6vv) -
Appears on: 137v–138
Genres: Madrigal (Italian)
138v–139 Ultimi miei sospiri che mi lasciate -
Appears on: 138v–139
Genres: Madrigal (Italian)
139v Quell' ombr' esser vorrei -
Appears on: 139v
Genres: Madrigal (Italian)
140 Dono Cinthia a Damone -
Appears on: 140
Genres: Madrigal (Italian)
140v Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al -
Appears on: 140v
Genres: Madrigal (Italian)
140v–141 Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge -
Appears on: 140v–141
Genres: Madrigal (Italian)
141v–142 Danzava con maniere - 1a pars (of 2): Danzava con maniere -
Appears on: 141v–142
Genres: Madrigal (Italian)
142v–143 Danzava con maniere - 2a pars (of 2): Son presa disse -
Appears on: 142v–143
Genres: Madrigal (Italian)
Composer Compositions
Anonymous
Bianci, Pier' Antonio
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Daman, William
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Flecknall
Gabrieli, Andrea (ca. 1532–1585)
Grandi, Alessandro
Hilton (Senior), John
Holmes, Thomas
Ingegneri, Marc'Antonio
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Marenzio, Luca (ca. 1553–1599)
Monte, Philippe de
Palestrina, Giovanni Pierluigi da (1525–1594)
Portman, Richard
Quintiani, Lucrezio
Renaldi, Giulio
Rore, Cipriano de (ca. 1515–1565)
Roussel (Rosselli), François (ca. 1510–ca. 1577)
Sandrin, Pierre (ca. 1490–ca. 1560)
Striggio, Alessandro (ca. 1536–1592)
Verdelot, Philippe (ca. 1480–ca. 1532)
Wert, Giaches [Jaches] de (1535–1596)
White, William
Wilson, John (1595–1674)
Woodson, Leonard (ca. 1565–ca. 1641)
Composition Composers (? Uncertain) Folios / Pages
'Amor' Anonymous 114v
'Donna' Anonymous 69v
'Mouta' Anonymous 62v
[untitled] Anonymous 7
[untitled] Anonymous 7
[untitled] Anonymous 63
[untitled] Anonymous 115v–116
A caso un giorno - 1a pars (of 4): A caso un giorno 1
A caso un giorno - 2a pars (of 4): Vaga d'uider 1v
A caso un giorno - 3a pars (of 4): Con quel poco 2
A caso un giorno - 4a pars (of 4): Mentre ch'ella 2v
A Pastoral 120v–121
Ad Dominum cum tribularer (C1) 33v–34
Ahi dispietata morte ahi crudel vita 20v
Alma Susana ben felice el core ch'arde 96v–97
Amor io sento un respirar 15v
Ancor ch'io possa dire che d'haver (5vv) 91v–92
Ancor ch'io possa dire che d'haver (6vv) 137v–138
Aupres de vous 77v–78
Ave regina caelorum (3vv) 4v–5
Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno 130v–131
Benedetto di al giorno - 2a pars (of 2): Benedette le voci 131v–132
Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) 44v–45
Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14) 49v–50
Cantai mentre ch'i arsi del mio foco 97v–98
Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum 3
Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite 3v
Caro dolce mio ben 107v–108
Che dolce Anonymous 6v
Chi per voi non sospirar 79v–80
Christus resurgens ex mortuis jam non 4
Come avra vita - 1a pars (of 2): Come havra vita amor 17
Come avra vita - 2a pars (of 2): Come havre fin 17
Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al 140v
Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge 140v–141
Con lagrime ch' ogn' hor' da gli occhi 127v–128
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) 36v–37
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) 37v–38
Cosi m' e l'aspettar 126v–127
Creschin a gara sin al ciel 100v–101
Da pacem Domine (I) (C27) 29v–30
Danzava con maniere - 1a pars (of 2): Danzava con maniere 141v–142
Danzava con maniere - 2a pars (of 2): Son presa disse 142v–143
De Lamentatione Jeremiae (C64) 58v–60
Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta 17v
Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor 17v
Deh non ponete fini 103v–104
Dolce esca del mio core 102v–103
Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia 128v–129
Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre 129v–130
Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne 82v–83
Dolce ire - 2a pars (of 2): Forse ancor sia 83v–84
Dolce mentre il ciel 74v–75
Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge 21v–22
Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco 22v–23
Dolorosi martir', fieri tormenti 74
Dono Cinthia a Damone 140
Dulcis memoria et suavis recordatio (= Doulce memoire) 26v
Exaudi Domine Anonymous 112v
Felice ohime 75v
Fuerunt mihi lachrimae (C36) 24v–25
Gia torna a rallegrar l'aria 92v–93
Giunto a la tomba - 1a pars (of 4): Giunto a la tomba 71v–72
Giunto a la tomba - 2a pars (of 4): Non di morte sei tu 72v
Giunto a la tomba - 3a pars (of 4): Da gli lor tu 73
Giunto a la tomba - 4a pars (of 4): Et amando morro 73v
Goe Phebus goe 116v
Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel 70v
Guidomi in parte - 2a pars (of 2): Da Indi in qua sol 71
Hai tu crudel Anonymous 62
Heu mihi Domine (I) (C37) 41v–42
Hor pien d'altro 8
In nomine (F84) - Exaudi vocem 50v–51
In nomine (F85) 51v–52
In nomine (F86, C222) 52v–53
In nomine a5 61
In resurrectione tua 60v
Inclina Domine - 3a pars (of 6): Quoniam tu, Domine 25v–26
Inclina Domine - 5a pars (of 6): Quoniam magnus es 109v–110
Ingemuit Susanna (C43) 30v–31
Interdette speranze e van desio 125v–126
Io son ferito ahi lasso e chi mi diede 98v–99
Judica me - 1a pars (of 2): Judica me Domine (C44) 45v–46
Judica me - 2a pars (of 2): Vide humilitatem meam (C45) 54v–55
L'empio tuo stral amore 23v–24
Laboravi in gemitu meo 32v–33
Lamentations [...] Aleph (5vv - C65) 42v–44
Las, voulez vous qu'une 76v–77
Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo 134v–135
Lasso me - 2a pars (of 2): Cerco fermar il sol ardo 135v–136
Lavinia se non siete 21
Le rossignol plaisant et gratieux 106v–107
Let me not, Lord 119v–120
Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac 110v
Locutus sum - 2a pars (of 2): Fac mecum signum in bonum 111
Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore 11
Mentre ch'altiero amore - 2a pars (of 7): E quel foco 11v
Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno 12
Mentre ch'altiero amore - 4a pars (of 7): Perche come 12v
Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina 13
Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor 13v
Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna 14
Mentre che il cor - 1a pars (of 2): Mentre che il cor 132v–133
Mentre che il cor - 2a pars (of 2): Quel foco e morto 133v–134
Mi fa lasso languire 108v–109
Mirabile mysterium (C47) 31v–32
Miserere mihi Domine Anonymous 27
Miserere nostri Domine 57v–58
Miserere nostri Domine (C3) 76v
Musica laeta suum gaudet (C79) 39v–40
Nel piu fiorito Aprile 113v
Non ardo - 1a pars (of 2): Non ardo e son nel foco 80v–81
Non ardo - 2a pars (of 2): Foco e 'l mio core 81v–82
Non ha tante quanto 84v–85
Non puo tanto l'amore 101v–102
O bel viso Anonymous 6
O bone Jesu 121v
O fastiditi - 1a pars (of 2): O fastiditi gia del pianger 18v
O fastiditi - 2a pars (of 2): Tempo sarebbe 19
O foible esprit - 1a pars (of 2): O foible esprit 93v–94
O foible esprit - 2a pars (of 2): O jeune archer 94v–95
O heavenly God, O Father dear 55v–56
O mighty God preserve 56v–57
O passi Anonymous 5v
O voi che sospirati 99v–100
Pavan a6 7v
Pavan a6 8v
Peccantem me quotidie 38v–39
Peccata mea Domine (C53) 46v–47
Phillis 117
Poscia che troppo - 1a pars (of 2): Poscia che troppo 16
Poscia che troppo - 2a pars (of 2): Santa madre del ciel 16v
Quell' ombr' esser vorrei 139v
Quella donna real 70
Questi ch' inditio fan del mio tormento 136v–137
Qui consolabatur me recessit a me 40v–41
Sana me Domine (C56) - 1a pars (of 2): Sana me Domine 34v–35
Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine 35v–36
Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento 95v
Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni 96
Se voi sete cor mio quanto ben 61v
Sing lady sing 117v–118
Sola te cerco ogn' hor' 18
Standomi un giorno - 1a pars (of 6): Standomi un giorno 85v–86
Standomi un giorno - 2a pars (of 6): Indi per alto 86v–87
Standomi un giorno - 3a pars (of 6): In un boschetto 87v–88
Standomi un giorno - 4a pars (of 6): Chiara fontana in quel 88v–89
Standomi un giorno - 5a pars (of 6): Una strania Phenice 89v–90
Standomi un giorno - 6a pars (of 6): Al fin vid' io 90v–91
Surge anima mea 118v–119
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) 47v–48
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) 48v–49
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 111v
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 112
Tribulationem et dolorem inveni (C63) 53v–54
Tu dolc' anima mea 78v–79
Ultimi miei sospiri che mi lasciate 138v–139
Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi 14v
Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor 15
Vezzosi augelli in fra le verdi fronde 19v–20
Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna 104v–105
Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren 105v–106
Voi volete ch' io muoia 124v–125

denotes primary source study

Hamessley, Lydia. 1989. The reception of the Italian madrigal in England: A repertorial study of manuscript anthologies, ca. 1580—1620. University of Minnesota, Ph.D. Notes: description of ms; inventory; discussion.

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II.xii-xiii, 16-9; III.xiv-xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar.  New York. Pages: 57ff,194. Notes: contents list (partial); concordances (partial).

Ford, Robert. 1977-78. The Filmer Manuscripts: A Handlist. Notes, 814-25. Notes: physical description.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London. Pages: We thank Mr. Robert Ford for his assistance in the preparation of this entry. Notes: contents list (partial); concordances (partial).

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: I, 227. Notes: contents list (partial); concordances (partial).

Persons, Jerry C. 1969. The Sambrooke Book: Drexel 4302. Unpublished Master's thesis, Wichita State University. Pages: 121-3, 131, 135, 139, 141. Notes: contents list (partial); concordances (partial); incipits (partial).

de Ricci, Seymour, and W. J. Wilson. 1935-40. Supplement, 1962. Census of Medieval and Renaissance Manuscripts in the United States and Canada.  New York. Pages: Supplement, 63. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description