A Bassus partbook from a set originally of five volumes, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions. Three repertorial sections: (1) 6-voice motets; (2) 5-voice works; (3) 4-voice motets. First two sections copied by a single scribe, who also copied the last piece in Pal.Lat.1976-1979, and 6 pieces in Vienna 18810 (RifMichel). C; third section copied by a different scribe. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).
D-Mu MS 4° Art. 401 (4)
Universitätsbibliothek, Munich, Germany
printed partbook with ms additions: 1536-40
| Archive | Universitätsbibliothek, Munich, Germany (D-Mu) |
|---|---|
| Shelfmark | MS 4° Art. 401 (4) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 110 x 155 mm |
| Other Identifiers |
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| Copyists |
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| External Links | |
| Provenance |
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| Contents | Contains 78 compositions, 72 from 29 composers, 6 are anonymous. |
General Description
Binding
Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps
Watermark
resembles Briquet #5932-3
Notation
not indicated
Foliation
Other numberings: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38.
Foliation
Modern pencil foliation
Decoration
No initials or decoration.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Te Deum, 1 hymn, 71 motets = 73
Appenzeller [Benedictus]-1, Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, (Clemens non Papa)-1, (Conseil)-2, (Conseil/Lupi)-1, (Conseil/Lupus)-1, (Couillart)-1, Crecquillon-1, (Dulot)-1, (Gascongne)-1, Gombert-6, (Hellinck)-1, (Hesdin)-3, Jaquet of Mantua-2, Jaquet of Mantua/(Conseil)-1, Jaquet of Mantua/(Lupus)-1, (Jhan of Ferrara)-2, Josquin-9, Josquin/(Mouton)-1, Josquin/(Viardot)-1, Lebrun/(Moulu)-1, Mouton-1, (Mouton/Richafort)-1, (Penet)-1, (Piéton)-1, Richafort-2, Richafort/(Briant)-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Senfl-12, (Sermisy)-1, Verdelot/(Josquin)-1, Willaert-3, anon-7
4 paper partbooks of an original 5, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions (D-142 + i folios, AT-145 + i folios each, B-143 + i), 110 x 155. Modern pencil foliation. Blank staves only-D: ff. 22a-22h', 23, 119-134'; A: ff. 123'-136'; T: ff. 117-137'; B: ff. 115'-136'. Three repertoriai sections: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38. Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps. No index. First two sections copied by a single scribe; third section copied by a different scribe. No initials or decoration. Watermark resembles Briquet #5932-3.
1536-40 (GottUM); date 1530 on f. 55' of T book. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).
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Sets
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MS 4° Art. 401 (1-4)
Partbooks · 4 sources
‡ denotes primary source study
Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 292-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 101-11. Notes: physical description; contents list; concordances (partial).
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 118-9. Notes: physical description; contents list.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 151. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).
Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 108-10. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
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David Wyatt
Monday, 12 June, 2017
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description