D-Mu MS 4° Art. 401 (2)

Universitätsbibliothek, München (Munich), Germany

printed partbook with MS additions: 1536-40

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 4° Art. 401 (2)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 110 x 155 mm
Other Identifiers
  • CCM: MunU 401
  • olim (Former shelfmark): Cim. 44i
Copyists
External Links
Provenance
  • Augsburg? Austria
Contents 78 pieces from 30 composers
General Description

An Altus partbook from a set originally of five volumes, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions. Three repertorial sections: (1) 6-voice motets; (2) 5-voice works; (3) 4-voice motets. First two sections copied by a single scribe, who also copied the last piece in Pal.Lat.1976-1979, and 6 pieces in Vienna 18810 (RifMichel). C; third section copied by a different scribe. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).

DIAMM, 2017
Binding

Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps

DIAMM, 2017
Watermark

resembles Briquet #5932-3

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38.

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 1 hymn, 71 motets = 73

Appenzeller [Benedictus]-1, Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, (Clemens non Papa)-1, (Conseil)-2, (Conseil/Lupi)-1, (Conseil/Lupus)-1, (Couillart)-1, Crecquillon-1, (Dulot)-1, (Gascongne)-1, Gombert-6, (Hellinck)-1, (Hesdin)-3, Jaquet of Mantua-2, Jaquet of Mantua/(Conseil)-1, Jaquet of Mantua/(Lupus)-1, (Jhan of Ferrara)-2, Josquin-9, Josquin/(Mouton)-1, Josquin/(Viardot)-1, Lebrun/(Moulu)-1, Mouton-1, (Mouton/Richafort)-1, (Penet)-1, (Piéton)-1, Richafort-2, Richafort/(Briant)-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Senfl-12, (Sermisy)-1, Verdelot/(Josquin)-1, Willaert-3, anon-7

4 paper partbooks of an original 5, each consisting of the prints RISM 1520/1, 1520/2, 1521/3, and 1521/5, with manuscript additions (D-142 + i folios, AT-145 + i folios each, B-143 + i), 110 x 155. Modern pencil foliation. Blank staves only-D: ff. 22a-22h', 23, 119-134'; A: ff. 123'-136'; T: ff. 117-137'; B: ff. 115'-136'. Three repertoriai sections: (1) 6-voice motets, with original numbering of pieces, 1-26 (partes numbered separately); (2) 5-voice works, with original numbering of pieces, 37-95 (motet partes numbered separately); (3) 4-voice motets, with modern numbering, 1-38. Original covers of brown leather over pasteboard, tooled in gold with ornamental designs and voice designations; remnants of clasps. No index. First two sections copied by a single scribe; third section copied by a different scribe. No initials or decoration. Watermark resembles Briquet #5932-3.

1536-40 (GottUM); date 1530 on f. 55' of T book. Of Austrian origin (GottUM); probably copied in Augsburg (Rifkin).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Pater noster (2p. Ave Maria) 20.9 Iosquin
Appears on: 1–2
Genres: Ave Maria, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis 20.9 II: Ave Maria gratia plena dominus tecum
2v–5 Ave Maria gratia plena ... virgo serena (2p. Ave vera humilitas sine viro) (M9) L.S. [= Senfl]
Appears on: 2v–5
Genres: Ave Maria, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Ave vera humilitas sine viro
5v–7 Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) L.S.
Appears on: 5v–7
Genres: Responsory
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et verbum
7v–8 Alleluia. Mane nobiscum Domini (M2 - 4vv) L.S.
Appears on: 7v–8
Genres: Alleluia, Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Mane nobiscum domine
8–9 Veni sancte spiritus (6vv) [M119] L.S.
Appears on: 8–9
Genres: Motet
Source Attribution: L.S.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
9–10 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Iosquin
Appears on: 9–10
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
10v–11v O virgo prudentissima 24.9 (2p. Audi virgo puerpera) Iosquin
Appears on: 10v–11v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: O virgo prudentissima quam celo missus 24.10 II: Audi virgo puerpera et stella
12 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Iosquin
Appears on: 12
Genres: Chanson, Contrafactum, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Circundederunt me gemitus mortis dolores 30.6 [= Nymphes nappés néridriades driades, Videte omnes populi]
12v–13v Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Iosquin
Appears on: 12v–13v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater dei exora natum
13v–15v Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa) Iosquin
Appears on: 13v–15v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave nobillissima creatura humilima 23.11 II: Tibi domina gloriosa commendo
16–17 Stabat virgo juxta crucem videns pati (2p. Audit virgo haec dicentem natum) Noel Baulwin
Appears on: 16–17
Genres: Motet
Source Attribution: Noel Baulwin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat virgo iuxta crucem videns pati II: Audit virgo hec dicentem natum
17v–19 In illo tempore pastores loquebantur (2p. Et omnes qui audierant mirati sunt) Nico: Gompart [= Gombert]
Appears on: 17v–19
Genres: Motet
Source Attribution: Nico: Gompart [= Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore pastores loquebantur II: Et omnes qui audierant mirati sunt
19v–20 Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 19v–20
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me alleluia
20rv In te Domine speravi non confundar (M49) L.S. [= Senfl]
Appears on: 20rv
Genres: Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar
21rv Sancta Maria virgo virginum 25.6 Verdelott/[Josquin]
Appears on: 21rv
Genres: Motet
Source Attribution: Verdelott/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria [virgo virginum] 25.6
22v–24v Virgo salutiferi genitrix intacta 25.13 (2p. Tu potis es prime scelus; 3p. Nunc caeli regina tuis pro gentibus) Iosquin
Appears on: 22v–24v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Virgo salutiferi genitrix intacta 25.13 II: Tu potis es prime scelus III: Nunc celi regina tuis pro gentibus
24v–26 Missus est angelus Gabriel a Deo 20.7 (2p. Hic erit magnus et filius altissimi) Iosquin (Scribe first wrote "Muton," then crossed it out and added "Iosquin")/[Mouton]
Appears on: 24v–26
Genres: Motet
Source Attribution: Iosquin (Scribe first wrote "Muton," then crossed it out and added "Iosquin")/[Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Missus est angelus Gabriel a deo 20.7 II: Hic erit magnus et filius altissimi
26–28v Lectio actuum apostolorum 19.10 - Dum complerentur in dies pentecostes (2p. Facta autem hac voce convenit) Iosquin/[Viardot]
Appears on: 26–28v
Genres: Motet
Source Attribution: Iosquin/[Viardot]
Voice: [no designation]
Languages: Latin
Voice Text: Lectio actuum appostolorum in diebus 19.10 II: Facta autem hac voce convenit
28v–30v Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Iosquin
Appears on: 28v–30v
Genres: Motet, Stabat Mater
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eya mater fons amoris me sentire
30v–31v Verbum bonum et suave personemus 25.11 (2p. Ave solem genuisti ave prolem; 3p. Ave mater verbi summi ave mater) Iosquin
Appears on: 30v–31v
Genres: Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Verbum bonum et suave personemus 25.11 II: Ave solem genuisti ave prolem III: Ave mater verbi summi ave mater
31v–33 Pater noster qui es in caelis (2p. Ave Maria gratia plena Dominus tecum) Jaquet [of Mantua]
Appears on: 31v–33
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [P]ater noster qui es in celis II: Ave Maria gratia plena dominus tecum
33v–34v In die tribulationis meae renuit consolari Jaquet [of Mantua]/[Conseil]
Appears on: 33v–34v
Genres: Motet
Source Attribution: Jaquet [of Mantua]/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: [I]n die tribulacionis mee renuit consolari
34v–36 Dixit autem Dominus servo redde quod (2p. Serve nequam omne debitum dimisi) Jaquet [of Mantua]
Appears on: 34v–36
Genres: Motet
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [D]ixit autem dominus servo redde quod II: Serve nequam omne debitum dimisi
36v–37 Aspice Domine quia facta est desolata Jaquet [of Mantua]/[Lupus]
Appears on: 36v–37
Genres: Motet
Source Attribution: Jaquet [of Mantua]/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [A]spice domine quia facta est desolata
37v–38 Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) Richafort
Appears on: 37v–38
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: [N]on turbetur cor vestrum ego vado II: Ego rogabo patrem meum et alium
38v–39 Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) Richafort/[Lupus]
Appears on: 38v–39
Genres: Motet
Source Attribution: Richafort/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [I]am non dicam vos servos sed amicos II: Cum venerit ille spiritus veritatis
39v–40v Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Richafort/[Caen/Lupus]
Appears on: 39v–40v
Genres: Motet
Source Attribution: Richafort/[Caen/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: [I]erusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
41–42 Audi filia et vide et inclina aurem (2p. Specie tua et pulchritudine tua) Gombert
Appears on: 41–42
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: [A]udi filia et vide et inclina aurem II: Specie tua et pulchritudine tua
42v–43 Venite ad me omnes qui laboratis Gombert
Appears on: 42v–43
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: [V]enite ad me omnes qui laboratis
43v–44v In illo tempore dixit Jesus discipulis (2p. Cum venerit paraclitus quem ego) Richafort/[Briant]
Appears on: 43v–44v
Genres: Motet
Source Attribution: Richafort/[Briant]
Voice: [no designation]
Languages: Latin
Voice Text: [I]n illo tempore dixit Jesus discipulis II: Cum venerit paraclitus quem ego
45–46 Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) [Conseil]
Appears on: 45–46
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum non est II: Stetit Jesus in medio discipulorum
46v–48v Te Deum laudamus te Dominum confitemur (2p. Patrem immense majestatis veneramur; 3p. Te tamen quaesumus tuis famulis) [Jhan of Ferrara]
Appears on: 46v–48v
Genres: Liturgical work, Te Deum
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur II: Patrem immense maiestatis veneramur III: Te ergo quesumus tuis famulis
49v–51 Benedicam Dominum in omni tempore semper (2p. Venite filii audite me timorem; 3p. Oculi Domini super iustos et aures; 4p. Clamaverunt justi et Dominus exaudivit) Noel Baulduuin/[Stoltzer]
Appears on: 49v–51
Genres: Motet
Source Attribution: Noel Baulduuin/[Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [B]enedicam dominum in omni tempore semper II: Venite filii audite me timore III: Oculi domini super iustos et aures IV: Clamaverunt iusti et dominus
51v–52 Antequam comedam suspiro (2p. Ecce non est auxilium mihi) Muton
Appears on: 51v–52
Source Attribution: Muton
Voice: [no designation]
Languages: Latin
Voice Text: Antequam comedam suspiro et tanquam II: Ecce non est auxilium mihi
52–53v Corde et animo Christo canamus gloriam (2p. Laudemus ergo Dominum nostrum) Benedictus [Appenzeller]
Appears on: 52–53v
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Corde et animo Cristo canamus gloriam II: Laudemus ergo dominum nostrum
53v–55 O crux splendidior - 1a pars (of 2): O crux splendidior cunctis astris mundi Adrianus [Willaert]
Appears on: 53v–55
Genres: Motet
Source Attribution: Adrianus [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior cunctis astris mundi II: Dulce lignum dulces clavos
53v–55 O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos -
Appears on: 53v–55
Genres: Motet
55–56v Ave maris stella Dei mater alma 2 Monstra te esse matrem sumat per te 3 Solve vincla reis profer lumen 5 Virgo singularis inter omnes mitis 7 Sit laus deo patri summo Christo Adrianus [Willaert]
Appears on: 55–56v
Genres: Ave maris stella, Hymn
Source Attribution: Adrianus [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella dei mater alma II: Monstra te esse matrem sumat per te
56v–57v Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) Jo. Lebrung/[Moulu]
Appears on: 56v–57v
Genres: Motet
Source Attribution: Jo. Lebrung/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: Saule Saule quid me persequeris qui dixit II: Sancte Paule appostole predicator
58–60 Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) Ludo: Sennfl
Appears on: 58–60
Genres: Motet
Source Attribution: Ludo: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate II: Ascendit deus in iubilo et dominus
60v–61v O sacrum convivium (2p. Mens impletur gratia et future) (M76) Ludo: Sennfl
Appears on: 60v–61v
Genres: Motet
Source Attribution: Ludo: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Cristus sumitur II: Mens impletur gratia et future
62rv Spes mea Domine a juventute mea (2p. In te confirmatus sum ex utero) Ludo. Sennfl
Appears on: 62rv
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Spes mea domine a iuventute mea II: In te confirmatus sum ex utero
62v–63 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] Ludo. Sennfl
Appears on: 62v–63
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
63rv In te Domine speravi non confundar (M50) Ludovicus Sennfl
Appears on: 63rv
Genres: Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: [I]n te domine speravi non confundar
63v–64v Si enim credimus quod Jesus mortuus est (2p. Et sicut in Adam omnes moriuntur; 3p. Requiem aeternam dona eis Domine) Ludo. Sennfl
Appears on: 63v–64v
Genres: Motet
Source Attribution: Ludo. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Si enim credimus quod Jhesus mortuus est II: Et sicut in Adam omnes moriuntur III: Requiem eternam dona eis domine
65–67 Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) [Gombert]
Appears on: 65–67
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Homo erat in Hierusalem cui nomen erat II: Et cum inducerent puerum in templum
67–68 Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) [Conseil/Lupi]
Appears on: 67–68
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus Israel trinus II: Honor virtus et potestas sit
68v–70 Fuit homo missus a deo cui nomen (2p. Hic precursor et dilectus et lucerna) [Gombert]
Appears on: 68v–70
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus a deo cui nomen II: Hic precursor et dilectus et lucerna
70–71 Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) [Hellinck]
Appears on: 70–71
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Letetur omne seculum in solemnitate II: Hec Maria fuit illa domino gratissima
71–72v Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) [Penet]
Appears on: 71–72v
Genres: Motet
Source Attribution: [Penet]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas quoniam exaudita est
73 Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas [Willaert]
Appears on: 73
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus II: Cum iocunditate conceptionem beatae
74 Sancta et immaculata - 2a pars (of 2): Cum jocunditate conceptionem beatae -
Appears on: 74
Genres: Motet
74–76 Ecce nos reliquimus omnia - 1a pars (of 2): Ecce nos reliquimus omnia [Jhan of Ferrara]
Appears on: 74–76
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nos reliquimus omnia et secuti II: Et omnis qui reliquerit domum
75–76 Ecce nos reliquimus omnia - 2a pars (of 2): Et omnis qui reliquerit domum -
Appears on: 75–76
Genres: Motet
76v–78v Ascendit Christus super caelos et preparavit (2p. In qua gloriosa et felix mirantibus) Anon. Anonymous
Appears on: 76v–78v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Christus super coelos et preparavit II: In qua gloriosa et felix mirantibus
79–81 Congregati sunt gentes in circuitu nostro (2p. Tu scis que cogitant in nos) Anon. Anonymous
Appears on: 79–81
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Congregate sunt gentes in circuitu nostro II: Tu scis que cogitant in nos
81–82v Esto Domine plebi tuae sanctificator Anon. Anonymous
Appears on: 81–82v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Esto domine plebi tuae sanctificator
82v–85v Tristitia et anxietas occupaverunt interiora (2p. Sed tu Domine qui non derelinquis) [Clemens non Papa]
Appears on: 82v–85v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Tristicia et anxietas occupaverunt interiora II: Sed tu domine qui non derelinquis
85v–88 Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius [Sermisy]
Appears on: 85v–88
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius II: Hec est generatio querentium dominum
85v–88 Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum -
Appears on: 85v–88
Genres: Motet
88v–90 Angelus Domini descendit de caelo [2p: Ecce precedet vos in Galileam] Anon. Anonymous
Appears on: 88v–90
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini descendit de coelo II: Ecce precedet vos in Galileam
90v–92v Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) [Mouton/Richafort]
Appears on: 90v–92v
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Cristus resurgens ex mortuis iam non II: Mortuus est enim propter delicta
92v–94 Nativitas tua Dei genitrix virgo gaudium (2p. Felix nanquam es sacra virgo Maria) [Piéton]
Appears on: 92v–94
Genres: Motet
Source Attribution: [Piéton]
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas tua dei genitrix virgo gaudium II: Foelix nanquam es sacra virgo Maria
94–96 Nigra sum sed formosa filia Jerusalem (2p. Ecce tu pulchra es amica mea) [Conseil/Lupus]
Appears on: 94–96
Genres: Motet
Source Attribution: [Conseil/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Hierusalem II: Ecce tu pulchra es amica mea
96v–98 Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) [Hesdin]
Appears on: 96v–98
Genres: Ave Maria, Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Gaude virgo gloriosa gaude tellus
98v–100 Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas -
Appears on: 98v–100
Genres: Motet
98v–100 Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus [Gombert/Hesdin]
Appears on: 98v–100
Genres: Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus II: Benedicta tu in mulieribus
100–102 Veni in ortum meum soror mea sponsa 92p. In lectulo meo per noctes quaesivi) [Hesdin]
Appears on: 100–102
Genres: Motet
Source Attribution: [Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni in ortum meum soror mea sponsa II: In lectulo meo per noctes quesivi
102v–103v Dulcis amica Dei rosa vernans stella Anon. Anonymous
Appears on: 102v–103v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dulcis amica dei rosa vernans stella
103v–105v Surge propera amica mea columba mea (2p. Surge amica mea speciosa mea) Thomas Criquillon
Appears on: 103v–105v
Genres: Motet
Source Attribution: Thomas Criquillon
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea columba mea II: Surge amica mea speciosa mea
106–109v Adjuro vos filiae Jerusalem per capreas (2p. Similis est dilectus meus; 3p. Capite nobis vulpes parvulas; 4p. Revertere similis esto dilecte mi) Anon. Anonymous
Appears on: 106–109v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adiuro vos filie Hierusalem per capreas II: Similis est dilectus meus III: Capite nobis vulpes parvulas IV: Revertere similis esto dilecte mi
109v–112 In lectulo meo per noctes quaesivi (2p. Paululum cum pertransissem eos) Anon.
Appears on: 109v–112
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In lectulo meo per noctes quesivi II: Paululum cum pertransissem eos
112v–114 Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) [Couillart]
Appears on: 112v–114
Genres: Motet
Source Attribution: [Couillart]
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilei quid admiramini aspicientes II: Videntibus illis elevatus est
114v–116v Maria Magdalene et Maria Jacobi (2p. Dic nobis Maria quid vidisti in via) [Dulot]
Appears on: 114v–116v
Genres: Motet
Source Attribution: [Dulot]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalene et Maria Jacobi II: Dic nobis Maria quid vidisti in via
116v–118 Virgo sancta Catherina Greciae gemma [Gombert]
Appears on: 116v–118
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo sancta Catherina greciae gemma
118v–120 Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) [Gascongne]
Appears on: 118v–120
Genres: Motet
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: Dignare me laudare te virgo sacrata II: Cum iocunditate conceptionem beate
120v–121a Tempus est ut revertar ad eum qui me (2p. O rex gloriae Domine virtutum) [Conseil]
Appears on: 120v–121a
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Tempus est ut revertar ad eum qui me II: O rex glorie domine virtutum
121a–123 Sufficiebat nobis paupertas nostra senectutis nostrae [Richafort]
Appears on: 121a–123
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Sufficiebat nobis paupertas nostra
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Couillart
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Dulot, Francois
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Penet, Hilaire (ca. 1501–)
Pieton, Loyset
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Adjuro vos filiae Jerusalem per capreas (2p. Similis est dilectus meus; 3p. Capite nobis vulpes parvulas; 4p. Revertere similis esto dilecte mi) Anonymous 106–109v
Alleluia. Mane nobiscum Domini (M2 - 4vv) 7v–8
Angelus Domini descendit de caelo [2p: Ecce precedet vos in Galileam] Anonymous 88v–90
Antequam comedam suspiro (2p. Ecce non est auxilium mihi) 51v–52
Ascendit Christus super caelos et preparavit (2p. In qua gloriosa et felix mirantibus) Anonymous 76v–78v
Aspice Domine quia facta est desolata 36v–37
Audi filia et vide et inclina aurem (2p. Specie tua et pulchritudine tua) 41–42
Ave Maria gratia plena ... virgo serena (2p. Ave vera humilitas sine viro) (M9) 2v–5
Ave Maria gratia plena Dominus tecum (2p. Gaude virgo gloriosa gaude tellus) 96v–98
Ave maris stella Dei mater alma 2 Monstra te esse matrem sumat per te 3 Solve vincla reis profer lumen 5 Virgo singularis inter omnes mitis 7 Sit laus deo patri summo Christo 55–56v
Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa) 13v–15v
Benedicam Dominum in omni tempore semper (2p. Venite filii audite me timorem; 3p. Oculi Domini super iustos et aures; 4p. Clamaverunt justi et Dominus exaudivit) 49v–51
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 12v–13v
Benedictus Dominus Deus Israel trinus (2p. Honor virtus et potestas sit) 67–68
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) 90v–92v
Congregati sunt gentes in circuitu nostro (2p. Tu scis que cogitant in nos) Anonymous 79–81
Corde et animo Christo canamus gloriam (2p. Laudemus ergo Dominum nostrum) 52–53v
Descendit angelus Domini ad Zachariam (2p. Ne timeas quoniam exaudita est) 71–72v
Dignare me laudare te virgo sacrata (2p. Cum jocunditate conceptionem beatae) 118v–120
Dixit autem Dominus servo redde quod (2p. Serve nequam omne debitum dimisi) 34v–36
Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius 85v–88
Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum 85v–88
Dulcis amica Dei rosa vernans stella Anonymous 102v–103v
Ecce nos reliquimus omnia - 1a pars (of 2): Ecce nos reliquimus omnia 74–76
Ecce nos reliquimus omnia - 2a pars (of 2): Et omnis qui reliquerit domum 75–76
Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) 45–46
Esto Domine plebi tuae sanctificator Anonymous 81–82v
Fuit homo missus a deo cui nomen (2p. Hic precursor et dilectus et lucerna) 68v–70
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] 62v–63
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 12
Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) 65–67
In die tribulationis meae renuit consolari 33v–34v
In illo tempore dixit Jesus discipulis (2p. Cum venerit paraclitus quem ego) 43v–44v
In illo tempore pastores loquebantur (2p. Et omnes qui audierant mirati sunt) 17v–19
In lectulo meo per noctes quaesivi (2p. Paululum cum pertransissem eos) 109v–112
In te Domine speravi non confundar (M49) 20rv
In te Domine speravi non confundar (M50) 63rv
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 38v–39
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 39v–40v
Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) 70–71
Lectio actuum apostolorum 19.10 - Dum complerentur in dies pentecostes (2p. Facta autem hac voce convenit) 26–28v
Maria Magdalene et Maria Jacobi (2p. Dic nobis Maria quid vidisti in via) 114v–116v
Missus est angelus Gabriel a Deo 20.7 (2p. Hic erit magnus et filius altissimi) 24v–26
Nativitas tua Dei genitrix virgo gaudium (2p. Felix nanquam es sacra virgo Maria) 92v–94
Nigra sum sed formosa filia Jerusalem (2p. Ecce tu pulchra es amica mea) 94–96
Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) 37v–38
O crux splendidior - 1a pars (of 2): O crux splendidior cunctis astris mundi 53v–55
O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos 53v–55
O sacrum convivium (2p. Mens impletur gratia et future) (M76) 60v–61v
O virgo prudentissima 24.9 (2p. Audi virgo puerpera) 10v–11v
Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) 58–60
Pater noster (2p. Ave Maria) 20.9 1–2
Pater noster qui es in caelis (2p. Ave Maria gratia plena Dominus tecum) 31v–33
Philippe qui videt me alleluia (6vv, M84) 19v–20
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 9–10
Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas 98v–100
Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus 98v–100
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas 73
Sancta et immaculata - 2a pars (of 2): Cum jocunditate conceptionem beatae 74
Sancta Maria virgo virginum 25.6 21rv
Sancte Paule apostole predicator (2p. Saule Saule quid me persequeris) 56v–57v
Si enim credimus quod Jesus mortuus est (2p. Et sicut in Adam omnes moriuntur; 3p. Requiem aeternam dona eis Domine) 63v–64v
Spes mea Domine a juventute mea (2p. In te confirmatus sum ex utero) 62rv
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 28v–30v
Stabat virgo juxta crucem videns pati (2p. Audit virgo haec dicentem natum) 16–17
Sufficiebat nobis paupertas nostra senectutis nostrae 121a–123
Surge propera amica mea columba mea (2p. Surge amica mea speciosa mea) 103v–105v
Te Deum laudamus te Dominum confitemur (2p. Patrem immense majestatis veneramur; 3p. Te tamen quaesumus tuis famulis) 46v–48v
Tempus est ut revertar ad eum qui me (2p. O rex gloriae Domine virtutum) 120v–121a
Tristitia et anxietas occupaverunt interiora (2p. Sed tu Domine qui non derelinquis) 82v–85v
Veni in ortum meum soror mea sponsa 92p. In lectulo meo per noctes quaesivi) 100–102
Veni sancte spiritus (6vv) [M119] 8–9
Venite ad me omnes qui laboratis 42v–43
Verbum bonum et suave personemus 25.11 (2p. Ave solem genuisti ave prolem; 3p. Ave mater verbi summi ave mater) 30v–31v
Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) 5v–7
Virgo salutiferi genitrix intacta 25.13 (2p. Tu potis es prime scelus; 3p. Nunc caeli regina tuis pro gentibus) 22v–24v
Virgo sancta Catherina Greciae gemma 116v–118
Viri Galilei quid admiramini aspicientes (2p. Videntibus illis elevatus est ut nubes) 112v–114

Set: MS 4° Art. 401 (1-4)

Type: Partbooks

No images available

D-Mu MS 4° Art. 401 (1)

No images available

D-Mu MS 4° Art. 401 (2)

No images available

D-Mu MS 4° Art. 401 (3)

No images available

D-Mu MS 4° Art. 401 (4)

denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 292-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 101-11. Notes: physical description; contents list; concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 118-9. Notes: physical description; contents list.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 151. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 108-10. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description