I-MOe MS {alpha}.M.1.12 (Modena C(2))

Biblioteca Estense, Modena, Italy

choirbook: 1481

Archive	Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark	MS {alpha}.M.1.12 (Modena C(2))
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	560 x 380-90 mm
Other Identifiers	RISM: I-MOe M. 1.12 CCM: ModE M.1.11-2 olim (Former shelfmark): Lat. 455, V.H.9
Copyists	San Giorgio, Fra Philippo di Music
Relationships	Este family (owner) d'Este, Ercole I (1471–1505) (patron)
External Links	Images - downloadable pdf
Provenance	court of Ercole I d'Este , Ferrara, Italy
Contents	75 pieces from 3 composers

General Description

A 'Secundo Coro' choirbook. Copied by Fra Philippo di San Giorgio, whose activity as a copyist at the Este court in Ferrara is documented in payment records; Fra Philippo also copied ModE M.1.13 (LockF). Contains repertory for Lent and Holy Week. Copied in Ferrara, for use at the ducal court of Ercole I d'Este (reigned 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

DIAMM, 2017

Physical Description

Borders cut away on f. 1 ; 14 folios cut out between ff. 37/38 (stubs remain).

DIAMM, 2017

Binding

Both books have identical covers of leather over boards, with inscription 'Liber Choralis' stamped in gold on spine; these may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.1.2, ModE M.1.13, and ModE X.1.11).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 28.

DIAMM, 2017

Foliation

217 ff

DIAMM, 2017

Foliation

New pencil foliation, 1-101.

DIAMM, 2017

Decoration

Illuminated initials in gold, purple, red, blue, and green, with filigree work and foliage designs; decoration similar to ModE M.1.2 and ModE M.1.13.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM

XVe s. 101ff. Parchemin, 560 x 390 mm. Foliotation moderne. Les ff. 1 (mutilé à la marge droite), 36, 101v sont blancs. 14ff. mq. entre 37 et 38. Notation mesurée blanche. 9 portées par p. Capitales ornées or et couleurs. Reliure ancienne cuir portant au dos Liber Choralis.

Grand livre de choeur (c. 1480, «jumeau» du précédent et qui, outre les parties pour le 2e choeur des pièces de ce dernier, contient aussi une Passion avec turbae polyphoniques (no 75) dont quelques parties peuvent peut-être être identifiées avec les «Passions en nouvelle manière» (maintenant perdues) de G. Binchois (K. von Fischer, in M.G.G. X, 901).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Magnificats, 4 canticles, 65 psalms, 14 hymn stanzas (grouped as 8 hymns), 2 Passions, 1 motet = 90

Brebis-5, Martini-10, anon-75*

*On stylistic grounds, KanP attributes anonymous hymn stanza on f. 34' of ModE M.1.11 to Brebis, and anonymous hymn stanza on f. 37' of ModE M.1.12 to Martini. Some or all of remaining anonymous pieces may also be by Brebis or Martini.

2 choirbooks containing music for two choruses -

MS a.M.1.11 ("Primo Coro"): i + 116 + i parchment folios, 560 x 375-90. New pencil foliation, I + 1-116 + I. Blank staves only on ff. 1, 36, 43-46, 49'-50, 114'-115'. Borders or initials cut out on ff. 1', 41', 101'.

MS a.M.1.12 ("Secondo Coro"): i + 101 + i parchment folios, 560 x 380-5. New pencil foliation, 1-101. Blank staves only on ff. 1, 36, 101'. Borders cut away on f. 1 ; 14 folios cut out between ff. 37/38 (stubs remain).

Both books have identical covers of leather over boards, with inscription "Liber Choralis" stamped in gold on spine; these may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.1.2, ModE M.1.13, and ModE X.1.11). No index. The scribe was Fra Philippo di San Giorgio, whose activity as a copyist at the Este court in Ferrara is documented in payment records; Fra Philippo also copied ModE M.1.13 (LockF). Staff height 28. Illuminated initials in gold, purple, red, blue, and green, with filigree work and foliage designs; decoration similar to ModE M.1.2 and ModE M.1.13. Repertory for Lent and Holy Week.

1481 (LockF). Copied in Ferrara, for use at the ducal court of Ercole I d'Este (reigned 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

Vol 4

Date: Ca. 1479-81 (LockRF).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Dixit Dominus Sede a dextris meis	-	Anonymous
Dixit Dominus Sede a dextris meis Anonymous Appears on: 1v–2 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Donec ponam inimicos tuos … General Note [Dixit dominus domino meo]
2v–3	Confitebor tibi domine ... In consilio justorum et congregatione	-	Anonymous
Confitebor tibi domine ... In consilio justorum et congregatione Anonymous Appears on: 2v–3 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magna opera domini exquisita General Note [Confitebor tibi Domine in toto corde meo]
3v–4	Beatus vir qui timet Dominum In mandatis eius volet nimis	-	Anonymous
Beatus vir qui timet Dominum In mandatis eius volet nimis Anonymous Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beatus [vir qui timet dominum] Potens in terra erit semen ejus
4v–5	Laudate pueri Laudate nomen Domini	-	Anonymous
Laudate pueri Laudate nomen Domini Anonymous Appears on: 4v–5 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sit nomen domini benedictum General Note [Laudate pueri dominum]
5v–6	In exitu Israel de Egypto Domus Jacob de populo barbaro	-	Anonymous
In exitu Israel de Egypto Domus Jacob de populo barbaro Anonymous Appears on: 5v–6 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [In exitu Israel de Egypto] Facta est Judea sanctificatio ejus
6v–7	Dilexi quoniam Vocem orationis mee	-	Anonymous
Dilexi quoniam Vocem orationis mee Anonymous Appears on: 6v–7 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Dilexi quoniam] Quia inclinavit aurem suam michi General Note Feria secunda
9v–10	Credidi propter quod locutus sum Ego autem humiliatus sum	-	Anonymous
Credidi propter quod locutus sum Ego autem humiliatus sum Anonymous Appears on: 9v–10 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credidi [propter quod locutus sum] Ego dixi in excessu meo
9v–10	Laudate Dominum omnes gentes, laudate eum omnes populi	-	Anonymous
Laudate Dominum omnes gentes, laudate eum omnes populi Anonymous Appears on: 9v–10 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudate dominum [omnes gentes] Quoniam confirmata est super nos
10v–11	Ad Dominum cum tribularer clamavi et exaudivit II: Heu michi domine qui incolatus meus	-	Anonymous
Ad Dominum cum tribularer clamavi et exaudivit II: Heu michi domine qui incolatus meus Anonymous Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad dominum [cum tribularer clamavi] Domine libera animam meam
10v–11	Levavi óculos meos Unde veniet auxilium mihi	-	Anonymous
Levavi óculos meos Unde veniet auxilium mihi Anonymous Appears on: 10v–11 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Levavi [óculos meos in montes] Auxilium meum a domino
11v–12	Laetatus sum.... In domum Domini ibimus	-	Anonymous
Laetatus sum.... In domum Domini ibimus Anonymous Appears on: 11v–12 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Letatus [sum in his] Stantes erant pedes nostri General Note Feria tertia.
11v–12	Ad te levavi oculos meos qui habitas in caelis	-	Anonymous
Ad te levavi oculos meos qui habitas in caelis Anonymous Appears on: 11v–12 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad te levavi [óculos meos] Ecce sicut oculi servorum
12v–13	Nisi quia Dominus erat Nisi quia Dominus erat	-	Anonymous
Nisi quia Dominus erat Nisi quia Dominus erat Anonymous Appears on: 12v–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nisi quia [dominus erat in nobis] Cum exurgerent homines in nos
12v–13	Qui confidunt in Domino Non commovebitur in aeternum	-	Anonymous
Qui confidunt in Domino Non commovebitur in aeternum Anonymous Appears on: 12v–13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui confidunt [in domino] Montes in circuitu ejus
13v–14	In convertendo Dominus Facti sumus sicut consolati	-	Anonymous
In convertendo Dominus Facti sumus sicut consolati Anonymous Appears on: 13v–14 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [In convertendo Dominus captivitatem Sion] Tunc repletum est gaudio os nostrum
14v–15	Nisi Dominus edificaverit domum In vanum laboraverunt	-	Anonymous
Nisi Dominus edificaverit domum In vanum laboraverunt Anonymous Appears on: 14v–15 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nisi dominus edificaverit domum] Nisi dominus custodierit civitatem General Note Feria quarta.
14v–15	Beati omnes qui tintent Dominum Qui ambulant in viis eius	-	Anonymous
Beati omnes qui tintent Dominum Qui ambulant in viis eius Anonymous Appears on: 14v–15 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Beati omnes qui timent dominum] Labores manuum tuarum quia manducabi
15v–16	Sepe expugnaverunt me / Dicant nunc Israel	-	Anonymous
Sepe expugnaverunt me / Dicant nunc Israel Anonymous Appears on: 15v–16 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sepe expugnaverunt me ... et enim General Note Sepe expugnaverunt me … dicat nunc Israel]
15v–16	De profundis clamavi Domine exaudi vocem meam	-	Anonymous
De profundis clamavi Domine exaudi vocem meam Anonymous Appears on: 15v–16 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De profundis. Fiant aures tue intendentes
16v–17	Domine non est exaltatum Neque elati sunt oculi mei	-	Anonymous
Domine non est exaltatum Neque elati sunt oculi mei Anonymous Appears on: 16v–17 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine non est [exaltatum cor meum] Neque ambulavi in magni
17v–18	Memento domine David Et omnis mansuetudinis eius	-	Anonymous
Memento domine David Et omnis mansuetudinis eius Anonymous Appears on: 17v–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Memento domine [David] Sicut juravit domino votum vovit General Note Feria quinta.
18v–19	Ecce quam bonum habitare fratres in unum	-	Anonymous
Ecce quam bonum habitare fratres in unum Anonymous Appears on: 18v–19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce quam [bonum et quam iocundum] Sicut unguentum in capite
18v–20	Laudate nomen Domini Laudate servi Dominum	-	Anonymous
Laudate nomen Domini Laudate servi Dominum Anonymous Appears on: 18v–20 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Laudate nomen domini] Qui statis in domo domini
20v–21	Confitemini Domino quoniam bonus Quoniam in aeternum	-	Anonymous
Confitemini Domino quoniam bonus Quoniam in aeternum Anonymous Appears on: 20v–21 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Confitemini domino quoniam bonus] Confitemini Deo deorum
21v–22	Super flumina Babilonis Cum recordaremur tui Sion	-	Anonymous
Super flumina Babilonis Cum recordaremur tui Sion Anonymous Appears on: 21v–22 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Super ilumina Babylonis] In salicibus in medio ejus
22v–23	Confìtebor tibi Domine Quoniam audisti verba oris mei	-	Anonymous
Confìtebor tibi Domine Quoniam audisti verba oris mei Anonymous Appears on: 22v–23 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Confitebor [tibi domine in toto corde meo] In conspectu angelorum General Note Feria sexta.
23v–25	Domine probasti me Tu cognovisti sessionem meam	-	Anonymous
Domine probasti me Tu cognovisti sessionem meam Anonymous Appears on: 23v–25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine probasti [me et cognovisti me] Intellexisti cogitationes meas de Longe . . .
25v–26	Eripe me domine... A viro iniquo eripe me	-	Anonymous
Eripe me domine... A viro iniquo eripe me Anonymous Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eripe me [domine ab homine malo] Qui cogitaverunt iniquitates in corde
26v–27	Domine clamavi ad te. Intende voci mee cum clamavero ad te	-	Anonymous
Domine clamavi ad te. Intende voci mee cum clamavero ad te Anonymous Appears on: 26v–27 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine [clamavi ad te] Dirigatur oratio mea
27v–28	Voce mea ad Dominum clamavi Voce mea ad Dominum deprecatus sum	-	Anonymous
Voce mea ad Dominum clamavi Voce mea ad Dominum deprecatus sum Anonymous Appears on: 27v–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vocem meam [ad dominum clamavi] Effundo in conspectu ejus …
28v–30	Benedictus Dominus Et digitos meos ad bellum	-	Anonymous
Benedictus Dominus Et digitos meos ad bellum Anonymous Appears on: 28v–30 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Misericordia mea et refugium meum General Note Sabbato. Benedictus [dominus Deus meus]
29v–31	Exaltabo te Deus meus rex Et benedicam nomini sancto tuo in saeculum	-	Anonymous
Exaltabo te Deus meus rex Et benedicam nomini sancto tuo in saeculum Anonymous Appears on: 29v–31 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exaltabo [te Deus meus rex] Per singulos dies benedicam tib
31v–32	Lauda anima mea Dominum Laudabo Dominum in vita mea	-	Anonymous
Lauda anima mea Dominum Laudabo Dominum in vita mea Anonymous Appears on: 31v–32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lauda anima [mea dominum] Nolite confidere in principibus …
32v–33	Laudate Dominum quoniam Deo nostro sit jucunda decoraque laudatio	-	Anonymous
Laudate Dominum quoniam Deo nostro sit jucunda decoraque laudatio Anonymous Appears on: 32v–33 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudate dominum [quoniam bonus est psalmus] Hedificans Jherusalem dominus . . .
33v–34	Lauda Jerusalem Dominum Lauda Deum tuum Sion	-	Anonymous
Lauda Jerusalem Dominum Lauda Deum tuum Sion Anonymous Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Lauda Jerusalem dominum] Quoniam confortavit feras portarum tuarum
34v	In quadragesima. Audi benigne conditor	JO. MARTINI	Anonymous
In quadragesima. Audi benigne conditor Anonymous Appears on: 34v Genres: Motet Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: Audi benigne. Scrutator alme cordium
35	Aures ad nostras Deitatis preces	JO. MARTINI	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)
Aures ad nostras Deitatis preces Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497) Appears on: 35 Genres: Motet Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras] Respice clemens solio de sancto vultu General Note Brebis set the odd verses (in C1), Martini the even verses (in C2)
35v	Vexilla regis prodeunt	JO. MARTINI	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)
Vexilla regis prodeunt Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497) Appears on: 35v Genres: Motet Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: Vexilla regis. Quo vulneratus in super General Note Brebis set the odd verses (in C1), Martini the even verses (in C2).
36v	Exultet caelum laudibus vos saecli justi judices	JO. MARTINI	Martini, Johannes (ca. 1430–1497)
Exultet caelum laudibus vos saecli justi judices Martini, Johannes (ca. 1430–1497) Appears on: 36v Genres: Motet Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus] Vos secli justi judices
37	Deus tuorum militum	JO. MARTINI	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)
Deus tuorum militum Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497) Appears on: 37 Genres: Motet Source Attribution: JO. MARTINI Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum. Hic nempe mundi gaudia General Note Brebis set the odd verses (in C1), Martini the even verses (in C2).
37v	Sanctorum meritis inclita gaudia	-	Brebis, Johannes (–ca. 1479)
Sanctorum meritis inclita gaudia Brebis, Johannes (–ca. 1479) Appears on: 37v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctorum meritis. Hii sunt quos retinens mundus
38–39	Salvum me fac Deus Quoniam intraverunt aqu	-	Anonymous
Salvum me fac Deus Quoniam intraverunt aqu Anonymous Appears on: 38–39 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Salvum me fac Deus] Fiat habitatio corum deserta General Note B et fin du T seul' Suivi du verset: Qui Deus salvam faciet
38v–39	Deus in adjutorium meum Domine ad adjuvandum	-	Anonymous
Deus in adjutorium meum Domine ad adjuvandum Anonymous Appears on: 38v–39 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus in adjutorium [meum intende] Confundantur et revereantur qui querunt
39v–42	In te Domine speravi: In justitia tua libera me et eripe me	-	Anonymous
In te Domine speravi: In justitia tua libera me et eripe me Anonymous Appears on: 39v–42 Genres: Motet, Te Deum Voice: [no designation] Languages: Latin Voice Text: In te domine [speravi] Inclina ad me aurem tuam
42v–44	Deus juditium tuum Et justitiam tuam filio regi	-	Anonymous
Deus juditium tuum Et justitiam tuam filio regi Anonymous Appears on: 42v–44 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus judicium tuum [regi da]. Judicaré populum tuum in justícia
44v–46	Quam bonus Israel Deus His qui recto sunt corde	-	Anonymous
Quam bonus Israel Deus His qui recto sunt corde Anonymous Appears on: 44v–46 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam bonus [Israel Deus his qui recto]. Mei autem pene moti sunt pedes General Note Pubi, en partie dans BukofzerTB (avec Lat. 454 n°53]
46v–48	Ut quid Deus .. Iratus est furor tuus	-	Anonymous
Ut quid Deus .. Iratus est furor tuus Anonymous Appears on: 46v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut quid Deus [repulisti in finem]. Memor esto congregationis tue
48v–49	Confitebimur tibi Deus Confitebimur et invocabimus nomen tuum	-	Anonymous
Confitebimur tibi Deus Confitebimur et invocabimus nomen tuum Anonymous Appears on: 48v–49 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Confitebimur tibi [Deus]. Narrabimus mirabilia
49v–50	Notus in Judea Deus in Israel magnum nomen eius	-	Anonymous
Notus in Judea Deus in Israel magnum nomen eius Anonymous Appears on: 49v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Notus in Judea [Deus in Israel]. Et factus est in pace Locus ejus
50v–52	Voce mea ad Dominum clamavi Voce mea ad Dominum et intendit mihi	-	Anonymous
Voce mea ad Dominum clamavi Voce mea ad Dominum et intendit mihi Anonymous Appears on: 50v–52 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Voce mea [ad dominum clamavi]. In die tribulationis mee deum exquisivi
52v–54	Miserere mei Deus Secundum magnam misericordiam tuam	-	Anonymous
Miserere mei Deus Secundum magnam misericordiam tuam Anonymous Appears on: 52v–54 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: In laudibus. Miserere [mei Deus]. Et secundum multitudinem miserationum tuarum
54v–56	Domine refugium factus es nobis A generatione in generationem	-	Anonymous
Domine refugium factus es nobis A generatione in generationem Anonymous Appears on: 54v–56 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine refugium [factus es nobis].Priusquam montes fièrent
56v–57	Deus Deus meus ad te de luce vigilo	-	Anonymous
Deus Deus meus ad te de luce vigilo Anonymous Appears on: 56v–57 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus Deus [meus ad te de luce vigilo]. Sitivit in te anima mea
57v–59	Cantemus Domino Equum et ascensorem projecit in mare	-	Anonymous
Cantemus Domino Equum et ascensorem projecit in mare Anonymous Appears on: 57v–59 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cantemus [domino]. Fortitudo mea et laus mea dominus
59v–62	Laudate Dominum de caelis Laudate eum in excelsis	-	Anonymous
Laudate Dominum de caelis Laudate eum in excelsis Anonymous Appears on: 59v–62 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudate dominum [de celis]. Laudate eum omnes angeli ejus
62v–63	Benedictus Dominus Deus Israel Qui visitavit et fecit redemptionem plebis sue	-	Anonymous
Benedictus Dominus Deus Israel Qui visitavit et fecit redemptionem plebis sue Anonymous Appears on: 62v–63 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus [Deus Israel]. Et erexit cornu salutis nobis
63v–64	Quare fremuerunt gentes Et populi meditati sunt	-	Anonymous
Quare fremuerunt gentes Et populi meditati sunt Anonymous Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Quare fremuerunt gentes]. Astiterunt reges terre General Note Feria sexta. In primo nocturno.
65v–67	Deus Deus meus rescipe in me Longe a salute mea verba delictorum meorum	-	Anonymous
Deus Deus meus rescipe in me Longe a salute mea verba delictorum meorum Anonymous Appears on: 65v–67 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Deus Deus meus respice in me]. Deus meus clamabo per diem
67v–69	Dominus illuminatio mea Et salus mea quem timebo	-	Anonymous
Dominus illuminatio mea Et salus mea quem timebo Anonymous Appears on: 67v–69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dominus illuminatio [mea et salus mea]. Dominus protector vite mee
69v–71	Domine ne in furore tuo … Neque in ira tua corripias me	-	Anonymous
Domine ne in furore tuo … Neque in ira tua corripias me Anonymous Appears on: 69v–71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine ne in furore [tuo arguas me]. Quoniam sagitte tue
71v–73	Expectans expectavi Dominum Et intendit michi	-	Anonymous
Expectans expectavi Dominum Et intendit michi Anonymous Appears on: 71v–73 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Expectans [expectavi dominum]. Et exaudivit preces meas
73v–74	Deus in nomine tuo et in virtute tua judica me	-	Anonymous
Deus in nomine tuo et in virtute tua judica me Anonymous Appears on: 73v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus in nomine [tuo salvum me fac]. Deus exaudi orationem meam
74v–76	Eripe me de inimich méis Et ab insurgentibus in me libera me	-	Anonymous
Eripe me de inimich méis Et ab insurgentibus in me libera me Anonymous Appears on: 74v–76 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Eripe me de inimicis meis]. Eripe me de operantibus iniquitatem General Note In tertio nocturno.
76v–78	Domine Deus salutis mee In die clamavi et nocte coram te	-	Anonymous
Domine Deus salutis mee In die clamavi et nocte coram te Anonymous Appears on: 76v–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine Deus [salutis mee]. Intret in conspectu tuo oratio mea … 3vx.
78v–80	Deus ultionum Dominus Deus ultionum libere egit	-	Anonymous
Deus ultionum Dominus Deus ultionum libere egit Anonymous Appears on: 78v–80 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus ultionum [dominus]. Exaltare qui judicas terrarii …
80v–82	Domine exaudi orationem meam Auribus percipe obsecrationem meam	-	Anonymous
Domine exaudi orationem meam Auribus percipe obsecrationem meam Anonymous Appears on: 80v–82 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Domine exaudi orationem] Et non intres in judicium General Note In laudibus miserere ut supra in quinta feria. [n° 51]
82v–84	Domine audivi Auditionem tuam et timui	-	Anonymous
Domine audivi Auditionem tuam et timui Anonymous Appears on: 82v–84 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: ( Domine audivi auditionem] Domine opus tuum General Note Deus Deus meus ut supra [n° 58]
84v–85	Cum invocarem In tribulatione dilatasti mihi	-	Anonymous
Cum invocarem In tribulatione dilatasti mihi Anonymous Appears on: 84v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum invocarem [exaudivit me Deus]. Miserere mei General Note Sabbato in primo nocturno
85v–86	Aut quis requiescet in monte sancto tuo	-	Anonymous
Aut quis requiescet in monte sancto tuo Anonymous Appears on: 85v–86 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine quis [habitavit in tabernáculo tuo]. Qui ingreditur sine macula
86v–87	Dixi Domino Deus meus es tu quoniam	-	Anonymous
Dixi Domino Deus meus es tu quoniam Anonymous Appears on: 86v–87 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Conserva [me domine]. Sancth qui sunt in terra ejus
87v–88	Domini est terra Orbis terrarum et universi	-	Anonymous
Domini est terra Orbis terrarum et universi Anonymous Appears on: 87v–88 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quia ipse super maria General Note In secundo nocturno. Domini est terra [et plenitudo ejus].
88v–89	Exaltabo te domine Nec delectasti inimicos meos	-	Anonymous
Exaltabo te domine Nec delectasti inimicos meos Anonymous Appears on: 88v–89 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exaltabo [te domine] Domine Deus meus clamavi ad te General Note Dominus illuminatio mea. Require supra in sexta feria [n° 59]
89v–90	Deus in nomine tuo salvum me fac	-	Anonymous
Deus in nomine tuo salvum me fac Anonymous Appears on: 89v–90 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Judica [me Deus] quia tu es Deus fortitudo mea General Note In tertio nocturno. Deus in nomine tuo salvum me fac. Require supra in sexta feria. [n° 62] Notus in Iudea. Require supra in quinta feria [n° 49] Domine Deus salutis mee. Require supra in sexta feria [n° 64] In laudibus. Miserere mei ut supra [n° 51]
90v–92	Ego dixi in dimidio. Vadam ad portas infer	-	Anonymous
Ego dixi in dimidio. Vadam ad portas infer Anonymous Appears on: 90v–92 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ego dixi [in dimidio dierum] Quesivi residuum annorum meorum General Note Deus Deus meus ut supra [n° 53
91v–101	St. Matthew Passion Ut quid perditio	-	Anonymous
St. Matthew Passion Ut quid perditio Anonymous Appears on: 91v–101 Genres: Liturgical work, Passion Voice: [no designation] Languages: Latin Voice Text: [Passion selon St. Mathieu] Ut quid perditio Item Bibliography Bukofzer, Manfred F. 1950. The beginnings of choral polyphony. Studies in Medieval and Renaissance Music, 176ff. New York: W. W. Norton and Co. Pages: Avec suite partielle de la Passion où les épisodes à lvx. alternent avec Turbae polyphoniques.

Composer	Compositions
Anonymous	Ad Dominum cum tribularer clamavi et exaudivit II: Heu michi domine qui incolatus meus – 10v–11 Ad te levavi oculos meos qui habitas in caelis – 11v–12 Aut quis requiescet in monte sancto tuo – 85v–86 Beati omnes qui tintent Dominum Qui ambulant in viis eius – 14v–15 Beatus vir qui timet Dominum In mandatis eius volet nimis – 3v–4 Benedictus Dominus Deus Israel Qui visitavit et fecit redemptionem plebis sue – 62v–63 Benedictus Dominus Et digitos meos ad bellum – 28v–30 Cantemus Domino Equum et ascensorem projecit in mare – 57v–59 Confitebimur tibi Deus Confitebimur et invocabimus nomen tuum – 48v–49 Confitebor tibi domine ... In consilio justorum et congregatione – 2v–3 Confitemini Domino quoniam bonus Quoniam in aeternum – 20v–21 Confìtebor tibi Domine Quoniam audisti verba oris mei – 22v–23 Credidi propter quod locutus sum Ego autem humiliatus sum – 9v–10 Cum invocarem In tribulatione dilatasti mihi – 84v–85 De profundis clamavi Domine exaudi vocem meam – 15v–16 Deus Deus meus ad te de luce vigilo – 56v–57 Deus Deus meus rescipe in me Longe a salute mea verba delictorum meorum – 65v–67 Deus in adjutorium meum Domine ad adjuvandum – 38v–39 Deus in nomine tuo et in virtute tua judica me – 73v–74 Deus in nomine tuo salvum me fac – 89v–90 Deus juditium tuum Et justitiam tuam filio regi – 42v–44 Deus ultionum Dominus Deus ultionum libere egit – 78v–80 Dilexi quoniam Vocem orationis mee – 6v–7 Dixi Domino Deus meus es tu quoniam – 86v–87 Dixit Dominus Sede a dextris meis – 1v–2 Domine Deus salutis mee In die clamavi et nocte coram te – 76v–78 Domine audivi Auditionem tuam et timui – 82v–84 Domine clamavi ad te. Intende voci mee cum clamavero ad te – 26v–27 Domine exaudi orationem meam Auribus percipe obsecrationem meam – 80v–82 Domine ne in furore tuo … Neque in ira tua corripias me – 69v–71 Domine non est exaltatum Neque elati sunt oculi mei – 16v–17 Domine probasti me Tu cognovisti sessionem meam – 23v–25 Domine refugium factus es nobis A generatione in generationem – 54v–56 Domini est terra Orbis terrarum et universi – 87v–88 Dominus illuminatio mea Et salus mea quem timebo – 67v–69 Ecce quam bonum habitare fratres in unum – 18v–19 Ego dixi in dimidio. Vadam ad portas infer – 90v–92 Eripe me de inimich méis Et ab insurgentibus in me libera me – 74v–76 Eripe me domine... A viro iniquo eripe me – 25v–26 Exaltabo te Deus meus rex Et benedicam nomini sancto tuo in saeculum – 29v–31 Exaltabo te domine Nec delectasti inimicos meos – 88v–89 Expectans expectavi Dominum Et intendit michi – 71v–73 In convertendo Dominus Facti sumus sicut consolati – 13v–14 In exitu Israel de Egypto Domus Jacob de populo barbaro – 5v–6 In quadragesima. Audi benigne conditor – 34v In te Domine speravi: In justitia tua libera me et eripe me – 39v–42 Laetatus sum.... In domum Domini ibimus – 11v–12 Lauda Jerusalem Dominum Lauda Deum tuum Sion – 33v–34 Lauda anima mea Dominum Laudabo Dominum in vita mea – 31v–32 Laudate Dominum de caelis Laudate eum in excelsis – 59v–62 Laudate Dominum omnes gentes, laudate eum omnes populi – 9v–10 Laudate Dominum quoniam Deo nostro sit jucunda decoraque laudatio – 32v–33 Laudate nomen Domini Laudate servi Dominum – 18v–20 Laudate pueri Laudate nomen Domini – 4v–5 Levavi óculos meos Unde veniet auxilium mihi – 10v–11 Memento domine David Et omnis mansuetudinis eius – 17v–18 Miserere mei Deus Secundum magnam misericordiam tuam – 52v–54 Nisi Dominus edificaverit domum In vanum laboraverunt – 14v–15 Nisi quia Dominus erat Nisi quia Dominus erat – 12v–13 Notus in Judea Deus in Israel magnum nomen eius – 49v–50 Quam bonus Israel Deus His qui recto sunt corde – 44v–46 Quare fremuerunt gentes Et populi meditati sunt – 63v–64 Qui confidunt in Domino Non commovebitur in aeternum – 12v–13 Salvum me fac Deus Quoniam intraverunt aqu – 38–39 Sepe expugnaverunt me / Dicant nunc Israel – 15v–16 St. Matthew Passion Ut quid perditio – 91v–101 Super flumina Babilonis Cum recordaremur tui Sion – 21v–22 Ut quid Deus .. Iratus est furor tuus – 46v–48 Voce mea ad Dominum clamavi Voce mea ad Dominum deprecatus sum – 27v–28 Voce mea ad Dominum clamavi Voce mea ad Dominum et intendit mihi – 50v–52
Brebis, Johannes (–ca. 1479)	Aures ad nostras Deitatis preces – 35 Deus tuorum militum – 37 Sanctorum meritis inclita gaudia – 37v Vexilla regis prodeunt – 35v
Martini, Johannes (ca. 1430–1497)	Aures ad nostras Deitatis preces – 35 Deus tuorum militum – 37 Exultet caelum laudibus vos saecli justi judices – 36v Vexilla regis prodeunt – 35v

Composition	Composers (? Uncertain)	Folios / Pages
Ad Dominum cum tribularer clamavi et exaudivit II: Heu michi domine qui incolatus meus	Anonymous	10v–11
Ad te levavi oculos meos qui habitas in caelis	Anonymous	11v–12
Aures ad nostras Deitatis preces	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)	35
Aut quis requiescet in monte sancto tuo	Anonymous	85v–86
Beati omnes qui tintent Dominum Qui ambulant in viis eius	Anonymous	14v–15
Beatus vir qui timet Dominum In mandatis eius volet nimis	Anonymous	3v–4
Benedictus Dominus Deus Israel Qui visitavit et fecit redemptionem plebis sue	Anonymous	62v–63
Benedictus Dominus Et digitos meos ad bellum	Anonymous	28v–30
Cantemus Domino Equum et ascensorem projecit in mare	Anonymous	57v–59
Confitebimur tibi Deus Confitebimur et invocabimus nomen tuum	Anonymous	48v–49
Confitebor tibi domine ... In consilio justorum et congregatione	Anonymous	2v–3
Confitemini Domino quoniam bonus Quoniam in aeternum	Anonymous	20v–21
Confìtebor tibi Domine Quoniam audisti verba oris mei	Anonymous	22v–23
Credidi propter quod locutus sum Ego autem humiliatus sum	Anonymous	9v–10
Cum invocarem In tribulatione dilatasti mihi	Anonymous	84v–85
De profundis clamavi Domine exaudi vocem meam	Anonymous	15v–16
Deus Deus meus ad te de luce vigilo	Anonymous	56v–57
Deus Deus meus rescipe in me Longe a salute mea verba delictorum meorum	Anonymous	65v–67
Deus in adjutorium meum Domine ad adjuvandum	Anonymous	38v–39
Deus in nomine tuo et in virtute tua judica me	Anonymous	73v–74
Deus in nomine tuo salvum me fac	Anonymous	89v–90
Deus juditium tuum Et justitiam tuam filio regi	Anonymous	42v–44
Deus tuorum militum	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)	37
Deus ultionum Dominus Deus ultionum libere egit	Anonymous	78v–80
Dilexi quoniam Vocem orationis mee	Anonymous	6v–7
Dixi Domino Deus meus es tu quoniam	Anonymous	86v–87
Dixit Dominus Sede a dextris meis	Anonymous	1v–2
Domine audivi Auditionem tuam et timui	Anonymous	82v–84
Domine clamavi ad te. Intende voci mee cum clamavero ad te	Anonymous	26v–27
Domine Deus salutis mee In die clamavi et nocte coram te	Anonymous	76v–78
Domine exaudi orationem meam Auribus percipe obsecrationem meam	Anonymous	80v–82
Domine ne in furore tuo … Neque in ira tua corripias me	Anonymous	69v–71
Domine non est exaltatum Neque elati sunt oculi mei	Anonymous	16v–17
Domine probasti me Tu cognovisti sessionem meam	Anonymous	23v–25
Domine refugium factus es nobis A generatione in generationem	Anonymous	54v–56
Domini est terra Orbis terrarum et universi	Anonymous	87v–88
Dominus illuminatio mea Et salus mea quem timebo	Anonymous	67v–69
Ecce quam bonum habitare fratres in unum	Anonymous	18v–19
Ego dixi in dimidio. Vadam ad portas infer	Anonymous	90v–92
Eripe me de inimich méis Et ab insurgentibus in me libera me	Anonymous	74v–76
Eripe me domine... A viro iniquo eripe me	Anonymous	25v–26
Exaltabo te Deus meus rex Et benedicam nomini sancto tuo in saeculum	Anonymous	29v–31
Exaltabo te domine Nec delectasti inimicos meos	Anonymous	88v–89
Expectans expectavi Dominum Et intendit michi	Anonymous	71v–73
Exultet caelum laudibus vos saecli justi judices	Martini, Johannes (ca. 1430–1497)	36v
In convertendo Dominus Facti sumus sicut consolati	Anonymous	13v–14
In exitu Israel de Egypto Domus Jacob de populo barbaro	Anonymous	5v–6
In quadragesima. Audi benigne conditor	Anonymous	34v
In te Domine speravi: In justitia tua libera me et eripe me	Anonymous	39v–42
Laetatus sum.... In domum Domini ibimus	Anonymous	11v–12
Lauda anima mea Dominum Laudabo Dominum in vita mea	Anonymous	31v–32
Lauda Jerusalem Dominum Lauda Deum tuum Sion	Anonymous	33v–34
Laudate Dominum de caelis Laudate eum in excelsis	Anonymous	59v–62
Laudate Dominum omnes gentes, laudate eum omnes populi	Anonymous	9v–10
Laudate Dominum quoniam Deo nostro sit jucunda decoraque laudatio	Anonymous	32v–33
Laudate nomen Domini Laudate servi Dominum	Anonymous	18v–20
Laudate pueri Laudate nomen Domini	Anonymous	4v–5
Levavi óculos meos Unde veniet auxilium mihi	Anonymous	10v–11
Memento domine David Et omnis mansuetudinis eius	Anonymous	17v–18
Miserere mei Deus Secundum magnam misericordiam tuam	Anonymous	52v–54
Nisi Dominus edificaverit domum In vanum laboraverunt	Anonymous	14v–15
Nisi quia Dominus erat Nisi quia Dominus erat	Anonymous	12v–13
Notus in Judea Deus in Israel magnum nomen eius	Anonymous	49v–50
Quam bonus Israel Deus His qui recto sunt corde	Anonymous	44v–46
Quare fremuerunt gentes Et populi meditati sunt	Anonymous	63v–64
Qui confidunt in Domino Non commovebitur in aeternum	Anonymous	12v–13
Salvum me fac Deus Quoniam intraverunt aqu	Anonymous	38–39
Sanctorum meritis inclita gaudia	Brebis, Johannes (–ca. 1479)	37v
Sepe expugnaverunt me / Dicant nunc Israel	Anonymous	15v–16
St. Matthew Passion Ut quid perditio	Anonymous	91v–101
Super flumina Babilonis Cum recordaremur tui Sion	Anonymous	21v–22
Ut quid Deus .. Iratus est furor tuus	Anonymous	46v–48
Vexilla regis prodeunt	Brebis, Johannes (–ca. 1479) Martini, Johannes (ca. 1430–1497)	35v
Voce mea ad Dominum clamavi Voce mea ad Dominum deprecatus sum	Anonymous	27v–28
Voce mea ad Dominum clamavi Voce mea ad Dominum et intendit mihi	Anonymous	50v–52

Set: alpha. M. 1. 11, alpha. M. 1. 12

Type: Partbooks

No images available

I-MOe MS {alpha}.M.1.11 (Modena C(1))

No images available

I-MOe MS {alpha}.M.1.12 (Modena C(2))

‡ denotes primary source study

Lockwood, Lewis Henry. 1984. Music in Renaissance Ferrara 1400-1505: The Creation of a Musical Center in the Fifteenth Century. Cambridge, Massachusetts. Pages: 160, 171, 216ff, 250ff, Fig. 9. Notes: physical description; contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: 11, 726.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 166-167.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Kanazawa, Masakata. 1978. Martini and Brebis at the Estense Chapel. Essays Presented to Myron P. Gilmore, 421-32. Florence. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1976. Fifteenth-Century Musical Sources from Ferrara: The Reconstruction of a Manuscript Tradition. Notes: physical description; mention of MS; discussion.

Ruhland, Konrad. 1975. Der Mehrstimmige Psalmvortrag im 15. und 16. Jahrhundert: Studien zur Psalmodie auf der Grundlage von Faburdon, Fauxbourdon und Falsobordone. Ludwig-Maximilians-Universität (Munich), Ph.D. dissertation. Pages: 272-311. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 101-43. Pages: 109-10. Notes: physical description (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 63-6, 85-7, 238ff, 533-9, passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I, 24ff, passim; II, 6ff, 88-107, 116-22. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 421-42. Notes: physical description (partial); contents list; concordances (partial); transcription (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 148. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Schmidt, Günther. 1960. Grundsätzliche Bemerkungen zur Geschichte der Passionshistorie. Archiv für Musikwissenschaft, 100-25. Pages: 106, 112ff, Plate 2. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Trumble, Ernest. 1959. Fauxbourdon: An Historical Survey. Musicological Studies. Brooklyn. Pages: 41ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fischer, Kurt von. 1954. Zur Geschichte der Passionskomposition des 16. Jahrhunderts in Italien. Archiv für Musikwissenschaft, 189-205. Pages: 191ff. Notes: contents list (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1950. The beginnings of choral polyphony. Studies in Medieval and Renaissance Music, 176ff. New York: W. W. Norton and Co. Notes: 181ff.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: DpFpII, 1346; X, 1691-2, Tafel 62.

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 20. Notes: physical description (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 454. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description