I-Mfd MS 2269 (Librone 1)

Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano, Italy

choirbook: Late 15th century

Archive	Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano, Italy (I-Mfd)
Shelfmark	MS 2269 (Librone 1)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	645 x 456 mm
Other Identifiers	RISM: I-Md 2269 CCM: MilD 1 Other catalogues/source: I-Mfd Librone 1
Notations	black void mensural
Copyists	Gaffurius, Franchinus (1451–1522) Music
Relationships	Gaffurius, Franchinus (1451–1522) (compiler) Milan Cathedral (copied at)
External Links	colour images CMME online edition Gaffurius Codices online
Provenance	Milan Cathedral , Milano, Italy
Contents	Contains 170 compositions, 114 from 10 composers, 56 are anonymous.

General Description

Copied by two main scribes, one of whom also wrote portions of MilD 2 (HalpM); later additions by Franchino Gafori, who also wrote ParmP 1158 and made additions in MilD 2, MilD 3, and MilD 4. Many anonymous pieces probably by Gafori. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

DIAMM, 2017

Physical Description

Paper manuscript; fols. III (modern flyleaves), 189, III’ (modern flyleaves). During the 2019 restoration, two paper folders have been inserted after fly-leaf III and before flyleaf I’ respectively, in order to house the original parchment pastedowns of the front and back cover, detached during a previous restoration. The manuscript consists of 189 folios; the foliation, written by Gaffurius himself on the upper right margin of each recto in Arabic numbers (1–188), skips the first folio; a modern hand has marked the latter in pencil ‘1ra’ on the upper right corner of the recto and ‘2va’, a few centimetres lower in the upper left margin on the ver-so. The format is ‘in plano’: 645 × 456 mm; all gatherings have reinforcing strips, since the bifolia were obtained by pasting together two large-format leaves.The gatherings are as follows: 1–13 (8), 14 (6), 15 (8), 16 (7), 18–24 (8). They are most-ly regular quaternions, with the exception of no. 14 (fols. 104–9), a ternion, and no. 16 (fols. 118–24), a quaternion in which the first leaf of the internal bifolium is missing (between fols. 120 and 121). The paper shows no watermark but is of two types: one thinner, smoother, and slightly bigger (which underwent substantial trimming on the upper margin), the other thicker and rougher. The first paper type is used in gatherings 1 and 5–15, the second one in gatherings 2–4 and 16–24. Corresponding to the different paper type is a different preparation of the page and writing block (Pantarotto 2021).

Agnese Pavanello 2024

Binding

Modern covers of tooled leather

DIAMM, 2017

Watermark

None visible

DIAMM, 2017

Liminary Note

Inscription on recto of first parchment folio: "Liber capelle ecclesie maioris milani factus opera et solicitudine franchini Gaffori laudensis prefecti prefate capelle impensa vero venerabilis fabrice dicte ecclesie anno domini MCCCCLXXXX die 23 Junii."

DIAMM, 2017

Notation

Black void mensural notation

DIAMM, 2017

Foliation

Original foliation, 1-188, beginning on second paper folio

DIAMM, 2017

Decoration

Illuminated miniature of Milan Cathedral on verso of first (unnumbered) paper folio. Some inked ornamental initials

DIAMM, 2017

Index

Portions of original index on parchment folio

DIAMM, 2017

Surface

iii modern flyleaves + 189 paper + iii modern flyleaves

DIAMM, 2017

RISM Description

RISM

XVe s. (1490). 2ff. limin. parchemin + 189ff. Papier, 638 x 462 mm. Foliotation ancienne: 1-188. Le 1er f. est n. ch., les ff. 5v à 7 sont blancs. Notation mesurée blanche. 12 portées par p. Au 2e f. parchemin, table incomplète du ms. Initiales ornées n. et rouge. Dans l'initiale du 1er f. n. ch., Stemma de la Fabbrica del Duomo.

Au 1er f. parchemin, on trouve la date du ms.: «Liber capelle ecclesie maioris Mediolani factus opera et solicitudine Franchini Gaffori laudensis prefecti prefate capelle impensa vero Ven. fabrice dicte ecclesie anno domini MCCCCLXXXX die 23 Junii.» Ce ms. contient 6 cycles de motetti missales: nos 57 (1-4), 86 (1-8), 87 (1-9), 88 (1-3).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus, 23 Magnificats, 4 Magnificat sections, 1 Te Deum, 7 hymns, 104 motets (some arranged in cycles, as substitutes for Mass sections), 2 textless pieces = 142 + 1 duplicate = 143

Binchois-1, Compère [Loyset]-23, (Compère?)-1, (Dufay)-1 + 1?, Gafori-46 + 7?, Giliardi [Arnulfus]-1, Martini-2, (Pullois)-1, Weerbecke [Gaspar]-19, anon-39

ii parchment + 189 paper + ii paper folios, 635 x 450. Original foliation, 1-188, beginning on second paper folio. Modern covers of tooled leather. Portions of original index on verso of second parchment folio. Copied by three scribes, including Franchino Gafori (JepG), who also copied ParmC 1158; scribal concordances with MilD 2, MilD 3, and MilD 4. Illuminated miniature of Milan Cathedral on verso of first (unnumbered) paper folio. Some inked ornamental initials. Inscription on recto of first parchment folio: "Liber capelle ecclesie maioris milani factus opera et solicitudine franchini Gaffori laudensis prefecti prefate capelle impensa vero venerabilis fabrice diete ecclesie anno domini MCCCCLXXXX die 23 Junii." No watermarks visible. Many anonymous pieces probably by Gafori.

Ca. 1484-90. Copied in Milan, for use by the cathedral choir; prepared under direction of Franchino Gafori, maestro di cappella from 1484 until his death in 1522.

Vol 4

Contents: 23 Magnificats, 4 Magnificat sections, 1 Te Deum, 7 hymns, 99 motets (1 incomplete; many arranged in cycles as substitutes for Mass sections), 2 litanies, 2 Benedicamus dominos, 2 textless pieces =140+1 duplicate = 141

Composers: Binchois-1, Compère [Loyset]-25 + 1?, (Compère/Gafori)-1, (Dufay)-l + 1?, Gafori-48 + 9?, Giliardi [ArnulfusJ-1, Martini-2, (Pullois)-1, Weerbecke [Gaspar]-19, anon-30

Physical: Copied by two main scribes, one of whom also wrote portions of MilD 2 (HalpM); later additions by Franchino Gafori, who also wrote ParmP 1158 and made additions in MilD 2, MilD 3, and MilD 4.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
0 (flyleaf)	Quia viderunt oculi - 1a pars (of 5): Quia viderunt oculi	-	Anonymous
Quia viderunt oculi - 1a pars (of 5): Quia viderunt oculi Anonymous Appears on: 0 (flyleaf) Genres: Motet Number of voices: 1 Voice: Superius Languages: Latin Voice Text: Quia uiderunt oculi Voice: Tenor Languages: Latin Voice Text: Quia uiderunt oculi General Note Sup. et seul' Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
0 (flyleaf)	Quia viderunt oculi - 2a pars (of 5): Lumen ad revelationem	-	Anonymous
Quia viderunt oculi - 2a pars (of 5): Lumen ad revelationem Anonymous Appears on: 0 (flyleaf) Genres: Motet Number of voices: 1 Voice: Cantus Languages: Latin Voice Text: LVmen ad reuelationem Voice: Tenor Languages: Latin Voice Text: LVmen ad reuelationem
0 (flyleaf)	Quia viderunt oculi - 3a pars (of 5): Sicut erat in principio	-	Anonymous
Quia viderunt oculi - 3a pars (of 5): Sicut erat in principio Anonymous Appears on: 0 (flyleaf) Genres: Motet Number of voices: 1 Voice: Cantus Languages: Latin Voice Text: Sicut erat in principio Voice: Tenor Languages: Latin Voice Text: Sicut erat in principio
0 (flyleaf)	Quia viderunt oculi - 4a pars (of 5): Salva nos domine vigilantes	-	Anonymous
Quia viderunt oculi - 4a pars (of 5): Salva nos domine vigilantes Anonymous Appears on: 0 (flyleaf) Genres: Motet Number of voices: 1 Voice: Cantus Languages: Latin Voice Text: Salua nos domine uigilantes Voice: Tenor Languages: Latin Voice Text: Salua nos domine uigilantes
0 (flyleaf)	Quia viderunt oculi - 5a pars (of 5): Ut vigilemus in Christo	-	Anonymous
Quia viderunt oculi - 5a pars (of 5): Ut vigilemus in Christo Anonymous Appears on: 0 (flyleaf) Genres: Motet Number of voices: 1 Voice: Cantus Languages: Latin Voice Text: Vt uigilemus in christo Voice: Tenor Languages: Latin Voice Text: Vt uigilemus in christo
0v (flyleaf)–1	Mysterium ecclesiae Sola in sexu femina	-	Anonymous
Mysterium ecclesiae Sola in sexu femina Anonymous Appears on: 0v (flyleaf)–1 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: SLa in sexu femina Voice: [no designation] Languages: Latin Voice Text: SOla in sexu femina Voice: [no designation] Languages: Latin Voice Text: SOla in sexu femina Voice: [no designation] Languages: Latin Voice Text: SOla in sexu femina General Note 85231 Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
0v (flyleaf)–1	Lux alma = Christe qui lux es Precamur sancte Domine	-	Anonymous
Lux alma = Christe qui lux es Precamur sancte Domine Anonymous Appears on: 0v (flyleaf)–1 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: PREcamur sancte domine Voice: [no designation] Languages: Latin Voice Text: PRecamur sancte domine Voice: [no designation] Languages: Latin Voice Text: PRecamur sancte domine Voice: [no designation] Languages: Latin Voice Text: PRecamur sancte domine Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
1v–2	Intende qui regis Israël Veni redemptor gentium	-	Anonymous
Intende qui regis Israël Veni redemptor gentium Anonymous Appears on: 1v–2 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: vEni redemptor gentium Voice: [no designation] Languages: Latin Voice Text: vEni redemptor gentium Voice: [no designation] Languages: Latin Voice Text: vEni redemptor gentium Voice: [no designation] Languages: Latin Voice Text: vEni redemptor gentium General Note In nativitate domini ad vesperos hymnus. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
1v–2	Illuminans altissime Seu mistico baptismate	-	Anonymous
Illuminans altissime Seu mistico baptismate Anonymous Appears on: 1v–2 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Seu mistico baptismate Voice: [no designation] Languages: Latin Voice Text: Seu mistico baptismate Voice: [no designation] Languages: Latin Voice Text: Seu mistico baptismate Voice: [no designation] Languages: Latin Voice Text: Seu mistico baptismate General Note In epiphania domini ad vesperos hymnus. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
2v	Magnificat duo (quarti toni): Esurientes [K.465]	-	Anonymous
Magnificat duo (quarti toni): Esurientes [K.465] Anonymous Appears on: 2v Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Esurientes … Voice: [no designation] Languages: none General Note Verset 8 seul' Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
2v	Magnificat duo (octavi toni): Esurientes [K.466]	-	Anonymous
Magnificat duo (octavi toni): Esurientes [K.466] Anonymous Appears on: 2v Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Esurientes … General Note Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
3	Magnificat duo (quinti toni): Fecit potentiam [K.461]	-	Anonymous
Magnificat duo (quinti toni): Fecit potentiam [K.461] Anonymous Appears on: 3 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Fecit potentiam … Voice: [no designation] Languages: Latin Voice Text: Fecit potentiam … General Note Verset 6 seul' Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
3	Magnificat duo (quarti toni): Quia fecit [K.459]	-	Anonymous
Magnificat duo (quarti toni): Quia fecit [K.459] Anonymous Appears on: 3 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Quia fecit ... Voice: [no designation] Languages: Latin Voice Text: Quia fecit ... General Note Verset 4 seul' Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
3v–4	Fidem refundens perditis	-	Anonymous
Fidem refundens perditis Anonymous Appears on: 3v–4 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: FJdem refundens perditis Voice: Altus Languages: Latin Voice Text: FJdem refundens Voice: Tenor Languages: Latin Voice Text: FJdem refundens perditis Voice: Bassus Languages: Latin Voice Text: FJdem refundens perditis General Note In resurectione domini hymnus. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
3v–4	Cerne quod puro Deus in honore	-	Anonymous
Cerne quod puro Deus in honore Anonymous Appears on: 3v–4 Genres: Motet Number of voices: 3 Voice: Cantus Languages: Latin Voice Text: cErne quod puro deus in honore Voice: Tenor Languages: Latin Voice Text: CErne quod puro deus in honore Voice: Contratenor Languages: Latin Voice Text: Cerne quod puro deus in honore Voice: [no designation] Languages: none General Note In dedicatione ecclesie hymnus Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
4v–5	Artus solutos ut quies	-	Anonymous
Artus solutos ut quies Anonymous Appears on: 4v–5 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: aRtus solutos ut quies Voice: Tenor Languages: Latin Voice Text: Artus solutos ut quies Voice: Contratenor Languages: Latin Voice Text: Artus solutos ut quies Voice: Contratenor Languages: Latin Voice Text: Artus solutos ut quies General Note In dominicis diebus ad vesperos hymnus. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
7v–8	Virgo prudentissima quo progrederis	F. GAFORUS	Gaffurius, Franchinus (1451–1522)
Virgo prudentissima quo progrederis Gaffurius, Franchinus (1451–1522) Appears on: 7v–8 Genres: Motet Source Attribution: F. GAFORUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima quo progrederis Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
8v–10	Magnificat 3 & 4 toni. Anima mea [K.747]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 8v–10 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Tertii toni. [Magnificat] Anima mea General Note Tous les versets. Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 19: 123-53. Pages: Ms 871. Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII (anon.). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1. V.
10v–17	Magnificat primi toni [K.696]	LOYSET [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Magnificat primi toni [K.696] Compère, Loyset (ca. 1445–1518) Appears on: 10v–17 Genres: BVM, Canticle, Magnificat Source Attribution: LOYSET [COMPÈRE] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Primi toni. [Magnificat] Anima mea General Note Tous les versets Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III.
17v–20	Magnificat octavi toni: Anima mea [K.368]	-	Busnoys, Antoine (ca. 1430–1492) (?)
Magnificat octavi toni: Anima mea [K.368] Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 17v–20 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Octavi toni. [Magnificat] Anima mea General Note Tous les versets. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
20v–21	Magnificat octavi toni: Et exultavit [K.604]	ARNULFUS	Arnulfus (fl. c1500)
Magnificat octavi toni: Et exultavit [K.604] Arnulfus (fl. c1500) Appears on: 20v–21 Genres: BVM, Canticle, Magnificat Source Attribution: ARNULFUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs
21v–23	Magnificat sexti toni [K.697]	LOISET [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni [K.697] Compère, Loyset (ca. 1445–1518) Appears on: 21v–23 Genres: BVM, Canticle, Magnificat Source Attribution: LOISET [COMPÈRE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sexti toni [Magnificat] Anima mea General Note Verset 1 puis versets pairs et verset 11 à4vx. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,111.
23v–27	Magnificat tertii toni: Anima mea [K.906]	[J. MARTINI*]	Martini, Johannes (ca. 1430–1497)
Magnificat tertii toni: Anima mea [K.906] Martini, Johannes (ca. 1430–1497) Appears on: 23v–27 Genres: BVM, Canticle, Magnificat Source Attribution: [J. MARTINI] Number of voices:* 4 Voice: [no designation] Languages: Latin Voice Text: Tertii toni.[Magnificat] Anima mea General Note Versets imp. Concordances D-brd-Mbs 3154 Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense.* Veneranda Fabbrica del Duomo di Milano. Pages: VII (anon.).
27v–29	Magnificat octavi toni: Anima mea [K.910]	JO MARTINI	Martini, Johannes (ca. 1430–1497)
Magnificat octavi toni: Anima mea [K.910] Martini, Johannes (ca. 1430–1497) Appears on: 27v–29 Genres: BVM, Canticle, Magnificat Source Attribution: JO MARTINI Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ottavi [toni] [Magnificat] Anima mea General Note Versets imp. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XII.
29v–31	Magnificat octavi toni: Et exultavit [K.386]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.386] Anonymous Appears on: 29v–31 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets imp. [= n33] Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
31v–32	Tropheum crucis undique distenditur	-	Anonymous
Tropheum crucis undique distenditur Anonymous Appears on: 31v–32 Genres: Motet Number of voices: 5 Voice: Cantus Languages: Latin Voice Text: tRopheum crucis undique distenditur Voice: Tenor Languages: Latin Voice Text: TRopheum crucis undique distenditur Voice: Tenor Languages: Latin Voice Text: undique distenditur Voice: Contratenor Languages: Latin Voice Text: Tropheum crucis undique distenditur Voice: Contratenor Languages: Latin Voice Text: TRopheum crucis undique distenditur
32v–35	Magnificat primi toni: Et exultavit [K.790]	FRANCHINUS GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat primi toni: Et exultavit [K.790] Gaffurius, Franchinus (1451–1522) Appears on: 32v–35 Genres: BVM, Canticle, Magnificat Source Attribution: FRANCHINUS GAFFORUS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
35v–37	Magnificat sexti toni: Et exultavit [K.793]	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat sexti toni: Et exultavit [K.793] Gaffurius, Franchinus (1451–1522) Appears on: 35v–37 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORUS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti toni.Et exultavit General Note . Versets pairs Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
37v–39	Magnificat octavi toni: Et exultavit [K.797]	F. GAFF [ORIUS]	Gaffurius, Franchinus (1451–1522)
Magnificat octavi toni: Et exultavit [K.797] Gaffurius, Franchinus (1451–1522) Appears on: 37v–39 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFF [ORIUS] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
39v–40	O Jesu dulcissime	-	Gaffurius, Franchinus (1451–1522) (?)
O Jesu dulcissime Gaffurius, Franchinus (1451–1522) (?) Appears on: 39v–40 Genres: Motet Number of voices: 5 Voice: Cantus Languages: Latin Voice Text: O panis suauissime Voice: Tenor Languages: Latin Voice Text: O Jesu dulcissime Voice: Tenor Languages: Latin Voice Text: O Jesu dulcissime Voice: Contratenor Languages: Latin Voice Text: O Jesu dulcissime Voice: Contratenor Languages: Latin Voice Text: O Jesu dulcissime Item Bibliography Fano, Fabio. 1953. Note su Franchino Gaffurio. Rivista Musicale Italiana, 55: 225ff. Pages: (attrib. à Gaffurio).
40v–41	Magnificat primi toni: Et exultavit [K.791]	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat primi toni: Et exultavit [K.791] Gaffurius, Franchinus (1451–1522) Appears on: 40v–41 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni.Et exultavit General Note . Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
41v–43	Magnificat primi toni: Et exultavit [K.792]	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat primi toni: Et exultavit [K.792] Gaffurius, Franchinus (1451–1522) Appears on: 41v–43 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORUS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni.Et exultavit General Note . Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
43v–45	Magnificat sexti toni: Anima mea [K.794]	F. GAFF [ORIUS]	Gaffurius, Franchinus (1451–1522)
Magnificat sexti toni: Anima mea [K.794] Gaffurius, Franchinus (1451–1522) Appears on: 43v–45 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFF [ORIUS] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sexti toni. [Magnificat] Anima mea General Note . Versets imp. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
45v–46	Magnificat sexti toni: Et exultavit [K.795]	F. G. [AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Magnificat sexti toni: Et exultavit [K.795] Gaffurius, Franchinus (1451–1522) Appears on: 45v–46 Genres: BVM, Canticle, Magnificat Source Attribution: F. G. [AFFORIUS] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti toni. Et exultavit General Note Versets pairs Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
46v–49	Magnificat sexti toni: Et exultavit [K.796]	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat sexti toni: Et exultavit [K.796] Gaffurius, Franchinus (1451–1522) Appears on: 46v–49 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORUS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti toni. Et exultavit General Note . Versets pairs Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
49v–51	Magnificat octavi toni: Et exultavit [K.799]	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Magnificat octavi toni: Et exultavit [K.799] Gaffurius, Franchinus (1451–1522) Appears on: 49v–51 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note . Versets pairs Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
51v–53	Magnificat octavi toni: Et exultavit [K.386]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.386] Anonymous Appears on: 51v–53 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs [=no. 21]
53v–56	Magnificat octavi toni: Et exultavit [K.800]	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
Magnificat octavi toni: Et exultavit [K.800] Gaffurius, Franchinus (1451–1522) Appears on: 53v–56 Genres: BVM, Canticle, Magnificat Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IV.
56v–57	Magnificat octavi toni: Et exultavit [K.413]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.413] Anonymous Appears on: 56v–57 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
57v–58	Magnificat secundi toni: Et exultavit [K.206]	-	Anonymous
Magnificat secundi toni: Et exultavit [K.206] Anonymous Appears on: 57v–58 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Secundi toni. Et exultavit General Note Versets pairs Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
58v–60	Magnificat quarti toni: Et exultavit [K.258]	-	Anonymous
Magnificat quarti toni: Et exultavit [K.258] Anonymous Appears on: 58v–60 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quarti toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
60v–62	Magnificat quarti toni: Et exultavit [K.283]	-	Anonymous
Magnificat quarti toni: Et exultavit [K.283] Anonymous Appears on: 60v–62 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quinti toni. Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: VII.
62v–64	Magnificat octavi toni: Et exultavit [K.414]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.414] Anonymous Appears on: 62v–64 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Et exultavit General Note Versets pairs. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
64v–65	Beata progenies	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Beata progenies Gaffurius, Franchinus (1451–1522) Appears on: 64v–65 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 3 Voice: Cantus Languages: Latin Voice Text: BEata progenies Voice: Tenor Languages: Latin Voice Text: BEata progenies Voice: Contratenor Languages: Latin Voice Text: BEata progenies Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
65v–66	Gloriose virginis Marie	F. GAFF [ORIUS]	Gaffurius, Franchinus (1451–1522)
Gloriose virginis Marie Gaffurius, Franchinus (1451–1522) Appears on: 65v–66 Genres: Motet Source Attribution: F. GAFF [ORIUS] Number of voices: 3 Voice: Cantus Languages: Latin Voice Text: GLoriose uirginis marie Voice: Tenor Languages: Latin Voice Text: GLoriose uirginis marie Voice: Contratenor Languages: Latin Voice Text: GLoriose uirginis marie Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
66v–67	Sub tuam protectionem	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Sub tuam protectionem Gaffurius, Franchinus (1451–1522) Appears on: 66v–67 Genres: Motet Source Attribution: F. G.[AFFORIUS] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sub tuam protectionem Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
67v–68	Sponsa Dei electa	F.G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Sponsa Dei electa Gaffurius, Franchinus (1451–1522) Appears on: 67v–68 Genres: Motet Source Attribution: F.G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: SPonsa dei electa Voice: Tenor Languages: Latin Voice Text: SPonsa dei electa Voice: Contratenor Languages: Latin Voice Text: SPonsa dei electa Voice: Contratenor Languages: Latin Voice Text: SPonsa dei electa Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
68v–69	Hortus conclusus est Dei genetrix fons signatus	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
Hortus conclusus est Dei genetrix fons signatus Gaffurius, Franchinus (1451–1522) Appears on: 68v–69 Genres: Motet Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: ORtus conclusus fons signatus Voice: Tenor Languages: Latin Voice Text: ORtus conclusus fons signatus Voice: Contratenor Languages: Latin Voice Text: ORtus conclusus fons signatus Voice: Contratenor Languages: Latin Voice Text: ORtus conclusus fons signatus Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
69v–70	Descendi in ortum meum	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
Descendi in ortum meum Gaffurius, Franchinus (1451–1522) Appears on: 69v–70 Genres: Motet Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: DEscendi in ortum meum Voice: Contratenor Languages: Latin Voice Text: DEscendi in ortum meum Voice: Tenor Languages: Latin Voice Text: DEscendi in ortum meum Voice: Contratenor Languages: Latin Voice Text: DEscendi in ortum meum Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
70v–71	Tota pulchra es amica mea et macula	F. G. [AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Tota pulchra es amica mea et macula Gaffurius, Franchinus (1451–1522) Appears on: 70v–71 Genres: Motet Source Attribution: F. G. [AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: TOta pulcra es amica Voice: Contratenor Languages: Latin Voice Text: TOta pulcra tota pulcra Voice: Tenor Languages: Latin Voice Text: TOta pulcra es amica Voice: Contratenor Languages: Latin Voice Text: TOta pulcra es amica Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
71v–72	Quando venit - 1a pars (of 2): Quando venit ergo sacri	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Quando venit - 1a pars (of 2): Quando venit ergo sacri Gaffurius, Franchinus (1451–1522) Appears on: 71v–72 Genres: Motet Source Attribution: F. G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Quando uenit ergo sacri Voice: Tenor Languages: Latin Voice Text: Quando uenit ergo sacri Voice: Contratenor Languages: Latin Voice Text: Quando uenit ergo sacri Voice: Contratenor Languages: Latin Voice Text: Quando uenit ergo sacri Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
71v–72	Quando venit - 2a pars (of 2): Ave corpus Jesu Christi	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Quando venit - 2a pars (of 2): Ave corpus Jesu Christi Gaffurius, Franchinus (1451–1522) Appears on: 71v–72 Genres: Motet Source Attribution: F. G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Aue corpus iesu christi Voice: Tenor Languages: Latin Voice Text: Aue corpus iesu christi Voice: Contratenor Languages: Latin Voice Text: Aue corpus iesu christi Voice: Contratenor Languages: Latin Voice Text: Aue corpus iesu christi Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
72v–73	O sacrum convivium (4vv)	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
O sacrum convivium (4vv) Gaffurius, Franchinus (1451–1522) Appears on: 72v–73 Genres: Motet Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O Sacrum conuiuium Voice: Tenor Languages: Latin Voice Text: Jn quo christus sumitur Voice: Contratenor Languages: Latin Voice Text: O Sacrum conuiuium Voice: Contratenor Languages: Latin Voice Text: Jn quo christus sumitur Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
73v–74	Hoc gaudium est spiritus	F. GAFF[ORIUS]	Gaffurius, Franchinus (1451–1522)
Hoc gaudium est spiritus Gaffurius, Franchinus (1451–1522) Appears on: 73v–74 Genres: Cantio Source Attribution: F. GAFF[ORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: HOc gaudium est spiritus Voice: Tenor Languages: Latin Voice Text: HOc gaudium est spiritus Voice: Contratenor Languages: Latin Voice Text: HOc gaudium est spiritus Voice: Contratenor Languages: Latin Voice Text: HOc gaudium est spiritus Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
74v–75	Gaude virgo gloriosa	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
Gaude virgo gloriosa Gaffurius, Franchinus (1451–1522) Appears on: 74v–75 Genres: Motet Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: VJirgo gloriosa Voice: Tenor Languages: Latin Voice Text: GAude uirgo gloriosa Voice: Contratenor Languages: Latin Voice Text: GAude uirgo gloriosa Voice: Contratenor Languages: Latin Voice Text: GAude uirgo gloriosa Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
75v–77	Prodiit puer - 1a pars (of 2): Prodiit puer de puella	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Prodiit puer - 1a pars (of 2): Prodiit puer de puella Gaffurius, Franchinus (1451–1522) Appears on: 75v–77 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: PRodijt puer de puella Voice: Tenor Languages: Latin Voice Text: PRodijt puer de puella Voice: Contratenor Languages: Latin Voice Text: PRodijt puer de puella Voice: Contratenor Languages: Latin Voice Text: PRodijt puer de puella Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
75v–77	Prodiit puer - 2a pars (of 2): Quod puella parit ita res a saecli inaudita	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Prodiit puer - 2a pars (of 2): Quod puella parit ita res a saecli inaudita Gaffurius, Franchinus (1451–1522) Appears on: 75v–77 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Quod puella parit ita Voice: Tenor Languages: Latin Voice Text: Res a secli inaudita Voice: Contratenor Languages: Latin Voice Text: Quod puella parit ita Voice: Contratenor Languages: Latin Voice Text: Res a secli inaudita Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
77v–78	Joseph conturbatus	F. GAFFORIUS	Gaffurius, Franchinus (1451–1522)
Joseph conturbatus Gaffurius, Franchinus (1451–1522) Appears on: 77v–78 Genres: Motet Source Attribution: F. GAFFORIUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: JOseph conturbatus est Voice: Contratenor Languages: Latin Voice Text: JOseph conturbatus est Voice: Tenor Languages: Latin Voice Text: JOseph conturbatus est Voice: Contratenor Languages: Latin Voice Text: JOseph conturbatus est Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
78v–80	Gaude mater luminis - 1a pars (of 2): Gaude mater luminis	F. G. [AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Gaude mater luminis - 1a pars (of 2): Gaude mater luminis Gaffurius, Franchinus (1451–1522) Appears on: 78v–80 Genres: Marian antiphon, Motet Source Attribution: F. G. [AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: GAude mater luminis Voice: Tenor Languages: Latin Voice Text: GAude mater luminis Voice: Contratenor Languages: Latin Voice Text: Quam diuini numinis Voice: Contratenor Languages: Latin Voice Text: GAude mater luminis Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
78v–80	Gaude mater luminis - 2a pars (of 2): Te honorant superi	F. G. [AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Gaude mater luminis - 2a pars (of 2): Te honorant superi Gaffurius, Franchinus (1451–1522) Appears on: 78v–80 Genres: Sequence Source Attribution: F. G. [AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: TE honorant superi Voice: Tenor Languages: Latin Voice Text: TE honorant superi Voice: Contratenor Languages: Latin Voice Text: TE honorant superi Voice: Contratenor Languages: Latin Voice Text: TE honorant superi Voice: [no designation] Languages: none Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
80v–81	Ave mundi spes Maria	F. Gaff[orus]	Gaffurius, Franchinus (1451–1522)
Ave mundi spes Maria Gaffurius, Franchinus (1451–1522) Appears on: 80v–81 Genres: Sequence Source Attribution: F. Gaff[orus] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Ave mundi spes Maria Voice: Tenor Languages: Latin Voice Text: Aue mundi spes maria Voice: Contratenor Languages: Latin Voice Text: Aue mundi spes maria Voice: Contratenor Languages: Latin Voice Text: Aue mundi spes maria Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V, 65-65.
81v–82	Laetarere alleluia / Regina caeli	-	Gaffurius, Franchinus (1451–1522)
Laetarere alleluia / Regina caeli Gaffurius, Franchinus (1451–1522) Appears on: 81v–82 Genres: Motet, Regina caeli laetare Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: LEtarere aleluia Voice: Tenor Languages: Latin Voice Text: Regina caeli Voice: Contratenor Languages: Latin Voice Text: LEtare alleluya Voice: Contratenor Languages: Latin Voice Text: LEtarere alleluya Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
82v–84	Salve decus genitoris - 1a pars (of 2): Salve decus genitoris	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Salve decus genitoris - 1a pars (of 2): Salve decus genitoris Gaffurius, Franchinus (1451–1522) Appears on: 82v–84 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: SAlue decus genitoris Voice: Tenor Languages: Latin Voice Text: SAlue decus genitoris Voice: Contratenor Languages: Latin Voice Text: SAlue decus genitoris Voice: Contratenor Languages: Latin Voice Text: SAlue decus genitoris Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
82v–84	Salve decus genitoris - 2a pars (of 2): Tanquam tibi e caelo datos qui nepotes plus quam natos	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Salve decus genitoris - 2a pars (of 2): Tanquam tibi e caelo datos qui nepotes plus quam natos Gaffurius, Franchinus (1451–1522) Appears on: 82v–84 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: TAnquam tibi e celo datos Voice: Tenor Languages: Latin Voice Text: QVi nepotes plus quam natos Voice: Contratenor Languages: Latin Voice Text: QVi nepotes plus quam natos Voice: Contratenor Languages: Latin Voice Text: QVi nepotes plus quam natos Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
84v–85	Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris	F. Gaforus	Gaffurius, Franchinus (1451–1522)
Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris Gaffurius, Franchinus (1451–1522) Appears on: 84v–85 Genres: Motet Source Attribution: F. Gaforus Voice: [no designation] Languages: Latin Voice Text: SAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: SAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: SAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: SAlue mater saluatoris General Note (Motetti missales consequentes Salve mater salvatoris Gaffori cum tota missa)
84v–85	Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina	F. Gaforus	Gaffurius, Franchinus (1451–1522)
Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina Gaffurius, Franchinus (1451–1522) Appears on: 84v–85 Genres: Motet Source Attribution: F. Gaforus Voice: Cantus Languages: Latin Voice Text: SAlue uerbi sacra parens Voice: Tenor Languages: Latin Voice Text: Flos de spina spina carens Voice: Contratenor Languages: Latin Voice Text: SAlue uerbi sacra parens Voice: Contratenor Languages: Latin Voice Text: SAlue uerbi sacra parens General Note (Motetti missales consequentes Salve matersalvatoris Gaffori cum tota missa)
85v–87	Salve decus virginum - 1a pars (of 2): Salve decus virginum	F. G.[afforius]	Gaffurius, Franchinus (1451–1522)
Salve decus virginum - 1a pars (of 2): Salve decus virginum Gaffurius, Franchinus (1451–1522) Appears on: 85v–87 Genres: Motet Source Attribution: F. G.[afforius] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: SAlue decus uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue decus uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue decus uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue decus uirginum
85v–87	Salve decus virginum - 2a pars (of 2): Tu conuallis humilis terra non arabilis	F. G.[afforius]	Gaffurius, Franchinus (1451–1522)
Salve decus virginum - 2a pars (of 2): Tu conuallis humilis terra non arabilis Gaffurius, Franchinus (1451–1522) Appears on: 85v–87 Genres: Motet Source Attribution: F. G.[afforius] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: TV conuallis humilis Voice: Tenor Languages: Latin Voice Text: TErra non arabilis Voice: Contratenor Languages: Latin Voice Text: TV conuallis humilis Voice: Contratenor Languages: Latin Voice Text: TErra non arabilis
87v–90	Tu thronus es Salomonis - 1a pars (of 3): Tu thronus es Salomonis	F. G.[afforius]	Gaffurius, Franchinus (1451–1522)
Tu thronus es Salomonis - 1a pars (of 3): Tu thronus es Salomonis Gaffurius, Franchinus (1451–1522) Appears on: 87v–90 Genres: Motet Source Attribution: F. G.[afforius] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: TV thronus es salomonis Voice: [no designation] Languages: Latin Voice Text: TV thronus es salomonis Voice: [no designation] Languages: Latin Voice Text: TV thronus es salomonis Voice: [no designation] Languages: Latin Voice Text: TV thronus es salomonis
87v–90	Tu thronus es Salomonis - 2a pars (of 3): Salve mater pietatis et totius trinitatis	F. G.[afforius]	Gaffurius, Franchinus (1451–1522)
Tu thronus es Salomonis - 2a pars (of 3): Salve mater pietatis et totius trinitatis Gaffurius, Franchinus (1451–1522) Appears on: 87v–90 Genres: Motet Source Attribution: F. G.[afforius] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: SAlue mater pietatis Voice: Tenor Languages: Latin Voice Text: SAlue mater pietatis Voice: Contratenor Languages: Latin Voice Text: SAlue mater pietatis Voice: Contratenor Languages: Latin Voice Text: Et totius trinitatis
87v–90	Tu thronus es Salomonis - 3a pars (of 3): Lux eclipsim nesciens / Virginis est castitas	F. G.[afforius]	Gaffurius, Franchinus (1451–1522)
Tu thronus es Salomonis - 3a pars (of 3): Lux eclipsim nesciens / Virginis est castitas Gaffurius, Franchinus (1451–1522) Appears on: 87v–90 Genres: Motet Source Attribution: F. G.[afforius] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: LVx eclipsim nesciens Voice: Tenor Languages: Latin Voice Text: VJrginis est castitas Voice: Contratenor Languages: Latin Voice Text: LVx eclipsim nesciens Voice: Contratenor Languages: Latin Voice Text: VJrginis est castitas
90v–93	Imperatrix gloriosa - 1a pars (of 3): Imperatrix gloriosa	F. Gafforus	Gaffurius, Franchinus (1451–1522)
Imperatrix gloriosa - 1a pars (of 3): Imperatrix gloriosa Gaffurius, Franchinus (1451–1522) Appears on: 90v–93 Genres: Motet Source Attribution: F. Gafforus Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: JMperatrix gloriosa Voice: [no designation] Languages: Latin Voice Text: JMperatrix gloriosa Voice: [no designation] Languages: Latin Voice Text: IMperatrix gloriosa Voice: [no designation] Languages: Latin Voice Text: JMperatrix gloriosa
90v–93	Imperatrix gloriosa - 2a pars (of 3): Florem ergo genuisti ex quo fructum protulisti	F. Gafforus	Gaffurius, Franchinus (1451–1522)
Imperatrix gloriosa - 2a pars (of 3): Florem ergo genuisti ex quo fructum protulisti Gaffurius, Franchinus (1451–1522) Appears on: 90v–93 Genres: Motet Source Attribution: F. Gafforus Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: FLorem ergo genuisti Voice: Tenor Languages: Latin Voice Text: Ex quo fructum protulisti Voice: Contratenor Languages: Latin Voice Text: Ex quo fructum protulisti Voice: Contratenor Languages: Latin Voice Text: FLorem ergo genuisti
90v–93	Imperatrix gloriosa - 3a pars (of 3): Res miranda res novella	F. Gafforus	Gaffurius, Franchinus (1451–1522)
Imperatrix gloriosa - 3a pars (of 3): Res miranda res novella Gaffurius, Franchinus (1451–1522) Appears on: 90v–93 Genres: Motet Source Attribution: F. Gafforus Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: REs miranda res nouella Voice: Tenor Languages: Latin Voice Text: REs miranda Voice: Contratenor Languages: Latin Voice Text: REs miranda res nouella Voice: Contratenor Languages: Latin Voice Text: REs miranda res nouella
93v–95	O Beate sebastiane	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
O Beate sebastiane Gaffurius, Franchinus (1451–1522) Appears on: 93v–95 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O Beate sebastiane Voice: Tenor Languages: Latin Voice Text: O Beate sebastiane Voice: Contratenor Languages: Latin Voice Text: O Beate sebastiane Voice: Contratenor Languages: Latin Voice Text: O Beate sebastiane Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
95v–96	Juste & sancte / Omnipotens aeterne Deus	F. GAFORUS	Gaffurius, Franchinus (1451–1522)
Juste & sancte / Omnipotens aeterne Deus Gaffurius, Franchinus (1451–1522) Appears on: 95v–96 Genres: Motet Source Attribution: F. GAFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Juste & sancte Voice: Tenor Languages: Latin Voice Text: Omnipotens eterne deus Voice: Contratenor Languages: Latin Voice Text: Omnipotens eterne deus Voice: Bassus Languages: Latin Voice Text: Omnipotens eterne deus Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
96v–97	Virgo Dei digna mater	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Virgo Dei digna mater Gaffurius, Franchinus (1451–1522) Appears on: 96v–97 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: VJrgo dei digna mater Voice: Tenor Languages: Latin Voice Text: VJrgo dei digna mater Voice: Contratenor Languages: Latin Voice Text: VJrgo dei digna mater Voice: Contratenor Languages: Latin Voice Text: VJrgo dei digna mater Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
97v–98	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 97v–98 Genres: Benedicamus Domino, Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: bEnedicamus domino Voice: Tenor Languages: Latin Voice Text: BEnedicamus domino Voice: Contratenor Languages: Latin Voice Text: bEnedicamus domino Voice: Contratenor Languages: Latin Voice Text: BEnedicamus domino
97v–98	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 97v–98 Genres: Benedicamus Domino, Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: bEnedicamus domino Voice: Tenor Languages: Latin Voice Text: bEnedicamus domino Voice: Contratenor Languages: Latin Voice Text: bEnedicamus domino Voice: Contratenor Languages: Latin Voice Text: bEnedicamus domino
98v–99	Verbum sapientie	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Verbum sapientie Gaffurius, Franchinus (1451–1522) Appears on: 98v–99 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: vErbum sapientie Voice: Tenor Languages: Latin Voice Text: vErbum sapientie Voice: Altus Languages: Latin Voice Text: vErbum sapientie Voice: Bassus Languages: Latin Voice Text: VErbum sapientie Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
99v–100	Castra caeli dum transcendo	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Castra caeli dum transcendo Gaffurius, Franchinus (1451–1522) Appears on: 99v–100 Genres: Benedicamus Domino Source Attribution: F. G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Castra celi dum transcendo Voice: Tenor Languages: Latin Voice Text: Castra celi dum transcendo Voice: Altus Languages: Latin Voice Text: Castra celi dum transcendo Voice: Bassus Languages: Latin Voice Text: Castra celi dum transcendo Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
100v–101	O res laeta messis gratta nostrum genus et cognata	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
O res laeta messis gratta nostrum genus et cognata Gaffurius, Franchinus (1451–1522) Appears on: 100v–101 Genres: Benedicamus Domino Source Attribution: F. G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O res leta messis gratta Voice: Altus Languages: Latin Voice Text: Nostrum genus et cognata Voice: Tenor Languages: Latin Voice Text: O res leta messis gratta Voice: Bassus Languages: Latin Voice Text: O res leta messis gratta Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
101v–102	Imperatrix reginarum	F. GAFFORUS	Gaffurius, Franchinus (1451–1522)
Imperatrix reginarum Gaffurius, Franchinus (1451–1522) Appears on: 101v–102 Genres: Motet Source Attribution: F. GAFFORUS Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: iMperatrix reginarum Voice: Altus Languages: Latin Voice Text: iMperatrix reginarum Voice: Tenor Languages: Latin Voice: Bassus Languages: Latin Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
102v–103	Eya mater summi Dei / Jesu Christi Nazarei	-	Anonymous
Eya mater summi Dei / Jesu Christi Nazarei Anonymous Appears on: 102v–103 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Eya mater summi dei Voice: Altus Languages: Latin Voice Text: Jesu christi nazarei Voice: Tenor Languages: Latin Voice Text: Eya mater summi dei Voice: Bassus Languages: Latin Voice Text: Jesu christi nazarei
103c–105	Vox jocunda - 1a pars (of 2): Nostre mentis sit in ore vox jocunda cum favore	-	Anonymous
Vox jocunda - 1a pars (of 2): Nostre mentis sit in ore vox jocunda cum favore Anonymous Appears on: 103c–105 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Nostre mentis sit in ore Voice: Altus Languages: Latin Voice Text: Nostre mentis sit in ore Voice: Tenor Languages: Latin Voice Text: Vox iocunda cum favore Voice: Bassus Languages: Latin Voice Text: Uox iocunda cum favore
103c–105	Vox jocunda - 2a pars (of 2): O Jesu dulcissime	-	Anonymous
Vox jocunda - 2a pars (of 2): O Jesu dulcissime Anonymous Appears on: 103c–105 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O Jesu dulcissime Voice: Altus Languages: Latin Voice Text: O Jesu dulcissime Voice: Tenor Languages: Latin Voice Text: O Jesu dulcissime Voice: Bassus Languages: Latin Voice Text: O Jesu dulcissime
105v–106	Reformator animarum Jesu Christe nos tuarum	-	Anonymous
Reformator animarum Jesu Christe nos tuarum Anonymous Appears on: 105v–106 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: rEformator animarum Voice: Altus Languages: Latin Voice Text: Reformator animarum Voice: Tenor Languages: Latin Voice Text: Jesu christe nos tuarum Voice: Bassus Languages: Latin Voice Text: REformator animarum
106v–107	Ave cella nove legis	-	Anonymous
Ave cella nove legis Anonymous Appears on: 106v–107 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: aVe cella noue legis Voice: Tenor Languages: Latin Voice Text: Aue cella noue legis Voice: Contratenor Languages: Latin Voice Text: Aue cella noue legis Voice: Contratenor Languages: Latin Voice Text: Ave cella noue legis
107v–108	Promissa mundo gaudia	F. G.[AFFORIUS]	Gaffurius, Franchinus (1451–1522)
Promissa mundo gaudia Gaffurius, Franchinus (1451–1522) Appears on: 107v–108 Genres: Motet Source Attribution: F. G.[AFFORIUS] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: pRomissa mundo gaudia Voice: Tenor Languages: Latin Voice Text: Promissa mundo gaudia Voice: Contratenor Languages: Latin Voice Text: PRomissa mundo gaudia Voice: Contratenor Languages: Latin Voice Text: Promissa mundo gaudia Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
108v–109	O beata praesulis	-	Anonymous
O beata praesulis Anonymous Appears on: 108v–109 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O Beata presulis Voice: Altus Languages: Latin Voice Text: O Beata presulis Voice: Tenor Languages: Latin Voice Text: O Beata presulis Voice: Bassus Languages: Latin Voice Text: O Beata presulis
109v–110	Ave mundi reparatrix Trinitatis inclinatrix	-	Anonymous
Ave mundi reparatrix Trinitatis inclinatrix Anonymous Appears on: 109v–110 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: aVe mundi reparatrix Voice: Altus Languages: Latin Voice Text: Trinitatis inclinatrix Voice: Tenor Languages: Latin Voice Text: Ave mundi reparatrix Voice: Bassus Languages: Latin Voice Text: Trinitatis inclinatrix
110v–111	Uterus virgineus thronus est	-	Anonymous
Uterus virgineus thronus est Anonymous Appears on: 110v–111 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: vTerus uirgineus Voice: Altus Languages: Latin Voice Text: Vterus uirgineus Voice: Tenor Languages: Latin Voice Text: Vterus uirgineus Voice: Bassus Languages: Latin Voice Text: UTerus uirgineus
111v–112	Haec est sedes gratiae sedes pudicictiae	-	Anonymous
Haec est sedes gratiae sedes pudicictiae Anonymous Appears on: 111v–112 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: hEc est sedes gratie Voice: Altus Languages: Latin Voice Text: Hec est sedes gratie Voice: Tenor Languages: Latin Voice Text: Sedes pudicicie Voice: Bassus Languages: Latin Voice Text: Sedes pudicicie
112v–113	Magnum nomen Domini	F. GAFORUS	Gaffurius, Franchinus (1451–1522)
Magnum nomen Domini Gaffurius, Franchinus (1451–1522) Appears on: 112v–113 Genres: Motet Source Attribution: F. GAFORUS Number of voices: 5 Voice: Cantus Languages: Latin Voice Text: mAgnum nomen domini Voice: Tenor Languages: Latin Voice Text: Magnum nomen domini Voice: Tenor Languages: Latin Voice Text: Magnum nomen domini Voice: Bassus Languages: Latin Voice Text: Magnum nomen domini Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V.
113v–114	[Nostras preces cum fletibus] Audi benigne conditor	F. GAFF [ORIUS]	Gaffurius, Franchinus (1451–1522)
[Nostras preces cum fletibus] Audi benigne conditor Gaffurius, Franchinus (1451–1522) Appears on: 113v–114 Genres: Motet Source Attribution: F. GAFF [ORIUS] Number of voices: 5 Voice: Cantus Languages: Latin Voice Text: Nostras preces cum fletibus Voice: Tenor Languages: Latin Voice Text: Audi audi benigne conditor Voice: Tenor Languages: Latin Voice Text: Audi audi benigne conditor Voice: Contratenor Languages: Latin Voice Text: Nostras preces cum fletibus Voice: Contratenor Languages: Latin Voice Text: Nostras preces cum fletibus Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: V. Fano, Fabio. 1953. Note su Franchino Gaffurio. Rivista Musicale Italiana, 55: 225ff.
114v–115	Christi mater ave sanctissima virgo	GASPAR[VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Christi mater ave sanctissima virgo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 114v–115 Genres: Motet Source Attribution: GASPAR[VAN WEERBECKE] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Christi mater ave sanctissima virgo Voice: Altus Languages: Latin Voice Text: Christi mater ave sanctissima virgo Voice: Tenor Languages: Latin Voice Text: Christi mater ave sanctissima virgo Voice: Bassus Languages: Latin Voice Text: Christi mater ave sanctissima virgo General Note Publ. cf. Fn 27 n° 99
115v–116	Mater digna Dei venie via luxque	GASPAR[VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Mater digna Dei venie via luxque Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 115v–116 Genres: Motet Source Attribution: GASPAR[VAN WEERBECKE] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: mAter digna dei uenie uia luxque Voice: Altus Languages: Latin Voice Text: mAter digna dei uenie uia luxque Voice: Tenor Languages: Latin Voice Text: MAter digna dei uenie uia luxque Voice: Bassus Languages: Latin Voice Text: Mater digna dei uenie uia luxque General Note Publ. cf. Fn 27 n° 60
116v–117	Ave stella matutina vita nostra lux	GASPAR[VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave stella matutina vita nostra lux Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 116v–117 Genres: Motet Source Attribution: GASPAR[VAN WEERBECKE] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: aVe stella matutina Voice: Altus Languages: Latin Voice Text: Vita nostra lux diuina Voice: Tenor Languages: Latin Voice Text: Aue stella matutina Voice: Bassus Languages: Latin Voice Text: Vita nostra lux diuina General Note Publ. cf. Fn 27 n° 129
117v–118	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 117v–118 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
118v–121	Te Deum laudamus	BINCHOYS	Binchois, Gilles (ca. 1400–1460)
Te Deum laudamus Binchois, Gilles (ca. 1400–1460) Appears on: 118v–121 Genres: Liturgical work, Te Deum Source Attribution: BINCHOYS Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus General Note a faux bourdon Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XV. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
121v–123	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	[J. PYLLOIS]*	Pullois, Johannes
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur Pullois, Johannes Appears on: 121v–123 Genres: Motet Source Attribution: [J. PYLLOIS]* Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: FLos de spina procreatur Voice: Tenor Languages: Latin Voice Text: Flos de spina Voice: Contratenor Languages: Latin Voice Text: Flos de spina Voice: Contratenor Languages: Latin Voice Text: Flos de spina Concordances "CS-Ppnp DG. IV. 47 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
121v–123	Flos de spina - 2a pars (of 2): Quod celerat umbra legis	[J. PYLLOIS]*	Pullois, Johannes
Flos de spina - 2a pars (of 2): Quod celerat umbra legis Pullois, Johannes Appears on: 121v–123 Genres: Motet Source Attribution: [J. PYLLOIS]* Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Qvod celerat unbra legis Voice: Contratenor Languages: Latin Voice Text: Qvod celerat unbra legis Voice: Tenor Languages: Latin Voice Text: Qvod Voice: Contratenor Languages: Latin Voice Text: Qvod celerat Concordances "CS-Ppnp DG. IV. 47 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
123v–124	O Admirabile comertium = O pater o fili patris	-	Anonymous
O Admirabile comertium = O pater o fili patris Anonymous Appears on: 123v–124 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O Admirabile comertium Voice: Contratenor Languages: Latin Voice Text: O Admirabile comertium Voice: Tenor Languages: Latin Voice Text: O Admirabile comertium Voice: Contratenor Languages: Latin Voice Text: O Admirabile comertium
124v–126	Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum	-	Anonymous
Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum Anonymous Appears on: 124v–126 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: UOx de celo ad beatum Voice: Contratenor Languages: Latin Voice Text: UOx de celo Voice: Tenor Languages: Latin Voice Text: UOx de celo Voice: Contratenor Languages: Latin Voice Text: UOx de celo
124v–126	Vox de caelo ad beatum - 2a pars (of 2): Ecce ego tecum sum	-	Anonymous
Vox de caelo ad beatum - 2a pars (of 2): Ecce ego tecum sum Anonymous Appears on: 124v–126 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: ECce ego tecum sum Voice: Contratenor Languages: Latin Voice Text: ECce ego tecum sum Voice: Tenor Languages: Latin Voice Text: ECce ego Voice: Contratenor Languages: Latin Voice Text: ECce ego tecum sum
126v–127	Ave mundi domina	(GASPAR) [VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave mundi domina Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 126v–127 Genres: Motet Source Attribution: (GASPAR) [VAN WEERBECKE] Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Ave mondi domina Voice: Tenor Languages: Latin Voice Text: Ave mondi domina Voice: Contratenor Languages: Latin Voice Text: Ave mondi domina Voice: Contratenor Languages: Latin Voice Text: Ave mundi domina General Note [Loco Introitus] Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
127v–128	Ave mater gloriosa	(GASPAR)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave mater gloriosa Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 127v–128 Genres: Motet Source Attribution: (GASPAR) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave mater gloriosa Voice: [no designation] Languages: Latin Voice Text: Ave mater gloriosa Voice: [no designation] Languages: Latin Voice Text: Ave mater gloriosa Voice: Contratenor Languages: Latin Voice Text: Ave virgo gloriosa General Note [Loco Gloria]
128v–129	Salve virgo virginum	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Salve virgo virginum Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 128v–129 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: SAlue uirgo uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue uirgo uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue uirgo uirginum Voice: [no designation] Languages: Latin Voice Text: SAlue lumem luminum General Note [Loco Credo]
129v–130	Anima mea liquefacta est ut dilectus meus	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 129v–130 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note [Loco Offertorii] Publ. cf. Fn 178n" 67
130v–131	Ave regina caelorum II (4vv) - 1a pars (of 2): Ave regina caelorum mater	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum II (4vv) - 1a pars (of 2): Ave regina caelorum mater Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 130v–131 Genres: Ave regina caelorum, BVM, Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum General Note [Loco Sanctus]
130v–131	Ave regina caelorum II (4vv) - 2a pars (of 2): [Verbum supernum] O salutaris hostia que caeli pandis	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum II (4vv) - 2a pars (of 2): [Verbum supernum] O salutaris hostia que caeli pandis Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 130v–131 Genres: BVM, Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: O salutaris hostia Voice: Contratenor Languages: Latin Voice Text: O salutaris hostia Voice: Tenor Languages: Latin Voice Text: O salutaris hostia Voice: Contratenor Languages: Latin Voice Text: O salutaris hostia General Note [Loco Sanctus]
131v–132	Quem terra pontus aethera	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Quem terra pontus aethera Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 131v–132 Genres: Motet Source Attribution: (Gaspar) Voice: [no designation] Languages: Latin Voice Text: Qvem terra pontus ethera Voice: [no designation] Languages: Latin Voice Text: Quem terra pontus ethera Voice: [no designation] Languages: Latin Voice Text: Qvem terra pontus ethera Voice: [no designation] Languages: Latin Voice Text: Qvem terra pontus ethera General Note [Post Elevationem]
132v–133	O virginum preclara Maria sanctissima	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O virginum preclara Maria sanctissima Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 132v–133 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O virginum preclara maria Voice: [no designation] Languages: Latin Voice Text: O virginum preclara maria Voice: [no designation] Languages: Latin Voice Text: O virginum preclara maria Voice: [no designation] Languages: Latin Voice Text: O virginum preclara maria General Note [Loco Agnus]
133v–134	Fit porta Christi pervia	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Fit porta Christi pervia Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 133v–134 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: FJt porta christi peruia Voice: [no designation] Languages: Latin Voice Text: FJt porta christi peruia Voice: [no designation] Languages: Latin Voice Text: FJt porta christi peruia Voice: [no designation] Languages: Latin Voice Text: FJt porta christi peruia General Note [Loco Deo gratias]
134v–135	Quam pulchra es	(GASPAR) [VAN WEERBECKE]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Quam pulchra es Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 134v–135 Genres: Motet Source Attribution: (GASPAR) [VAN WEERBECKE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es Voice: Contratenor Languages: Latin Voice Text: QVam pulcra es Voice: Tenor Languages: Latin Voice Text: QVam pulcra es Voice: Contratenor Languages: Latin Voice Text: Quam pulcra es General Note (Messa di G. sostituita da 9 motetti). [Loco Introitus] Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
135v–136	Alma redemptoris mater	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Alma redemptoris mater Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 135v–136 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note [Loco Gloria]
136v–137	Salve virgo salutata	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Salve virgo salutata Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 136v–137 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: SAlue uirgo salutata Voice: [no designation] Languages: Latin Voice Text: SAue partu decorata Voice: [no designation] Languages: Latin Voice Text: SAlue partu decorata Voice: [no designation] Languages: Latin Voice Text: SAlue uirgo salutata General Note [Loco Credo]
137v–138	O pulcherrima mulierum qualis est dilectus	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O pulcherrima mulierum qualis est dilectus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 137v–138 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O pulcerrima qualis est dilectu Voice: [no designation] Languages: Latin Voice Text: O pulcerrima qualis est dilectus Voice: [no designation] Languages: Latin Voice Text: O pulcerrima mulierum qualis est dilectus Voice: [no designation] Languages: Latin Voice Text: O pulcerrima mulierum qualis est dilectus General Note [Loco Offertorii]
138v–140	Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 138v–140 Genres: BVM, Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum General Note [Loco Sanctus]
138v–140	Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 138v–140 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Aue corpus domini Voice: Contratenor Languages: Latin Voice Text: Aue corpus domini Voice: Tenor Languages: Latin Voice Text: Aue corpus domini Voice: Contratenor Languages: Latin Voice Text: Aue corpus domini General Note [Loco Sanctus]
138v–140	O Maria clausus hortus	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O Maria clausus hortus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 138v–140 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: MAter patris et filia Voice: [no designation] Languages: Latin Voice Text: MAter patris et filia Voice: [no designation] Languages: Latin Voice Text: MAter patris et filia Voice: [no designation] Languages: Latin Voice Text: MAter patris et filia General Note [Loco Agnus]
140v–141	Mater patris filia mulier laetitiae stella	(GASPAR)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Mater patris filia mulier laetitiae stella Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 140v–141 Genres: Motet Source Attribution: (GASPAR) Voice: [no designation] Languages: Latin Voice Text: O pater aeterne Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
141v–142	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 141v–142 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: TOta pulcra es amica mea Voice: [no designation] Languages: Latin Voice Text: TOta pulcra es amica mea Voice: [no designation] Languages: Latin Voice Text: TOta pulcra es amica mea Voice: [no designation] Languages: Latin Voice Text: Tota pulcra es amica mea General Note [Loco Deo gratias]
142v–143	Tota pulchra es - 2a pars (of 2): Jam enim hiems transiit	(Gaspar)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Tota pulchra es - 2a pars (of 2): Jam enim hiems transiit Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 142v–143 Genres: Motet Source Attribution: (Gaspar) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iam enim yems transit Voice: [no designation] Languages: Latin Voice Text: Jam enim yems transijt Voice: [no designation] Languages: Latin Voice Text: ymber abijt et recessit Voice: [no designation] Languages: Latin Voice Text: Jam enim yemps transit General Note [Loco Deo gratias]
143v–145	Ave virgo gloriosa - 1a pars (a) (of 3): Ave virgo gloriosa celi iubar mundi rosa	-	Compère, Loyset (ca. 1445–1518)
Ave virgo gloriosa - 1a pars (a) (of 3): Ave virgo gloriosa celi iubar mundi rosa Compère, Loyset (ca. 1445–1518) Appears on: 143v–145 Genres: Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Aue uirgo gloriosa Voice: Contratenor Languages: Latin Voice Text: Aue uirgo gloriosa Voice: Tenor Languages: Latin Voice Text: Aue virgo gloriosa Voice: Tenor Languages: Latin Voice Text: celi iubar mundi rosa Voice: Contratenor Languages: Latin Voice Text: Aue uirgo gloriosa
143v–145	Ave virgo gloriosa - 1a pars (b) (of 3): Miserere miseris que regina diceris	-	Compère, Loyset (ca. 1445–1518)
Ave virgo gloriosa - 1a pars (b) (of 3): Miserere miseris que regina diceris Compère, Loyset (ca. 1445–1518) Appears on: 143v–145 Genres: BVM, Marian antiphon, Motet Number of voices: 4 Voice: Cantus Languages: Latin Voice Text: Que regina diceris Voice: Contratenor Languages: Latin Voice Text: Que regina diceris Voice: Tenor Languages: Latin Voice Text: MJserere miseris Voice: Tenor Languages: Latin Voice Text: Que regina diceris Voice: Contratenor Languages: Latin Voice Text: Que regina diceris
145v–147	Ave virgo gloriosa - 2a pars (of 3): Ave salus infirmorum	(LOYSET) [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Ave virgo gloriosa - 2a pars (of 3): Ave salus infirmorum Compère, Loyset (ca. 1445–1518) Appears on: 145v–147 Genres: Motet Source Attribution: (LOYSET) [COMPÈRE] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Aue salus infirmorum Voice: [no designation] Languages: Latin Voice Text: Aue salus infirmorum Voice: [no designation] Languages: Latin Voice Text: Aue salus infirmorum Voice: [no designation] Languages: Latin Voice Text: solamen miserorum Voice: [no designation] Languages: Latin Voice Text: Aue salus infirmorum General Note [Loco Gloria] Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII(Missa entière). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, II (Missa entière).
147v–149	Ave virgo gloriosa - 3a pars (of 3): Ave sponsa verbi summi	-	Compère, Loyset (ca. 1445–1518)
Ave virgo gloriosa - 3a pars (of 3): Ave sponsa verbi summi Compère, Loyset (ca. 1445–1518) Appears on: 147v–149 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Aue sponsa uerbi summi Voice: [no designation] Languages: Latin Voice Text: Aue sponsa Voice: [no designation] Languages: Latin Voice Text: Aue sponsa verbi summi Voice: [no designation] Languages: Latin Voice Text: Maris portus signum dumi Voice: [no designation] Languages: Latin Voice Text: Aue sponsa
149v–150	O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae	Loyset	Compère, Loyset (ca. 1445–1518)
O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae Compère, Loyset (ca. 1445–1518) Appears on: 149v–150 Genres: Motet Source Attribution: Loyset Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa … Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa … Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa … Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa … Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa … General Note [Missa Galeazescha. Loco Introitus] Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII(Missa entière). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, II (Missa entière).
150v–151	Ave regina celorum	-	Anonymous
Ave regina celorum Anonymous Appears on: 150v–151 Genres: Ave regina caelorum, BVM, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum Voice: [no designation] Languages: Latin Voice Text: Aue regina celorum Voice: [no designation] Languages: Latin Voice Text: lux est ota Voice: [no designation] Languages: Latin Voice Text: Aue regina
151v–152	Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	-	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis Compère, Loyset (ca. 1445–1518) Appears on: 151v–152 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile conmertium creator generis Voice: [no designation] Languages: Latin Voice Text: O admirabile conmertium creator generis Voice: [no designation] Languages: Latin Voice Text: O admirabile conmertium creator generis Voice: [no designation] Languages: Latin Voice Text: O admirabile conmertium creator generis
152v–153	Hodie nata est - 1a pars (of 2): Hodie nata est beata virgo	-	Anonymous
Hodie nata est - 1a pars (of 2): Hodie nata est beata virgo Anonymous Appears on: 152v–153 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie nata est beata uirgo Voice: [no designation] Languages: Latin Voice Text: Hodie nata est beata uirgo Voice: [no designation] Languages: Latin Voice Text: PEr quam salus mundi credentibus Voice: [no designation] Languages: Latin Voice Text: PEr quam salus mundi credentibus
153v–154	Hodie nata est - 2a pars (of 2): Inclite ergo virginis / Virginis Mariae nativitatem	-	Anonymous
Hodie nata est - 2a pars (of 2): Inclite ergo virginis / Virginis Mariae nativitatem Anonymous Appears on: 153v–154 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inclite ergo uirginis Voice: [no designation] Languages: Latin Voice Text: Uirginis marie natiuitatem Voice: [no designation] Languages: Latin Voice Text: Inclite ergo virginis Voice: [no designation] Languages: Latin Voice Text: Inclite ergo uirginis
154v–155	Nativitas tua - 1a pars (of 2): Nativitas tua sancti Dei	-	Anonymous
Nativitas tua - 1a pars (of 2): Nativitas tua sancti Dei Anonymous Appears on: 154v–155 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: NAtiuitas tua sancta dei Voice: [no designation] Languages: Latin Voice Text: Natiuitas tua sancta dei Voice: [no designation] Languages: Latin Voice Text: Natiuitas tua sancta dei Voice: [no designation] Languages: Latin Voice Text: Natiuitas tua sancta dei
155v–156	Nativitas tua - 2a pars (of 2): Qui solvens maledictionem / Qui solvens dedit	-	Anonymous
Nativitas tua - 2a pars (of 2): Qui solvens maledictionem / Qui solvens dedit Anonymous Appears on: 155v–156 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui soluens maledictionem Voice: [no designation] Languages: Latin Voice Text: Qui soluens dedit Voice: [no designation] Languages: Latin Voice Text: Qui soluens maledictionem Voice: [no designation] Languages: Latin Voice Text: Qui soluens maledictionem
156v–157	O redemptor totius populi	-	Anonymous
O redemptor totius populi Anonymous Appears on: 156v–157 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O redemptor totius populi Voice: [no designation] Languages: Latin Voice Text: O Redemptor totius populi Voice: [no designation] Languages: Latin Voice Text: O Redemptor totius populi Voice: [no designation] Languages: Latin Voice Text: O Redemptor totius populi
157v–158	Gaude Maria virgo	-	Anonymous
Gaude Maria virgo Anonymous Appears on: 157v–158 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude Maria virgo Voice: [no designation] Languages: Latin Voice Text: GAude mariaa cunctas Voice: [no designation] Languages: Latin Voice Text: GAude maria uirgo Voice: [no designation] Languages: Latin Voice Text: GAude maria uirgo cunctas
158v–159	Exultabit cor meum - 1a pars (of 2): Exultabit cor meum	-	Anonymous
Exultabit cor meum - 1a pars (of 2): Exultabit cor meum Anonymous Appears on: 158v–159 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultabit cor meum Voice: [no designation] Languages: Latin Voice Text: Exultabit cor meum Voice: [no designation] Languages: Latin Voice Text: Exultabit cor meum Voice: [no designation] Languages: Latin Voice Text: Exultabit cor meum
158v–159	Exultabit cor meum - 2a pars (of 2): Admirabile est nomen tuum	-	Anonymous
Exultabit cor meum - 2a pars (of 2): Admirabile est nomen tuum Anonymous Appears on: 158v–159 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Admirabile est nomen tuum Voice: [no designation] Languages: Latin Voice Text: Admirabile est nomen tum Voice: [no designation] Languages: Latin Voice Text: Admirabile est nomen tuum Voice: [no designation] Languages: Latin Voice Text: Admirabile est nomen tuum
159v–160	Timete Dominum - 1a pars (of 2): Timete Dominum omnes sancti eius	-	Anonymous
Timete Dominum - 1a pars (of 2): Timete Dominum omnes sancti eius Anonymous Appears on: 159v–160 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: TJmete dominum omnes sancti Voice: [no designation] Languages: Latin Voice Text: TJmete dominum Voice: [no designation] Languages: Latin Voice Text: TJmete dominum omnes sancti Voice: [no designation] Languages: Latin Voice Text: TJmete dominum
159v–160	Timete Dominum - 2a pars (of 2): Domine dilexi decorem domus	-	Anonymous
Timete Dominum - 2a pars (of 2): Domine dilexi decorem domus Anonymous Appears on: 159v–160 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine dilexi decorem domus Voice: [no designation] Languages: Latin Voice Text: Domine Voice: [no designation] Languages: Latin Voice Text: Domine dilexi decorem domus Voice: [no designation] Languages: Latin Voice Text: Domine
160v–161	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: 160v–161 Genres: Alma redemptoris mater, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note textless
161v–162	Salve virgo salutata	-	Anonymous
Salve virgo salutata Anonymous Appears on: 161v–162 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve virgo salutata General Note textless
162v–163	Ave Domine Jesu Christe - 1a pars (of 8): Ave Domine Jesu Christe verbum patris (loco Introitus)	(LOYSET) [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 1a pars (of 8): Ave Domine Jesu Christe verbum patris (loco Introitus) Compère, Loyset (ca. 1445–1518) Appears on: 162v–163 Genres: Motet Source Attribution: (LOYSET) [COMPÈRE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: verbum patris Filius uirginis Voice: [no designation] Languages: Latin Voice Text: verbum patris Agnus dei fons pietatis Voice: [no designation] Languages: Latin Voice Text: verbum patris filius virginis Voice: [no designation] Languages: Latin Voice Text: verbum patris Agnus General Note Loco Introitus
163v–164	Ave Domine Jesu Christe - 2a pars (of 8): Ave Domine Iesu Christe laus angelorum (loci Gloria)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 2a pars (of 8): Ave Domine Iesu Christe laus angelorum (loci Gloria) Compère, Loyset (ca. 1445–1518) Appears on: 163v–164 Genres: Motet Source Attribution: (LOYSET) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: vnio pacis deitas integra Voice: [no designation] Languages: Latin Voice Text: Vnio pacis deitas integra Voice: [no designation] Languages: Latin Voice Text: vnio pacis deitas integra Voice: [no designation] Languages: Latin Voice Text: Vnio pacis deitas integra General Note Loco Gloria.
164v–165	Ave Domine Jesu Christe - 3a pars (of 8): Ave Domine Jesu Christe lumen caeli (loco Patrem)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 3a pars (of 8): Ave Domine Jesu Christe lumen caeli (loco Patrem) Compère, Loyset (ca. 1445–1518) Appears on: 164v–165 Genres: Motet Source Attribution: (LOYSET) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave domine ihesu criste Voice: [no designation] Languages: Latin Voice Text: Aue domine yhesu criste Voice: [no designation] Languages: Latin Voice Text: Aue domine yhesu criste Voice: [no designation] Languages: Latin Voice Text: Aue domine yhesu criste General Note Loco Patrem.
165v–166	Ave Domine Jesu Christe - 4a pars (of 8): Ave Domine Jesu christe vita dulcis (loci Offertorii)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 4a pars (of 8): Ave Domine Jesu christe vita dulcis (loci Offertorii) Compère, Loyset (ca. 1445–1518) Appears on: 165v–166 Genres: Motet Source Attribution: (LOYSET) Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave domine yhesu criste Voice: [no designation] Languages: Latin Voice Text: Fons amoris requies Voice: [no designation] Languages: Latin Voice Text: Aue domine yhesu criste Voice: [no designation] Languages: Latin Voice Text: Vita dulcis caritas summa Voice: [no designation] Languages: Latin Voice Text: Vita dulcis et mitis General Note Loco Offertorii.
166v–167	Ave Domine Jesu Christe - 5a pars (of 8): Salve salvator mundi (loci Sanctus)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 5a pars (of 8): Salve salvator mundi (loci Sanctus) Compère, Loyset (ca. 1445–1518) Appears on: 166v–167 Genres: Motet Source Attribution: (LOYSET) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: SAlue saluator mundi rex atque creator Voice: [no designation] Languages: Latin Voice Text: SAlue saluator mundi rex atque creator Voice: [no designation] Languages: Latin Voice Text: SAlue saluator mundi rex atque creator Voice: [no designation] Languages: Latin Voice Text: SAlue saluator mundi rex atque creator General Note Loco Sanctus.
167v–168	Ave Domine Jesu Christe - 6a pars (of 8): Adoramus te Christe (Ad elevationem)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 6a pars (of 8): Adoramus te Christe (Ad elevationem) Compère, Loyset (ca. 1445–1518) Appears on: 167v–168 Genres: Motet Source Attribution: (LOYSET) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste General Note Ad Elevationem.
168v–169	Ave Domine Jesu Christe - 7a pars (of 8): Parce Domine (loco Agnus)	(LOYSET)	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 7a pars (of 8): Parce Domine (loco Agnus) Compère, Loyset (ca. 1445–1518) Appears on: 168v–169 Genres: Motet Source Attribution: (LOYSET) Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: PArcece Domine parce Voice: [no designation] Languages: Latin Voice Text: PArce Domine parce Voice: [no designation] Languages: Latin Voice Text: PArce Domine parce Voice: [no designation] Languages: Latin Voice Text: Parce Domine parce
169v–170	Ave Domine Jesu Christe - 8a pars (of 8): Da pacem Domine (loco Deo gratias)	-	Compère, Loyset (ca. 1445–1518)
Ave Domine Jesu Christe - 8a pars (of 8): Da pacem Domine (loco Deo gratias) Compère, Loyset (ca. 1445–1518) Appears on: 169v–170 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: DA pacem domine in diebus Voice: [no designation] Languages: Latin Voice Text: Qvi pugnet pro nobis Voice: [no designation] Languages: Latin Voice Text: DA pacem domine in diebus Voice: [no designation] Languages: Latin Voice Text: Qvia non est alius Voice: [no designation] Languages: Latin Voice Text: Qvia non est alius
170v–171	Beata es virgo Maria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Beata es virgo Maria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 170v–171 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: BEata e uirgo maria Voice: [no designation] Languages: Latin Voice Text: BEata Voice: [no designation] Languages: Latin Voice Text: BEata e uirgo Voice: [no designation] Languages: Latin Voice Text: Beata
171v–172	Hodie nobis de virgine - 1a pars (of 8): Hodie nobis de virgine	LOYSET [COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 1a pars (of 8): Hodie nobis de virgine Compère, Loyset (ca. 1445–1518) Appears on: 171v–172 Genres: Mass Ordinary Source Attribution: LOYSET [COMPÈRE] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: HOdie nobis de uirgine Voice: [no designation] Languages: Latin Voice Text: HOdie nobis de uirgine Voice: [no designation] Languages: Latin Voice Text: HOdie nobis de uirgine Voice: [no designation] Languages: Latin Voice Text: HOdie nobis de uirgine General Note Loco Introitus. Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, II.
172v–173	Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria Compère, Loyset (ca. 1445–1518) Appears on: 172v–173 Genres: Motet Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: BEata dei genitris maria Voice: [no designation] Languages: Latin Voice Text: bEata dei genitrix maria Voice: [no designation] Languages: Latin Voice Text: BEata dei genitris maria Voice: [no designation] Languages: Latin Voice Text: bEata dei genitrix maria General Note Loco Gloria
173v–174	Hodie nobis de virgine - 3a pars (of 8): Hodie nobis Christus natus est	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 3a pars (of 8): Hodie nobis Christus natus est Compère, Loyset (ca. 1445–1518) Appears on: 173v–174 Genres: Motet Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: hOdie cristus natus est Voice: [no designation] Languages: Latin Voice Text: hOdie nobis cristus natus est Voice: [no designation] Languages: Latin Voice Text: hOdie nobis cristus natus est Voice: [no designation] Languages: Latin Voice Text: hOdie nobis hodie
174v–175	Hodie nobis de virgine - 4a pars (of 8): Genuit puerpera regem	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 4a pars (of 8): Genuit puerpera regem Compère, Loyset (ca. 1445–1518) Appears on: 174v–175 Genres: Motet Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: gEnuit puerpera regem Voice: [no designation] Languages: Latin Voice Text: gEnuit puerpera regem Voice: [no designation] Languages: Latin Voice Text: gEnuit puerpera regem Voice: [no designation] Languages: Latin Voice Text: GEnuit puerpera regem General Note Loco Offertorii.
175v–176	Hodie nobis de virgine - 5a pars (of 8): Sanctus II verbum caro factum est	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 5a pars (of 8): Sanctus II verbum caro factum est Compère, Loyset (ca. 1445–1518) Appears on: 175v–176 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sanctus - Verbum caro
176v–177	Hodie nobis de virgine - 6a pars (of 8): Memento salutis auctor	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 6a pars (of 8): Memento salutis auctor Compère, Loyset (ca. 1445–1518) Appears on: 176v–177 Genres: Motet Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: qVod nostri quondam corporis Voice: [no designation] Languages: Latin Voice Text: Emento salutis auctor Voice: [no designation] Languages: Latin Voice Text: qVod nostri quondam corporis Voice: [no designation] Languages: Latin Voice Text: mEmento salutis auctor General Note Post Elevationem.
177v–178	Hodie nobis de virgine - 7a pars (of 8): Quem vidistis pastores dicite annunciate	Loyset	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 7a pars (of 8): Quem vidistis pastores dicite annunciate Compère, Loyset (ca. 1445–1518) Appears on: 177v–178 Genres: Motet Source Attribution: Loyset Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Qvem uidistis pastores Voice: [no designation] Languages: Latin Voice Text: qVem uidistis pastores Voice: [no designation] Languages: Latin Voice Text: qVem uidistis pastores Voice: [no designation] Languages: Latin Voice Text: qVem uidistis pastores General Note Loco Agnus.
178v–179	Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	LOYSET	Compère, Loyset (ca. 1445–1518)
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis Compère, Loyset (ca. 1445–1518) Appears on: 178v–179 Genres: Motet Source Attribution: LOYSET Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: o Admirabile commertium Voice: [no designation] Languages: Latin Voice Text: o Admirabile commertium Voice: [no designation] Languages: Latin Voice Text: o Admirabile commertium Voice: [no designation] Languages: Latin Voice Text: o Admirabile commertium
179v–180	Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris vas electum	F Gafforus	Gaffurius, Franchinus (1451–1522)
Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris vas electum Gaffurius, Franchinus (1451–1522) Appears on: 179v–180 Genres: Motet Source Attribution: F Gafforus Voice: [no designation] Languages: Latin Voice Text: sAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: sAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: sAlue mater saluatoris Voice: [no designation] Languages: Latin Voice Text: sAlue mater saluatoris
180v–181	Salve mater salvatoris - 2a pars (of 2): Inter natos mulierum	-	Gaffurius, Franchinus (1451–1522)
Salve mater salvatoris - 2a pars (of 2): Inter natos mulierum Gaffurius, Franchinus (1451–1522) Appears on: 180v–181 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum Voice: [no designation] Languages: Latin Voice Text: jnter natos mulierum Voice: [no designation] Languages: Latin Voice Text: nter natos mulierum Voice: [no designation] Languages: Latin Voice Text: inter natos mulierum
181v–182	Stabat mater - 1a pars (of 2): Stabat mater dolorosa	F Gafforus	Gaffurius, Franchinus (1451–1522)
Stabat mater - 1a pars (of 2): Stabat mater dolorosa Gaffurius, Franchinus (1451–1522) Appears on: 181v–182 Genres: Motet, Sequence, Stabat Mater Source Attribution: F Gafforus Voice: [no designation] Languages: Latin Voice Text: tabat mater dolorosa Voice: [no designation] Languages: Latin Voice Text: jvxta crucem lacrimosa Voice: [no designation] Languages: Latin Voice Text: stabat mater dolorosa Voice: [no designation] Languages: Latin Voice Text: stabat mater dolorosa
182v–183	Stabat mater - 2a pars (of 2): Adoramus te Christe	-	Gaffurius, Franchinus (1451–1522)
Stabat mater - 2a pars (of 2): Adoramus te Christe Gaffurius, Franchinus (1451–1522) Appears on: 182v–183 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste Voice: [no designation] Languages: Latin Voice Text: Doramus te criste Voice: [no designation] Languages: Latin Voice Text: Adoramus te criste Voice: [no designation] Languages: Latin Voice Text: adoramus te criste
183v–184	Benedicamus Crispinel et meritis	-	Stappen, Crispin van der (?)
Benedicamus Crispinel et meritis Stappen, Crispin van der (?) Appears on: 183v–184 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: bEnedicamus crispinel et meritis Voice: [no designation] Languages: Latin Voice Text: bEnedicamus crispinel Voice: [no designation] Languages: Latin Voice Text: bEnedicamus crispinel et meritis Voice: [no designation] Languages: Latin Voice Text: Enedicamus dulce luminaria
184v–185	Salve regina - 1a pars (of 3): Salve regina misericordiae	-	Du Fay, Guillaume (1397–1474)
Salve regina - 1a pars (of 3): Salve regina misericordiae Du Fay, Guillaume (1397–1474) Appears on: 184v–185 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: SAlue rEgina misericordie Voice: [no designation] Languages: Latin Voice Text: rEgina misericordie Voice: [no designation] Languages: Latin Voice Text: rEgina misericordie Voice: [no designation] Languages: Latin Voice Text: rEgina misericordie Item Bibliography Bortone, Amerigo, Angelo Ciceri, and Luciano Migliavacca (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: IX.
184v–185	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Du Fay, Guillaume (1397–1474)
Salve regina - 2a pars (of 3): Eya ergo advocata Du Fay, Guillaume (1397–1474) Appears on: 184v–185 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: eya ergo aduocata nostra Voice: [no designation] Languages: Latin Voice Text: eya ergo illos tuos Voice: [no designation] Languages: Latin Voice Text: eya ergo aduocata nostra Voice: [no designation] Languages: Latin Voice Text: eya ergo illos
185v–187	Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	-	Du Fay, Guillaume (1397–1474)
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia Du Fay, Guillaume (1397–1474) Appears on: 185v–187 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et yhesum benedictum Voice: [no designation] Languages: Latin Voice Text: Et yhesum benedictum Voice: [no designation] Languages: Latin Voice Text: Et yhesum benedictum Voice: [no designation] Languages: Latin Voice Text: Et yhesum benedictum
187v–188	Salve regina misericordiae - 1a pars (of 5): Salve regina misericordiae	-	Anonymous
Salve regina misericordiae - 1a pars (of 5): Salve regina misericordiae Anonymous Appears on: 187v–188 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: SAlue REgina misericordie Voice: [no designation] Languages: Latin Voice Text: REgina misericordie Voice: [no designation] Languages: Latin Voice Text: REgina misericordie Voice: [no designation] Languages: none
187v–188	Salve regina misericordiae - 2a pars (of 5): Ad te clamamus	-	Anonymous
Salve regina misericordiae - 2a pars (of 5): Ad te clamamus Anonymous Appears on: 187v–188 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus
187v–188	Salve regina misericordiae - 3a pars (of 5): Eya ergo aduocata nostra	-	Anonymous
Salve regina misericordiae - 3a pars (of 5): Eya ergo aduocata nostra Anonymous Appears on: 187v–188 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Eya ergo aduocata nostra Voice: [no designation] Languages: Latin Voice Text: Eya ergo aduocata nostra Voice: [no designation] Languages: Latin Voice Text: Eya ergo aduocata nostra
187v–188	Salve regina misericordiae - 4a pars (of 5): O clemens	-	Anonymous
Salve regina misericordiae - 4a pars (of 5): O clemens Anonymous Appears on: 187v–188 Genres: BVM, Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: O clemens Voice: [no designation] Languages: Latin Voice Text: O clemens Voice: [no designation] Languages: Latin Voice Text: O clemens
187v–188	Salve regina misericordiae - 5a pars (of 5): O dulcis virgo maria	-	Anonymous
Salve regina misericordiae - 5a pars (of 5): O dulcis virgo maria Anonymous Appears on: 187v–188 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: O dulcis virgo maria Voice: [no designation] Languages: Latin Voice Text: O dulcis uirgo maria Voice: [no designation] Languages: Latin Voice Text: O dulcis uirgo maria
80v–81r	Ave mundi spes Maria	-	Gaffurius, Franchinus (1451–1522)
Ave mundi spes Maria Gaffurius, Franchinus (1451–1522) Appears on: 80v–81r Genres: Sequence

Composer	Compositions
Anonymous	Alma redemptoris mater – 160v–161 Artus solutos ut quies – 4v–5 Ave cella nove legis – 106v–107 Ave mundi reparatrix Trinitatis inclinatrix – 109v–110 Ave regina celorum – 150v–151 Benedicamus Domino – 97v–98 Benedicamus Domino – 97v–98 Cerne quod puro Deus in honore – 3v–4 Exultabit cor meum - 1a pars (of 2): Exultabit cor meum – 158v–159 Exultabit cor meum - 2a pars (of 2): Admirabile est nomen tuum – 158v–159 Eya mater summi Dei / Jesu Christi Nazarei – 102v–103 Fidem refundens perditis – 3v–4 Gaude Maria virgo – 157v–158 Haec est sedes gratiae sedes pudicictiae – 111v–112 Hodie nata est - 1a pars (of 2): Hodie nata est beata virgo – 152v–153 Hodie nata est - 2a pars (of 2): Inclite ergo virginis / Virginis Mariae nativitatem – 153v–154 Illuminans altissime Seu mistico baptismate – 1v–2 Intende qui regis Israël Veni redemptor gentium – 1v–2 Lux alma = Christe qui lux es Precamur sancte Domine – 0v (flyleaf)–1 Magnificat duo (octavi toni): Esurientes [K.466] – 2v Magnificat duo (quarti toni): Esurientes [K.465] – 2v Magnificat duo (quarti toni): Quia fecit [K.459] – 3 Magnificat duo (quinti toni): Fecit potentiam [K.461] – 3 Magnificat octavi toni: Et exultavit [K.386] – 29v–31 Magnificat octavi toni: Et exultavit [K.386] – 51v–53 Magnificat octavi toni: Et exultavit [K.413] – 56v–57 Magnificat octavi toni: Et exultavit [K.414] – 62v–64 Magnificat quarti toni: Et exultavit [K.258] – 58v–60 Magnificat quarti toni: Et exultavit [K.283] – 60v–62 Magnificat secundi toni: Et exultavit [K.206] – 57v–58 Mysterium ecclesiae Sola in sexu femina – 0v (flyleaf)–1 Nativitas tua - 1a pars (of 2): Nativitas tua sancti Dei – 154v–155 Nativitas tua - 2a pars (of 2): Qui solvens maledictionem / Qui solvens dedit – 155v–156 O Admirabile comertium = O pater o fili patris – 123v–124 O beata praesulis – 108v–109 O redemptor totius populi – 156v–157 Quia viderunt oculi - 1a pars (of 5): Quia viderunt oculi – 0 (flyleaf) Quia viderunt oculi - 2a pars (of 5): Lumen ad revelationem – 0 (flyleaf) Quia viderunt oculi - 3a pars (of 5): Sicut erat in principio – 0 (flyleaf) Quia viderunt oculi - 4a pars (of 5): Salva nos domine vigilantes – 0 (flyleaf) Quia viderunt oculi - 5a pars (of 5): Ut vigilemus in Christo – 0 (flyleaf) Reformator animarum Jesu Christe nos tuarum – 105v–106 Salve regina mater misericordiae – 117v–118 Salve regina misericordiae - 1a pars (of 5): Salve regina misericordiae – 187v–188 Salve regina misericordiae - 2a pars (of 5): Ad te clamamus – 187v–188 Salve regina misericordiae - 3a pars (of 5): Eya ergo aduocata nostra – 187v–188 Salve regina misericordiae - 4a pars (of 5): O clemens – 187v–188 Salve regina misericordiae - 5a pars (of 5): O dulcis virgo maria – 187v–188 Salve virgo salutata – 161v–162 Timete Dominum - 1a pars (of 2): Timete Dominum omnes sancti eius – 159v–160 Timete Dominum - 2a pars (of 2): Domine dilexi decorem domus – 159v–160 Tropheum crucis undique distenditur – 31v–32 Uterus virgineus thronus est – 110v–111 Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum – 124v–126 Vox de caelo ad beatum - 2a pars (of 2): Ecce ego tecum sum – 124v–126 Vox jocunda - 1a pars (of 2): Nostre mentis sit in ore vox jocunda cum favore – 103c–105 Vox jocunda - 2a pars (of 2): O Jesu dulcissime – 103c–105
Arnulfus (c1500)	Magnificat octavi toni: Et exultavit [K.604] – 20v–21
Binchois, Gilles (ca. 1400-1460)	Te Deum laudamus – 118v–121
Busnoys, Antoine (ca. 1430-1492)	(?) Magnificat octavi toni: Anima mea [K.368] – 17v–20
Compère, Loyset (ca. 1445-1518)	Ave Domine Jesu Christe - 1a pars (of 8): Ave Domine Jesu Christe verbum patris (loco Introitus) – 162v–163 Ave Domine Jesu Christe - 2a pars (of 8): Ave Domine Iesu Christe laus angelorum (loci Gloria) – 163v–164 Ave Domine Jesu Christe - 3a pars (of 8): Ave Domine Jesu Christe lumen caeli (loco Patrem) – 164v–165 Ave Domine Jesu Christe - 4a pars (of 8): Ave Domine Jesu christe vita dulcis (loci Offertorii) – 165v–166 Ave Domine Jesu Christe - 5a pars (of 8): Salve salvator mundi (loci Sanctus) – 166v–167 Ave Domine Jesu Christe - 6a pars (of 8): Adoramus te Christe (Ad elevationem) – 167v–168 Ave Domine Jesu Christe - 7a pars (of 8): Parce Domine (loco Agnus) – 168v–169 Ave Domine Jesu Christe - 8a pars (of 8): Da pacem Domine (loco Deo gratias) – 169v–170 Ave virgo gloriosa - 1a pars (a) (of 3): Ave virgo gloriosa celi iubar mundi rosa – 143v–145 Ave virgo gloriosa - 1a pars (b) (of 3): Miserere miseris que regina diceris – 143v–145 Ave virgo gloriosa - 2a pars (of 3): Ave salus infirmorum – 145v–147 Ave virgo gloriosa - 3a pars (of 3): Ave sponsa verbi summi – 147v–149 Hodie nobis de virgine - 1a pars (of 8): Hodie nobis de virgine – 171v–172 Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria – 172v–173 Hodie nobis de virgine - 3a pars (of 8): Hodie nobis Christus natus est – 173v–174 Hodie nobis de virgine - 4a pars (of 8): Genuit puerpera regem – 174v–175 Hodie nobis de virgine - 5a pars (of 8): Sanctus II verbum caro factum est – 175v–176 Hodie nobis de virgine - 6a pars (of 8): Memento salutis auctor – 176v–177 Hodie nobis de virgine - 7a pars (of 8): Quem vidistis pastores dicite annunciate – 177v–178 Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis – 151v–152 Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis – 178v–179 Magnificat primi toni [K.696] – 10v–17 Magnificat sexti toni [K.697] – 21v–23 O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae – 149v–150
Du Fay, Guillaume (1397-1474)	Magnificat 3 & 4 toni. Anima mea [K.747] – 8v–10 Salve regina - 1a pars (of 3): Salve regina misericordiae – 184v–185 Salve regina - 2a pars (of 3): Eya ergo advocata – 184v–185 Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia – 185v–187
Gaffurius, Franchinus (1451-1522)	Ave mundi spes Maria – 80v–81r Ave mundi spes Maria – 80v–81 Beata progenies – 64v–65 Castra caeli dum transcendo – 99v–100 Descendi in ortum meum – 69v–70 Gaude mater luminis - 1a pars (of 2): Gaude mater luminis – 78v–80 Gaude mater luminis - 2a pars (of 2): Te honorant superi – 78v–80 Gaude virgo gloriosa – 74v–75 Gloriose virginis Marie – 65v–66 Hoc gaudium est spiritus – 73v–74 Hortus conclusus est Dei genetrix fons signatus – 68v–69 Imperatrix gloriosa - 1a pars (of 3): Imperatrix gloriosa – 90v–93 Imperatrix gloriosa - 2a pars (of 3): Florem ergo genuisti ex quo fructum protulisti – 90v–93 Imperatrix gloriosa - 3a pars (of 3): Res miranda res novella – 90v–93 Imperatrix reginarum – 101v–102 Joseph conturbatus – 77v–78 Juste & sancte / Omnipotens aeterne Deus – 95v–96 Laetarere alleluia / Regina caeli – 81v–82 Magnificat octavi toni: Et exultavit [K.797] – 37v–39 Magnificat octavi toni: Et exultavit [K.799] – 49v–51 Magnificat octavi toni: Et exultavit [K.800] – 53v–56 Magnificat primi toni: Et exultavit [K.790] – 32v–35 Magnificat primi toni: Et exultavit [K.791] – 40v–41 Magnificat primi toni: Et exultavit [K.792] – 41v–43 Magnificat sexti toni: Anima mea [K.794] – 43v–45 Magnificat sexti toni: Et exultavit [K.793] – 35v–37 Magnificat sexti toni: Et exultavit [K.795] – 45v–46 Magnificat sexti toni: Et exultavit [K.796] – 46v–49 Magnum nomen Domini – 112v–113 O Beate sebastiane – 93v–95 (?) O Jesu dulcissime – 39v–40 O res laeta messis gratta nostrum genus et cognata – 100v–101 O sacrum convivium (4vv) – 72v–73 Prodiit puer - 1a pars (of 2): Prodiit puer de puella – 75v–77 Prodiit puer - 2a pars (of 2): Quod puella parit ita res a saecli inaudita – 75v–77 Promissa mundo gaudia – 107v–108 Quando venit - 1a pars (of 2): Quando venit ergo sacri – 71v–72 Quando venit - 2a pars (of 2): Ave corpus Jesu Christi – 71v–72 Salve decus genitoris - 1a pars (of 2): Salve decus genitoris – 82v–84 Salve decus genitoris - 2a pars (of 2): Tanquam tibi e caelo datos qui nepotes plus quam natos – 82v–84 Salve decus virginum - 1a pars (of 2): Salve decus virginum – 85v–87 Salve decus virginum - 2a pars (of 2): Tu conuallis humilis terra non arabilis – 85v–87 Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris – 84v–85 Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris vas electum – 179v–180 Salve mater salvatoris - 2a pars (of 2): Inter natos mulierum – 180v–181 Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina – 84v–85 Sponsa Dei electa – 67v–68 Stabat mater - 1a pars (of 2): Stabat mater dolorosa – 181v–182 Stabat mater - 2a pars (of 2): Adoramus te Christe – 182v–183 Sub tuam protectionem – 66v–67 Tota pulchra es amica mea et macula – 70v–71 Tu thronus es Salomonis - 1a pars (of 3): Tu thronus es Salomonis – 87v–90 Tu thronus es Salomonis - 2a pars (of 3): Salve mater pietatis et totius trinitatis – 87v–90 Tu thronus es Salomonis - 3a pars (of 3): Lux eclipsim nesciens / Virginis est castitas – 87v–90 Verbum sapientie – 98v–99 Virgo Dei digna mater – 96v–97 Virgo prudentissima quo progrederis – 7v–8 [Nostras preces cum fletibus] Audi benigne conditor – 113v–114
Martini, Johannes (ca. 1430-1497)	Magnificat octavi toni: Anima mea [K.910] – 27v–29 Magnificat tertii toni: Anima mea [K.906] – 23v–27
Pullois, Johannes	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur – 121v–123 Flos de spina - 2a pars (of 2): Quod celerat umbra legis – 121v–123
Stappen, Crispin van der	(?) Benedicamus Crispinel et meritis – 183v–184
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	Alma redemptoris mater – 135v–136 Anima mea liquefacta est ut dilectus meus – 129v–130 Ave mater gloriosa – 127v–128 Ave mundi domina – 126v–127 Ave regina caelorum II (4vv) - 1a pars (of 2): Ave regina caelorum mater – 130v–131 Ave regina caelorum II (4vv) - 2a pars (of 2): [Verbum supernum] O salutaris hostia que caeli pandis – 130v–131 Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater – 138v–140 Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini – 138v–140 Ave stella matutina vita nostra lux – 116v–117 Beata es virgo Maria – 170v–171 Christi mater ave sanctissima virgo – 114v–115 Fit porta Christi pervia – 133v–134 Mater digna Dei venie via luxque – 115v–116 Mater patris filia mulier laetitiae stella – 140v–141 O Maria clausus hortus – 138v–140 O pulcherrima mulierum qualis est dilectus – 137v–138 O virginum preclara Maria sanctissima – 132v–133 Quam pulchra es – 134v–135 Quem terra pontus aethera – 131v–132 Salve virgo salutata – 136v–137 Salve virgo virginum – 128v–129 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 141v–142 Tota pulchra es - 2a pars (of 2): Jam enim hiems transiit – 142v–143

Composition	Composers (? Uncertain)	Folios / Pages
[Nostras preces cum fletibus] Audi benigne conditor	Gaffurius, Franchinus (1451–1522)	113v–114
Alma redemptoris mater	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	135v–136
Alma redemptoris mater	Anonymous	160v–161
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	129v–130
Artus solutos ut quies	Anonymous	4v–5
Ave cella nove legis	Anonymous	106v–107
Ave Domine Jesu Christe - 1a pars (of 8): Ave Domine Jesu Christe verbum patris (loco Introitus)	Compère, Loyset (ca. 1445–1518)	162v–163
Ave Domine Jesu Christe - 2a pars (of 8): Ave Domine Iesu Christe laus angelorum (loci Gloria)	Compère, Loyset (ca. 1445–1518)	163v–164
Ave Domine Jesu Christe - 3a pars (of 8): Ave Domine Jesu Christe lumen caeli (loco Patrem)	Compère, Loyset (ca. 1445–1518)	164v–165
Ave Domine Jesu Christe - 4a pars (of 8): Ave Domine Jesu christe vita dulcis (loci Offertorii)	Compère, Loyset (ca. 1445–1518)	165v–166
Ave Domine Jesu Christe - 5a pars (of 8): Salve salvator mundi (loci Sanctus)	Compère, Loyset (ca. 1445–1518)	166v–167
Ave Domine Jesu Christe - 6a pars (of 8): Adoramus te Christe (Ad elevationem)	Compère, Loyset (ca. 1445–1518)	167v–168
Ave Domine Jesu Christe - 7a pars (of 8): Parce Domine (loco Agnus)	Compère, Loyset (ca. 1445–1518)	168v–169
Ave Domine Jesu Christe - 8a pars (of 8): Da pacem Domine (loco Deo gratias)	Compère, Loyset (ca. 1445–1518)	169v–170
Ave mater gloriosa	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	127v–128
Ave mundi domina	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	126v–127
Ave mundi reparatrix Trinitatis inclinatrix	Anonymous	109v–110
Ave mundi spes Maria	Gaffurius, Franchinus (1451–1522)	80v–81
Ave mundi spes Maria	Gaffurius, Franchinus (1451–1522)	80v–81r
Ave regina caelorum II (4vv) - 1a pars (of 2): Ave regina caelorum mater	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	130v–131
Ave regina caelorum II (4vv) - 2a pars (of 2): [Verbum supernum] O salutaris hostia que caeli pandis	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	130v–131
Ave regina caelorum mater (4vv) - 1a pars (of 2): Ave regina caelorum mater	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	138v–140
Ave regina caelorum mater (4vv) - 2a pars (of 2): Ave corpus Domini	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	138v–140
Ave regina celorum	Anonymous	150v–151
Ave stella matutina vita nostra lux	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	116v–117
Ave virgo gloriosa - 1a pars (a) (of 3): Ave virgo gloriosa celi iubar mundi rosa	Compère, Loyset (ca. 1445–1518)	143v–145
Ave virgo gloriosa - 1a pars (b) (of 3): Miserere miseris que regina diceris	Compère, Loyset (ca. 1445–1518)	143v–145
Ave virgo gloriosa - 2a pars (of 3): Ave salus infirmorum	Compère, Loyset (ca. 1445–1518)	145v–147
Ave virgo gloriosa - 3a pars (of 3): Ave sponsa verbi summi	Compère, Loyset (ca. 1445–1518)	147v–149
Beata es virgo Maria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	170v–171
Beata progenies	Gaffurius, Franchinus (1451–1522)	64v–65
Benedicamus Crispinel et meritis	Stappen, Crispin van der (?)	183v–184
Benedicamus Domino	Anonymous	97v–98
Benedicamus Domino	Anonymous	97v–98
Castra caeli dum transcendo	Gaffurius, Franchinus (1451–1522)	99v–100
Cerne quod puro Deus in honore	Anonymous	3v–4
Christi mater ave sanctissima virgo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	114v–115
Descendi in ortum meum	Gaffurius, Franchinus (1451–1522)	69v–70
Exultabit cor meum - 1a pars (of 2): Exultabit cor meum	Anonymous	158v–159
Exultabit cor meum - 2a pars (of 2): Admirabile est nomen tuum	Anonymous	158v–159
Eya mater summi Dei / Jesu Christi Nazarei	Anonymous	102v–103
Fidem refundens perditis	Anonymous	3v–4
Fit porta Christi pervia	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	133v–134
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	Pullois, Johannes	121v–123
Flos de spina - 2a pars (of 2): Quod celerat umbra legis	Pullois, Johannes	121v–123
Gaude Maria virgo	Anonymous	157v–158
Gaude mater luminis - 1a pars (of 2): Gaude mater luminis	Gaffurius, Franchinus (1451–1522)	78v–80
Gaude mater luminis - 2a pars (of 2): Te honorant superi	Gaffurius, Franchinus (1451–1522)	78v–80
Gaude virgo gloriosa	Gaffurius, Franchinus (1451–1522)	74v–75
Gloriose virginis Marie	Gaffurius, Franchinus (1451–1522)	65v–66
Haec est sedes gratiae sedes pudicictiae	Anonymous	111v–112
Hoc gaudium est spiritus	Gaffurius, Franchinus (1451–1522)	73v–74
Hodie nata est - 1a pars (of 2): Hodie nata est beata virgo	Anonymous	152v–153
Hodie nata est - 2a pars (of 2): Inclite ergo virginis / Virginis Mariae nativitatem	Anonymous	153v–154
Hodie nobis de virgine - 1a pars (of 8): Hodie nobis de virgine	Compère, Loyset (ca. 1445–1518)	171v–172
Hodie nobis de virgine - 2a pars (of 8): Beata Dei genitrix Maria	Compère, Loyset (ca. 1445–1518)	172v–173
Hodie nobis de virgine - 3a pars (of 8): Hodie nobis Christus natus est	Compère, Loyset (ca. 1445–1518)	173v–174
Hodie nobis de virgine - 4a pars (of 8): Genuit puerpera regem	Compère, Loyset (ca. 1445–1518)	174v–175
Hodie nobis de virgine - 5a pars (of 8): Sanctus II verbum caro factum est	Compère, Loyset (ca. 1445–1518)	175v–176
Hodie nobis de virgine - 6a pars (of 8): Memento salutis auctor	Compère, Loyset (ca. 1445–1518)	176v–177
Hodie nobis de virgine - 7a pars (of 8): Quem vidistis pastores dicite annunciate	Compère, Loyset (ca. 1445–1518)	177v–178
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	Compère, Loyset (ca. 1445–1518)	151v–152
Hodie nobis de virgine - 8a pars (of 8): O admirabile commercium creator generis	Compère, Loyset (ca. 1445–1518)	178v–179
Hortus conclusus est Dei genetrix fons signatus	Gaffurius, Franchinus (1451–1522)	68v–69
Illuminans altissime Seu mistico baptismate	Anonymous	1v–2
Imperatrix gloriosa - 1a pars (of 3): Imperatrix gloriosa	Gaffurius, Franchinus (1451–1522)	90v–93
Imperatrix gloriosa - 2a pars (of 3): Florem ergo genuisti ex quo fructum protulisti	Gaffurius, Franchinus (1451–1522)	90v–93
Imperatrix gloriosa - 3a pars (of 3): Res miranda res novella	Gaffurius, Franchinus (1451–1522)	90v–93
Imperatrix reginarum	Gaffurius, Franchinus (1451–1522)	101v–102
Intende qui regis Israël Veni redemptor gentium	Anonymous	1v–2
Joseph conturbatus	Gaffurius, Franchinus (1451–1522)	77v–78
Juste & sancte / Omnipotens aeterne Deus	Gaffurius, Franchinus (1451–1522)	95v–96
Laetarere alleluia / Regina caeli	Gaffurius, Franchinus (1451–1522)	81v–82
Lux alma = Christe qui lux es Precamur sancte Domine	Anonymous	0v (flyleaf)–1
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	8v–10
Magnificat duo (octavi toni): Esurientes [K.466]	Anonymous	2v
Magnificat duo (quarti toni): Esurientes [K.465]	Anonymous	2v
Magnificat duo (quarti toni): Quia fecit [K.459]	Anonymous	3
Magnificat duo (quinti toni): Fecit potentiam [K.461]	Anonymous	3
Magnificat octavi toni: Anima mea [K.368]	Busnoys, Antoine (ca. 1430–1492) (?)	17v–20
Magnificat octavi toni: Anima mea [K.910]	Martini, Johannes (ca. 1430–1497)	27v–29
Magnificat octavi toni: Et exultavit [K.386]	Anonymous	29v–31
Magnificat octavi toni: Et exultavit [K.386]	Anonymous	51v–53
Magnificat octavi toni: Et exultavit [K.413]	Anonymous	56v–57
Magnificat octavi toni: Et exultavit [K.414]	Anonymous	62v–64
Magnificat octavi toni: Et exultavit [K.604]	Arnulfus (fl. c1500)	20v–21
Magnificat octavi toni: Et exultavit [K.797]	Gaffurius, Franchinus (1451–1522)	37v–39
Magnificat octavi toni: Et exultavit [K.799]	Gaffurius, Franchinus (1451–1522)	49v–51
Magnificat octavi toni: Et exultavit [K.800]	Gaffurius, Franchinus (1451–1522)	53v–56
Magnificat primi toni [K.696]	Compère, Loyset (ca. 1445–1518)	10v–17
Magnificat primi toni: Et exultavit [K.790]	Gaffurius, Franchinus (1451–1522)	32v–35
Magnificat primi toni: Et exultavit [K.791]	Gaffurius, Franchinus (1451–1522)	40v–41
Magnificat primi toni: Et exultavit [K.792]	Gaffurius, Franchinus (1451–1522)	41v–43
Magnificat quarti toni: Et exultavit [K.258]	Anonymous	58v–60
Magnificat quarti toni: Et exultavit [K.283]	Anonymous	60v–62
Magnificat secundi toni: Et exultavit [K.206]	Anonymous	57v–58
Magnificat sexti toni [K.697]	Compère, Loyset (ca. 1445–1518)	21v–23
Magnificat sexti toni: Anima mea [K.794]	Gaffurius, Franchinus (1451–1522)	43v–45
Magnificat sexti toni: Et exultavit [K.793]	Gaffurius, Franchinus (1451–1522)	35v–37
Magnificat sexti toni: Et exultavit [K.795]	Gaffurius, Franchinus (1451–1522)	45v–46
Magnificat sexti toni: Et exultavit [K.796]	Gaffurius, Franchinus (1451–1522)	46v–49
Magnificat tertii toni: Anima mea [K.906]	Martini, Johannes (ca. 1430–1497)	23v–27
Magnum nomen Domini	Gaffurius, Franchinus (1451–1522)	112v–113
Mater digna Dei venie via luxque	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	115v–116
Mater patris filia mulier laetitiae stella	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	140v–141
Mysterium ecclesiae Sola in sexu femina	Anonymous	0v (flyleaf)–1
Nativitas tua - 1a pars (of 2): Nativitas tua sancti Dei	Anonymous	154v–155
Nativitas tua - 2a pars (of 2): Qui solvens maledictionem / Qui solvens dedit	Anonymous	155v–156
O Admirabile comertium = O pater o fili patris	Anonymous	123v–124
O beata praesulis	Anonymous	108v–109
O Beate sebastiane	Gaffurius, Franchinus (1451–1522)	93v–95
O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Maria mater gratiae	Compère, Loyset (ca. 1445–1518)	149v–150
O Jesu dulcissime	Gaffurius, Franchinus (1451–1522) (?)	39v–40
O Maria clausus hortus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	138v–140
O pulcherrima mulierum qualis est dilectus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	137v–138
O redemptor totius populi	Anonymous	156v–157
O res laeta messis gratta nostrum genus et cognata	Gaffurius, Franchinus (1451–1522)	100v–101
O sacrum convivium (4vv)	Gaffurius, Franchinus (1451–1522)	72v–73
O virginum preclara Maria sanctissima	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	132v–133
Prodiit puer - 1a pars (of 2): Prodiit puer de puella	Gaffurius, Franchinus (1451–1522)	75v–77
Prodiit puer - 2a pars (of 2): Quod puella parit ita res a saecli inaudita	Gaffurius, Franchinus (1451–1522)	75v–77
Promissa mundo gaudia	Gaffurius, Franchinus (1451–1522)	107v–108
Quam pulchra es	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	134v–135
Quando venit - 1a pars (of 2): Quando venit ergo sacri	Gaffurius, Franchinus (1451–1522)	71v–72
Quando venit - 2a pars (of 2): Ave corpus Jesu Christi	Gaffurius, Franchinus (1451–1522)	71v–72
Quem terra pontus aethera	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	131v–132
Quia viderunt oculi - 1a pars (of 5): Quia viderunt oculi	Anonymous	0 (flyleaf)
Quia viderunt oculi - 2a pars (of 5): Lumen ad revelationem	Anonymous	0 (flyleaf)
Quia viderunt oculi - 3a pars (of 5): Sicut erat in principio	Anonymous	0 (flyleaf)
Quia viderunt oculi - 4a pars (of 5): Salva nos domine vigilantes	Anonymous	0 (flyleaf)
Quia viderunt oculi - 5a pars (of 5): Ut vigilemus in Christo	Anonymous	0 (flyleaf)
Reformator animarum Jesu Christe nos tuarum	Anonymous	105v–106
Salve decus genitoris - 1a pars (of 2): Salve decus genitoris	Gaffurius, Franchinus (1451–1522)	82v–84
Salve decus genitoris - 2a pars (of 2): Tanquam tibi e caelo datos qui nepotes plus quam natos	Gaffurius, Franchinus (1451–1522)	82v–84
Salve decus virginum - 1a pars (of 2): Salve decus virginum	Gaffurius, Franchinus (1451–1522)	85v–87
Salve decus virginum - 2a pars (of 2): Tu conuallis humilis terra non arabilis	Gaffurius, Franchinus (1451–1522)	85v–87
Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris	Gaffurius, Franchinus (1451–1522)	84v–85
Salve mater salvatoris - 1a pars (of 2): Salve mater salvatoris vas electum	Gaffurius, Franchinus (1451–1522)	179v–180
Salve mater salvatoris - 2a pars (of 2): Inter natos mulierum	Gaffurius, Franchinus (1451–1522)	180v–181
Salve mater salvatoris - 2a pars (of 2): Salve verbi sacra parens flos de spina	Gaffurius, Franchinus (1451–1522)	84v–85
Salve regina - 1a pars (of 3): Salve regina misericordiae	Du Fay, Guillaume (1397–1474)	184v–185
Salve regina - 2a pars (of 3): Eya ergo advocata	Du Fay, Guillaume (1397–1474)	184v–185
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	Du Fay, Guillaume (1397–1474)	185v–187
Salve regina mater misericordiae	Anonymous	117v–118
Salve regina misericordiae - 1a pars (of 5): Salve regina misericordiae	Anonymous	187v–188
Salve regina misericordiae - 2a pars (of 5): Ad te clamamus	Anonymous	187v–188
Salve regina misericordiae - 3a pars (of 5): Eya ergo aduocata nostra	Anonymous	187v–188
Salve regina misericordiae - 4a pars (of 5): O clemens	Anonymous	187v–188
Salve regina misericordiae - 5a pars (of 5): O dulcis virgo maria	Anonymous	187v–188
Salve virgo salutata	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	136v–137
Salve virgo salutata	Anonymous	161v–162
Salve virgo virginum	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	128v–129
Sponsa Dei electa	Gaffurius, Franchinus (1451–1522)	67v–68
Stabat mater - 1a pars (of 2): Stabat mater dolorosa	Gaffurius, Franchinus (1451–1522)	181v–182
Stabat mater - 2a pars (of 2): Adoramus te Christe	Gaffurius, Franchinus (1451–1522)	182v–183
Sub tuam protectionem	Gaffurius, Franchinus (1451–1522)	66v–67
Te Deum laudamus	Binchois, Gilles (ca. 1400–1460)	118v–121
Timete Dominum - 1a pars (of 2): Timete Dominum omnes sancti eius	Anonymous	159v–160
Timete Dominum - 2a pars (of 2): Domine dilexi decorem domus	Anonymous	159v–160
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	141v–142
Tota pulchra es - 2a pars (of 2): Jam enim hiems transiit	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	142v–143
Tota pulchra es amica mea et macula	Gaffurius, Franchinus (1451–1522)	70v–71
Tropheum crucis undique distenditur	Anonymous	31v–32
Tu thronus es Salomonis - 1a pars (of 3): Tu thronus es Salomonis	Gaffurius, Franchinus (1451–1522)	87v–90
Tu thronus es Salomonis - 2a pars (of 3): Salve mater pietatis et totius trinitatis	Gaffurius, Franchinus (1451–1522)	87v–90
Tu thronus es Salomonis - 3a pars (of 3): Lux eclipsim nesciens / Virginis est castitas	Gaffurius, Franchinus (1451–1522)	87v–90
Uterus virgineus thronus est	Anonymous	110v–111
Verbum sapientie	Gaffurius, Franchinus (1451–1522)	98v–99
Virgo Dei digna mater	Gaffurius, Franchinus (1451–1522)	96v–97
Virgo prudentissima quo progrederis	Gaffurius, Franchinus (1451–1522)	7v–8
Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum	Anonymous	124v–126
Vox de caelo ad beatum - 2a pars (of 2): Ecce ego tecum sum	Anonymous	124v–126
Vox jocunda - 1a pars (of 2): Nostre mentis sit in ore vox jocunda cum favore	Anonymous	103c–105
Vox jocunda - 2a pars (of 2): O Jesu dulcissime	Anonymous	103c–105

Set: Mss. 2266-9 (Libroni 1-4)

Type: Linked by Origin or Contents

No images available

I-Mfd MS 2266 (Librone 4)

No images available

I-Mfd MS 2267 (Librone 3)

No images available

I-Mfd MS 2268 (Librone 2)

No images available

I-Mfd MS 2269 (Librone 1)

‡ denotes primary source study

Filippi, Daniele V (editor). 2024. Loyset Compère. Ave, virgo gloriosa (Galeazescha): A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Filippi, Daniele V (editor). 2024. Ave, Domine Iesu Christe : A Motetti Missales Cycle from the Milanese Libroni, Attributed to Loyset Compère. Middleton (Wisconsin): A-R Editions.

Cassia, Cristina (editor). 2023. Gaspar van Weerbeke. Quam pulchra es : A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Cassia, Cristina (editor). 2023. Franchinus Gaffurius. Salve, mater Salvatoris : A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Filippi, Daniele V (editor). 2023. Loyset Compère. Hodie nobis de virgine : A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Pavanello, Agnese (editor). 2023. Gaspar van Weerbeke. Ave, mundi domina : A Motetti Missales Cycle from the Milanese Libroni. Middleton (Wisconsin): A-R Editions.

Filippi, Daniele V. 2021b. Gaffurius's Paratexts: Notes on the Indexes of Libroni 1-3. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 165-179. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2021a. The Making and the Dating of the Gaffurius Codices: Archival Evidence and Research Perspectives. Reopening Gaffurius's Libroni, edited by Daniele V. Filippi, 3-58. Lucca: Libreria Musicale Italiana. [Filippi 2021a].

Cassia, Cristina. 2021. Gaffurius at the Mirror: The Internal Concordances of the Libroni. Reopening Gaffurius's Libroni, edited by Cristina Cassia, 181-215. Lucca: Libreria Musicale Italiana.

Pantarotto, Martina. 2021. ‘Scripsi et notavi’: Scribes, Notators, and Calligraphers in the Workshop of the Gaffurius Codices. Reopening Gaffurius's Libroni, edited by Martina Pantarotto, 59-164. Lucca: Libreria Musicale Italiana.

Pavanello, Agnese. 2021. The Non-Milanese Repertory of the Libroni: A Potential Guide for Tracking Musical Exchanges. Reopening Gaffurius's Libroni, edited by Agnese Pavanello, 217-269. Lucca: Libreria Musicale Italiana.

Rossi, Francesco Rocco. 2021. Franchino Gaffurio compositore. I mottetti. Ivrea: LeMus.

Cassia, Cristina. 2019b. Catalogo dei Libroni gaffuriani. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 291-389. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019b. Where Devotion and Liturgy Meet: Reassessing the Milanese Roots of the "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi, 53-91. Basel: Schwabe.

Cassia, Cristina. 2019a. La compilazione del Catalogo dei Libroni: problemi e osservazioni. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Cristina Cassia, 275-290. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2019a. Breve guida ai "motetti missales" (e dintorni). Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Daniele V. Filippi, 139-169. Lucca: Libreria Musicale Italiana.

Bokulich, Clare. 2019. Metre and the "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Clare Bokulich, 397-427. Basel: Schwabe.

Pavanello, Agnese. 2019. Praying to Mary: Another Look at Gaspar van Weerbeke's Marian "Motetti missales". Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello, 339-380. Basel: Schwabe.

Schmidt, Thomas. 2019. The Coherence of the Cycle? The Notation of the "Motetti missales" in Manuscript and Print. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Thomas Schmidt, 171-186. Lucca: Libreria Musicale Italiana.

Torelli, Daniele. 2019. Gli inni e il repertorio per l'ufficio nei Libroni gaffuriani. Codici per cantare. I Libroni del Duomo nella Milano Sforzesca, edited by Daniele Torelli, 233-271. Lucca: Libreria Musicale Italiana.

Filippi, Daniele V. 2017. "Audire missam non est verba missae intelligere...": The Low Mass and the "Motetti missales" in Sforza Milan. Journal of the Alamire Foundation, 9/1: 11-32.

Pavanello, Agnese. 2017. The Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context. Journal of the Alamire Foundation, 9/1: 33-59.

Gasser, Nolan. 2001. The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study. Stanford University, Ph.D.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Brown, Howard Mayer. 1987. Florence MS Magl. IXI. 164, Facsimile reproduction, with introduction. Renaissance Music in Facsimile. Garland.

Halpern, Lynn Elise. 1986. The Motetti Missales Repertory Reconsidered. Journal of the American Musicological Society, 39: 491-523. Pages: 491-3, 511, 523. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Halpern, Lynn Elise. 1985. Motet and Mass-Motet Cycles in lhe Gafurius Codices. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 139,189,270. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 32, 545, 602-3. Notes: contents list (partial); concordances (partial); texts (partial).

Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pages: I, 98, 311; II, 83. Notes: mention of MS; contents list (partial); concordances (partial).

Crawford, David Eugene. 1970. Review of NOHM. Current Musicology, 10: 102-8. Notes: contents list (partial); mention of MS; discussion.

Snow, Robert Joseph. 1969. The Mass-Motet Cycle: A Mid-Fifteenth-Century Experiment. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 301-20. Pittsburgh. Pages: 303, 320. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 87-9, 269ff. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I, 24ff, passim; II, 6ff, 80-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Noblitt, Thomas L. 1968. The Ambrosian Motetti Missales Repertory. Musica Disciplina, 22: 77-103. Pages: 79ff. Notes: contents list (partial); mention of MS; discussion.

Braithwaite, James Roland. 1967. The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Boston University, Unpublished Ph.D. dissertation. Pages: II, 112-4. Notes: contents list (partial); concordances (partial); texts (partial).

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 443-80. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 147. Notes: contents list (partial); concordances (partial); incipits (partial).

Noblitt, Thomas L. 1966. The Magnificats of Johannes Martini. Paul A Pisk: Essays in His Honor, 10-24. Austin. Pages: 10-5. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Pages: 137-8. Notes: contents list (partial); concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 26-7, 43-6, 53, 89ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 3-7, 12, 209-10, passim. Notes: physical description (partial); contents list (partial); texts (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 362. Notes: physical description; contents list (partial); concordances (partial).

Reese, Gustave. 1959. Music in the Renaissance. New York. Pages: 180-1, 219, 223, 227. Notes: contents list (partial); mention of MS; discussion.

Migliavacca, Luciano, Angelo Ciceri, and Amerigo Bortone (editors). 1958-1969. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: I-II, IV-ff, passim. Notes: physical description; contents list; concordances (partial); transcription; facsimile (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, i-vi, 26-57; III, ii-iii, 22-36; IV, ii-iii, 25-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Sartori, Claudio. 1957. La Cappella Musicale del Duomo di Milano: Catalogo delle Musiche dell'Archivio. Milan. Pages: opp. 6, 43-7. Notes: physical description; contents list; facsimile (partial).

Sartori, Claudio. 1953. II Quarto Codice di Gaffurio non e del Tutto Scomparso. Collectanea Historiae Musicae, 25-44. Notes: physical description (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1346. Notes: physical description (partial).

Jeppesen, Knud. 1931. Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano. Acta Musicologica, 3: 14-28. Notes: physical description; contents list; concordances; mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description