A-Wn Mus.Hs. 18746 (Superius/Cantus) - DIAMM

A-Wn Mus.Hs. 18746 (Superius/Cantus)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: 1523

Archive	Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark	Mus.Hs. 18746 (Superius/Cantus)
Surface	Paper
Numbering System	Foliation
Measurements	180 x 245 mm
Other Identifiers	CCM: VienNB Mus. 18746 olim (Former shelfmark): A.N.35.H.14
Notations	black void mensural
Copyists	Alamire, Petrus (ca. 1470–1536) Text and Music scribal concordance [29], Alamire C1 (possibly = Alamire) Music scribal concordance [38], Alamire P Text and Music
Relationships	Ferdinand III (1608–1657) (owner) Fugger, Raimund (the Elder) (1489–1535) (owner)
External Links	CMME online edition images ONB catalogue entry linking to images
External Authorities	RISM Online (sources/600100332)
Provenance	Brussels, Belgium
Contents	60 pieces from 14 composers

General Description

A Discantus partbook from a set of five volumes. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books), though music attributed to Netherlands court scribe C' - who may be Alamire (KellBP). Warmington (KellmanTO) attributes some of the copying to scribe P. All pieces have text incipits or titles only. Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Binding

Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Watermark

(1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113)

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Notation

black void mensural

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Ruling

Staff height 15

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Foliation

Modern pencil foliation in each book.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Decoration

No initials or decoration

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Surface

paper

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

DIAMM Note

Four pieces attributed to Josquin on stylistic grounds by BenthEW: Sans vous veoir, Saillies avant, Dame donuer, Consideres mes incessantes plaintes

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 motets, 1 motet-chanson, 51 French secular pieces, 1 textless piece with title "Cantus de anglia" = 56

(Appenzeller/Verdelot)-1, (Bauldeweyn/Grefinger)-1, Brumel-1, (Josquin)-7 + 4?,* (Josquin/La Rue)-2, La Rue-2, Lebrun-1, (Mouton)-1, (Prioris)-1, (Richafort)-1, (Richafort/Werrecore)-1, (Stokhem)-1, anon-32

*Four pieces attributed to Josquin on stylistic grounds by BenthEW.

5 paper partbooks (D-63 folios, A-68, T1-57, T2-63, B-62), 180 x 245. Modern pencil foliation in each book. Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers. No index. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books) and Netherlands court scribe C' (KellBP); see general index for other manuscripts copied by the same scribes. Staff height 15. No initials or decoration. Watermarks: (1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113). All pieces have text incipits or titles only.

1523 (date in manuscript). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–7	[blank pages]	-	-
[blank pages] Appears on: 1–7
7v–8v	Cent mille regrets me poursuivent sans cesse 29.1	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Cent mille regrets me poursuivent sans cesse 29.1 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 7v–8v Genres: Chanson Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: French Voice Text: Cent mille regretz [me poursuivent sans cesse] 29.1
8v–9	Plusieurs regrets qui sur la terre 29.21	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plusieurs regrets qui sur la terre 29.21 Despres, Josquin (ca. 1450–1521) Appears on: 8v–9 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plusours regretz [= Plusieurs regretz qui sur la terre sont] 29.21
9v–10	Deuil et ennuy souci regrets et paine	Anon.	Anonymous
Deuil et ennuy souci regrets et paine Anonymous Appears on: 9v–10 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Deueil et ennuy [soucy regretz et paine]
10v–11	Je n'ai regrets	Anon.	Anonymous
Je n'ai regrets Anonymous Appears on: 10v–11 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jen ay regretz [= Je n'ay regretz]
11–11v	On a mal dit de mon amy	Anon.	Anonymous
On a mal dit de mon amy Anonymous Appears on: 11–11v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amy
11v–12	En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	[Bauldeweyn/Grefinger]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 11v–12 Genres: Chanson, Contrafactum Source Attribution: [Bauldeweyn/Grefinger] Voice: [no designation] Languages: French Voice Text: En doleur en tritresse [= En douleur en tristesse languiray-je tousjours]
12v	Je mi complain de mon ami qui me souloit 29.10	[Josquin]	Despres, Josquin (ca. 1450–1521)
Je mi complain de mon ami qui me souloit 29.10 Despres, Josquin (ca. 1450–1521) Appears on: 12v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Je mi complain [de mon amy qui me souloit] 29.10
13–13v	J'ai mis mon ceur en un lieu seullement	Anon.	Anonymous
J'ai mis mon ceur en un lieu seullement Anonymous Appears on: 13–13v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jay mis mon ceur [en ung lieu seullement]
13v–14	Cueur endurci plus dure que piere	Anon.	Anonymous
Cueur endurci plus dure que piere Anonymous Appears on: 13v–14 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ceuer en durchi [= Cueur endurci plus dure que piere]
14–15	Sans vous veoir	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Sans vous veoir Despres, Josquin (ca. 1450–1521) (?) Appears on: 14–15 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sans vous veoir Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.
15–15v	Adieu comment	Anon.	Rue, Pierre de la (ca. 1452–1518) (?)
Adieu comment Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 15–15v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Adieu commant General Note Meconi discusses this piece among La Rue's 'low range' settings; and Kempster considers it as by La Rue in his La Rue edition. Item Bibliography Kempster, William (editor). 2022. Pierre de la Rue: a 'complete' performing edition. https://pierredelaruescores787ad8.webflow.io/(Accessed: 16-12-2023). Meconi, Honey. 2003. Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court. Oxford: Oxford University Press.
15v–17	Saillies avant (2p. 'Residuum')	Anon.	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Saillies avant (2p. 'Residuum') Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 15v–17 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Saillies avant Item Bibliography Kempster, William (editor). 2022. Pierre de la Rue: a 'complete' performing edition. https://pierredelaruescores787ad8.webflow.io/(Accessed: 16-12-2023). Notes: attributed to La Rue on stylistic grounds. Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.
17–17v	Incessamment mon pouvre coeur lamente 29.9	[Josquin/La Rue]	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)
Incessamment mon pouvre coeur lamente 29.9 Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 17–17v Genres: Chanson Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: French Voice Text: Incessament [mon povre cueur lamente] 29.9
18	Je suis nuyt et iour	Anon.	Anonymous
Je suis nuyt et iour Anonymous Appears on: 18 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je suis nuyt et iour
18v–19	Sans vous veoir	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Sans vous veoir Despres, Josquin (ca. 1450–1521) (?) Appears on: 18v–19 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sans vous veoir
19	Garde le tret / Au retret	Anon.	Anonymous
Garde le tret / Au retret Anonymous Appears on: 19 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Garde le tret
19v	D'un autre aimer mon coeur s'abesseroit / Cela sans plus	Lebrun	le Brun, Jean (fl. early 16th century)
D'un autre aimer mon coeur s'abesseroit / Cela sans plus le Brun, Jean (fl. early 16th century) Appears on: 19v Genres: Chanson Source Attribution: Lebrun Voice: [no designation] Languages: French Voice Text: Dung aultre aymer/Cela sans plus
20–20v	D'un autre aimer mon coeur s'abesseroit	Rue	Rue, Pierre de la (ca. 1452–1518)
D'un autre aimer mon coeur s'abesseroit Rue, Pierre de la (ca. 1452–1518) Appears on: 20–20v Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Dung aultre aymer [mon cueur s'abesseroit]
20v–21	Le grant deueill	Anon.	Anonymous
Le grant deueill Anonymous Appears on: 20v–21 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le grant deueill
21v–22	A moi seule qui tant aime vous / Comme femme desconforte	Anon.	Anonymous
A moi seule qui tant aime vous / Comme femme desconforte Anonymous Appears on: 21v–22 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: A moy seulle qui tant/Comme femme desconforte
22–22v	Consideres mes incessantes plaintes / Fortuna desperata	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Consideres mes incessantes plaintes / Fortuna desperata Despres, Josquin (ca. 1450–1521) (?) Appears on: 22–22v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Consideres mes incessantes plaintes/Fortuna desperata Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 32-36. Notes: attributed to Josquin on stylistic grounds by BenthEW.
22v–23v	Languentis miseris / Clamor meus ad te veniat	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Languentis miseris / Clamor meus ad te veniat Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 22v–23v Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Languentis miseris/Clamor meus ad te veniat
24–24v	Par vous je suis = Entre ie suis un grant penser	[Prioris]	Prioris, Johannes (Denis, Dionisius) (–1515)
Par vous je suis = Entre ie suis un grant penser Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 24–24v Genres: Chanson Source Attribution: [Prioris] Voice: [no designation] Languages: French Voice Text: Entre ie suis ung grant penser [= Par vous je suis]
24v–25	Tout a par moi affin que on ne me voye	Anon.	Anonymous
Tout a par moi affin que on ne me voye Anonymous Appears on: 24v–25 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tout a par moy [affin que on ne me voye]
25v–26	Tristis est anima mea usque ad mortem	Anon.	Anonymous
Tristis est anima mea usque ad mortem Anonymous Appears on: 25v–26 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tristis est anima mea [usque ad mortem]
26–26v	Pro chasser fait	Anon.	Anonymous
Pro chasser fait Anonymous Appears on: 26–26v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pro chasser fait
27–27v	Brunete m'amiette	[Stokhem]	Stockem, Johannes de (ca. 1445–1487)
Brunete m'amiette Stockem, Johannes de (ca. 1445–1487) Appears on: 27–27v Genres: Chanson Source Attribution: [Stokhem] Voice: [no designation] Languages: French Voice Text: Brunette mamiette
27v–28	Qui vult aymere il fault estre joieulx	Anon.	Anonymous
Qui vult aymere il fault estre joieulx Anonymous Appears on: 27v–28 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Qui vult aymere il fault estre joieulx
28v–29	La jonne dame va au moulin?	Anon.	Anonymous
La jonne dame va au moulin? Anonymous Appears on: 28v–29 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: La jonne dame [va au moulin?]
29–29v	D'amour je suis desherite et plaindre	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
D'amour je suis desherite et plaindre Richafort, Jean (ca. 1480–ca. 1550) Appears on: 29–29v Genres: Chanson Source Attribution: [Richafort] Voice: [no designation] Languages: French Voice Text: Damour ie suis [desheritée et plaindre]
29v–30v	Du bon du coeur ma chère dame	[Mouton]	Mouton, Jean (ca. 1459–1522)
Du bon du coeur ma chère dame Mouton, Jean (ca. 1459–1522) Appears on: 29v–30v Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Du bon du coeur [ma chère dame]
30v–31	Voustre beaulte plaisant et lye me donne?	Anon.	Anonymous
Voustre beaulte plaisant et lye me donne? Anonymous Appears on: 30v–31 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Voustre beaulte [plaisant et lye me donne?]
31–32	Tout a rebors de mon affaire	Anon.	Anonymous
Tout a rebors de mon affaire Anonymous Appears on: 31–32 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tout a rebors [de mon affaire]
32–32v	Ne vous chaille mon coeur si vous aves	[Richafort/Werrecore]	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)
Ne vous chaille mon coeur si vous aves Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?) Appears on: 32–32v Genres: Chanson Source Attribution: [Richafort/Werrecore] Voice: [no designation] Languages: French Voice Text: Ne vuos challe [= Ne vous chaille mon cueur]
33–33v	Doise espoir	Anon.	Anonymous
Doise espoir Anonymous Appears on: 33–33v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Doise espoir
33v–34v	Choisisses vrais amoreux	Anon.	Anonymous
Choisisses vrais amoreux Anonymous Appears on: 33v–34v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Choisisses vrais amoreux
34v–35v	Doleur me bat et tristesse m'afolle 29.4	[Josquin]	Despres, Josquin (ca. 1450–1521)
Doleur me bat et tristesse m'afolle 29.4 Despres, Josquin (ca. 1450–1521) Appears on: 34v–35v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Doleur me bat [et tristesse m'afolle] 29.4
35v–36v	Mon cour vit in tristicia	Anon.	Anonymous
Mon cour vit in tristicia Anonymous Appears on: 35v–36v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon cour vit in tristicia
36v–37	Douleur me bat / O vos omnes qui transitis	Anon.	Anonymous
Douleur me bat / O vos omnes qui transitis Anonymous Appears on: 36v–37 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin, French Voice Text: Douleur me bat/O vos omnes qui transitis
37v	Ceur doloreulx qui vit	Anon.	Anonymous
Ceur doloreulx qui vit Anonymous Appears on: 37v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ceur doloreulx qui vit
38–38v	Dame donuer [d'honneur?]	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Dame donuer [d'honneur?] Despres, Josquin (ca. 1450–1521) (?) Appears on: 38–38v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Dame donner Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 29-32. Notes: attributed to Josquin on stylistic grounds by BenthEW.
38v–39	J'ai un regrets	Anon.	Anonymous
J'ai un regrets Anonymous Appears on: 38v–39 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jay ung regretz
39v	Plaine de deuil et de merencolie voyant 29.20	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plaine de deuil et de merencolie voyant 29.20 Despres, Josquin (ca. 1450–1521) Appears on: 39v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plaine de doul [et de melencolie voyant] 29.20
39v–40v	Parfons regrets et lamentable joye 29.19	[Josquin]	Despres, Josquin (ca. 1450–1521)
Parfons regrets et lamentable joye 29.19 Despres, Josquin (ca. 1450–1521) Appears on: 39v–40v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Parfons regretz [et lamentable joye] 29.19
40v–41	Cantus de Anglia: La sol mi fa mi	Anon.	Anonymous
Cantus de Anglia: La sol mi fa mi Anonymous Appears on: 40v–41 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cantus de Anglia: La sol mi fa mi
41–42	De mien amant le deppart m'est si grief (2p. 'Residuum')	[Josquin]	Despres, Josquin (ca. 1450–1521)
De mien amant le deppart m'est si grief (2p. 'Residuum') Despres, Josquin (ca. 1450–1521) Appears on: 41–42 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: De mien amant [le deppart m'est si grief] 29.5
42v–43	Incessamment livré suis à martire triste 29.8	[Josquin]	Despres, Josquin (ca. 1450–1521)
Incessamment livré suis à martire triste 29.8 Despres, Josquin (ca. 1450–1521) Appears on: 42v–43 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Incessament [livré suis à martire triste] 29.8
43–43v	Je my levai par un matin jour n'estoit	[Appenzeller/Verdelot]	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Je my levai par un matin jour n'estoit Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 43–43v Genres: Chanson Source Attribution: [Appenzeller/Verdelot] Voice: [no designation] Languages: French Voice Text: Je my levay [par] ung matin [jour n'estoit]
44–52	[blank staves]	-	-
[blank staves] Appears on: 44–52
52v–53	Maria mater gracie / Fors seullement (2 partes)	Anon.	Anonymous
Maria mater gracie / Fors seullement (2 partes) Anonymous Appears on: 52v–53 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, French Voice Text: Maria mater gracie/Fors seullement
53v–54	Fors seulement l'attente que je meure (2 partes)	Anon.	Anonymous
Fors seulement l'attente que je meure (2 partes) Anonymous Appears on: 53v–54 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
54–54v	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 54–54v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
54v–55v	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 54v–55v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
55v–56	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 55v–56 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
56v–57	Fors seulement l'attente que je meure (2 partes)	Anon.	Anonymous
Fors seulement l'attente que je meure (2 partes) Anonymous Appears on: 56v–57 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
57–57v	Fors seulement l'attente que je meure (2 partes)	-	Anonymous
Fors seulement l'attente que je meure (2 partes) Anonymous Appears on: 57–57v Genres: Chanson
57v–58	Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue	Rue, Pierre de la (ca. 1452–1518)
Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue, Pierre de la (ca. 1452–1518) Appears on: 57v–58 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
58v–59v	[blank staves]	-	-
[blank staves] Appears on: 58v–59v
60–63v	[blank pages]	-	-
[blank pages] Appears on: 60–63v

Composer	Compositions
Anonymous	A moi seule qui tant aime vous / Comme femme desconforte – 21v–22 Cantus de Anglia: La sol mi fa mi – 40v–41 Ceur doloreulx qui vit – 37v Choisisses vrais amoreux – 33v–34v Cueur endurci plus dure que piere – 13v–14 Deuil et ennuy souci regrets et paine – 9v–10 Doise espoir – 33–33v Douleur me bat / O vos omnes qui transitis – 36v–37 Fors seulement l'attente que je meure – 54–54v Fors seulement l'attente que je meure – 54v–55v Fors seulement l'attente que je meure – 55v–56 Fors seulement l'attente que je meure (2 partes) – 53v–54 Fors seulement l'attente que je meure (2 partes) – 57–57v Fors seulement l'attente que je meure (2 partes) – 56v–57 Garde le tret / Au retret – 19 J'ai mis mon ceur en un lieu seullement – 13–13v J'ai un regrets – 38v–39 Je n'ai regrets – 10v–11 Je suis nuyt et iour – 18 La jonne dame va au moulin? – 28v–29 Le grant deueill – 20v–21 Maria mater gracie / Fors seullement (2 partes) – 52v–53 Mon cour vit in tristicia – 35v–36v On a mal dit de mon amy – 11–11v Pro chasser fait – 26–26v Qui vult aymere il fault estre joieulx – 27v–28 Tout a par moi affin que on ne me voye – 24v–25 Tout a rebors de mon affaire – 31–32 Tristis est anima mea usque ad mortem – 25v–26 Voustre beaulte plaisant et lye me donne? – 30v–31 [No description] – 1–7 [No description] – 58v–59v [No description] – 60–63v [No description] – 44–52
Appenzeller, Benedictus (ca. 1480–ca. 1558)	(?) Je my levai par un matin jour n'estoit – 43–43v
Bauldeweyn, Noel (ca. 1480–1529)	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 11v–12
Brumel, Antoine (ca. 1460–ca. 1513)	Languentis miseris / Clamor meus ad te veniat – 22v–23v
Despres, Josquin (ca. 1450–1521)	(?) Cent mille regrets me poursuivent sans cesse 29.1 – 7v–8v (?) Consideres mes incessantes plaintes / Fortuna desperata – 22–22v (?) Dame donuer [d'honneur?] – 38–38v De mien amant le deppart m'est si grief (2p. 'Residuum') – 41–42 Doleur me bat et tristesse m'afolle 29.4 – 34v–35v Incessamment livré suis à martire triste 29.8 – 42v–43 (?) Incessamment mon pouvre coeur lamente 29.9 – 17–17v Je mi complain de mon ami qui me souloit 29.10 – 12v Parfons regrets et lamentable joye 29.19 – 39v–40v Plaine de deuil et de merencolie voyant 29.20 – 39v Plusieurs regrets qui sur la terre 29.21 – 8v–9 (?) Saillies avant (2p. 'Residuum') – 15v–17 (?) Sans vous veoir – 18v–19 (?) Sans vous veoir – 14–15
Grefinger, Wolfgang	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 11v–12
Mouton, Jean (ca. 1459–1522)	Du bon du coeur ma chère dame – 29v–30v
Prioris, Johannes (Denis, Dionisius) (–1515)	Par vous je suis = Entre ie suis un grant penser – 24–24v
Richafort, Jean (ca. 1480–ca. 1550)	D'amour je suis desherite et plaindre – 29–29v (?) Ne vous chaille mon coeur si vous aves – 32–32v
Rue, Pierre de la (ca. 1452–1518)	(?) Adieu comment – 15–15v (?) Cent mille regrets me poursuivent sans cesse 29.1 – 7v–8v D'un autre aimer mon coeur s'abesseroit – 20–20v Fors seulement l'attente que je meure (2p. Qui n'est douleur) – 57v–58 (?) Incessamment mon pouvre coeur lamente 29.9 – 17–17v (?) Saillies avant (2p. 'Residuum') – 15v–17
Stockem, Johannes de (ca. 1445–1487)	Brunete m'amiette – 27–27v
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Je my levai par un matin jour n'estoit – 43–43v
Werrecore, Matthias Hermann	(?) Ne vous chaille mon coeur si vous aves – 32–32v
le Brun, Jean (fl. early 16th century)	D'un autre aimer mon coeur s'abesseroit / Cela sans plus – 19v

Composition	Composers (? Uncertain)	Folios / Pages
A moi seule qui tant aime vous / Comme femme desconforte	Anonymous	21v–22
Adieu comment	Rue, Pierre de la (ca. 1452–1518) (?)	15–15v
Brunete m'amiette	Stockem, Johannes de (ca. 1445–1487)	27–27v
Cantus de Anglia: La sol mi fa mi	Anonymous	40v–41
Cent mille regrets me poursuivent sans cesse 29.1	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	7v–8v
Ceur doloreulx qui vit	Anonymous	37v
Choisisses vrais amoreux	Anonymous	33v–34v
Consideres mes incessantes plaintes / Fortuna desperata	Despres, Josquin (ca. 1450–1521) (?)	22–22v
Cueur endurci plus dure que piere	Anonymous	13v–14
D'amour je suis desherite et plaindre	Richafort, Jean (ca. 1480–ca. 1550)	29–29v
D'un autre aimer mon coeur s'abesseroit	Rue, Pierre de la (ca. 1452–1518)	20–20v
D'un autre aimer mon coeur s'abesseroit / Cela sans plus	le Brun, Jean (fl. early 16th century)	19v
Dame donuer [d'honneur?]	Despres, Josquin (ca. 1450–1521) (?)	38–38v
De mien amant le deppart m'est si grief (2p. 'Residuum')	Despres, Josquin (ca. 1450–1521)	41–42
Deuil et ennuy souci regrets et paine	Anonymous	9v–10
Doise espoir	Anonymous	33–33v
Doleur me bat et tristesse m'afolle 29.4	Despres, Josquin (ca. 1450–1521)	34v–35v
Douleur me bat / O vos omnes qui transitis	Anonymous	36v–37
Du bon du coeur ma chère dame	Mouton, Jean (ca. 1459–1522)	29v–30v
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	11v–12
Fors seulement l'attente que je meure	Anonymous	54–54v
Fors seulement l'attente que je meure	Anonymous	54v–55v
Fors seulement l'attente que je meure	Anonymous	55v–56
Fors seulement l'attente que je meure (2 partes)	Anonymous	53v–54
Fors seulement l'attente que je meure (2 partes)	Anonymous	56v–57
Fors seulement l'attente que je meure (2 partes)	Anonymous	57–57v
Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue, Pierre de la (ca. 1452–1518)	57v–58
Garde le tret / Au retret	Anonymous	19
Incessamment livré suis à martire triste 29.8	Despres, Josquin (ca. 1450–1521)	42v–43
Incessamment mon pouvre coeur lamente 29.9	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)	17–17v
J'ai mis mon ceur en un lieu seullement	Anonymous	13–13v
J'ai un regrets	Anonymous	38v–39
Je mi complain de mon ami qui me souloit 29.10	Despres, Josquin (ca. 1450–1521)	12v
Je my levai par un matin jour n'estoit	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	43–43v
Je n'ai regrets	Anonymous	10v–11
Je suis nuyt et iour	Anonymous	18
La jonne dame va au moulin?	Anonymous	28v–29
Languentis miseris / Clamor meus ad te veniat	Brumel, Antoine (ca. 1460–ca. 1513)	22v–23v
Le grant deueill	Anonymous	20v–21
Maria mater gracie / Fors seullement (2 partes)	Anonymous	52v–53
Mon cour vit in tristicia	Anonymous	35v–36v
Ne vous chaille mon coeur si vous aves	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)	32–32v
On a mal dit de mon amy	Anonymous	11–11v
Par vous je suis = Entre ie suis un grant penser	Prioris, Johannes (Denis, Dionisius) (–1515)	24–24v
Parfons regrets et lamentable joye 29.19	Despres, Josquin (ca. 1450–1521)	39v–40v
Plaine de deuil et de merencolie voyant 29.20	Despres, Josquin (ca. 1450–1521)	39v
Plusieurs regrets qui sur la terre 29.21	Despres, Josquin (ca. 1450–1521)	8v–9
Pro chasser fait	Anonymous	26–26v
Qui vult aymere il fault estre joieulx	Anonymous	27v–28
Saillies avant (2p. 'Residuum')	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	15v–17
Sans vous veoir	Despres, Josquin (ca. 1450–1521) (?)	14–15
Sans vous veoir	Despres, Josquin (ca. 1450–1521) (?)	18v–19
Tout a par moi affin que on ne me voye	Anonymous	24v–25
Tout a rebors de mon affaire	Anonymous	31–32
Tristis est anima mea usque ad mortem	Anonymous	25v–26
Voustre beaulte plaisant et lye me donne?	Anonymous	30v–31

Images © Österreichische Nationalbibliothek, Vienna

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 4809 Han

A-Wn Cod. 4810 Han

A-Wn Cod. 11778 Han

A-Wn Cod. 11883 Han

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

No images available

No images available

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-TOsa Oud regime MS 183

No images available

D-Mbs Mus. MS 6

No images available

D-Mbs Mus. MS 7

No images available

D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

I-VEc MS DCCLVI

NL-SHbhic MS 153

NL-SHbhic MS 154

NL-SHbhic MS 155

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

Set: Mus.Hs. 18746 Mus

Type: Partbooks

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description (partial); mention of MS; discussion.

Dalton, Karen Lanz. 1982. Vienna, Österreichische Nationalbibliothek MS. 18825: A Study and Critical Edition. University of Illinois, MA thesis. Pages: 29-30. Notes: facsimile (partial); mention of MS; discussion.

Blackburn, Bonnie J. 1976. Josquin's Chansons: Ignored and Lost Sources. Journal of the American Musicological Society, 30-76. Pages: 44,53-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 184, 203, 209, 214, Plate 31a. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 230,233-5,377. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 29,138-9. Notes: contents list (partial); concordances (partial).

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxiii,xxxii,43-5. Notes: contents list (partial); transcription (partial).

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 94, 109-14,119ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 173-4, 185, 210,298-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,94-7,335-41,375. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 156-7,199ff; Plates 8-10,12,14. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: I,vi,xiii-xv; II,xi-xii; III,xii. Notes: contents list (partial); concordances (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 196-200. Notes: physical description (partial); contents list.

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Saturday, 29 July, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description