D-Z Mus. 119,1

Ratsschulbibliothek, Zwickau, Germany

chant book with added polyphony: Frist half of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 119,1
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 207 x 162 mm
Other Identifiers
  • RISM: D-Zr119
  • CCM: ZwiR 119/1
  • olim (Former shelfmark): VollBM 96; MS CXIX,1
Notations
  • Hufnagel
  • black full mensural
  • black void mensural
  • square
Relationships
Provenance
  • Zwickau, Bavaria, Germany
Contents Contains 16 compositions, 3 from 1 composer, 13 are anonymous.
General Description

Polyphony on ff. 40', 77-82', 84-86, 92-94, 97'-102, and 130'-133. Copied in Zwickau by several scribes, including Stephan Roth, (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017
Binding

Original covers of tan parchment, with brass clasp.

DIAMM, 2017
Watermark

resembles Briquet #4955.

DIAMM, 2017
Notation

Square (Hufnagel), black full mensural and black void mensural

DIAMM, 2017
Foliation

Original ink foliation, 1-173 (one folio between ff. 80/81 not numbered); front flyleaves have modern foliation, 1-6; back flyleaves have modern foliation, 7-8

DIAMM, 2017
Decoration

Inked Gothic initials; rubrics, etc. in red ink

DIAMM, 2017
Index

Original index on third flyleaf at front.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

One of the Credos in this ms is concordant with the Credo in D-TRs Ms. 322/1994, H-Bn lat.534 & DK-Kar 687; and also with one of the Credos in A-Wn 5094

DIAMM, 2021
RISM Description

RISM BIV/3: 16. Jh.; 181 Blätter Papier + 1 eingeschobenes Blatt + 3 Vorsatzblätter, 216 x 160 mm. Originale Foliierung von f. 1-181. Je Seite bis zu 8 Fünfliniensysteme mit gotischer Choralnotation, schwarzer und ausnahmsweise weißer Mensuralnotation - Einband: 16. Jh.; Pergament-Tasche mit Messingbeschlägen.

Diese Handschrift, ein Antiphonar, das aber ab f. 50 auch Messeordinariumssätze enthält, wurde in der ersten Hälfte des 16. Jh. (um 1520?) teilweise vom Rektor der Zwickauerschule und späterem Zwickauer Stadtschreiber Stephan Roth (1492-1546) und teilweise unter dessen Aufsicht von verschiedenen Händen geschrieben.

Inhalt: Vorsatzblatt 3 Register des 16. Jh.; f. l-49v Antiphonar; f. 50-56 Kyrietropen; f. 56v-102r Ordinariumssätze; f. 102v-110v leer; f. 111-130 Psalmen und Antiphonen; f. 130v-133 siehe Incipitverzeichnis Nr. 14; f. 133v-160v Lamentationen, Lektionen, Antiphonen (ab f. 151v Lamentationen mit deutschem Text); f. 161-181v leer.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Liturgical book, with polyphony:

1 Mass (incomplete), 6 Credos, 3 Sanctus-Agnus pairs, 1 motet = 11

(Josquin)-1, anon-10

vi + 174 + ii paper folios, 207 x 162. Original ink foliation, 1-173 (one folio between ff. 80/81 not numbered); front flyleaves have modern foliation, 1-6; back flyleaves have modern foliation, 7-8. Original covers of tan parchment, with brass clasp. Original index on third flyleaf at front. Monophonic contents copied in Gothic Hufnagel notation and black mensural notation. Polyphony on ff. 40', 77-82', 84-86, 92-94, 97'-102, and 130'-133, copied in Gothic Hufnagel notation and black mensural notation, except for incomplete Josquin Mass on ff. 130'-133, in white mensural notation. Copied by several scribes, including Stephan Roth (see below). Inked Gothic initials; rubrics, etc. in red ink. Watermark resembles Briquet #4955.

Frist half of 16th century. Copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
40v Hodie Deus homo factus 4 - Anonymous

Hodie Deus homo factus

Anonymous
Appears on: 40v
Genres: Motet
Number of voices: 4
Voice: Discantus
Languages: Latin
Clef: g3
Voice Text: Hodie deus homo factus.
Voice: Altus
Languages: Latin
Clef: c3
Voice Text: Hodie deus homo factus.
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Hodie deus homo factus.
Voice: Bassus
Languages: Latin
Clef: f3
Voice Text: Hodie deus homo factus.
Layout

parts
77–78v Patrem omnipotentem [Credo] 2 - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 77–78v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 2
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: [P]atrem omnipotentem factorem celi ...
Voice: [no designation]
Languages: Latin
Clef: f2c4
Voice Text: [P]atrem omnipotentem factorem celi ...
Layout

parts
78–80 Patrem omnipotentem [Credo] 2 - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 78–80
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 2
Voice: Discantus
Languages: Latin
Clef: f2c4
Voice Text: [P]atrem omnipotentem ...
Voice: Tenor
Languages: Latin
Clef: f2c4
Voice Text: [P]atrem omnipotentem ...
Layout

parts
79v–80v Patrem omnipotentem [Credo] / Deum verum colimus 2 - Anonymous

Patrem omnipotentem [Credo] / Deum verum colimus

Anonymous
Appears on: 79v–80v
Genres: Mass Ordinary
Number of voices: 2
Voice: [no designation]
Languages: Latin
Voice Text: [P]atrem omnipotentem ...
Voice: [no designation]
Languages: Latin
Voice Text: Deum verum colimus ...
80v–82v Patrem omnipotentem [Credo] 3 - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 80v–82v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 3
Voice: Discantus
Languages: Latin
Clef: c2g4
Voice Text: [P]atrem omnipotentem ...
Voice: Tenor
Languages: Latin
Clef: f2c4
Voice Text: [P]atrem omnipotentem ...
Voice: Contratenor
Languages: Latin
Clef: f4
Voice Text: [P]atrem omnipotentem factorem ...
Layout

parts
84–86 Patrem omnipotentem [Credo] 3 - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 84–86
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 3
Voice: Discantus
Languages: Latin
Clef: c1
Voice Text: [P]atrem omnipotentem ...
Voice: Tenor
Languages: Latin
Clef: f2c4
Voice Text: [P]atrem omnipotentem ...
Voice: Contratenor
Languages: Latin
Clef: f4
Voice Text: [P]atrem omnipotentem ...
Layout

parts
92–93 Sanctus & benedictus 3 - Anonymous

Sanctus & benedictus

Anonymous
Appears on: 92–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 3
Voice: Discantus
Languages: Latin
Clef: c2g4
Voice Text: [S]anctus ...
Voice: Tenor
Languages: Latin
Clef: f2c4
Voice Text: Sanctus ...
Voice: Contratenor
Languages: Latin
Clef: f4
Voice Text: Sanctus ...
Layout

parts
93–94 Agnus Dei 3 - Anonymous

Agnus Dei

Anonymous
Appears on: 93–94
Genres: Agnus Dei, Mass Ordinary
Number of voices: 3
Voice: [no designation]
Languages: Latin
Voice Text: [A]gnus dei ...
97v Sanctus & benedictus 2 - Anonymous

Sanctus & benedictus

Anonymous
Appears on: 97v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 2
Voice: [no designation]
Languages: Latin
Voice Text: [S]anctus ...
98v Agnus Dei 2 - Anonymous

Agnus Dei

Anonymous
Appears on: 98v
Genres: Agnus Dei, Mass Ordinary
Number of voices: 2
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
98v–99v Sanctus & benedictus 2 - Anonymous

Sanctus & benedictus

Anonymous
Appears on: 98v–99v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 2
Voice: Discantus
Languages: Latin
Clef: c1
Voice Text: [S]anctus ...
Voice: Tenor
Languages: Latin
Clef: f2c4
Voice Text: [S]anctus ...
Layout

parts
99v–100 Agnus Dei 2 - Anonymous

Agnus Dei

Anonymous
Appears on: 99v–100
Genres: Agnus Dei, Mass Ordinary
Number of voices: 2
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
100–102 Patrem omnipotentem [Credo] 2 - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 100–102
Genres: Credo (patrem omnipotentem), Mass Ordinary
Number of voices: 2
Voice: Discantus
Languages: Latin
Clef: g3
Voice Text: Patrem omnipoten[tem] ...
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Patrem omnipotentem factorem ...
Layout

parts
130v Missa L’ami baudichon 5.1: Kyrie 4 -
Despres, Josquin (ca. 1450–1521)

Missa L’ami baudichon 5.1: Kyrie

Despres, Josquin (ca. 1450–1521)
Appears on: 130v
Genres: Kyrie eleison, Mass Ordinary
Number of voices: 4
Voice: [no designation]
Languages: Greek
Mensuration: o
Clef: c1
Voice Text: Kyrie.
Voice: Altus
Languages: Greek
Mensuration: o
Clef: c3
Voice Text: Kyrie.
Voice: Tenor
Languages: Greek
Mensuration: o
Clef: c3
Voice Text: Kyrie.
Voice: Bassus
Languages: Greek
Clef: c4
Voice Text: Kyrie.
Layout

parts
130v–132 Missa L’ami baudichon 5.1: Gloria 2 -
Despres, Josquin (ca. 1450–1521)

Missa L’ami baudichon 5.1: Gloria

Despres, Josquin (ca. 1450–1521)
Appears on: 130v–132
Genres: Gloria (et in terra pax), Liturgical work, Mass Ordinary
Number of voices: 2
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Et in terra. Item Criste duplum.
Voice: Bassus
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Laudamus te.
Layout

parts
132v–133 Missa L’ami baudichon 5.1: Credo 2 -
Despres, Josquin (ca. 1450–1521)

Missa L’ami baudichon 5.1: Credo

Despres, Josquin (ca. 1450–1521)
Appears on: 132v–133
Number of voices: 2
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Qui se exaltat credo.
Voice: [Bassus]
Languages: none
Mensuration: o
Clef: c4
General Note

incomplete: ends at 'sepultus est'

Layout

parts
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450-1521)
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei Anonymous 93–94
Agnus Dei Anonymous 98v
Agnus Dei Anonymous 99v–100
Hodie Deus homo factus Anonymous 40v
Missa L’ami baudichon 5.1: Credo
Despres, Josquin (ca. 1450–1521)
132v–133
Missa L’ami baudichon 5.1: Gloria
Despres, Josquin (ca. 1450–1521)
130v–132
Missa L’ami baudichon 5.1: Kyrie
Despres, Josquin (ca. 1450–1521)
130v
Patrem omnipotentem [Credo] Anonymous 77–78v
Patrem omnipotentem [Credo] Anonymous 78–80
Patrem omnipotentem [Credo] Anonymous 80v–82v
Patrem omnipotentem [Credo] Anonymous 84–86
Patrem omnipotentem [Credo] Anonymous 100–102
Patrem omnipotentem [Credo] / Deum verum colimus Anonymous 79v–80v
Sanctus & benedictus Anonymous 92–93
Sanctus & benedictus Anonymous 97v
Sanctus & benedictus Anonymous 98v–99v

‡ denotes primary source study

Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 315, 569. Notes: mention of MS; contents list (partial); concordances (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800.  Kassel. Pages: B IV/3, 407-11. Notes: physical description; contents list; incipits.

Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970, vol. 10.  Mainz. Pages: 36-7. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 151-2. Notes: physical description (partial); mention of MS; discussion.

Ewerhart, Rudolf. 1955. Die Handschrift 322/1994 der Stadtbibliothek Trier als musikalische Quelle. Kölner Beiträge zur Musikforschung, vol. VII.  Regensburg. Pages: 70-1, 75-75a. Notes: contents list (partial); concordances (partial).

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert.  Bern. Pages: 21, passim. Notes: contents list (partial); mention of MS; discussion.

Funck, Heinz. 1930-1. Die mehrstimmigen Kompositionen in Cod. Zwickau 119. Zeitschrift für Musikwissenschaft, 13: 558-63. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 302, 313-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 78. Notes: physical description (partial); contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description