D-LEu MS Thomaskirche 49 (4)

Universitätsbibliothek, Leipzig, Germany

partbook: c. 1558

Archive Universitätsbibliothek, Leipzig, Germany (D-LEu)
Shelfmark MS Thomaskirche 49 (4)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 293 x 196 mm
Other Identifiers
  • CCM: LeipU 49
  • olim (Former shelfmark): III, A. a 17-20
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 107 pieces from 34 composers
General Description

A Quintus partbook from a set of five volumes (the first four volumes are under shelfmark MS 49, and the fifth under MS 50. As the binding for one book does not match the others it may originally not have been recognised as part of the set). The set may be incomplete, as many pieces appear elsewhere with an additional voice-part.

Copied by many scribes (YouL identifies 13 text hands and 16 music hands); five hands (including that of Andreas Richter) also appear in LeipU 51 (NoblRL). Scribes made some attempts to systematise repertory; liturgical genres (Masses, Magnificats, Introits, motets, etc.) generally in groups, within which there is a further ordering according to the liturgical calendar. However, the apparent original organisational plan is not carried through consistently, and some pieces do not occur in the same relative location in all books. A number of additional pieces are copied into the Altus and Quintus books.

Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothekin 1959.

DIAMM, 2017
Binding

Original covers of leather over wooden boards (DATB books white, Q book brown), all stamped with stylized floral patterns, initials 'I R M,' voice designation, and date '1558.' Bindings probably the work of Balthasar Ziehenhaus or Ziegenaus of Leipzig.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Single system of folio numbers, partly in original ink, partly in modern pencil where original foliation trimmed away, 1-134 (1 loose unnumbered folio between ff. 115/116; ff. [135-157] not numbered).

[NB foliation in DIAMM inventory is that of the Discantus book]

DIAMM, 2017
Foliation

Other numberings: Some original numbering of pieces.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Mass Ordinary cycles (some with Proper sections), 1 Mass Ordinary section, 4 Mass Proper cycles, 39 Mass Proper sections, 18 Magnificats, 2 Te Deums, 1 canticle, 8 office hymns, 3 processional hymns, 1 set of Lamentations, 3 Passions (2 in German), 129 motets, 2 sets of responses, 4 Latin/German sacred pieces, 10 German sacred pieces, 1 German secular piece, 1 Italian secular piece, 1 set of 'textless canons (in MS 50 only) = 243 + 11 pieces copied twice = 254

M. Agricola-8, M. Agricola/(Hayne van Ghizeghem)-1, (Appenzeller/Verdelot)-1, Arcadelt-1, (Arcadelt/Verdelot)-1, (Baston/Josquin/Stoltzer/Verdelot)-1, (Bauldeweyn/Grefinger)-1, Breitengraser-4, Brumel/(A. Agricola/Josquin/La Rue)-1, (Caen/Lupus/Richafort)-1, (Carpentras)-1, (Carpentras/(Josquin)-1, S. Cellarius -2, Clemens non Papa-6, (Conseil)-1, (Courtois)-1, Crecquillon-1, Dietrich-10, (Dietrich-Isaac)-1, Eckel-2, (Figulus/Walter)-1, (Finck)-2, Forster-(A. Févin/La Rue)-1, G.F.-1, C. Gallus-1, (Gombert)-2, (Gombert/Mouton/Verdelot)-1, (Hähnel)-6, (Hähnel-Walter-anon)-1, I. Hassler-2, Heintz-1, (Hellinck)-1, Isaac-6, (Janin)-1, (Jaquet of Mantua/Verdelot/Willaert)-1, Josquin-11, Josquin/(Eckel/Heintz)-1, Josquin/(Finck?/Wolff)-1, Josquin/(Gombert)-1, Josquin/La Rue)-1, (Josquin/Moulu/Mouton/Verdelot)-1, Josquin/(Senfl)-1, (Josquin/Senfl)-1, Josquin/(Verdelot)-1, D. Köler-1, (La Rue)-1, (Lemlin)-1, (Longaval/Obrecht/Venture)-1, (Lupi/Verdelot)-1, (Lupus/Richafort)-1, Maessens/(Mouton)-1, (Morales)-1, (Mouton)-1, Nötel [Georgius Noetellius]-1, Obrecht/(Willaert)-1, Othmayr-2, Paminger-1, Phinot-1, (Pipelare)-1, Pöpel-1, (Rein)-3, (Rener)-4, Resinarius-5, (Richafort)-1, (Schierrentinger)-1, Senfl-17, (Silva)-1, Stoltzer-20, (Trojanus)-1, (Verdelot)-2, Verdelot/(Turchant)-1, Walter-3 + 2?, (Werrecore)-1, (Wircker)-1, Willaert-1, anon-69

5 paper partbooks (D-vii + 375 folios, A-viii + 408, T-ix + 349, B-vii + 387, Q-vi + 158), 293 x 196. Each book has a single system of folio numbers, partly in original ink, partly in modern pencil where original foliation trimmed away - D: 3-313 (ff. 1-2 missing; ff. [314-377] not numbered); A: 1-158 + 158a-343 (ff. [344-407] not numbered); T: 1-299 (ff. [300-349] not numbered); B: 1-323 (1 unnumbered folio between ff. 148/149; ff. [324-385] not numbered; 1 loose unnumbered folio at end); Q: 1-134 (1 loose unnumbered folio between ff. 115/116; ff. [135-157] not numbered). Some original numbering of pieces. Blank folios or blank staves only-D: 3, 181'-182, 222, 313'-377'; A: 1'-2, 3, 179-186, 220'-221, 244-245', 271'-272, 343'-407'; T: 2-3', 146', 158'-165', 210-211', 247', 299'-349'; B: 1-3, 118', 156', 177, 233-236', 254-254', 323'-385'; Q: 13', 72', 84-85', 133'-157'. Original covers of leather over wooden boards (DATB books white, Q book brown), all stamped with stylized floral patterns, initials "I R M," voice designation, and date "1558." Bindings probably the work of Balthasar Ziehenhaus or Ziegenaus of Leipzig. No index. Copied by many scribes (YouL identifies 13 text hands and 16 music hands); five hands (including that of Andreas Richter) also appear in LeipU 51 (NoblRL). No initials or decoration. Scribes made some attempts to systematize repertory; liturgical genres (Masses, Magnificats, Introits, motets, etc.) generally in groups, within which there is a further ordering according to the liturgical calendar. However, the apparent original organizational plan is not carried through consistently, and some pieces do not occur in the same relative location in all books.

Ca. 1558 (with a few slightly later additions). Copied in Leipzig, perhaps under the direction of Melchior Heger (1522-68), cantor at the St. Thomaskirche. Remained in library of Thomaskirche until 1930, then transferred to Universitätsbibliothek. Removed for safekeeping during World War II; returned to Universitätsbibliothek in 1959.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anon. Anonymous
Appears on: 1v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est
2–4 Fuga Primi toni (3vv, JWWV267) Joanne Walthero (Attribution on Q f. 2 (= title page)) [= Walter]
Appears on: 2–4
Genres: Fuga, Organ piece
Source Attribution: Joanne Walthero (Attribution on Q f. 2 (= title page)) [= Walter]
Voice: [no designation]
Languages: none
Voice Text: Fuga Primi toni
4–5 Fuga Secundi toni (3vv, JWWV268) [Walter]
Appears on: 4–5
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Secundi toni
5v Fuga Primi et Secundi toni (2vv, JWWV269) [Walter]
Appears on: 5v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Primi et Secundi [toni]
6–6v Fuga Tertii Toni (3vv, JWWV270) [Walter]
Appears on: 6–6v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Tertii Toni
7–7v Fuga Quarti Toni (3vv, JWWV271) [Walter]
Appears on: 7–7v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuarti Toni
8–13 Missa Sine pausis D'un petit mot Thoma Crequillone
Appears on: 8–13
Genres: Mass Ordinary
Source Attribution: Thoma Crequillone
Voice: [no designation]
Languages: Latin
Voice Text: Missa [D'ung petit mot]
14–14v Fuga Quinti Toni (3vv, JWWV272) [Walter]
Appears on: 14–14v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
14v–15v Fuga Sexti Toni (3vv, JWWV273) [Walter]
Appears on: 14v–15v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Sexti Toni
15v–16 Fuga Septimi Toni (3vv, JWWV274) [Walter]
Appears on: 15v–16
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Septimi Toni
16v–17 Fuga Quarti Toni (2vv, JWWV275) [Walter]
Appears on: 16v–17
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuarti Toni
17v–18 Fuga Septimi et Octavi toni (3vv, JWWV276) [Walter]
Appears on: 17v–18
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Septimi et Octavi [toni]
18–19v Fuga Octavi Toni (3vv, JWWV277) [Walter]
Appears on: 18–19v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Octavi Toni
19v–20v Fuga Primi Toni (3vv, JWWV278) [Walter]
Appears on: 19v–20v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Primi Toni
20v–21v Fuga Secundi Toni (3vv, JWWV279) [Walter]
Appears on: 20v–21v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Secundi Toni
21v–22v Fuga Secundi Toni (2vv, JWWV280) [Walter]
Appears on: 21v–22v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Secundi Toni
22v–23v Fuga Tertii Toni (3vv, JWWV281) [Walter]
Appears on: 22v–23v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Tertii Toni
23v–24v Fuga Quarti Toni (3vv, JWWV282) [Walter]
Appears on: 23v–24v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuarti Toni
25–25v, 26v-27 Fuga (2vv, JWWV283) [Walter]
Appears on: 25–25v, 26v-27
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: Fuga
25v–26v Fuga Quinti Toni (3vv, JWWV284) [Walter]
Appears on: 25v–26v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
27v–28 Fuga Sexti Toni (3vv, JWWV285) [Walter]
Appears on: 27v–28
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Sexti Toni
28–29 Fuga Septimi toni (3vv, JWWV286) [Walter]
Appears on: 28–29
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Septimi [toni]
29–29v Fuga Octavi Toni (3vv, JWWV287) [Walter]
Appears on: 29–29v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Octavi Toni
29v–30v Fuga Primi Toni (2vv, JWWV288) [Walter]
Appears on: 29v–30v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Primi Toni
30v–31 Fuga Quinti Toni (2vv, JWWV289) [Walter]
Appears on: 30v–31
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
31–32v Fuga Quinti Toni (2vv, JWWV290) [Walter]
Appears on: 31–32v
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
32v–33 Fuga Quinti Toni (2vv, JWWV291) [Walter]
Appears on: 32v–33
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Cuinti Toni
33v–34 Fuga Sexti Toni (2vv, JWWV292) [Walter]
Appears on: 33v–34
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Sexti Toni
34v–35 Fuga Octavi Toni (2vv, JWWV293) [Walter]
Appears on: 34v–35
Genres: Fuga, Organ piece
Source Attribution: [Walter]
Voice: [no designation]
Languages: none
Voice Text: [Fuga] Octavi Toni
35–35v Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 35–35v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Philippe qui videt me alleluia]
35v–36 Veni sancte spiritus reple tuorum corda (8vv) [M120] [Senfl]
Appears on: 35v–36
Genres: Motet, Veni sancte spiritus
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
36v Hodie Deus homo factus - Anonymous
Appears on: 36v
Genres: Motet
General Note

3vv copied - Primus Discantus, Secundus Discantus, Tertius Discantus

36v–37 In Galilaea Jesum videbitis sicut dixit Anon. Anonymous
Appears on: 36v–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In Galilaea Jesum videbitis sicut dixit [= ff. 116v-117]
General Note

2vv copied in this book

38–39 Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) [Conseil]
Appears on: 38–39
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum II: Stetit Jhesus in medio discipulorum
39v–45 Missa Feriis natalibus Domini Christi = Missa in Summis KGCSA [Finck]
Appears on: 39v–45
Genres: Mass Ordinary
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Feriis natalibus domini Christi
45v–46v Pater noster qui es in caelis / Veri adoratores / Vivo ego dicit Dominus (2p. Panem nostrum quotidianum / Veri adoratores / Vivo ego dicit Dominus) Guilel. Breitengra. [= Breitengraser]
Appears on: 45v–46v
Genres: Motet
Source Attribution: Guilel. Breitengra. [= Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis/Veri adoratores/ Vivo ego dicit dominus II: Panem nostrum quotidianum/Veri adoratores/ Vivo ego dicit dominus
46v–47v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrian Willaert
Appears on: 46v–47v
Genres: Motet
Source Attribution: Adrian Willaert
Voice: [no designation]
Languages: Latin
Voice Text: Domine Iesu Christe amator benignissime II: O bone Iesu et dulcis spes animae
47v–48 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes Anon.
Appears on: 47v–48
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta sit] Sancta trinitas atque Vs: Benedicamus patrem et filium
48v Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris LS [= Senfl]
Appears on: 48v
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnat
49 Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet [Josquin/Senfl]
Appears on: 49
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: [A custodia] Matutina usque ad noctem
49–50 Vae quis mane consurgitis ad ebrietatem (2p. Vae qui potentes estis ad bibendum) Archadelt
Appears on: 49–50
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Vae quis mane consurgitis ad ebrietatem II: Vae qui potentes estis ad bibendum
50–51 Victimae paschali laudes 4 Dic nobis Maria 6 Credendum est magis Cornelius Gallus
Appears on: 50–51
Genres: Hymn
Source Attribution: Cornelius Gallus
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes immolent Christiani
51–51v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Thomas Stoltzer
Appears on: 51–51v
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sion II: Qui seminant in lachrymis in exultatione
51v In convertendo Dominus - 2a pars (of 2): Qui seminant Anon.
Appears on: 51v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce evangelizo vobis gaudium magnum
52v–53v Dixit Dominus Domino meo 2 Sede a dextris 4 Juravit Dominus et non penitebit Anon.
Appears on: 52v–53v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Dixit dominus domino meo] Sede a dextris II: Iuravit dominus et non penitebit
53v–54v Duo rogavi te Domine ne deneges mihi [Gombert] (= f. 88)
Appears on: 53v–54v
Genres: Motet
Source Attribution: [Gombert] (= f. 88)
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te domine ne deneges mihi [= ff. 88-89, where the voice part is different - the otherwise missing Sexta vox]
General Note

The same motet is copied again at f. 88, but the voice part is different - the otherwise missing Sexta vox.

54v–55v De profundis clamavi ad te Domine Anon. Anonymous
Appears on: 54v–55v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine
55v–56v Veni sancte spiritus et emitte caelitus (5vv) Matthias Eckel
Appears on: 55v–56v
Genres: Motet, Veni sancte spiritus
Source Attribution: Matthias Eckel
56v–61 Missa Veni sancte spiritus 4.6 KGCSA [Josquin]
Appears on: 56v–61
Genres: Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Veni sancte spiritus] 4.6
61v Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris Lud. Senfel
Appears on: 61v
Genres: Motet
Source Attribution: Lud. Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris II: Quia non est alius qui pugnet
61v Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet -
Appears on: 61v
Genres: Motet
62–62v Libera me Domine de morte aeterna (2p. Quando caeli movendi sunt et terra; 3p. Dies illa dies irae dies calamitatis) Mathias Eckel
Appears on: 62–62v
Genres: Motet
Source Attribution: Mathias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Libera me domine de morte aeterna II: Quando coeli movendi sunt et terra III: Dies illa dies irae dies calamitatis
62v Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens LS [= Senfl]
Appears on: 62v
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Media vita in morte/In mitten unser lebens II: Sancte deus/Heyliger starcker Got
63 Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott -
Appears on: 63
Genres: Motet
63–63v Ego sum resurrectio et vita qui credit Gulielmus Breitengraser
Appears on: 63–63v
Genres: Motet
Source Attribution: Gulielmus Breitengraser
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
63v–64 Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus G B [= Breitengraser]
Appears on: 63v–64
Genres: Hymn
Source Attribution: G B [= Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
64v–65v Magnificat Sexti Toni: Et exultavit [K.1079] Thomas Stoltzer
Appears on: 64v–65v
Genres: BVM, Canticle, Magnificat
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] VI Toni: Et exultavit spiritus meus
66–66v Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 66–66v
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
66v–67 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] L. Senfl
Appears on: 66v–67
Genres: Introit
Source Attribution: L. Senfl
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque
67–67v Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] [Senfl]
Appears on: 67–67v
Genres: Sequence
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
68 Apparuit benignitas et humanitas salvatoris [Hähnel]
Appears on: 68
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuit benignitas et humanitas salvatoris
68v–72 Missa De profundis: Kyrie [Trojanus]
Appears on: 68v–72
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Trojanus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa De profundis
68v–72 Missa De profundis: Gloria -
Appears on: 68v–72
Genres: Gloria (et in terra pax), Mass Ordinary
68v–72 Missa De profundis: Patrem omnipotentem [Credo] -
Appears on: 68v–72
Genres: Credo (patrem omnipotentem), Mass Ordinary
68v–72 Missa De profundis: Sanctus -
Appears on: 68v–72
Genres: Mass Ordinary, Sanctus [& Benedictus]
68v–72 Missa De profundis: Agnus Dei -
Appears on: 68v–72
Genres: Agnus Dei, Mass Ordinary
73 Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) [Senfl]
Appears on: 73
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Quomodo fiet istud angele dei quia virum II: Audi Maria virgo spiritus sanctus
73v–75 Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) Clemens non Papa
Appears on: 73v–75
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Fremuit spiritus Iesu et turbavit seipsum II: Videns dominus flentes sorores Lazari
75–76 Servus tuus ego sum (2p. Ego vero egenus) [Clemens non Papa]
Appears on: 75–76
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Servus tuus ego sum da mihi intellectum II: Ego vero egenus et pauper sum
76–77 Adesto dolori meo (2p. Interiora mea) [Clemens non Papa]
Appears on: 76–77
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Adesto dolori meo deus nimium fatigor II: Interiora mea efferbuerunt [me]
77v–81 Caeli creator et terrae humanum genus Anon. Anonymous
Appears on: 77v–81
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Coeli creator et terrae humanum genus
General Note

This book contains contains intonations for several sections, and a voice part for the five-part movements "Hac voce" (p.77v) and "Piorum sanctae impiae" (p.81r) as well as the six-part final movement "Laus honor tibi" (p.80v) contains intonations for the other movements

81–82 Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) Clemens non Papa
Appears on: 81–82
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in caelo
82v–83v Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) Clemens non Papa
Appears on: 82v–83v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me fac II: Omnia iudicia tua iustia sunt
86 Memento mei Domine Deus dum veneris [Lemlin]
Appears on: 86
Genres: Motet
Source Attribution: [Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: Memento mei domini veneris in regnum tuum
86–86v Ecce sacerdos magnus qui confidit in Domino (2p. Benefac Domine bonis et rectis corde) Anon. Anonymous
Appears on: 86–86v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sacerdos magnus qui confidit in domino II: Benefac domine bonis et rectis corde
87 Venite ad me omnes qui laboratis (= En non saichant ce qu'il luy fault 29.6) Iosquin
Appears on: 87
Genres: Contrafactum, Motet
Source Attribution: Iosquin
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes qui laboratis 29.6 [= En non saichant ce qu'il luy fault]
87v–88 Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) Josquini
Appears on: 87v–88
Genres: Contrafactum, Motet
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Miserator et misericors dominus patiens 30.11 [= Se congié prens de mes belles amours]
88 Hora est jam nos de somno surgere Baldasar [Resinarius]
Appears on: 88
Genres: Motet
Source Attribution: Baldasar [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Hora est iam nos de somno surgere
88–89 Duo rogavi te Domine ne deneges mihi [Gombert]
Appears on: 88–89
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Duo rogavi te domine ne deneges mihi [= ff. 53v-54, where the voice part is different - the otherwise missing Sexta vox]
General Note

the piece is also also copied at f. 53v but with a different voice part - the Quinta vox. Here the Sexta is copied, so that all 6vv are present in this ms.

89–90 Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Josquin
Appears on: 89–90
Genres: Ave Maria, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis 20.9
90 Accipite spiritum sanctum quorum remiseritis [M.] Agricola
Appears on: 90
Genres: Motet
Source Attribution: [M.] Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Accipite spiritum sanctum quorum remiseritis
90v Lumen ad revelationem gentium et gloriam 2 Quia viderun oculi mei 4 Sicut erat in principio Xystus Dieterich
Appears on: 90v
Genres: Hymn
Source Attribution: Xystus Dieterich
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium et gloriam
91 Ecce concipies et paries filium et vocabis M. Agricola
Appears on: 91
Genres: Motet
Source Attribution: M. Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis
91–91v Lumen ad revelationem gentium et gloriam Anon. Anonymous
Appears on: 91–91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem gentium et gloriam
91v–93 Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) [Senfl]
Appears on: 91v–93
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus jubilate deo II: Ascendit deus in jubilo et dominus
93v Ne reminiscaris Domine delicta mea M. A.
Appears on: 93v
Genres: Motet
Source Attribution: M. A.
Voice: [no designation]
Languages: Latin
Voice Text: Ne reminiscaris domine delicta mea
93v–94 Komm, Gott schöpfer Heiliger Geist Anon. Anonymous
Appears on: 93v–94
Genres: Motet, Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kohm Gott schöpfer heiliger geist
94–94v Ach Gott wem soll ichs klagen das heimliche leiden [Bauldeweyn/Grefinger]
Appears on: 94–94v
Genres: Song
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Gott wem soll ichs klagen das heimliche leiden [= En douleur en tristesse]
95–96 Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Richaforti (Attribution on f. 25v of D book, as part of title for Nötelvs parody Mass on this motet)Caen/Lupus]
Appears on: 95–96
Genres: Motet
Source Attribution: Richaforti (Attribution on f. 25v of D book, as part of title for Nötelvs parody Mass on this motet)Caen/Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem luge et exue te vestibus II: Deduc quasi torrentem lacrymas
96 Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe [Othmayr]
Appears on: 96
Genres: Motet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: Latin
Voice Text: (Gloria laus) Et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclita III: Coetus in excelsis te laudat
96–96v Gloria laus et honor - 2a pars (of 3): Israel es tu Rex -
Appears on: 96–96v
Genres: Motet
96v Gloria laus et honor - 3a pars (of 3): Coetus in excelsis -
Appears on: 96v
Genres: Motet
96v Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) Anon. Anonymous
Appears on: 96v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia
97–97v Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) [Lupus/Richafort]
Appears on: 97–97v
Genres: Motet
Source Attribution: [Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos meos II: Cum venerit ille spiritus veritatis
98–100v Magnificat Tertii Toni: Et exultavit [K.575] Mart: Agric. [= M. Agricola]
Appears on: 98–100v
Genres: BVM, Canticle, Magnificat
Source Attribution: Mart: Agric. [= M. Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Tertii toni]: Et exultavit spiritus meus
101, 103v Magnificat Sexti Toni: Et exultavit [K.1006] [Rener]
Appears on: 101, 103v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti Toni: Et exultavit spiritus meus
101–101v Magnificat Tertii Toni: Et exultavit spiritus meus [Pipelare]
Appears on: 101–101v
Genres: BVM, Canticle, Magnificat
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Tertii Toni: Et exultavit spiritus meus
101v–102 Magnificat Primi Toni: Et exultavit [K.1001] [Rener]
Appears on: 101v–102
Genres: Motet
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Primi toni: Et exultavit spiritus meus
102–103 Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico Anon. Anonymous
Appears on: 102–103
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni redemptor gentium ostende partum] 2 Non ex virili semine sed mystico
103 Magnificat septimi toni: Anima mea [K.920] [Morales]
Appears on: 103
Genres: BVM, Canticle, Magnificat
Source Attribution: [Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Septimi Toni: (Magnificat) Anima mea dominum
103v–104 Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) [Richafort]
Appears on: 103v–104
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum ego vado ad patrem II: Ego rogabo patrem meum et alium
104v–105 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Iodocus Pratensis/[Gombert]
Appears on: 104v–105
Genres: Motet
Source Attribution: Iodocus Pratensis/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater filium]
105–106 Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) David Kölerus
Appears on: 105–106
Genres: Motet
Source Attribution: David Kölerus
Voice: [no designation]
Languages: Latin
Voice Text: Te sanctum dominum in excelsis laudant II: Cherubin et seraphin sanctus proclamant
106–106v O admirabile commercium creator generis [Stoltzer]
Appears on: 106–106v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
107–109v Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) Leonhardus Pamminger
Appears on: 107–109v
Genres: Motet
Source Attribution: Leonhardus Pamminger
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia II: Miserator et misericors dominus III: Dominus in coelo paravit sedem
110–113v Te Deum laudamus [Wircker]
Appears on: 110–113v
Genres: Liturgical work, Te Deum
Source Attribution: [Wircker]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
114–132v Passio secundum Matthaeum: Ja nicht auf das fest [Walter?]
Appears on: 114–132v
Genres: Liturgical work, Passion
Source Attribution: [Walter?]
Voice: [no designation]
Languages: German
Voice Text: Passio secundum Matthaeum: Ja nicht auf das fest
Composer Compositions
Agricola, Martin (ca. 1486–1556)
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bauldeweyn, Noel (ca. 1480–1529)
Breittengrasser, Gulielmus (Wilhelm)
Caen, Arnold
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Eckel, Matthias
Finck, Heinrich
Galliculus, Johannes
Gallus, Cornelius
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Grüntlerus, N. Trojanus
Hellinck, Lupus (ca. 1494–1541)
Köler, David (ca. 1532–1565)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Morales, Cristóbal de (ca. 1500–1553)
Othmayr, Caspar
Paminger, Leonhard (1495–1567)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Rener, Adam (ca. 1485–ca. 1520)
Resinarius, Balthasar
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Accipite spiritum sanctum quorum remiseritis 90
Ach Gott wem soll ichs klagen das heimliche leiden 94–94v
Adesto dolori meo (2p. Interiora mea) 76–77
Apparuit benignitas et humanitas salvatoris 68
Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) 107–109v
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] 67–67v
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] 66v–67
Caeli creator et terrae humanum genus Anonymous 77v–81
Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) 81–82
Da pacem Domine (M26) - 1a pars (of 2): Da pacem Domine in diebus nostris 61v
Da pacem Domine (M26) - 2a pars (of 2): Quia non est alius qui pugnet 61v
Da pacem Domine (M27) - 1a pars (of 2): Da pacem Domine in diebus nostris 48v
Da pacem Domine (M27) - 2a pars (of 2): Quia non est alius qui pugnet 49
De profundis clamavi ad te Domine Anonymous 54v–55v
Dixit Dominus Domino meo 2 Sede a dextris 4 Juravit Dominus et non penitebit 52v–53v
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 46v–47v
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 47v–48
Dum complerentur dies Pentecostes erant omnes 66–66v
Duo rogavi te Domine ne deneges mihi 53v–54v
Duo rogavi te Domine ne deneges mihi 88–89
Ecce concipies et paries filium et vocabis 91
Ecce sacerdos magnus qui confidit in Domino (2p. Benefac Domine bonis et rectis corde) Anonymous 86–86v
Ego sum qui sum et consilium meum (2p. Stetit Jesus in medio discipulorum) 38–39
Ego sum resurrectio et vita qui credit 63–63v
Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) 73v–75
Fuga (2vv, JWWV283) 25–25v, 26v-27
Fuga Octavi Toni (2vv, JWWV293) 34v–35
Fuga Octavi Toni (3vv, JWWV277) 18–19v
Fuga Octavi Toni (3vv, JWWV287) 29–29v
Fuga Primi et Secundi toni (2vv, JWWV269) 5v
Fuga Primi Toni (2vv, JWWV288) 29v–30v
Fuga Primi toni (3vv, JWWV267) 2–4
Fuga Primi Toni (3vv, JWWV278) 19v–20v
Fuga Quarti Toni (2vv, JWWV275) 16v–17
Fuga Quarti Toni (3vv, JWWV271) 7–7v
Fuga Quarti Toni (3vv, JWWV282) 23v–24v
Fuga Quinti Toni (2vv, JWWV289) 30v–31
Fuga Quinti Toni (2vv, JWWV290) 31–32v
Fuga Quinti Toni (2vv, JWWV291) 32v–33
Fuga Quinti Toni (3vv, JWWV272) 14–14v
Fuga Quinti Toni (3vv, JWWV284) 25v–26v
Fuga Secundi Toni (2vv, JWWV280) 21v–22v
Fuga Secundi toni (3vv, JWWV268) 4–5
Fuga Secundi Toni (3vv, JWWV279) 20v–21v
Fuga Septimi et Octavi toni (3vv, JWWV276) 17v–18
Fuga Septimi Toni (3vv, JWWV274) 15v–16
Fuga Septimi toni (3vv, JWWV286) 28–29
Fuga Sexti Toni (2vv, JWWV292) 33v–34
Fuga Sexti Toni (3vv, JWWV273) 14v–15v
Fuga Sexti Toni (3vv, JWWV285) 27v–28
Fuga Tertii Toni (3vv, JWWV270) 6–6v
Fuga Tertii Toni (3vv, JWWV281) 22v–23v
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 96
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 96–96v
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 96v
Hodie Deus homo factus Anonymous 36v
Hora est jam nos de somno surgere 88
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 51–51v
In convertendo Dominus - 2a pars (of 2): Qui seminant 51v
In Galilaea Jesum videbitis sicut dixit Anonymous 36v–37
Ite in orbem universum et praedicate Vs. Qui crediderit et baptisatus fuerit R. In nomine patris et filii et spiritus 63v–64
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 97–97v
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 95–96
Komm, Gott schöpfer Heiliger Geist Anonymous 93v–94
Libera me Domine de morte aeterna (2p. Quando caeli movendi sunt et terra; 3p. Dies illa dies irae dies calamitatis) 62–62v
Lumen ad revelationem gentium et gloriam Anonymous 91–91v
Lumen ad revelationem gentium et gloriam 2 Quia viderun oculi mei 4 Sicut erat in principio 90v
Magnificat Primi Toni: Et exultavit [K.1001] 101v–102
Magnificat septimi toni: Anima mea [K.920] 103
Magnificat Sexti Toni: Et exultavit [K.1006] 101, 103v
Magnificat Sexti Toni: Et exultavit [K.1079] 64v–65v
Magnificat Tertii Toni: Et exultavit [K.575] 98–100v
Magnificat Tertii Toni: Et exultavit spiritus meus 101–101v
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 62v
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 63
Memento mei Domine Deus dum veneris 86
Miserator et misericors Dominus paciens (= Se congié prens de mes belles amours 30.11) 87v–88
Missa De profundis: Agnus Dei 68v–72
Missa De profundis: Gloria 68v–72
Missa De profundis: Kyrie 68v–72
Missa De profundis: Patrem omnipotentem [Credo] 68v–72
Missa De profundis: Sanctus 68v–72
Missa Feriis natalibus Domini Christi = Missa in Summis KGCSA 39v–45
Missa Sine pausis D'un petit mot 8–13
Missa Veni sancte spiritus 4.6 KGCSA 56v–61
Ne reminiscaris Domine delicta mea 93v
Non turbetur cor vestrum ego vado ad patrem (2p. Ego rogabo patrem meum et alium) 103v–104
O admirabile commercium creator generis 106–106v
Omnes gentes plaudite manibus jubilate Deo (2p. Ascendit Deus in jubilo et Dominus) (M79) 91v–93
Passio secundum Matthaeum: Ja nicht auf das fest 114–132v
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis 89–90
Pater noster qui es in caelis / Veri adoratores / Vivo ego dicit Dominus (2p. Panem nostrum quotidianum / Veri adoratores / Vivo ego dicit Dominus) 45v–46v
Philippe qui videt me alleluia (6vv, M84) 35–35v
Quomodo fiet istud angele Dei quia virum (2p. Audi Maria virgo spiritus sanctus) 73
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) Anonymous 96v
Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) 82v–83v
Servus tuus ego sum (2p. Ego vero egenus) 75–76
Set of responses Amen. Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anonymous 1v
Te Deum laudamus 110–113v
Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) 105–106
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 104v–105
Vae quis mane consurgitis ad ebrietatem (2p. Vae qui potentes estis ad bibendum) 49–50
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico Anonymous 102–103
Veni sancte spiritus et emitte caelitus (5vv) 55v–56v
Veni sancte spiritus reple tuorum corda (8vv) [M120] 35v–36
Venite ad me omnes qui laboratis (= En non saichant ce qu'il luy fault 29.6) 87
Victimae paschali laudes 4 Dic nobis Maria 6 Credendum est magis 50–51

Set: Thomaskirche 49 (1-4) & 50

Type: Partbooks

No images available

D-LEu MS Thomaskirche 49 (1)

No images available

D-LEu MS Thomaskirche 49 (2)

No images available

D-LEu MS Thomaskirche 49 (3)

No images available

D-LEu MS Thomaskirche 49 (4)

No images available

D-LEu MS Thomaskirche 50

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fiedler, Eric F. 1979. Heinrich Finck, Gaspar van Weerbeke und die Göttin Venus: Ein Beitrag zur Geschichte der Cantus-firmus-Praxis im frühen 16. Jahrhundert. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 29-55. Tutzing. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; transcription (partial); mention of MS; discussion.

Orf, Wolfgang. 1977. Die Musikhandschriften Thomaskirche Mss. 49/50 und 51 in der Universitätsbibliothek Leipzig. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 142-3. Notes: physical description (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 167-8, 172-85, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV, 130-4. Notes: contents list (partial); transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 194. Notes: physical description (partial); contents list (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: III, 97-8; IV, xxix-xxx, 127-8; VI, xxii, 184ff. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1349; VIII, 576; XII, 1333. Notes: physical description (partial); facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94; VIII, 123, 127; IX, 129-30. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115ff; XXII, 90; XXVI, 129-30; XXXIV, 405; LXVI, 61-7, 174, 176. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXXXV, vii, 9-18. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XVIII, vii-xiv. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XII, xxi; XIII, xxxiii. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 452. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: VIII, vi, 131-5; XXVIII, [v-viii]. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description