GB-Lbl Add. MS 33933 (St. Andrews Psalter or Wode Partbooks)

British Library, London, England

partbook: 1562-92 with 17th century additions

Archive British Library, London, England (GB-Lbl)
Shelfmark Add. MS 33933 (St. Andrews Psalter or Wode Partbooks)
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 195-205 x 145-55 mm
Other Identifiers
  • CCM: LonBL 33933
  • Alternative names: One of a set of manuscripts known collectively as the 'St. Andrews Psalter' or 'Wode Partbooks'; see also IRL-Dtc 412, and EdinU 483a-c (and the copies in EdinU Dk.5.14-5)
Copyists
Relationships
External Links
Provenance
  • St Andrews, Fifeshire, Scotland
Contents Contains 165 compositions, 134 from 20 composers, 31 are anonymous.
General Description

An Altus partbook from a set originally of five volumes. Main corpus copied by Thomas Wode or Wood (d. 1592), vicar at St. Andrews, who is named as scribe on several pages; other unidentified scribes made additions in early 17th century. Main corpus compiled and copied in St. Andrews, Fifeshire, Scotland; later additions possibly copied in Aberdeen (HutchiS). One psalm setting copied partly by John Buchan (inscription in [Lbl Add. MS 33933][1]); one canticle setting copied partly by Andrò Kemp (inscription on p. 119 of Bassus book); other unidentified scribes made additions in early 17th century. The subsequent history of the set prior to 19th century is not known (except for duplicate Discantus book EdinU Dk.5.14, in Edinburgh University Library since 1672). Apparently, some or all books were at one time in Ireland, but only the Quintus book DubT 412 has remained there. This book has an ownership inscription "Property of Mrs H Andrews / 14 Nov. 1890". The Discantus and Tenor books, which earlier belonged to an unidentified Irish clergyman, were purchased by the antiquarian David Laing at 1867 sale in London. Bass book purchased by a Mr. Blackwood, of Edinburgh, at Dublin auction; apparently acquired by Laing in 1835 ('D. Laing 1835' inside front cover). The three books (DTB) passed to their present library following Laing's death.

DIAMM, 2017 (rev. 2020)
Physical Description

6 folios (12 pages) are lost from the beginning of this book, which consequently begins on (original) p. 13, part-way through Psalm 18. Single folio missing after current ff. 4, 9, 14, 31, 53; 3 foliios lost after f. 41; 2 folios lost after f. 42; one or more folios lost after f. 93.

DIAMM, 2025
Binding

New covers of maroon leather and cloth on boards, but original parchment covers retained (now bound in as flyleaves)

DIAMM, 2017
Watermark

No watermarks visible.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Printed staves and decorative margins in each book (except Quintus), identical to those in LonBL 15166, similar to those in LonBLR A57.

DIAMM, 2017
Foliation

Original foliation. Early ink pagination begins at 13 owing to loss of earlier pages. New pencil foliation 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40)

DIAMM, 2025
Surface

ii paper + i parchment + i paper + 89 paper + i parchment + i paper

DIAMM, 2017
DIAMM Note

The Altus partbook from the second copy of these books has been discovered since the Census Catalogue description was written, and is now in Georgetown University Library.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Ordinary section, 1 Lamentation, 7 motets, 108 anthems (most are English versions of psalm and canticle texts), 1 Latin/English carol, 28 English secular pieces, 2 French secular pieces, 2 Italian secular pieces, 2 In nomines, 3 dances, 1 textless "Air" = 156 + 2 duplicates =158

(Alison)-1, (Angus)-9, (Angus/A. Kemp)-1, (Arcadelt)-1, Blackhall-4, Buchan [Jhone Bughen]-2, (T. Campion)-2, (Dowland)-2, (Dowland-anon)-1, Fethy-1, (R. Johnson I)-2, (R. Jones II)-3, A. Kemp-3, (Lassus)-2, (Morley)-1, Peebles-87, Peebles-(Heagy)-1, (Tallis)-3, anon-30

1 paper partbook of an original 5 (A-i + 94 + i folios), 180 x 130. D, T, and B books now EdinU 483 (a-c); Q is DubT F.5.13. (A duplicate of this set was copied by the same scribes, but only D and B books have survived; these are now EdinU Dk.5.14-5). Many folios missing; some partly torn away. Original ink pagination, 13-218. Pages now missing: 1-12, 21-22, 33-34, 45-46, 81-82, 103-108, 111-114, 137-138, and unknown number at end. Original page numbers on rectos crossed out and replaced with new pencil foliation, 1-93 (last folio not numbered). Original ink numbering of psalm settings, XIX-CL (first 18 pieces missing; several others between XIX and CL either missing or incomplete). Original covers of brown tooled leather on cardboard, with modern spine. No index remains.

The main scribe (ff. 1-81) was Thomas Wode or Wood, whose name appears on several folios. Two pieces by John Buchan (ff. 13'-14, ff. 37-37') possibly copied by the composer. A third scribe copied ff. 81'-82, fourth scribe copied ff. 82-93'; latter two worked in early 17th century. Section copied by Wode decorated with painted initials and floral motifs in green, yellow, tan, purple, orange, and blue; a few folios have rough drawings of objects or scenes appro-priate to psalm text on that opening. No other decoration. No watermarks visible.

1562-92, with early 17th century additions. Main corpus compiled and copied at St. Andrews, Fifeshire, Scotland, by Thomas Wode or Wood (d. 1592), vicar at St. Andrews. Early 17th century owner added unrelated repertory of English secular music. Subsequent history of set prior to 19th century not known (except for duplicate D book, EdinU Dk.5.14, in Edinburgh University Library since 1672). Apparently, some or all books were at one time in Ireland. Several (but not LonBL 33933) later owned by the 19th-century Scottish antiquarian David Laing. LonBL 33933 purchased by British Museum from Mrs. H. L. Andrews in 1890.

Vol 4

Change all references to "DubT F.5.13" to read "DubT 412."

Composers: Change "Blackhall-4" to "Blackhall-3"; add "(Angus/Blackhall)-1," "(Clemens non Papa)-1," "(C. Festa/S. Festa)-1," and "(Wilder)-1"; change "anon-30" to "anon-27."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

10

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Sets

Select a set to see its sources.

denotes primary source study

Reid-Baxter, Jamie, Michael Lynch, and E. Patricia Dennison. 2011. Jhone Angus, Monk of Dunfermeline & Scottish Reformation Music. 72. Dunferline Heritage Community Projects. 978-0-9557244-2-8. Pages: 45-69. Notes: description; contents list (partial); discussion.

Aplin, John. 1979. The Survival of Plainsong in Anglican Music: Some Early English Te-Deum Settings. Journal of the American Musicological Society, 32: 247ff. Pages: 261, 265-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 33: 55-75. Pages: 74-5. Notes: contents list (partial); concordances (partial).

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575.  London. Pages: 164. Notes: contents list (partial).

Elliott, Kenneth, and Frederick Rimmer. 1973. A History of Scottish Music.  London. Pages: 26,30-2,44. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 73-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1.  London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 174ff; II, 77ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hutchinson, Hilda S P. 1957. The St. Andrews Psalter. Transcription and Critical Study of Thomas Wode's Psalter. Edinburgh University, Unpublished B.Mus. thesis. Notes: physical description (partial); contents list; concordances; texts; texts; mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge.  Cambridge. Pages: I, 2, 180-2, 263, 397; II, 130, 138, 451; III, 182, 202. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XV, 204ff, passim; XLIV.xxx, 184-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Patrick, Millar. 1949. Four Centuries of Scottish Psalmody.  London, Glasgow, and New York. Pages: 57-62. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Farmer, Henry George. 1948. A History of Music in Scotland.  London. Pages: 161-7. Notes: physical description; mention of MS; discussion.

Willsher, Harry M. 1945. Music in Scotland During Three Centuries (1450-1750): Being Contributions Towards the History of Music in Scotland. University of St Andrews, Ph.D. Pages: I:142-152. Notes: description, contents list; discussion; concordances (partial); trabnscriptions (partial).

Davey, Henry. 1921. History of English Music.  London. Pages: 148-50. Notes: contents list (partial); mention of MS; discussion.

Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society. Pages: II, 71. Notes: physical description.

Laing, David. 1870. An Account of the Scottish Psalter of A.D. 1566, Containing the Psalms, Canticles, and Hymns, Set to Music in Four Parts, in the Manuscripts of Thomas Wode or Wood, Vicar of Sanctandrous. Proceedings of the Society of Antiquaries of Scotland, 7: 445-58. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1888-93], 129-32. Notes: physical description (partial); contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description