I-Tr Vari 42

Biblioteca Reale, Torino, Italy

manuscript of polyphony: Early 14th century (c. 1300)

Archive Biblioteca Reale, Torino, Italy (I-Tr)
Shelfmark Vari 42
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 230 x 162 mm
Other Identifiers
  • RISM: Tu
Notations
  • Franconian
Relationships
External Links
Provenance
Contents Contains 34 compositions, 3 from 2 composers, 31 are anonymous.
General Description

One of four manuscripts from the Abbey of St. James at Liège which were split up in the 18th century and now bear the respective numbers 46,43,42(2),42(l). Formerly they were combined in a single codex with the call-number E. 73 (which is to be found on the first folio of MS Vari 46). The present MS is the fourth part of the original codex, and itself consists of two distinct sections. The first (f. 169 to 248) contains commentaries of St. Jerome on the Bible, and is the continuation of MS 42(2). The second section is made up of 3 polyphonic conductus and 31 motets: it begins at f. 249.

DIAMM, 2017
Binding

18th century binding of hand-made paper over pulp boards with brown leather on the spine, with the following title in gilt lettering: Codic. M. S. || Membranac || Eximiae || Raritatis || Ex Bibliotheca || Cel. Abatie || St. Jacobi II Leodiensis.

DIAMM, 2017
Notation

Franconian

DIAMM, 2017
Ruling

8 red five-line staves per page for the motets, which are written in 2 cols, for Tr and Mot respectively with the T at the bottom on a continuous stave. The conductus are written on 2 accolades of 3 staves each per page with bar-lines through all 3 staves at the beginning and end of each main section.

DIAMM, 2017
Foliation

1-40v

DIAMM, 2017
Foliation

first section foliated 169 to 248; second section: f. 249 is foliated, but foliation abandoned thereafter. The five pages containing the conductus are here numbered A-E; the motets bear an old red ink foliation in Roman numerals at t.m.r. from i-xl. The single paper flyleaves at the front and at the back are unnumbered.

DIAMM, 2017
Decoration

Initials are blue-red; the script is semi-Gothic

DIAMM, 2017
Index

An old index precedes the motets on f. Ev

DIAMM, 2017
Surface

i paper + 125 parchment + i paper

DIAMM, 2017
RISM Description

RISM B/IV 1: A parchment manuscript dating from c. 1300 and meas. 230 x 162 mm, Tu contains 125 folios. Although it bears the same number as a companion volume, Tu is in fact one of four manuscripts from the Abbey of St. James at Liège which were split up in the 18th century and now bear the respective numbers 46,43,42(2),42(l), but formerly were combined in a single codex with the call-number E. 73, which is to be found on the first folio of ms Vari 46. Tu is in fact the fourth part of the original codex, and itself consists of two distinct sections. The first contains commentaries of St. Jerome on the Bible and is foliated from 169 to 248, namely as the continuation of ms 42(2). The second section is entirely made up of 3 polyphonic conductus and 31 motets in Franconian notation. It begins at f. 249, after which this foliation is abandoned. The five pages containing the conductus are here numbered A-E, since another foliation is lacking, but the motets bear an old red ink foliation in Roman numerals at t.m.r. from i-xl. Apart from these pages, there is one unnumbered paper flyleaf at the front and one at the back. The late 18th century binding is of hand-made paper over pulp boards with brown leather on the spine, which bears the following title in gilt lettering: Codic. M. S. || Membranac || Eximiae || Raritatis || Ex Bibliotheca || Cel. Abatie || St. Jacobi II Leodiensis. An old index precedes the motets on f. Ev. The notation employs 8 red five-line staves per page for the motets, which are as usual written in 2 cols, for Tr and Mot respectively with the T at the bottom on a continuous stave. Initials are blue-red and the script semi-Gothic. The conductus are written on 2 accolades of 3 staves each per page with bar-lines through all 3 staves at the beginning and end of each main section.

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Répertoire International des Sources Musicales
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denotes primary source study

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXIVf etc.

Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 75, 83.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: IV, 79, 169, 176, 187, 192, 255, 259, 265f, 268, 271, 278, 287ff, 298.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 229, 269, 293.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 142, 148, 154, 160ff, 166f, 178, 180, 189.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 190f, 199, 202, 205f, 208, 211ff, 215f, 224, 281, 286, 290ff, 301, 305, 307, 311.

Ludwig, Friedrich. 1909. Die liturgischen Organa Léonins und Perotins. Riemann-Festschrift: Gesammelte Studien--Hugo Riemann zum sechzigsten Geburtstage überreicht von Freunden und Schülern, 200ff. Leipzig. Pages: 211.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: III, 70ff, 77, 80, 82, 87f, 90, 106, 146.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description