This manuscript is related to the complementary fragment I-OST. This means that today a total of 9 double sheets survive of this oldest known source of Italy's secular Trecento music. The original extent of this source in this hand must have amounted to at least 16 double leaves (4 quaternions). It was most likely written iin Padua and Verona. The MS belonged to the bibliophile GF de Rossi († 1854) in the 19th century; after his death, it was in libraries of the Jesuits in Linz and Vienna and from there, in 1922, it moved to the Bibl Vaticana. It is possible that the 7 double leaves originated from the library of Cardinal Dominicus Capranica (1400-1458), from whose estate Rossi acquired many volumes in 1842.
V-CVbav MS Rossi 215 (Codex Rossi)
Biblioteca Apostolica Vaticana, Vatican City, Vatican
fragment: 14th century
| Archive | Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav) |
|---|---|
| Shelfmark | MS Rossi 215 (Codex Rossi) |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Other |
| Numbering System | Foliation |
| Measurements | c. 230 x 168 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 29 compositions, 2 from 2 composers, 27 are anonymous. |
General Description
Physical Description
edges slightly trimmed.
Binding
brown leather with gold and cut back titles; 19th century (Rossi Bibl.)
Notation
older Trecento
Date
Pirrotta dated this MS to the 1370s
Ruling
8 red 6-line staves per page
Foliation
1-23v
Foliation
Original foliation of f. I-VIII and XVIII-XXIII.
Surface
14 parchment; the rest are paper
RISM Description
RISM B/IV 4: 14. Jh.; 14 originale Blätter Pergament, ca. 230 x 168 mm (seitlich leicht beschnitten), zwischen f. 8 und 18 und nach f. 23 eingeschoben: 10 leere moderne Papier-Blätter, 1 moderne Vorsatz- und 1 Nachstoßblätter. Originale Foliierung von f. I-VIII und XVIII-XXIII. Je Seite 8 rote Sechsliniensysteme mit älterer Trecentonotation -Einband: 19. Jh. (Bibl. Rossi.); braunes Leder mit Goldschnitt und Rückentitel.
Die Handschrift gehört mit dem sie ergänzenden Fragment I-OST zusammen. Damit sind heute insgesamt 9 Doppelblätter dieser ältesten bekannten Quelle weltlicher Trecentomusik Italiens erhalten. Der ursprüngliche Umfang dieser von einer einzigen Hand stammenden Handschrift muß mindestens 16 Doppelblätter (4 Quaternionen) betragen haben. Sie wurde mit großer Wahrscheinlichkeit um die Mitte des 14. Jh. im Raume Padua-Verona geschrieben. Pirrotta datiert 1370. - Das Fragm. I-Rvat215 gehörte im 19. Jh. dem Bibliophilen G. F. de Rossi († 1854) ; nach seinem Tode gelangte es in Bibliotheken der Jesuiten in Linz und Wien und von da, 1922, an die Bibl. Vaticana. Es ist nicht ausgeschlossen, daß sich die 7 Doppelblätter in der ersten Hälfte des 15. Jh. in der Bibliothek des Kardinals Dominicus Capranica (1400-1458), aus dessen Nachlaß Rossi 1842 viele Bände erworben hat, befunden haben.
[Translation] 14th century. 14 original parchment sheets, about 230 x 168 mm (edges slightly trimmed), 10 modern blank paper sheets, 1 front endpaper and 1 back endpaper inserted between f. 8 and 18 and after f. 23. Original foliation of f. I-VIII and XVIII-XXIII. 8 red six-line systems per page with older Trecento notation. - Binding: 19 Century (Rossi Bibl.) Brown leather with gold and cut back titles.
The manuscript is related to the complementary fragment I-OST. This means that today a total of 9 double sheets survive of this oldest known source of Italy's secular Trecento music. The original extent of this source in this hand must have amounted to at least 16 double leaves (4 quaternions). It was most likely written around the middle of the 14th Century in Padua and Verona . Pirrotta dated it to the 1370s - I-Fragm Rvat215 belonged to the bibliophile GF de Rossi († 1854) in the 19th century; after his death, it was in libraries of the Jesuits in Linz and Vienna and from there, in 1922, it moved to the Bibl Vaticana. It is possible that the 7 double leaves originated from the library of Cardinal Dominicus Capranica (1400-1458), from whose estate Rossi acquired many volumes in 1842.
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Sets
Codex Rossi
Fragments of a whole · 2 sources
‡ denotes primary source study
Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte, vol. 9. Tutzing: Schneider.
Toguchi, K. 1963. Studio sul Codice Rossiano 215 della Biblioteca Vaticana - Intorno al sistema della sua nutazione musicale. Annuario dell'Istituto Giapponese di Cultura, 1: . Pages: 169ff.
Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft, vol. Serie II, Vol. 5. Bern: Paul Haupt. Pages: 95.
Pirrotta, Nino. 1955. Marchettus de Padua and the Italian Ars nova. Musica Disciplina, 9: 57–71. Pages: 57ff, 67ff.
Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae, vol. 8 (1-5). Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, Nr. 8 und 9, II, Nr. 2, 8-33 (Übertragungen aller Stücke aus I-Rvat215). - Für alle Faksimiles und Übertragungen bis 1955 vergleiche FischerStd, 18ff., Kolonne 17.
Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, 3-4-5: III, 119-38; IV, 111-52; V, 115-42. Pages: 25ff.
Pirrotta, Nino. 1946. Per l'origine e la storia della "caccia" e del "madrigale" trecentesco. Rivista Musicale Italiana, 48: 305–23; 49 (1947), 121–42. Pages: 95.
Sesini, U. 1943-1950. II canzoniere musicale trecentesco del Codice Vaticano Rossiano 215. XVI: . Pages: 212ff.
Gotti, Ettore Li. 1942/44. Poesie musicali italiane del sec. XIV. Atti della Reale Accademia di Scienze, Lettere e Arti di Palermo, Serie IV, 5, 2: . Pages: 99ff.
Wolf, Johannes. 1939, for the year 1938. Die Rossi-Handschrifi 215 der Vaticana und das Trecento-Madrigal. Jahrbuch der Musikbibliothek Peters , 45: 53–69. Pages: 53ff.
Liuzzi, Fernando. 1937. Musica e poesia del Trecento nel Codice Vaticano Rossiano 215. Atti della Pontificia Accademia Romana di Archeologia, Serie III, 13: . Pages: 59ff.
Steiner, M. 1931. Ein Beitrag zur Notationsgeschichte des frühen Trecento - Die Lehren des Marchettus von Padua und der Cod. Rossiano 215. Wien, MS Dissertation 3069.
Ludwig, Friedrich. 1930. Die Erforschung der Musik des Mittelalters. Festrede im Namen der Georg August-Universität. am 4. Juni 1930 , Göttingen. Pages: 15.
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 233ff.
Borghezio, Gino. 1925. Un codice vaticano trecentesco di rime musicali. Fédération archéologique et historique de Belgique, Congrès jubilaire 2-5 août 1925, 231–32. Bruges: Fédération Archéologique et Historique de Belgique. Pages: 231ff.
Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 7: 417ff. Pages: II, 24, 28.
Marrocco, W. Thomas. None. Marrocco ? Pages: I (Übertragungen von Nr. 14, 17, 20, 29).
Vecchi, Giuseppe. None. Paru storica.
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Nicolas Sansarlat
Wednesday, 14 June, 2023
Corrected location of "Che ti çova" (f. 18)
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
IIIF manifest