D-Dl MSS Löbau 8 and Löbau 70 [1]

Sächsische Landesbibliothek, Dresden, Germany

partbook: Begun 1592; copying continued until c.1685

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MSS Löbau 8 and Löbau 70 [1]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements c. 320 x 200 mm
Other Identifiers
  • CCM: DresSL Löbau 8/70
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Löbau, Bavaria, Germany
Contents 218 pieces from 65 composers
General Description

A Discantus partbook from a set of eight volumes. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered c. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

DIAMM, 2017
Extent

D - 330pp, A - 318pp, T - 334pp, B - 306pp, Q - 294pp, S - 210pp, 7a - 116pp, 8a - 162pp.

DIAMM, 2023
Physical Description

Water has washed away the ink on some folios. In this book, damage in the middle of the page affects text and music in most of the book (only pp. 113-129 are unaffected).

DIAMM, 2017
Binding

Original covers of white leather and parchment.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Dedication

The Tenor book contains a substantial dedicatory preface by Nostwitz, dated 1593.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-143

DIAMM, 2017
Foliation

No foliation. Modern pencil pagination, excludes blank pages.

DIAMM, 2017
Index

Original index in Bassus volume by the Löbau cantor Georg Kirchhoff (1636), supplemented by others.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Books 1-6 are catalogued as Löbau 8, books 7 and 8 are Löbau 70.

Only the first 16 pieces, to page 49, were copied before 1600 (all are dated, as are many of the 17th century pieces).

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Kyrie-Gloria pairs, 2 Magnificats, 3 Te Deuràs, 1 Canticle, 16 psalms, 3 hymns, 72 motets, 2 Latin/German sacred pieces, 60 German sacred pieces, 2 German secular pieces, 1 textless piece = 170

Agazzari-1, Bassano-2, Bianciardi-1, Bischoff-1, Bucheuserus-1, Burck-1, Clavius-1, (Clemens non Papa)-1, Croce-1, Dulichius-2, Erbach-1, A. Gabrieli-2, G. Gabrieli-1, Gesius-1, Grimm-5, Groskurdt-1, Gumpelzhaimer-1, Guyot [Castileti]-1, Hammerschmidt [A.H.]-3, Händl-1, Hassler-1, Herbschieben-1, Judex-1, A. Kadner-11, Knöfel-1, Lange-1, Lassus-3, Leder-1, Leoni-1, Lohr-2, Mel-1, Merulo-1, Nathusius-1, Pallavicino-1, Pevernage-1, H. Praetorius-6, Preschner-3, Raselius-3, Reiner-1, Richafort/(Caen/Lupus)-1, A. Riemer-2, Rosthius-1, Ruffo-6, S. Rühling-1, F. Sale-1, (Schede)-1, (Schein)-5, Schütz-10, Selich-3, Senfl-1, J. Sigfrid-1, Stadlmayr-5, Strauss-1, D. Sulcius -2, T.F.-1, Turing-1, Vulpius-29, Walliser-4, Wert-1, anon-23

8 paper partbooks, average ca. 320 x 200. Water has washed away the ink on some folios. No foliation; original numbering of pieces, 1-143. Original covers of white leather and parchment. Original index in B. Copied by Christoph Nostwitz and at least 29 other scribes, many of whom are named in the manuscript. The tenor book contains a dedicatory preface by Nostwitz, dated 1593.

Copying begun in 1592 on commission of the Löbau Senate. A succession of various scribes from Löbau, Bautzen, and Zittau continued to make additions over a period of many years; the latest piece was entered ca. 1685. Formerly in the Löbau Ratsbibliothek, the manuscript was deposited at the library in Dresden in 1890.

Vol 4

Composers: Change "J. Sigfrid-1" to "J. Sigfrid/(Harnisch)-1"; change "Vulpius-29" to "Vulpius-30"; change "anon-23" to "anon-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Richafort
Appears on: 1
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem luge
General Note

Bk 100:5. Incomplete, a hole in the middle of the page affects text and music

1–3 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 1–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deduc quasi torrentem [part 2]
General Note

Bk 100:5. Incomplete, a hole in the middle of the page affects text and music

3–4 Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener Paulus Pretzschnerus Dresdensis
Appears on: 3–4
Genres: Canticle, Motet, Nunc Dimittis
Source Attribution: Paulus Pretzschnerus Dresdensis
Voice: [no designation]
Languages: German
Voice Text: Herre nuhn lestu deynen diener
General Note

Bk 106:31. Incomplete, a hole in the middle of the page affects text and music

5 Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden -
Appears on: 5
Genres: Canticle
Voice: [no designation]
Languages: German
Voice Text: Ein Liecht zuerleuchten die heyden
General Note

Bk 106:31. Incomplete, a hole in the middle of the page affects text and music

6–7 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum Joachimus â Burck
Appears on: 6–7
Genres: Canticle
Source Attribution: Joachimus â Burck
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum
General Note

Bk 21:135 - 37:10 - 42:7. Incomplete, a hole in the middle of the page affects text and music

7–9 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem -
Appears on: 7–9
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem [part 2]
General Note

Bk 21:135 - 37:10 - 42:7. Incomplete, a hole in the middle of the page affects text and music

9–11 Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt Paulus Pretzschnerus
Appears on: 9–11
Genres: Motet
Source Attribution: Paulus Pretzschnerus
Voice: [no designation]
Languages: German
Voice Text: Also hatt Gott die welt geliebet
General Note

Bk 65:103. Incomplete, a hole in the middle of the page affects text and music

12–14 Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang -
Appears on: 12–14
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Gleich wie Moises eine schlang [part 2]
General Note

Bk 65:103. Incomplete, a hole in the middle of the page affects text and music

15–16 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu Ludowicus Senfelius
Appears on: 15–16
Genres: Motet
Source Attribution: Ludowicus Senfelius
Voice: [no designation]
Languages: Latin
Voice Text: Qui expansis in cruce manibus [part 3]
General Note

Bk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music. In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

16–18 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua -
Appears on: 16–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur
General Note

Bk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music

18–19 Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus -
Appears on: 18–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui prophetiae promsisti [!] [part 2]
General Note

Bk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music

20–23 Justorum animae in manu Dei [Domini] sunt (anon)
Appears on: 20–23
Genres: Motet
Source Attribution: (anon)
Voice: [no designation]
Languages: Latin
Voice Text: Iustorum anime in mane sei sunt
General Note

Bk 7:80 - 42:25. Incomplete, a hole in the middle of the page affects text and music

23–25 Domine quando veneris judicare terram Jacobi Handelii
Appears on: 23–25
Genres: Motet
Source Attribution: Jacobi Handelii
Voice: [no designation]
Languages: Latin
Voice Text: Domine quando veneris judicare terram
General Note

Bk 28:21 - 69:16 - 94:17. Incomplete, a hole in the middle of the page affects text and music

25–28 Beati qui persecutionem Joännes Bucheuserus
Appears on: 25–28
Genres: Motet
Source Attribution: Joännes Bucheuserus
Voice: [no designation]
Languages: Latin
Voice Text: Beati qui persecutionem
General Note

Incomplete, a hole in the middle of the page affects text and music

28–29 Domine Jesu Christe non sum dignus Clavii
Appears on: 28–29
Genres: Motet
Source Attribution: Clavii
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jesu Christe non sum dignus
General Note

Bk 50:114. Incomplete, a hole in the middle of the page affects text and music

30 Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber -
Appears on: 30
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Unser kheiner lebett ihm selber
General Note

Bk 106:11. Incomplete, a hole in the middle of the page affects text and music

30–31 Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben -
Appears on: 30–31
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Denn darzu ist Christus [part 2]
General Note

Bk 106:11. Incomplete, a hole in the middle of the page affects text and music

31–32 Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort -
Appears on: 31–32
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Erhalt unns herr bei deinem wort
General Note

Bk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music

32–33 Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ -
Appears on: 32–33
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Beweis dein macht [part 2]
General Note

Bk 37:19 - 57:21. A hole in the middle of the page affects text but music is complete

33–34 Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist -
Appears on: 33–34
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Gott heilger Geist [part 3]
General Note

Bk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music

34–36 Erhalt unns herr - 4a pars (of 6): Verleih uns frieden -
Appears on: 34–36
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Verleih uns frieden [part 4]
General Note

Bk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music

36–37 Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] -
Appears on: 36–37
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Gieb unserm keyser [part 5]
General Note

Bk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music

37–38 Erhalt unns herr - 6a pars (of 6): Amen -
Appears on: 37–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen [part 6]
General Note

Bk 37:19 - 57:21. The short Amen is unaffected by the hole in the middle of the page

38–39 Magnificate Dominum mecum Valentinus Judex
Appears on: 38–39
Genres: Motet
Source Attribution: Valentinus Judex
Voice: [no designation]
Languages: Latin
Voice Text: Magnificate Dominum
General Note

Bk 63:34. Incomplete, a hole in the middle of the page affects text and music

40–41 Ich will des Herren Zorn tragen Gregorius Langius
Appears on: 40–41
Genres: Motet
Source Attribution: Gregorius Langius
Voice: [no designation]
Languages: German
Voice Text: Ich will deß herren zorn tragen
General Note

Bk 10:45 - 53:29 - 63:1 - 65:102 - 67:42 - 68:11 - 69:21 - 106:17. Incomplete, a hole in the middle of the page affects text and music

42–43 Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te Andreas Pavernage
Appears on: 42–43
Genres: Motet
Source Attribution: Andreas Pavernage
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum
General Note

Incomplete, a hole in the middle of the page affects text and music

44–45 Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 44–45
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Quanti mercenarii [part 2]
General Note

Incomplete, a hole in the middle of the page affects text and music

46–47 Quantas ostendisti mihi Claudii Meruli
Appears on: 46–47
Genres: Motet
Source Attribution: Claudii Meruli
Voice: [no designation]
Languages: Italian
Voice Text: Quantas ostendisti mihi
General Note

Incomplete, a hole in the middle of the page affects text and music

48–49 Gott ist getreu (= Non ti sdegnar o Filli) Andreae Gabrielis
Appears on: 48–49
Genres: Motet
Source Attribution: Andreae Gabrielis
Voice: [no designation]
Languages: German
Voice Text: Godt ist getrew
General Note

Bk 50:39. Incomplete, a hole in the middle of the page affects text and music

50–51 Benedictus es Domine Deus Francesco Bianciardini
Appears on: 50–51
Genres: Motet
Source Attribution: Francesco Bianciardini
52 Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten Melchioris Vulpii
Appears on: 52
Genres: Motet
Source Attribution: Melchioris Vulpii
53 Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren -
Appears on: 53
Genres: Motet
54 Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein -
Appears on: 54
Genres: Motet
55 Confitebor tibi Domine Joannis Bassani
Appears on: 55
Genres: Motet
Source Attribution: Joannis Bassani
56–57 Turbae autem quae praecedebant Melchior Bischofs
Appears on: 56–57
Genres: Motet
Source Attribution: Melchior Bischofs
58 Facta est cum angelo multitudo coelestis (6vv) Jacobi Reinerii
Appears on: 58
Genres: Motet
Source Attribution: Jacobi Reinerii
59 Surge illuminare Jerusalem Vincentii Ruffi
Appears on: 59
Genres: Motet
Source Attribution: Vincentii Ruffi
General Note

after a series of pieces missing their Sexta, the Sexta book (and therefore most of the pieces) are complete from here onwards

60 Und du Bethlehem im Judischen Lande Andreae Raselii
Appears on: 60
Genres: Motet
Source Attribution: Andreae Raselii
61 Das alte Jahr vergangen ist (8vv) Bartholomaei Gesii
Appears on: 61
Genres: Motet
Source Attribution: Bartholomaei Gesii
General Note

The 7a voice-part, for the next 15 pieces whivh have one, is copied in the 8a book.

62 Puer natus est - 1a pars (of 2): Puer natus est nobis Hieronymi Praetorii
Appears on: 62
Genres: Motet
Source Attribution: Hieronymi Praetorii
62–63 Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus -
Appears on: 62–63
Genres: Motet
64 Furchte dich nicht Maria du hast Gnade Andreae Raselii
Appears on: 64
Genres: Motet
Source Attribution: Andreae Raselii
65 Mane nobiscum Domine Hieronimi Praetorii
Appears on: 65
Genres: Motet
Source Attribution: Hieronimi Praetorii
66–67 Dic nobis Maria Johannis Bassani
Appears on: 66–67
Genres: Motet
Source Attribution: Johannis Bassani
68–69 Jubilate Deo (8vv) Eliae Grotkurthii
Appears on: 68–69
Genres: Motet
Source Attribution: Eliae Grotkurthii
General Note

The 7th voice for this and all other 7vv pieces for the next 100 pages is copied in the 8a (not the 7a) book.

70–71 Also hatt Gott die Welt geliebt Andreae Raselii
Appears on: 70–71
Genres: Sacred Song
Source Attribution: Andreae Raselii
72 O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam Hieronymi Praetorii
Appears on: 72
Genres: Motet
Source Attribution: Hieronymi Praetorii
73 O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me -
Appears on: 73
Genres: Motet
74 Quaerite primum regnum Dei et iustitiam eius Philippi Dulichii
Appears on: 74
Genres: Motet
Source Attribution: Philippi Dulichii
75 Deus Deus meus ad te de luce vigilo sitivit Joan. Leo Hasler
Appears on: 75
Genres: Motet
Source Attribution: Joan. Leo Hasler
76 Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa Rinald. del Mel
Appears on: 76
Genres: Motet
Source Attribution: Rinald. del Mel
77 Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes -
Appears on: 77
Genres: Motet
78 Puer natus est nobis et filius datus est Vincentii Ruffi
Appears on: 78
Genres: Motet
Source Attribution: Vincentii Ruffi
79 Eructavit cor meum Andreae Gabrielis
Appears on: 79
Genres: Motet
Source Attribution: Andreae Gabrielis
80 Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana Philipp: Dulichii
Appears on: 80
Genres: Motet
Source Attribution: Philipp: Dulichii
81 Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit -
Appears on: 81
Genres: Motet
82 Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel Joh: Sigfrid Bornensis
Appears on: 82
Genres: Motet
Source Attribution: Joh: Sigfrid Bornensis
83 Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme -
Appears on: 83
Genres: Motet
84 Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus Joannes Castileti
Appears on: 84
Genres: Motet
Source Attribution: Joannes Castileti
85 Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae -
Appears on: 85
Genres: Motet
86 De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine Joan: Croce
Appears on: 86
Genres: Motet
Source Attribution: Joan: Croce
87 De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit -
Appears on: 87
Genres: Motet
88 Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit Melchioris Vulpii
Appears on: 88
Genres: Motet
Source Attribution: Melchioris Vulpii
89 Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me -
Appears on: 89
Genres: Motet
90 Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos -
Appears on: 90
Genres: Motet
91–92 Wohl dem der den Herren furchtet Melchioris Vulpii
Appears on: 91–92
Genres: Hymn
Source Attribution: Melchioris Vulpii
93–94 Habe deine Lust an dem Herren Paulus Pretzschner
Appears on: 93–94
Genres: Motet
Source Attribution: Paulus Pretzschner
95 Auf dich allein du treuer Gott - Anonymous
Appears on: 95
Genres: Hymn
Concordances

Concordance with Zwickau not confirmed

96–97 Egressus Jesus secessit in partes Tyri et Sidoni Jacobus Wertt
Appears on: 96–97
Genres: Motet
Source Attribution: Jacobus Wertt
98–99 Pater noster qui es in caelis Johannis Knöffelii
Appears on: 98–99
Genres: Motet
Source Attribution: Johannis Knöffelii
100 Agimus tibi gratias Orlandi
Appears on: 100
Genres: Motet
Source Attribution: Orlandi
101–104 Fata movent hominis mea pectora Francis: Sale
Appears on: 101–104
Genres: Motet
Source Attribution: Francis: Sale
104–105 Vespere autem sabbathi venit Maria Magdalene Vincentii Ruffi
Appears on: 104–105
Genres: Motet
Source Attribution: Vincentii Ruffi
106–107 Si quis diligit me sermonem meum Vincentii Ruffi
Appears on: 106–107
Genres: Motet
Source Attribution: Vincentii Ruffi
108 Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum Vincentii Ruffi
Appears on: 108
Genres: Motet
Source Attribution: Vincentii Ruffi
108–109 Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit -
Appears on: 108–109
Genres: Motet
109–110 Sancta trinitas unus Deus Vincentii Ruffi
Appears on: 109–110
Genres: Motet
Source Attribution: Vincentii Ruffi
110–112 Ecce ascendimus Jerosolymam et consummabuntur Melchior Vulp:
Appears on: 110–112
Genres: Motet
Source Attribution: Melchior Vulp:
112–113 Sic Deus dilexit mundum Vulpius
Appears on: 112–113
Genres: Motet
Source Attribution: Vulpius
113–115 Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae Melchior Vulpius
Appears on: 113–115
Genres: Motet
Source Attribution: Melchior Vulpius
115–116 Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini -
Appears on: 115–116
Genres: Motet
116–118 Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius Melchior Vulpius
Appears on: 116–118
Genres: Motet
Source Attribution: Melchior Vulpius
118–120 Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae -
Appears on: 118–120
Genres: Motet
121 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo Melchioris Vulpii
Appears on: 121
Genres: Motet
Source Attribution: Melchioris Vulpii
122 Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo -
Appears on: 122
Genres: Motet
123 Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte Melchior Vulpius
Appears on: 123
Genres: Motet
Source Attribution: Melchior Vulpius
124 Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice -
Appears on: 124
Genres: Motet
125–126 Simile est regnum - 1a pars (of 2): Simile est regnum caelorum Melch: Vulpi:
Appears on: 125–126
Genres: Motet
Source Attribution: Melch: Vulpi:
126–127 Simile est regnum - 2a pars (of 2): Ite ergo ad exitus -
Appears on: 126–127
Genres: Motet
127–128 Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte Melchioris Vulpii
Appears on: 127–128
Genres: Motet
Source Attribution: Melchioris Vulpii
128–129 Cum descendisset - 2a pars (of 2): Cum autem introisset centurio -
Appears on: 128–129
Genres: Motet
130 Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum -
Appears on: 130
Genres: Motet
131 Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus -
Appears on: 131
Genres: Motet
132–133 Angelus ad mulieres dixit -
Appears on: 132–133
Genres: Motet
133–134 Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit Melchioris Vulpii
Appears on: 133–134
Genres: Motet
Source Attribution: Melchioris Vulpii
134–135 Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis -
Appears on: 134–135
Genres: Motet
135–136 Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos -
Appears on: 135–136
Genres: Motet
136–137 Laudate Dominum omnes gentes, laudate eum Melch: Vulp:
Appears on: 136–137
Genres: Motet
Source Attribution: Melch: Vulp:
137–138 Exciens homo - 1a pars (of 2): Exciens homo primo diluculo Melch: Vulp:
Appears on: 137–138
Genres: Motet
Source Attribution: Melch: Vulp:
138–139 Exciens homo - 2a pars (of 2): Cum autem vespera -
Appears on: 138–139
Genres: Motet
139–140 Levavi oculos - 1a pars (of 2): Levavi oculos in montes Melch: Vulp:
Appears on: 139–140
Genres: Motet
Source Attribution: Melch: Vulp:
140–141 Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo -
Appears on: 140–141
Genres: Motet
142 Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus Melch: Vulp:
Appears on: 142
Genres: Motet
Source Attribution: Melch: Vulp:
143–144 Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam -
Appears on: 143–144
Genres: Motet
144–145 Laudate Dominum in sanctis eius (6vv) Melchioris Vulpii
Appears on: 144–145
Genres: Motet
Source Attribution: Melchioris Vulpii
146–147 Si quis diigit me Melchioris Vulpii
Appears on: 146–147
Genres: Motet
Source Attribution: Melchioris Vulpii
147–148 Ecce magi ab oriente veniunt Melchior: Vulp:
Appears on: 147–148
Genres: Motet
Source Attribution: Melchior: Vulp:
148–149 Deus misereatur nostri Melchioris Vulpii
Appears on: 148–149
Genres: Motet
Source Attribution: Melchioris Vulpii
150 Exsultent - 1a pars (of 2): Exsultent et laetentur Melchioris Vulpii
Appears on: 150
Genres: Motet
Source Attribution: Melchioris Vulpii
151 Exsultent - 2a pars (of 2): Ego vere egenus -
Appears on: 151
Genres: Motet
152–155 Caecus quidam sedebat juxta viam mendicans Melchioris Vulpii
Appears on: 152–155
Genres: Motet
Source Attribution: Melchioris Vulpii
156 Corde natus - 1a pars (of 2): Corde natus ex parentis Melchioris Vulpii
Appears on: 156
Genres: Motet
Source Attribution: Melchioris Vulpii
157 Corde natus - 2a pars (of 2): Ecce quem vates vetustis -
Appears on: 157
Genres: Motet
158–159 Surrexit pastor bonus (9vv) Melch: Vulpii
Appears on: 158–159
Genres: Motet
Source Attribution: Melch: Vulpii
159–160 Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum Melchioris Vulpii
Appears on: 159–160
Genres: Motet
Source Attribution: Melchioris Vulpii
160–161 Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis -
Appears on: 160–161
Genres: Motet
162 Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple Davidis Sulcii
Appears on: 162
Genres: Motet
Source Attribution: Davidis Sulcii
163 Gloria tibi trinitas David Sulcius
Appears on: 163
Genres: Motet
Source Attribution: David Sulcius
164 Ad te levavi animam meam (6vv, LV729) -
Appears on: 164
Genres: Motet
164–165 Lobet den Herren alle Heiden -
Appears on: 164–165
Genres: Motet
165–166 Veni sancte spiritus Nicolai Rostii
Appears on: 165–166
Genres: Hymn
Source Attribution: Nicolai Rostii
167–168 Caelo silentium fit facto duello - Anonymous
Appears on: 167–168
Genres: Motet
General Note

A hymn to St Michael. One voice part - copied in this book only

168–170 Diligite iustitiam (6vv) - Anonymous
Appears on: 168–170
Genres: Motet
170 Obsecro te domina sancta Maria (8vv) Aug: Agazzarii
Appears on: 170
Genres: Motet
Source Attribution: Aug: Agazzarii
171–172 Incolae terrarum ab ortu solis -
Appears on: 171–172
Genres: Motet
General Note

Also in Lobau 42 & Lobau 69

172–175 Machet die Thore weit (8vv) Heinrici Sagittarii
Appears on: 172–175
Genres: Motet
Source Attribution: Heinrici Sagittarii
General Note

SteudeS discusses the identity of 'Sagittarius' and prefers Ruhling as the composer.

General Note

In 5 sections: Machet die Thore - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr

Layout

From this piece onwards, the 7a vox reverts to being copied into the 7a, not 8a, book.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

176–177 O Domine Jesu Christe memento (8vv) -
Appears on: 176–177
Genres: Motet
177–178 O Domine Jesu Christe adoro te (8vv) Johan: Gabriel
Appears on: 177–178
Genres: Motet
Source Attribution: Johan: Gabriel
178–179 Aurora lucis rutilat T. F.
Appears on: 178–179
Genres: Hymn
Source Attribution: T. F.
179–181 Vespere autem sabbati Adam[us] Gumpelzhaimerus
Appears on: 179–181
Genres: Motet
Source Attribution: Adam[us] Gumpelzhaimerus
181 Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war A Kad:
Appears on: 181
Genres: Motet
Source Attribution: A Kad:
General Note

In Q,7,8 books pages are left blank for copying, but remain unnumbered and no music has been copied

Concordances

The 8vv setting by Kadner copied at p.240 is a different setting of the same text

182 Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein -
Appears on: 182
Genres: Motet
182 Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war -
Appears on: 182
Genres: Motet
182–183 Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen -
Appears on: 182–183
Genres: Motet
183–184 Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie -
Appears on: 183–184
Genres: Motet
184–185 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandi
Appears on: 184–185
Genres: Motet
Source Attribution: Orlandi
185 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 185
Genres: Motet
186–188 Gott ist unser Zuversicht (8vv) Georg. Herbschleb. Cant. Primislau
Appears on: 186–188
Genres: Motet
Source Attribution: Georg. Herbschleb. Cant. Primislau
188–190 Dilectus meus mihi (8vv) Hieron. Prator. (sic)
Appears on: 188–190
Genres: Motet
Source Attribution: Hieron. Prator. (sic)
190–191 Wie ein Jungling eine Jungfrau liebet - Anonymous
Appears on: 190–191
Genres: Motet
192–193 Ach Herr straf mich nicht in deinem Zorn Heinrich Schützens / Henrici Sagittarii
Appears on: 192–193
Genres: Motet
Source Attribution: Heinrich Schützens / Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

Item Bibliography

Steude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61.

194–195 Aus der tiefe ruf' ich Herr zu dir H. Schützens / Henrici Sagittarii
Appears on: 194–195
Genres: Motet
Source Attribution: H. Schützens / Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

195–197 Herr unser Herrscher wie herrlich ist dein Nam Henrici Sagittarii
Appears on: 195–197
Genres: Motet
Source Attribution: Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

197–199 An den Wassern zu Babel sassen wir Heinrich Schützens / Henrici Sagittarii
Appears on: 197–199
Genres: Motet
Source Attribution: Heinrich Schützens / Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

200–201 Ist nicht Ephraim mein teurer Sohn "eiusd[em] autoris" (i.e. Schutz) / Henrici Sagittarii
Appears on: 200–201
Genres: Motet
Source Attribution: "eiusd[em] autoris" (i.e. Schutz) / Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

202–203 Der Herr sprach zur meinem Herren Henrici Schützens / Henrici Sagittarii
Appears on: 202–203
Genres: Motet
Source Attribution: Henrici Schützens / Henrici Sagittarii
General Note

This group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'.

203–206 Laudate pueri Dominum (10vv) Daniel Seelich
Appears on: 203–206
Genres: Motet
Source Attribution: Daniel Seelich
General Note

2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass

206–209 Der Herr erhöre dich Daniel: Selchii
Appears on: 206–209
Genres: Motet
Source Attribution: Daniel: Selchii
General Note

Divided into 2 choirs, of 4vv+5vv, labelled chorus vocalis & chorus instrumentalis

209–211 Jubilate Deo Danielis Seelichii
Appears on: 209–211
Genres: Motet
Source Attribution: Danielis Seelichii
General Note

"4,8,9 voc in concerto" laid out similarly to the previous piece, though the instrumental parts are also texted. Only 8 parts are copied (none in the 7a book, 2 in the 8a book). Perhaps a part in the 7a book is missing? Instrumental lines double vocal, Quintus+vl/cont, Sextus+vla,fl, ?8a vox (in 8a book)+vl/cont, ?9a (in 8a book)+vla/trb.

212 Egressus Jesus - 1a pars (of 2): Egressus Jesus -
Appears on: 212
Genres: Motet
213 Egressus Jesus - 2a pars (of 2): Et statim aperte -
Appears on: 213
Genres: Motet
214–216 Magnificat: Anima mea Christoph Thomae Walliseri
Appears on: 214–216
Genres: BVM, Canticle, Magnificat
Source Attribution: Christoph Thomae Walliseri
216–217 Canite tuba in Sion Benedicti Palavicini
Appears on: 216–217
Genres: Motet
Source Attribution: Benedicti Palavicini
217–218 Furwahr er trug unser' Krankheit Michaelis Lohr
Appears on: 217–218
Genres: Motet
Source Attribution: Michaelis Lohr
219 Bleib bei uns Herr mit deinem Wort Joh: Turing
Appears on: 219
Genres: Motet
Source Attribution: Joh: Turing
220–221 Venite exultemus Domino Hieronymi Praetorii
Appears on: 220–221
Genres: Motet
Source Attribution: Hieronymi Praetorii
222–223 Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) M. Vulpii
Appears on: 222–223
Genres: Motet
Source Attribution: M. Vulpii
223–224 Oremus praeceptis Christoph Walliseri
Appears on: 223–224
Genres: Motet
Source Attribution: Christoph Walliseri
224–225 Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas Leonis Leonii
Appears on: 224–225
Genres: Motet
Source Attribution: Leonis Leonii
225 Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam -
Appears on: 225
Genres: Motet
226–227 Wohl dem der sich des Dürftigen annimmt Abrahami Riemeri
Appears on: 226–227
Genres: Motet
Source Attribution: Abrahami Riemeri
227–229 Ich hab' den Herrn allzeit für Augen -
Appears on: 227–229
Genres: Motet
229–232 Missa super Cum natus esset Jesus & Cantate Domino: Kyrie Andreae Kadneri
Appears on: 229–232
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Andreae Kadneri
Concordances

also in Lobau 65 (a compendium of Kadner's masses & motets, possibly autograph)

General Note

The models are Walliser's "Cum natus" & H Praetorius's "Cantate Domino" (copied at pp. 297-300)

232–235 Missa super Cum natus esset Jesus & Cantate Domino: Gloria -
Appears on: 232–235
Genres: Gloria (et in terra pax), Mass Ordinary
Concordances

Also in Lobau 65 (a compendium of Kadner's masses & motets, possibly autograph)

235–237 Christ lag in Todesbanden (5vv) - Anonymous
Appears on: 235–237
Genres: Motet
237–238 Surrexit Christus hodie Christiani Erbachi
Appears on: 237–238
Genres: Motet
Source Attribution: Christiani Erbachi
239–240 Herrn wenn ich nur dich habe Michaelis Lohr
Appears on: 239–240
Genres: Motet
Source Attribution: Michaelis Lohr
240–241 Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war Andr: Kadneri
Appears on: 240–241
Genres: Motet
Source Attribution: Andr: Kadneri
241 Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein -
Appears on: 241
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books

241–242 Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war -
Appears on: 241–242
Genres: Motet
242–243 Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen -
Appears on: 242–243
Genres: Motet
General Note

This pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books

243 Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie -
Appears on: 243
Genres: Motet
244–245 Da der Sabbat vergangen war -
Appears on: 244–245
Genres: Motet
General Note

composer attribution in D-SCHm 406 (11,11)

245 Erstanden ist der heilige Christ Samuel: Rüling
Appears on: 245
Genres: Motet
Source Attribution: Samuel: Rüling
246–247 Und Tobias sprach ich will heute H. G. H. (Heinrich Grimm Hofkapellmeister(?))
Appears on: 246–247
Genres: Motet
Source Attribution: H. G. H. (Heinrich Grimm Hofkapellmeister(?))
248–249 Ein freundlich' Weib erfreuet ihren Mann Abram: Riemerus
Appears on: 248–249
Genres: Motet
Source Attribution: Abram: Riemerus
250 Nunc angelorum gloria -
Appears on: 250
Genres: Motet
251 Quem pastores laudavere - Anonymous
Appears on: 251
Genres: Motet
252–259 Christus natus est nobis - Anonymous
Appears on: 252–259
Genres: Hymn
259–260 Missa Ingredimini omnes (8vv): Kyrie Johann: Stadelmayr
Appears on: 259–260
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johann: Stadelmayr
260–262 Missa Ingredimini omnes (8vv): Gloria -
Appears on: 260–262
Genres: Gloria (et in terra pax), Mass Ordinary
262–263 Missa Fuggi pur se sai: Kyrie Stadlmaieri
Appears on: 262–263
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Stadlmaieri
263–264 Missa Fuggi pur se sai: Gloria -
Appears on: 263–264
Genres: Gloria (et in terra pax), Mass Ordinary
264–266 Da antwortet' Laban und Bethuel (8vv) Grimmii
Appears on: 264–266
Genres: Motet
Source Attribution: Grimmii
266–268 Te Deum (6vv) And: Cadneri
Appears on: 266–268
Genres: Te Deum
Source Attribution: And: Cadneri
269–270 Te Deum (5vv) And: Cadneri
Appears on: 269–270
Genres: Te Deum
Source Attribution: And: Cadneri
271–272 Ein feste Burg ist unser Gott Wallis:
Appears on: 271–272
Genres: Motet
Source Attribution: Wallis:
272–273 Ein' feste Burg ist unser Gott Cadneri
Appears on: 272–273
Genres: Motet
Source Attribution: Cadneri
274–275 An den Wassern zu Babel saßen wir und weineten A. Cadneri
Appears on: 274–275
Genres: Motet
Source Attribution: A. Cadneri
276–277 War' Gott nicht mit uns diese Zeit A. Cad.
Appears on: 276–277
Genres: Motet
Source Attribution: A. Cad.
277–278 Missa (5vv): Kyrie And. Cadneri
Appears on: 277–278
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: And. Cadneri
Concordances

Not concordant with any of the masses in the 'Kadner manuscript' Lobau 65

279–280 Missa (5vv): Gloria -
Appears on: 279–280
Genres: Gloria (et in terra pax), Mass Ordinary
281 Da antwortet' Laban und Bethuel (5vv) H. Grimmii
Appears on: 281
Genres: Motet
Source Attribution: H. Grimmii
282–284 Lobe den Herren meine Seele und vergiss nicht Heinrich Schüzens
Appears on: 282–284
Genres: Motet
Source Attribution: Heinrich Schüzens
284–285 Bonum est confiteri Domino (8vv) Christoph: Straus
Appears on: 284–285
Genres: Motet
Source Attribution: Christoph: Straus
General Note

Some vocal parts also have instruments doubling: Choir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c

286–288 Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen A. Cadeneri
Appears on: 286–288
Genres: Motet
Source Attribution: A. Cadeneri
289–290 Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich -
Appears on: 289–290
Genres: Motet
291–293 Danket dem Herren, denn er ist freundlich Heinrich Schütz
Appears on: 291–293
Genres: Motet
Source Attribution: Heinrich Schütz
393–296 Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi Heinrich Schützen Churf. Sächs. Capellmeister
Appears on: 393–296
Genres: Passion
Source Attribution: Heinrich Schützen Churf. Sächs. Capellmeister
General Note

For 9vv + b.c. (the b.c. is in the 7a book)

297–298 Cum natus esset Jesus in Bethlehem Juda Thom. Walliseri
Appears on: 297–298
Genres: Motet
Source Attribution: Thom. Walliseri
299–300 Cantate Domino canticum novum -
Appears on: 299–300
Genres: Motet
301 Missa Jubilate Deo: Kyrie Johannis Stadelmaier
Appears on: 301
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaier
301–302 Missa Jubilate Deo: Gloria -
Appears on: 301–302
Genres: Gloria (et in terra pax), Mass Ordinary
302–303 Missa Donna la pura luce: Kyrie Johannis Stadelmai:
Appears on: 302–303
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmai:
303–304 Missa Donna la pura luce: Gloria -
Appears on: 303–304
Genres: Gloria (et in terra pax), Mass Ordinary
304–305 Missa Dies est laetitiae: Kyrie Johannis Stadelmaiers
Appears on: 304–305
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannis Stadelmaiers
305–306 Missa Dies est laetitiae: Gloria -
Appears on: 305–306
Genres: Gloria (et in terra pax), Mass Ordinary
306–307 Jauchzet dem Herren alle Welt A. H. (=Hammerschmidt)
Appears on: 306–307
Genres: Motet
Source Attribution: A. H. (=Hammerschmidt)
General Note

For 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part.

308–309 Der Herr erhore dich in der Not A. H. (=Hammerschmidt)
Appears on: 308–309
Genres: Motet
Source Attribution: A. H. (=Hammerschmidt)
General Note

For 6vv + b.c. (which is in the 7a book); optional string parts also indicated.

309–311 Alleluia. Freuet euch ihr Christen alle -
Appears on: 309–311
Genres: Motet
General Note

Grouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb).

311–312 Steh auf Nordwind / Meine Schwester liebe Braut Eliae Nathusii
Appears on: 311–312
Genres: Motet
Source Attribution: Eliae Nathusii
General Note

MaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro

Item Bibliography

Maul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). Pages: 82-83. Notes: suggests there are missing voice-part(s) in this piece.

313 Missa A Domino factum est: Kyrie -
Appears on: 313
Genres: Kyrie eleison, Mass Ordinary
313–314 Missa A Domino factum est: Gloria -
Appears on: 313–314
Genres: Gloria (et in terra pax), Mass Ordinary
315–316 Herr Gott dich loben wir - Anonymous
Appears on: 315–316
Genres: Motet
General Note

For 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb)

317 Veni redemptor gentium -
Appears on: 317
Genres: Hymn
318–321 fragments - Anonymous

fragments

Anonymous
Appears on: 318–321
General Note

Too little of these pages remains for the pieces to be identified; none seem to appear in the other books (A/T/B) which have this corresponding section of 4vv pieces

322 A solis ortus cardine -
Appears on: 322
Genres: Hymn
323 Vita sanctorum decus -
Appears on: 323
Genres: Hymn
General Note

The remainder of the Discantus book is so fragmentary as to render the identification of which pieces were on the remaining pages largely academic; nothing but tiny fragments of the corners remains.

Composer Compositions
Agazzari, Agostino (ca. 1579–ca. 1642)
Anonymous
Bassano, Giovanni (ca. 1560–1617)
Bianciardi, Francesco (ca. 1571–1607)
Bischoff, Melchior
Bucheuserus, Joannes
Burck, Joachim à (1546–1610)
Caen, Arnold
Clavius, Christophorus
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Croce, Giovanni (ca. 1557–1609)
Dressler, Gallus
Dulichius, Philipp
Erbach, Christian (ca. 1568–1635)
Gabrieli, Andrea (ca. 1532–1585)
Gabrieli, Giovanni (ca. 1554–1612)
Gesius, Bartholomäus (ca. 1555–1613)
Grimm, Heinrich
Groskurdt, Elias
Gumpelzhaimer, Adam (1559–1625)
Guyot (Castileti), Jean
Hammerschmidt, Andreas (ca. 1611–1675)
Handl (Gallus), Jacobus (1550–1591)
Harnisch, Otto Siegfried
Hassler, Hans Leo (1564–1612)
Hellinck, Lupus (ca. 1494–1541)
Herbschlebe[n], Georg
Judex, Valentin
Kadner (Cadener), Andreas
Knöfel, Johannes (ca. 1525–1617)
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Leoni, Leone
Lohr, Michael
Mel, Rinaldo del
Merulo, Claudio (1533–1604)
Nathusius, Elias
Pallavicino, Benedetto
Pevernage, Andreas
Praetorius, Hieronymus (1560–1629)
Preschner, Paul
Raselius, Andreas (ca. 1563–1602)
Reiner, Jacob
Richafort, Jean (ca. 1480–ca. 1550)
Riemer, Abraham
Rost, Nicolaus
Ruffo, Vincenzo (ca. 1508–1587)
Ruhling, Samuel
Sale, Franciscus de
Schede, Paul Melissus
Schein, Johann Hermann
Schütz, Heinrich (1585–1672)
Selich, Daniel
Senfl, Ludwig (ca. 1486–ca. 1543)
Sigfrid, Johannes
Stadlmayr, Johann
Strauss, Christoph
Sulcius, David
T. F.
Thuring, Johann
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Weissensee, Friedrich
Wert, Giaches [Jaches] de (1535–1596)
Zucchini, Gregorio (ca. 1540–ca. 1616)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine 322
Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit 133–134
Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis 134–135
Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos 135–136
Ach Herr straf mich nicht in deinem Zorn 192–193
Ad te levavi animam meam (6vv, LV729) 164
Agimus tibi gratias 100
Alleluia. Freuet euch ihr Christen alle 309–311
Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt 9–11
Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang 12–14
Also hatt Gott die Welt geliebt 70–71
An den Wassern zu Babel sassen wir 197–199
An den Wassern zu Babel saßen wir und weineten 274–275
Angelus ad mulieres dixit 132–133
Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum 130
Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus 131
Auf dich allein du treuer Gott Anonymous 95
Aurora lucis rutilat 178–179
Aus der tiefe ruf' ich Herr zu dir 194–195
Beati qui persecutionem 25–28
Benedictus es Domine Deus 50–51
Bleib bei uns Herr mit deinem Wort 219
Bonum est confiteri Domino (8vv) 284–285
Caecus quidam sedebat juxta viam mendicans 152–155
Caelo silentium fit facto duello Anonymous 167–168
Canite tuba in Sion 216–217
Cantate Domino canticum novum 299–300
Christ lag in Todesbanden (5vv) Anonymous 235–237
Christus natus est nobis Anonymous 252–259
Confitebor tibi Domine 55
Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus 84
Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae 85
Corde natus - 1a pars (of 2): Corde natus ex parentis 156
Corde natus - 2a pars (of 2): Ecce quem vates vetustis 157
Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte 127–128
Cum descendisset - 2a pars (of 2): Cum autem introisset centurio 128–129
Cum natus esset Jesus in Bethlehem Juda 297–298
Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus 142
Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam 143–144
Da antwortet' Laban und Bethuel (5vv) 281
Da antwortet' Laban und Bethuel (8vv) 264–266
Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war 181
Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein 182
Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war 182
Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen 182–183
Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie 183–184
Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war 240–241
Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein 241
Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war 241–242
Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen 242–243
Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie 243
Da der Sabbat vergangen war 244–245
Danket dem Herren, denn er ist freundlich 291–293
Das alte Jahr vergangen ist (8vv) 61
De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine 86
De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit 87
Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa 76
Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes 77
Der Herr erhore dich in der Not 308–309
Der Herr erhöre dich 206–209
Der Herr sprach zur meinem Herren 202–203
Deus Deus meus ad te de luce vigilo sitivit 75
Deus misereatur nostri 148–149
Dic nobis Maria 66–67
Dilectus meus mihi (8vv) 188–190
Diligite iustitiam (6vv) Anonymous 168–170
Domine Jesu Christe non sum dignus 28–29
Domine quando veneris judicare terram 23–25
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo 121
Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo 122
Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte 123
Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice 124
Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit 88
Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me 89
Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos 90
Ecce ascendimus Jerosolymam et consummabuntur 110–112
Ecce magi ab oriente veniunt 147–148
Egressus Jesus - 1a pars (of 2): Egressus Jesus 212
Egressus Jesus - 2a pars (of 2): Et statim aperte 213
Egressus Jesus secessit in partes Tyri et Sidoni 96–97
Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten 52
Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren 53
Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein 54
Ein feste Burg ist unser Gott 271–272
Ein freundlich' Weib erfreuet ihren Mann 248–249
Ein' feste Burg ist unser Gott 272–273
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort 31–32
Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ 32–33
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist 33–34
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden 34–36
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] 36–37
Erhalt unns herr - 6a pars (of 6): Amen 37–38
Erstanden ist der heilige Christ 245
Eructavit cor meum 79
Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel 82
Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme 83
Exciens homo - 1a pars (of 2): Exciens homo primo diluculo 137–138
Exciens homo - 2a pars (of 2): Cum autem vespera 138–139
Exsultent - 1a pars (of 2): Exsultent et laetentur 150
Exsultent - 2a pars (of 2): Ego vere egenus 151
Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana 80
Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit 81
Facta est cum angelo multitudo coelestis (6vv) 58
Fata movent hominis mea pectora 101–104
fragments Anonymous 318–321
Furchte dich nicht Maria du hast Gnade 64
Furwahr er trug unser' Krankheit 217–218
Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae 113–115
Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini 115–116
Gloria tibi trinitas 163
Gott ist getreu (= Non ti sdegnar o Filli) 48–49
Gott ist unser Zuversicht (8vv) 186–188
Habe deine Lust an dem Herren 93–94
Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) 222–223
Herr Gott dich loben wir Anonymous 315–316
Herr unser Herrscher wie herrlich ist dein Nam 195–197
Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener 3–4
Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden 5
Herrn wenn ich nur dich habe 239–240
Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi 393–296
Ich hab' den Herrn allzeit für Augen 227–229
Ich will des Herren Zorn tragen 40–41
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 184–185
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 185
Incolae terrarum ab ortu solis 171–172
Ist nicht Ephraim mein teurer Sohn 200–201
Jauchzet dem Herren alle Welt 306–307
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 1
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 1–3
Jubilate Deo 209–211
Jubilate Deo (8vv) 68–69
Justorum animae in manu Dei [Domini] sunt 20–23
Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple 162
Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius 116–118
Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae 118–120
Laudate Dominum in sanctis eius (6vv) 144–145
Laudate Dominum omnes gentes, laudate eum 136–137
Laudate pueri Dominum (10vv) 203–206
Levavi oculos - 1a pars (of 2): Levavi oculos in montes 139–140
Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo 140–141
Lobe den Herren meine Seele und vergiss nicht 282–284
Lobet den Herren alle Heiden 164–165
Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen 286–288
Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich 289–290
Machet die Thore weit (8vv) 172–175
Magnificat: Anima mea 214–216
Magnificate Dominum mecum 38–39
Mane nobiscum Domine 65
Missa (5vv): Gloria 279–280
Missa (5vv): Kyrie 277–278
Missa A Domino factum est: Gloria 313–314
Missa A Domino factum est: Kyrie 313
Missa Dies est laetitiae: Gloria 305–306
Missa Dies est laetitiae: Kyrie 304–305
Missa Donna la pura luce: Gloria 303–304
Missa Donna la pura luce: Kyrie 302–303
Missa Fuggi pur se sai: Gloria 263–264
Missa Fuggi pur se sai: Kyrie 262–263
Missa Ingredimini omnes (8vv): Gloria 260–262
Missa Ingredimini omnes (8vv): Kyrie 259–260
Missa Jubilate Deo: Gloria 301–302
Missa Jubilate Deo: Kyrie 301
Missa super Cum natus esset Jesus & Cantate Domino: Gloria 232–235
Missa super Cum natus esset Jesus & Cantate Domino: Kyrie 229–232
Nunc angelorum gloria 250
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum 6–7
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem 7–9
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam 72
O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me 73
O Domine Jesu Christe adoro te (8vv) 177–178
O Domine Jesu Christe memento (8vv) 176–177
Obsecro te domina sancta Maria (8vv) 170
Oremus praeceptis 223–224
Pater noster qui es in caelis 98–99
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te 42–43
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris 44–45
Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum 159–160
Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis 160–161
Puer natus est - 1a pars (of 2): Puer natus est nobis 62
Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus 62–63
Puer natus est nobis et filius datus est 78
Quaerite primum regnum Dei et iustitiam eius 74
Quantas ostendisti mihi 46–47
Quem pastores laudavere Anonymous 251
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua 16–18
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus 18–19
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 15–16
Sancta trinitas unus Deus 109–110
Si quis diigit me 146–147
Si quis diligit me sermonem meum 106–107
Sic Deus dilexit mundum 112–113
Simile est regnum - 1a pars (of 2): Simile est regnum caelorum 125–126
Simile est regnum - 2a pars (of 2): Ite ergo ad exitus 126–127
Steh auf Nordwind / Meine Schwester liebe Braut 311–312
Surge illuminare Jerusalem 59
Surrexit Christus hodie 237–238
Surrexit pastor bonus (9vv) 158–159
Te Deum (5vv) 269–270
Te Deum (6vv) 266–268
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas 224–225
Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam 225
Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum 108
Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit 108–109
Turbae autem quae praecedebant 56–57
Und du Bethlehem im Judischen Lande 60
Und Tobias sprach ich will heute 246–247
Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber 30
Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben 30–31
Veni redemptor gentium 317
Veni sancte spiritus 165–166
Venite exultemus Domino 220–221
Vespere autem sabbathi venit Maria Magdalene 104–105
Vespere autem sabbati 179–181
Vita sanctorum decus 323
War' Gott nicht mit uns diese Zeit 276–277
Wie ein Jungling eine Jungfrau liebet Anonymous 190–191
Wohl dem der den Herren furchtet 91–92
Wohl dem der sich des Dürftigen annimmt 226–227

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 111-7. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Dedication Note; Foliation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description