Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | Richafort |
Caen, Arnold
(?)
|
Appears on:
1
Genres:
Motet
Source Attribution:
Richafort
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hierusalem luge
General NoteBk 100:5. Incomplete, a hole in the middle of the page affects text and music |
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1–3 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - |
Caen, Arnold
(?)
|
Appears on:
1–3
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deduc quasi torrentem [part 2]
General NoteBk 100:5. Incomplete, a hole in the middle of the page affects text and music |
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3–4 | Herre nun lestu - 1a pars (of 2): Herre nun lestu deynen diener | Paulus Pretzschnerus Dresdensis | |
Appears on:
3–4
Genres:
Canticle, Motet, Nunc Dimittis
Source Attribution:
Paulus Pretzschnerus Dresdensis
Voice:
[no designation]
Languages:
German
Voice Text:
Herre nuhn lestu deynen diener
General NoteBk 106:31. Incomplete, a hole in the middle of the page affects text and music |
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5 | Herre nun lestu - 2a pars (of 2): Ein Licht zu erleuchten die Heiden | - | |
Appears on:
5
Genres:
Canticle
Voice:
[no designation]
Languages:
German
Voice Text:
Ein Liecht zuerleuchten die heyden
General NoteBk 106:31. Incomplete, a hole in the middle of the page affects text and music |
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6–7 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | Joachimus â Burck | |
Appears on:
6–7
Genres:
Canticle
Source Attribution:
Joachimus â Burck
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum
General NoteBk 21:135 - 37:10 - 42:7. Incomplete, a hole in the middle of the page affects text and music |
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7–9 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
7–9
Genres:
Canticle
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lumen ad revelationem [part 2]
General NoteBk 21:135 - 37:10 - 42:7. Incomplete, a hole in the middle of the page affects text and music |
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9–11 | Also hatt Gott - 1a pars (of 2): Also hatt Gott die Welt geliebt | Paulus Pretzschnerus | |
Appears on:
9–11
Genres:
Motet
Source Attribution:
Paulus Pretzschnerus
Voice:
[no designation]
Languages:
German
Voice Text:
Also hatt Gott die welt geliebet
General NoteBk 65:103. Incomplete, a hole in the middle of the page affects text and music |
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12–14 | Also hatt Gott - 2a pars (of 2): Gleich wie Moises eine schlang | - | |
Appears on:
12–14
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Gleich wie Moises eine schlang [part 2]
General NoteBk 65:103. Incomplete, a hole in the middle of the page affects text and music |
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15–16 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | Ludowicus Senfelius | |
Appears on:
15–16
Genres:
Motet
Source Attribution:
Ludowicus Senfelius
Voice:
[no designation]
Languages:
Latin
Voice Text:
Qui expansis in cruce manibus [part 3]
General NoteBk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music. In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis |
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16–18 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | - | |
Appears on:
16–18
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vita in ligno moritur
General NoteBk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music |
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18–19 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
Appears on:
18–19
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Qui prophetiae promsisti [!] [part 2]
General NoteBk 21:151 - 44:65a(1.p.) - 45:33(1.p.). Incomplete, a hole in the middle of the page affects text and music |
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20–23 | Justorum animae in manu Dei [Domini] sunt | (anon) | |
Appears on:
20–23
Genres:
Motet
Source Attribution:
(anon)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iustorum anime in mane sei sunt
General NoteBk 7:80 - 42:25. Incomplete, a hole in the middle of the page affects text and music |
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23–25 | Domine quando veneris judicare terram | Jacobi Handelii | |
Appears on:
23–25
Genres:
Motet
Source Attribution:
Jacobi Handelii
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine quando veneris judicare terram
General NoteBk 28:21 - 69:16 - 94:17. Incomplete, a hole in the middle of the page affects text and music |
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25–28 | Beati qui persecutionem | Joännes Bucheuserus | |
Appears on:
25–28
Genres:
Motet
Source Attribution:
Joännes Bucheuserus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beati qui persecutionem
General NoteIncomplete, a hole in the middle of the page affects text and music |
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28–29 | Domine Jesu Christe non sum dignus | Clavii | |
Appears on:
28–29
Genres:
Motet
Source Attribution:
Clavii
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Jesu Christe non sum dignus
General NoteBk 50:114. Incomplete, a hole in the middle of the page affects text and music |
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30 | Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber | - | |
Appears on:
30
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Unser kheiner lebett ihm selber
General NoteBk 106:11. Incomplete, a hole in the middle of the page affects text and music |
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30–31 | Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben | - | |
Appears on:
30–31
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Denn darzu ist Christus [part 2]
General NoteBk 106:11. Incomplete, a hole in the middle of the page affects text and music |
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31–32 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
31–32
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Erhalt unns herr bei deinem wort
General NoteBk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music |
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32–33 | Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ | - | |
Appears on:
32–33
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Beweis dein macht [part 2]
General NoteBk 37:19 - 57:21. A hole in the middle of the page affects text but music is complete |
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33–34 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
33–34
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Gott heilger Geist [part 3]
General NoteBk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music |
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34–36 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
34–36
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Verleih uns frieden [part 4]
General NoteBk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music |
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36–37 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
36–37
Genres:
Motet
Voice:
[no designation]
Languages:
German
Voice Text:
Gieb unserm keyser [part 5]
General NoteBk 37:19 - 57:21. Incomplete, a hole in the middle of the page affects text and music |
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37–38 | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
37–38
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Amen [part 6]
General NoteBk 37:19 - 57:21. The short Amen is unaffected by the hole in the middle of the page |
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38–39 | Magnificate Dominum mecum | Valentinus Judex | |
Appears on:
38–39
Genres:
Motet
Source Attribution:
Valentinus Judex
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificate Dominum
General NoteBk 63:34. Incomplete, a hole in the middle of the page affects text and music |
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40–41 | Ich will des Herren Zorn tragen | Gregorius Langius | |
Appears on:
40–41
Genres:
Motet
Source Attribution:
Gregorius Langius
Voice:
[no designation]
Languages:
German
Voice Text:
Ich will deß herren zorn tragen
General NoteBk 10:45 - 53:29 - 63:1 - 65:102 - 67:42 - 68:11 - 69:21 - 106:17. Incomplete, a hole in the middle of the page affects text and music |
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42–43 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Andreas Pavernage | |
Appears on:
42–43
Genres:
Motet
Source Attribution:
Andreas Pavernage
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater peccavi in coelum
General NoteIncomplete, a hole in the middle of the page affects text and music |
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44–45 | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
44–45
Genres:
Motet
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quanti mercenarii [part 2]
General NoteIncomplete, a hole in the middle of the page affects text and music |
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46–47 | Quantas ostendisti mihi | Claudii Meruli | |
Appears on:
46–47
Genres:
Motet
Source Attribution:
Claudii Meruli
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quantas ostendisti mihi
General NoteIncomplete, a hole in the middle of the page affects text and music |
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48–49 | Gott ist getreu (= Non ti sdegnar o Filli) | Andreae Gabrielis | |
Appears on:
48–49
Genres:
Motet
Source Attribution:
Andreae Gabrielis
Voice:
[no designation]
Languages:
German
Voice Text:
Godt ist getrew
General NoteBk 50:39. Incomplete, a hole in the middle of the page affects text and music |
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50–51 | Benedictus es Domine Deus | Francesco Bianciardini | |
Appears on:
50–51
Genres:
Motet
Source Attribution:
Francesco Bianciardini
|
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52 | Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten | Melchioris Vulpii | |
Appears on:
52
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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53 | Eile mich Gott - 2a pars (of 3): Sie müssen zurücke kehren | - | |
Appears on:
53
Genres:
Motet
|
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54 | Eile mich Gott - 3a pars (of 3): Freuen und fröhlich müssen sein | - | |
Appears on:
54
Genres:
Motet
|
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55 | Confitebor tibi Domine | Joannis Bassani | |
Appears on:
55
Genres:
Motet
Source Attribution:
Joannis Bassani
|
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56–57 | Turbae autem quae praecedebant | Melchior Bischofs | |
Appears on:
56–57
Genres:
Motet
Source Attribution:
Melchior Bischofs
|
|||
58 | Facta est cum angelo multitudo coelestis (6vv) | Jacobi Reinerii | |
Appears on:
58
Genres:
Motet
Source Attribution:
Jacobi Reinerii
|
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59 | Surge illuminare Jerusalem | Vincentii Ruffi | |
Appears on:
59
Genres:
Motet
Source Attribution:
Vincentii Ruffi
General Noteafter a series of pieces missing their Sexta, the Sexta book (and therefore most of the pieces) are complete from here onwards |
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60 | Und du Bethlehem im Judischen Lande | Andreae Raselii | |
Appears on:
60
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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61 | Das alte Jahr vergangen ist (8vv) | Bartholomaei Gesii | |
Appears on:
61
Genres:
Motet
Source Attribution:
Bartholomaei Gesii
General NoteThe 7a voice-part, for the next 15 pieces whivh have one, is copied in the 8a book. |
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62 | Puer natus est - 1a pars (of 2): Puer natus est nobis | Hieronymi Praetorii | |
Appears on:
62
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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62–63 | Puer natus est - 2a pars (of 2): Haec dies quam fecit Dominus | - | |
Appears on:
62–63
Genres:
Motet
|
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64 | Furchte dich nicht Maria du hast Gnade | Andreae Raselii | |
Appears on:
64
Genres:
Motet
Source Attribution:
Andreae Raselii
|
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65 | Mane nobiscum Domine | Hieronimi Praetorii | |
Appears on:
65
Genres:
Motet
Source Attribution:
Hieronimi Praetorii
|
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66–67 | Dic nobis Maria | Johannis Bassani | |
Appears on:
66–67
Genres:
Motet
Source Attribution:
Johannis Bassani
|
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68–69 | Jubilate Deo (8vv) | Eliae Grotkurthii | |
Appears on:
68–69
Genres:
Motet
Source Attribution:
Eliae Grotkurthii
General NoteThe 7th voice for this and all other 7vv pieces for the next 100 pages is copied in the 8a (not the 7a) book. |
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70–71 | Also hatt Gott die Welt geliebt | Andreae Raselii | |
Appears on:
70–71
Genres:
Sacred Song
Source Attribution:
Andreae Raselii
|
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72 | O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam | Hieronymi Praetorii | |
Appears on:
72
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
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73 | O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu, tolle ex me | - | |
Appears on:
73
Genres:
Motet
|
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74 | Quaerite primum regnum Dei et iustitiam eius | Philippi Dulichii | |
Appears on:
74
Genres:
Motet
Source Attribution:
Philippi Dulichii
|
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75 | Deus Deus meus ad te de luce vigilo sitivit | Joan. Leo Hasler | |
Appears on:
75
Genres:
Motet
Source Attribution:
Joan. Leo Hasler
|
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76 | Decantabat populus - 1a pars (of 2): Decantabat populus Israel et universa | Rinald. del Mel | |
Appears on:
76
Genres:
Motet
Source Attribution:
Rinald. del Mel
|
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77 | Decantabat populus - 2a pars (of 2): Sanctificati sunt sacerdotes | - | |
Appears on:
77
Genres:
Motet
|
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78 | Puer natus est nobis et filius datus est | Vincentii Ruffi | |
Appears on:
78
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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79 | Eructavit cor meum | Andreae Gabrielis | |
Appears on:
79
Genres:
Motet
Source Attribution:
Andreae Gabrielis
|
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80 | Exsurgens Maria - 1a pars (of 2): Exsurgens Maria abiit in montana | Philipp: Dulichii | |
Appears on:
80
Genres:
Motet
Source Attribution:
Philipp: Dulichii
|
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81 | Exsurgens Maria - 2a pars (of 2): Et factum est ut audivit | - | |
Appears on:
81
Genres:
Motet
|
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82 | Es erhub sich - 1a pars (of 2): Es erhub sich ein Streit im Himmel | Joh: Sigfrid Bornensis | |
Appears on:
82
Genres:
Motet
Source Attribution:
Joh: Sigfrid Bornensis
|
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83 | Es erhub sich - 2a pars (of 2): Und ich höret eine grosse Stimme | - | |
Appears on:
83
Genres:
Motet
|
|||
84 | Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus | Joannes Castileti | |
Appears on:
84
Genres:
Motet
Source Attribution:
Joannes Castileti
|
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85 | Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae | - | |
Appears on:
85
Genres:
Motet
|
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86 | De profundis (6vv) - 1a pars (of 2): De profundis clamavi ad te Domine | Joan: Croce | |
Appears on:
86
Genres:
Motet
Source Attribution:
Joan: Croce
|
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87 | De profundis (6vv) - 2a pars (of 2): In te o Domine anima mea se sustentavit | - | |
Appears on:
87
Genres:
Motet
|
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88 | Dominus pastor meus - 1a pars (of 3): Dominus pastor meus nihil mihi deerit | Melchioris Vulpii | |
Appears on:
88
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
89 | Dominus pastor meus - 2a pars (of 3): Animam meam recreavit, deduxit me | - | |
Appears on:
89
Genres:
Motet
|
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90 | Dominus pastor meus - 3a pars (of 3): Parasti in conspectu meo mensam adversus eos | - | |
Appears on:
90
Genres:
Motet
|
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91–92 | Wohl dem der den Herren furchtet | Melchioris Vulpii | |
Appears on:
91–92
Genres:
Hymn
Source Attribution:
Melchioris Vulpii
|
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93–94 | Habe deine Lust an dem Herren | Paulus Pretzschner | |
Appears on:
93–94
Genres:
Motet
Source Attribution:
Paulus Pretzschner
|
|||
95 | Auf dich allein du treuer Gott | - | Anonymous |
Auf dich allein du treuer GottAnonymous
Appears on:
95
Genres:
Hymn
ConcordancesConcordance with Zwickau not confirmed |
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96–97 | Egressus Jesus secessit in partes Tyri et Sidoni | Jacobus Wertt | |
Appears on:
96–97
Genres:
Motet
Source Attribution:
Jacobus Wertt
|
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98–99 | Pater noster qui es in caelis | Johannis Knöffelii | |
Appears on:
98–99
Genres:
Motet
Source Attribution:
Johannis Knöffelii
|
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100 | Agimus tibi gratias | Orlandi | |
Appears on:
100
Genres:
Motet
Source Attribution:
Orlandi
|
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101–104 | Fata movent hominis mea pectora | Francis: Sale | |
Appears on:
101–104
Genres:
Motet
Source Attribution:
Francis: Sale
|
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104–105 | Vespere autem sabbathi venit Maria Magdalene | Vincentii Ruffi | |
Appears on:
104–105
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
106–107 | Si quis diligit me sermonem meum | Vincentii Ruffi | |
Appears on:
106–107
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
108 | Tu es pastor - 1a pars (of 2): Tu es pastor ovium princeps apostolorum | Vincentii Ruffi | |
Appears on:
108
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
|||
108–109 | Tu es pastor - 2a pars (of 2): Petre diligis me qui respondit | - | |
Appears on:
108–109
Genres:
Motet
|
|||
109–110 | Sancta trinitas unus Deus | Vincentii Ruffi | |
Appears on:
109–110
Genres:
Motet
Source Attribution:
Vincentii Ruffi
|
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110–112 | Ecce ascendimus Jerosolymam et consummabuntur | Melchior Vulp: | |
Appears on:
110–112
Genres:
Motet
Source Attribution:
Melchior Vulp:
|
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112–113 | Sic Deus dilexit mundum | Vulpius | |
Appears on:
112–113
Genres:
Motet
Source Attribution:
Vulpius
|
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113–115 | Gabriel angelus - 1a pars (of 2): Gabriel angelus locutus est Mariae | Melchior Vulpius | |
Appears on:
113–115
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
|||
115–116 | Gabriel angelus - 2a pars (of 2): Dixit autem Maria ecce ancilla Domini | - | |
Appears on:
115–116
Genres:
Motet
|
|||
116–118 | Laudate Dominum in sanctis eius (5vv) - 1a pars (of 2): Laudate Dominum in sanctis eius | Melchior Vulpius | |
Appears on:
116–118
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
|||
118–120 | Laudate Dominum in sanctis eius (5vv) - 2a pars (of 2): Laudate Deum in sono tubae | - | |
Appears on:
118–120
Genres:
Motet
|
|||
121 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo | Melchioris Vulpii | |
Appears on:
121
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
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122 | Domine quis habitabit - 2a pars (of 2): Qui iurat proximo suo | - | |
Appears on:
122
Genres:
Motet
|
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123 | Dominus noster - 1a pars (of 2): Dominus noster Jesus Christus in ea nocte | Melchior Vulpius | |
Appears on:
123
Genres:
Motet
Source Attribution:
Melchior Vulpius
|
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124 | Dominus noster - 2a pars (of 2): Similiter et postquam cenavit accepto calice | - | |
Appears on:
124
Genres:
Motet
|
|||
125–126 | Simile est regnum - 1a pars (of 2): Simile est regnum caelorum | Melch: Vulpi: | |
Appears on:
125–126
Genres:
Motet
Source Attribution:
Melch: Vulpi:
|
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126–127 | Simile est regnum - 2a pars (of 2): Ite ergo ad exitus | - | |
Appears on:
126–127
Genres:
Motet
|
|||
127–128 | Cum descendisset - 1a pars (of 2): Cum descendisset Jesus de monte | Melchioris Vulpii | |
Appears on:
127–128
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
128–129 | Cum descendisset - 2a pars (of 2): Cum autem introisset centurio | - | |
Appears on:
128–129
Genres:
Motet
|
|||
130 | Ascendente Jesu - 1a pars (of 2): Ascendente Jesu in naviculum | - | |
Appears on:
130
Genres:
Motet
|
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131 | Ascendente Jesu - 2a pars (of 2): Domine serva nos perimus | - | |
Appears on:
131
Genres:
Motet
|
|||
132–133 | Angelus ad mulieres dixit | - | |
Appears on:
132–133
Genres:
Motet
|
|||
133–134 | Accedentes servi - 1a pars (of 3): Accedentes servi ad patrem familias dixit | Melchioris Vulpii | |
Appears on:
133–134
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
134–135 | Accedentes servi - 2a pars (of 3): At ille dixit non ne colligendo zizania eradicetis | - | |
Appears on:
134–135
Genres:
Motet
|
|||
135–136 | Accedentes servi - 3a pars (of 3): Colligite primum zizania et colligate ea fasciculos | - | |
Appears on:
135–136
Genres:
Motet
|
|||
136–137 | Laudate Dominum omnes gentes, laudate eum | Melch: Vulp: | |
Appears on:
136–137
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
137–138 | Exciens homo - 1a pars (of 2): Exciens homo primo diluculo | Melch: Vulp: | |
Appears on:
137–138
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
138–139 | Exciens homo - 2a pars (of 2): Cum autem vespera | - | |
Appears on:
138–139
Genres:
Motet
|
|||
139–140 | Levavi oculos - 1a pars (of 2): Levavi oculos in montes | Melch: Vulp: | |
Appears on:
139–140
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
140–141 | Levavi oculos - 2a pars (of 2): Dominus custodit te ab omni malo | - | |
Appears on:
140–141
Genres:
Motet
|
|||
142 | Cum turba plurima - 1a pars (of 2): Cum turba plurima conveniret et e singulis civitatibus | Melch: Vulp: | |
Appears on:
142
Genres:
Motet
Source Attribution:
Melch: Vulp:
|
|||
143–144 | Cum turba plurima - 2a pars (of 2): Et inter seminandum aliud cecidit circa viam | - | |
Appears on:
143–144
Genres:
Motet
|
|||
144–145 | Laudate Dominum in sanctis eius (6vv) | Melchioris Vulpii | |
Appears on:
144–145
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
146–147 | Si quis diigit me | Melchioris Vulpii | |
Appears on:
146–147
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
147–148 | Ecce magi ab oriente veniunt | Melchior: Vulp: | |
Appears on:
147–148
Genres:
Motet
Source Attribution:
Melchior: Vulp:
|
|||
148–149 | Deus misereatur nostri | Melchioris Vulpii | |
Appears on:
148–149
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
150 | Exsultent - 1a pars (of 2): Exsultent et laetentur | Melchioris Vulpii | |
Appears on:
150
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
151 | Exsultent - 2a pars (of 2): Ego vere egenus | - | |
Appears on:
151
Genres:
Motet
|
|||
152–155 | Caecus quidam sedebat juxta viam mendicans | Melchioris Vulpii | |
Appears on:
152–155
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
156 | Corde natus - 1a pars (of 2): Corde natus ex parentis | Melchioris Vulpii | |
Appears on:
156
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
157 | Corde natus - 2a pars (of 2): Ecce quem vates vetustis | - | |
Appears on:
157
Genres:
Motet
|
|||
158–159 | Surrexit pastor bonus (9vv) | Melch: Vulpii | |
Appears on:
158–159
Genres:
Motet
Source Attribution:
Melch: Vulpii
|
|||
159–160 | Primas quidam - 1a pars (of 2): Primas quidam venit ad Jesum | Melchioris Vulpii | |
Appears on:
159–160
Genres:
Motet
Source Attribution:
Melchioris Vulpii
|
|||
160–161 | Primas quidam - 2a pars (of 2): Et cum venisset Jesus in aedes primatis | - | |
Appears on:
160–161
Genres:
Motet
|
|||
162 | Komm o Herr Gott heil'ger Geist -- Veni sancte spiritus reple | Davidis Sulcii | |
Appears on:
162
Genres:
Motet
Source Attribution:
Davidis Sulcii
|
|||
163 | Gloria tibi trinitas | David Sulcius | |
Appears on:
163
Genres:
Motet
Source Attribution:
David Sulcius
|
|||
164 | Ad te levavi animam meam (6vv, LV729) | - | |
Appears on:
164
Genres:
Motet
|
|||
164–165 | Lobet den Herren alle Heiden | - | |
Appears on:
164–165
Genres:
Motet
|
|||
165–166 | Veni sancte spiritus | Nicolai Rostii | |
Appears on:
165–166
Genres:
Hymn
Source Attribution:
Nicolai Rostii
|
|||
167–168 | Caelo silentium fit facto duello | - | Anonymous |
Caelo silentium fit facto duelloAnonymous
Appears on:
167–168
Genres:
Motet
General NoteA hymn to St Michael. One voice part - copied in this book only |
|||
168–170 | Diligite iustitiam (6vv) | - | Anonymous |
Diligite iustitiam (6vv)Anonymous
Appears on:
168–170
Genres:
Motet
|
|||
170 | Obsecro te domina sancta Maria (8vv) | Aug: Agazzarii | |
Appears on:
170
Genres:
Motet
Source Attribution:
Aug: Agazzarii
|
|||
171–172 | Incolae terrarum ab ortu solis | - | |
Appears on:
171–172
Genres:
Motet
General NoteAlso in Lobau 42 & Lobau 69 |
|||
172–175 | Machet die Thore weit (8vv) | Heinrici Sagittarii |
Ruhling, Samuel
(?)
|
Appears on:
172–175
Genres:
Motet
Source Attribution:
Heinrici Sagittarii
General NoteSteudeS discusses the identity of 'Sagittarius' and prefers Ruhling as the composer. General NoteIn 5 sections: Machet die Thore - Intermedium (Wer ist der Herr) - Ehre sei Gott - Intermedium (repeat) - Es ist der Herr LayoutFrom this piece onwards, the 7a vox reverts to being copied into the 7a, not 8a, book. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
176–177 | O Domine Jesu Christe memento (8vv) | - | |
Appears on:
176–177
Genres:
Motet
|
|||
177–178 | O Domine Jesu Christe adoro te (8vv) | Johan: Gabriel | |
Appears on:
177–178
Genres:
Motet
Source Attribution:
Johan: Gabriel
|
|||
178–179 | Aurora lucis rutilat | T. F. | |
Appears on:
178–179
Genres:
Hymn
Source Attribution:
T. F.
|
|||
179–181 | Vespere autem sabbati | Adam[us] Gumpelzhaimerus | |
Appears on:
179–181
Genres:
Motet
Source Attribution:
Adam[us] Gumpelzhaimerus
|
|||
181 | Da der Sabbat (I) - 1a pars (of 5): Da der Sabbat vergangen war | A Kad: | |
Appears on:
181
Genres:
Motet
Source Attribution:
A Kad:
General NoteIn Q,7,8 books pages are left blank for copying, but remain unnumbered and no music has been copied ConcordancesThe 8vv setting by Kadner copied at p.240 is a different setting of the same text |
|||
182 | Da der Sabbat (I) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
182
Genres:
Motet
|
|||
182 | Da der Sabbat (I) - 3a pars (of 5): Dass der grosse Stein abgewalzet war | - | |
Appears on:
182
Genres:
Motet
|
|||
182–183 | Da der Sabbat (I) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
182–183
Genres:
Motet
|
|||
183–184 | Da der Sabbat (I) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
183–184
Genres:
Motet
|
|||
184–185 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandi | |
Appears on:
184–185
Genres:
Motet
Source Attribution:
Orlandi
|
|||
185 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
185
Genres:
Motet
|
|||
186–188 | Gott ist unser Zuversicht (8vv) | Georg. Herbschleb. Cant. Primislau | |
Appears on:
186–188
Genres:
Motet
Source Attribution:
Georg. Herbschleb. Cant. Primislau
|
|||
188–190 | Dilectus meus mihi (8vv) | Hieron. Prator. (sic) | |
Appears on:
188–190
Genres:
Motet
Source Attribution:
Hieron. Prator. (sic)
|
|||
190–191 | Wie ein Jungling eine Jungfrau liebet | - | Anonymous |
Wie ein Jungling eine Jungfrau liebetAnonymous
Appears on:
190–191
Genres:
Motet
|
|||
192–193 | Ach Herr straf mich nicht in deinem Zorn | Heinrich Schützens / Henrici Sagittarii | |
Appears on:
192–193
Genres:
Motet
Source Attribution:
Heinrich Schützens / Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. Item BibliographySteude, Wolfram. 1988. Bemerkungen zu "Machet die Tore weit" (SWV Anhang 8). Schütz-Jahrbuch, 50-61. |
|||
194–195 | Aus der tiefe ruf' ich Herr zu dir | H. Schützens / Henrici Sagittarii | |
Appears on:
194–195
Genres:
Motet
Source Attribution:
H. Schützens / Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. |
|||
195–197 | Herr unser Herrscher wie herrlich ist dein Nam | Henrici Sagittarii | |
Appears on:
195–197
Genres:
Motet
Source Attribution:
Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. |
|||
197–199 | An den Wassern zu Babel sassen wir | Heinrich Schützens / Henrici Sagittarii | |
Appears on:
197–199
Genres:
Motet
Source Attribution:
Heinrich Schützens / Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. |
|||
200–201 | Ist nicht Ephraim mein teurer Sohn | "eiusd[em] autoris" (i.e. Schutz) / Henrici Sagittarii | |
Appears on:
200–201
Genres:
Motet
Source Attribution:
"eiusd[em] autoris" (i.e. Schutz) / Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. |
|||
202–203 | Der Herr sprach zur meinem Herren | Henrici Schützens / Henrici Sagittarii | |
Appears on:
202–203
Genres:
Motet
Source Attribution:
Henrici Schützens / Henrici Sagittarii
General NoteThis group of 6 pieces are attributed individually to Schutz, but a note by the copyist at the end of the group attributes them all to 'Henricus Sagittarius'. |
|||
203–206 | Laudate pueri Dominum (10vv) | Daniel Seelich | |
Appears on:
203–206
Genres:
Motet
Source Attribution:
Daniel Seelich
General Note2x5vv choirs, 2nd choir parts doubled by strings: S1 vln, S2 vln, A vla, T vla da gamba, B bass |
|||
206–209 | Der Herr erhöre dich | Daniel: Selchii | |
Appears on:
206–209
Genres:
Motet
Source Attribution:
Daniel: Selchii
General NoteDivided into 2 choirs, of 4vv+5vv, labelled chorus vocalis & chorus instrumentalis |
|||
209–211 | Jubilate Deo | Danielis Seelichii | |
Appears on:
209–211
Genres:
Motet
Source Attribution:
Danielis Seelichii
General Note"4,8,9 voc in concerto" laid out similarly to the previous piece, though the instrumental parts are also texted. Only 8 parts are copied (none in the 7a book, 2 in the 8a book). Perhaps a part in the 7a book is missing? Instrumental lines double vocal, Quintus+vl/cont, Sextus+vla,fl, ?8a vox (in 8a book)+vl/cont, ?9a (in 8a book)+vla/trb. |
|||
212 | Egressus Jesus - 1a pars (of 2): Egressus Jesus | - | |
Appears on:
212
Genres:
Motet
|
|||
213 | Egressus Jesus - 2a pars (of 2): Et statim aperte | - | |
Appears on:
213
Genres:
Motet
|
|||
214–216 | Magnificat: Anima mea | Christoph Thomae Walliseri | |
Appears on:
214–216
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Christoph Thomae Walliseri
|
|||
216–217 | Canite tuba in Sion | Benedicti Palavicini | |
Appears on:
216–217
Genres:
Motet
Source Attribution:
Benedicti Palavicini
|
|||
217–218 | Furwahr er trug unser' Krankheit | Michaelis Lohr | |
Appears on:
217–218
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
219 | Bleib bei uns Herr mit deinem Wort | Joh: Turing | |
Appears on:
219
Genres:
Motet
Source Attribution:
Joh: Turing
|
|||
220–221 | Venite exultemus Domino | Hieronymi Praetorii | |
Appears on:
220–221
Genres:
Motet
Source Attribution:
Hieronymi Praetorii
|
|||
222–223 | Habeto benevolentiam cum adversario tuo (2p. Amen dico tibi) | M. Vulpii | |
Appears on:
222–223
Genres:
Motet
Source Attribution:
M. Vulpii
|
|||
223–224 | Oremus praeceptis | Christoph Walliseri | |
Appears on:
223–224
Genres:
Motet
Source Attribution:
Christoph Walliseri
|
|||
224–225 | Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas | Leonis Leonii | |
Appears on:
224–225
Genres:
Motet
Source Attribution:
Leonis Leonii
|
|||
225 | Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam | - | |
Appears on:
225
Genres:
Motet
|
|||
226–227 | Wohl dem der sich des Dürftigen annimmt | Abrahami Riemeri | |
Appears on:
226–227
Genres:
Motet
Source Attribution:
Abrahami Riemeri
|
|||
227–229 | Ich hab' den Herrn allzeit für Augen | - |
Grimm, Heinrich
(?)
Ruhling, Samuel
(?)
|
Appears on:
227–229
Genres:
Motet
|
|||
229–232 | Missa super Cum natus esset Jesus & Cantate Domino: Kyrie | Andreae Kadneri | |
Appears on:
229–232
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Andreae Kadneri
Concordancesalso in Lobau 65 (a compendium of Kadner's masses & motets, possibly autograph) General NoteThe models are Walliser's "Cum natus" & H Praetorius's "Cantate Domino" (copied at pp. 297-300) |
|||
232–235 | Missa super Cum natus esset Jesus & Cantate Domino: Gloria | - | |
Appears on:
232–235
Genres:
Gloria (et in terra pax), Mass Ordinary
ConcordancesAlso in Lobau 65 (a compendium of Kadner's masses & motets, possibly autograph) |
|||
235–237 | Christ lag in Todesbanden (5vv) | - | Anonymous |
Christ lag in Todesbanden (5vv)Anonymous
Appears on:
235–237
Genres:
Motet
|
|||
237–238 | Surrexit Christus hodie | Christiani Erbachi | |
Appears on:
237–238
Genres:
Motet
Source Attribution:
Christiani Erbachi
|
|||
239–240 | Herrn wenn ich nur dich habe | Michaelis Lohr | |
Appears on:
239–240
Genres:
Motet
Source Attribution:
Michaelis Lohr
|
|||
240–241 | Da der Sabbat (II) - 1a pars (of 5): Da der Sabbat vergangen war | Andr: Kadneri | |
Appears on:
240–241
Genres:
Motet
Source Attribution:
Andr: Kadneri
|
|||
241 | Da der Sabbat (II) - 2a pars (of 5): Wer walzet uns den Stein | - | |
Appears on:
241
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
241–242 | Da der Sabbat (II) - 3a pars (of 5): Und sie sahen dahin ... Dass der grosse Stein abgewalzet war | - | |
Appears on:
241–242
Genres:
Motet
|
|||
242–243 | Da der Sabbat (II) - 4a pars (of 5): Was suchet ihr den Lebendigen | - | |
Appears on:
242–243
Genres:
Motet
General NoteThis pars is marked 'a3' or 'Trium', but voice-parts are copied in 4 books |
|||
243 | Da der Sabbat (II) - 5a pars (of 5): Victoria - Alleluia. Surrexit Christus hodie | - | |
Appears on:
243
Genres:
Motet
|
|||
244–245 | Da der Sabbat vergangen war | - | |
Appears on:
244–245
Genres:
Motet
General Notecomposer attribution in D-SCHm 406 (11,11) |
|||
245 | Erstanden ist der heilige Christ | Samuel: Rüling | |
Appears on:
245
Genres:
Motet
Source Attribution:
Samuel: Rüling
|
|||
246–247 | Und Tobias sprach ich will heute | H. G. H. (Heinrich Grimm Hofkapellmeister(?)) | |
Appears on:
246–247
Genres:
Motet
Source Attribution:
H. G. H. (Heinrich Grimm Hofkapellmeister(?))
|
|||
248–249 | Ein freundlich' Weib erfreuet ihren Mann | Abram: Riemerus | |
Appears on:
248–249
Genres:
Motet
Source Attribution:
Abram: Riemerus
|
|||
250 | Nunc angelorum gloria | - | |
Appears on:
250
Genres:
Motet
|
|||
251 | Quem pastores laudavere | - | Anonymous |
Quem pastores laudavereAnonymous
Appears on:
251
Genres:
Motet
|
|||
252–259 | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
252–259
Genres:
Hymn
|
|||
259–260 | Missa Ingredimini omnes (8vv): Kyrie | Johann: Stadelmayr | |
Appears on:
259–260
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johann: Stadelmayr
|
|||
260–262 | Missa Ingredimini omnes (8vv): Gloria | - | |
Appears on:
260–262
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
262–263 | Missa Fuggi pur se sai: Kyrie | Stadlmaieri | |
Appears on:
262–263
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Stadlmaieri
|
|||
263–264 | Missa Fuggi pur se sai: Gloria | - | |
Appears on:
263–264
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
264–266 | Da antwortet' Laban und Bethuel (8vv) | Grimmii | |
Appears on:
264–266
Genres:
Motet
Source Attribution:
Grimmii
|
|||
266–268 | Te Deum (6vv) | And: Cadneri | |
Appears on:
266–268
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
269–270 | Te Deum (5vv) | And: Cadneri | |
Appears on:
269–270
Genres:
Te Deum
Source Attribution:
And: Cadneri
|
|||
271–272 | Ein feste Burg ist unser Gott | Wallis: | |
Appears on:
271–272
Genres:
Motet
Source Attribution:
Wallis:
|
|||
272–273 | Ein' feste Burg ist unser Gott | Cadneri | |
Appears on:
272–273
Genres:
Motet
Source Attribution:
Cadneri
|
|||
274–275 | An den Wassern zu Babel saßen wir und weineten | A. Cadneri | |
Appears on:
274–275
Genres:
Motet
Source Attribution:
A. Cadneri
|
|||
276–277 | War' Gott nicht mit uns diese Zeit | A. Cad. | |
Appears on:
276–277
Genres:
Motet
Source Attribution:
A. Cad.
|
|||
277–278 | Missa (5vv): Kyrie | And. Cadneri | |
Appears on:
277–278
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
And. Cadneri
ConcordancesNot concordant with any of the masses in the 'Kadner manuscript' Lobau 65 |
|||
279–280 | Missa (5vv): Gloria | - | |
Appears on:
279–280
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
281 | Da antwortet' Laban und Bethuel (5vv) | H. Grimmii | |
Appears on:
281
Genres:
Motet
Source Attribution:
H. Grimmii
|
|||
282–284 | Lobe den Herren meine Seele und vergiss nicht | Heinrich Schüzens | |
Appears on:
282–284
Genres:
Motet
Source Attribution:
Heinrich Schüzens
|
|||
284–285 | Bonum est confiteri Domino (8vv) | Christoph: Straus | |
Appears on:
284–285
Genres:
Motet
Source Attribution:
Christoph: Straus
General NoteSome vocal parts also have instruments doubling: Choir 1: S 1, S 2, A, B; vln, fl, b.c.; Choir 2: A1, A2, T, B; trb 1, 2; b.c |
|||
286–288 | Lobet den Herrn - 1a pars (of 2): Lobet den Herrn in den Versammlungen | A. Cadeneri | |
Appears on:
286–288
Genres:
Motet
Source Attribution:
A. Cadeneri
|
|||
289–290 | Lobet den Herrn - 2a pars (of 2): Danket dem Herren denn er ist sehr freundlich | - | |
Appears on:
289–290
Genres:
Motet
|
|||
291–293 | Danket dem Herren, denn er ist freundlich | Heinrich Schütz | |
Appears on:
291–293
Genres:
Motet
Source Attribution:
Heinrich Schütz
|
|||
393–296 | Historia der fröhlichen und siegreichen Auferstehung unsers einigen Erlösers und Seligmachers Jesu Christi | Heinrich Schützen Churf. Sächs. Capellmeister | |
Appears on:
393–296
Genres:
Passion
Source Attribution:
Heinrich Schützen Churf. Sächs. Capellmeister
General NoteFor 9vv + b.c. (the b.c. is in the 7a book) |
|||
297–298 | Cum natus esset Jesus in Bethlehem Juda | Thom. Walliseri | |
Appears on:
297–298
Genres:
Motet
Source Attribution:
Thom. Walliseri
|
|||
299–300 | Cantate Domino canticum novum | - | |
Appears on:
299–300
Genres:
Motet
|
|||
301 | Missa Jubilate Deo: Kyrie | Johannis Stadelmaier | |
Appears on:
301
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaier
|
|||
301–302 | Missa Jubilate Deo: Gloria | - | |
Appears on:
301–302
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
302–303 | Missa Donna la pura luce: Kyrie | Johannis Stadelmai: | |
Appears on:
302–303
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmai:
|
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303–304 | Missa Donna la pura luce: Gloria | - | |
Appears on:
303–304
Genres:
Gloria (et in terra pax), Mass Ordinary
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304–305 | Missa Dies est laetitiae: Kyrie | Johannis Stadelmaiers | |
Appears on:
304–305
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Johannis Stadelmaiers
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305–306 | Missa Dies est laetitiae: Gloria | - | |
Appears on:
305–306
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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306–307 | Jauchzet dem Herren alle Welt | A. H. (=Hammerschmidt) | |
Appears on:
306–307
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book). The 8a book has an additional optional altus part. |
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308–309 | Der Herr erhore dich in der Not | A. H. (=Hammerschmidt) | |
Appears on:
308–309
Genres:
Motet
Source Attribution:
A. H. (=Hammerschmidt)
General NoteFor 6vv + b.c. (which is in the 7a book); optional string parts also indicated. |
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309–311 | Alleluia. Freuet euch ihr Christen alle | - | |
Appears on:
309–311
Genres:
Motet
General NoteGrouped into 2 choirs 5 (capella) + 3 (favorit); vocal parts have ad lib instruments (vl, vla, fl, cnto, trb). |
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311–312 | Steh auf Nordwind / Meine Schwester liebe Braut | Eliae Nathusii | |
Appears on:
311–312
Genres:
Motet
Source Attribution:
Eliae Nathusii
General NoteMaulN suggests there are missing voice-part(s) in this piece, but RISM-Online disagrees. The voice-parts are accompanied by instrumental parts: D=solo+coro; A=A+trb; T=T+trb; B=B+trb; Q=S2 solo +coro; S=T solo+coro; 7a=T coro+trb+bc; 8a=Tsolo+coro Item BibliographyMaul, Michael. 2002. Elias Nathusius. Ein Leipziger Komponist des 17. Jahrhunderts. Jahrbuch des Ständige Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen, 70-98. https://digital.slub-dresden.de/werkansicht/dlf/264790/72(Accessed: 10-02-2023). Pages: 82-83. Notes: suggests there are missing voice-part(s) in this piece. |
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313 | Missa A Domino factum est: Kyrie | - | |
Appears on:
313
Genres:
Kyrie eleison, Mass Ordinary
|
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313–314 | Missa A Domino factum est: Gloria | - | |
Appears on:
313–314
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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315–316 | Herr Gott dich loben wir | - | Anonymous |
Herr Gott dich loben wirAnonymous
Appears on:
315–316
Genres:
Motet
General NoteFor 4vv, 3 trb & continuo. Extra parts copied in: Bassus (+trb), Quintus (bc x2), Sextus (A+trb), 7a (B+trb), 8a (T+trb) |
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317 | Veni redemptor gentium | - | |
Appears on:
317
Genres:
Hymn
|
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318–321 | fragments | - | Anonymous |
fragmentsAnonymous
Appears on:
318–321
General NoteToo little of these pages remains for the pieces to be identified; none seem to appear in the other books (A/T/B) which have this corresponding section of 4vv pieces |
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322 | A solis ortus cardine | - | |
Appears on:
322
Genres:
Hymn
|
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323 | Vita sanctorum decus | - | |
Appears on:
323
Genres:
Hymn
General NoteThe remainder of the Discantus book is so fragmentary as to render the identification of which pieces were on the remaining pages largely academic; nothing but tiny fragments of the corners remains. |