D-Dl MS Grimma 59 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 59 [Altus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements c. 160 x 205 mm
Other Identifiers
  • CCM: DresSL Grimma 59
  • olim (Former shelfmark): LIX, Q308 and Q306
Copyists
Relationships
External Links
External Authorities
Provenance
  • Leipzig, Bavaria, Germany
Contents 93 pieces from 19 composers
General Description

An Altus partbook. Copied by Wolfgang Figulus and others. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

In very poor condition; only fragments of some folios remain

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Date of composition or copying (15)49 or 50 added by Figulus to several of his pieces.

DIAMM, 2024
Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017
Foliation

Modern pencil pagination, continuous across the 2 books. (Altus pp. 1-184, Tenor pp. 185-326.)

DIAMM, 2024
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 3 Kyries, 1 Gloria, 1 Sanctus, 13 Mass Proper sections, 3 Magnificats, I Canticle, 1 psalm, 6 office hymns, 2 processional hymns, 1 Passion, 2 German/Latin sacred pieces, 20 motets, 3 German sacred pieces, 2 textless pieces = 64

(Clemens non Papa)-1, (Dietrich)-1, Figulus-10, (Hähnel)-5, (Isaac)-1, (Jonckers)-1, (Mouton)-2, (Obrecht/Longaval/Venture)-1, (Rener)-2, (Resinarius)-3, Senfl [L.S.]-3, (Stoltzer)-3, (Verdelot)-1, (Walter)-3, anon-27

2 paper partbooks (T-86 folios, A-97), ca. 160 x 205. The manuscript is in very poor condition; only fragments of some folios remain. Modern pencil foliation and numbering of pieces. Copied by Wolfgang Figulus and others.

Ca. 1550 (SteudeMS); dates ranging from 1548 to 1550 in manuscript. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

Vol 4

Contents: Delete "1 psalm"; change "13 Mass Proper sections" to "12 Mass Proper sections"; change "20 motets" to "22 motets."

Composers: Add "(M. Agrícola)-1"; change "(Dietrich)-1" to "(Dietrich/Isaac) -1"; add "(Figulus/Walter)-3"; add "(Isaac/Obrecht)-1"; change "(Resi-narius)-3" to "(Resinarius)-2"; change "(Walter)-3" to "(Walter)-2" ; change "anon-27" to "anon-26."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum -
Appears on: 1
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium
General Note

Bk 41:12

2 Veni redemptor - 3a pars (of 4): Procedens de thalamo suo -
Appears on: 2
Genres: Motet
3–4 Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria -
Appears on: 3–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est
General Note

Hoffm.-Erbr. I, Wv 40

5 Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate -
Appears on: 5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plenum gratia
General Note

Hoffm.-Erbr. I, Wv 40

5–6 Verbum caro factum - 3a pars (of 6): In principio erat verbum -
Appears on: 5–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum
General Note

Hoffm.-Erbr. I, Wv 40

7 Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate -
Appears on: 7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plenum gratia
General Note

Hoffm.-Erbr. I, Wv 40

8–9 Ecce Maria genuit nobis salvatorem - Anonymous
Appears on: 8–9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit
10–12 Joseph, lieber Joseph mein - Eia virgo Deum genuit -
Appears on: 10–12
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Joseph lieber Joseph mein
General Note

Walter, GA I, S. 81 - Bk 53:26

12–17 [A solis ortus cardine] Beatus auctor saeculi -
Appears on: 12–17
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor seculi
General Note

Bk 12:47

18–20 Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) -
Appears on: 18–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iudaea et Hierusalem - Cras egrediemini - Constantes estote
General Note

Rhaw 1544

21–22 Rex noster adveniet Christus II: Quem Johannes praedicabat agnum esse III: Ecce agnus Dei qui tollit peccata -
Appears on: 21–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Rex noster adveniet] - [Quem Joannes praedicabat] - [Ecce agnus dei]
General Note

Rhaw 1544

23–24 Dies est laetitiae in ortu regali (I) -
Appears on: 23–24
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dies est leticiae
General Note

Bk 39:32

25 Gelobet seist Du, Jesu Christ, dass Du Mensch -
Appears on: 25
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Gelobet seist du Jesu Christ das du mensch
General Note

Walter, GA I, S. 19 - Bk 39:31 - 41:2

26 Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem -
Appears on: 26
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus in Bethlehem
General Note

RISM 1591^25:10 (Cant. lat.) - Bk 12:49 - 39:37

27 En natus est Emanuel quem praedixit - Anonymous
Appears on: 27
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: En natus est Emanuel
28 In dulci jubilo nun singet und seid froh -
Appears on: 28
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo
General Note

Walter, GA III, S. 27 - Bk 12:48 - 70:14 - 79:27

29–30 Ibant magi quam viderunt - Anonymous
Appears on: 29–30
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ibant magy quam viderunt
31–32 Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est -
Appears on: 31–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

Bk 39:2

33–34 Puer natus est - 2a pars (of 2): Angelus ad pastores ait -
Appears on: 33–34
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Angelus ad pastores ait
General Note

= 2.p. von 47:18 - Bk 39:2

35 Os justi (P64) - 1a pars (of 2): Os justi meditabitur sapientiam et lingua -
Appears on: 35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
General Note

incomplete

36–40 Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] - Anonymous
Appears on: 36–40
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin, German
Voice Text: Et exultavit - mit: In dulci iubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein
General Note

Kirsch S. 240

41–42 O admirabile commercium creator generis -
Appears on: 41–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commercium
General Note

Hoffm.-Erbr. I, Wv 48 - Bk 12:15 - 21:44 - 41:19 - 45:12 - 100:12

43–44 Tria sunt munera- 1a pars (of 2): Tria sunt munera -
Appears on: 43–44
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tria sunt munera
General Note

RISM 1538^7:16

44–45 Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae -
Appears on: 44–45
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Reges Tharsis et Insulae [part 2]
General Note

RISM 1538^7:16

46–52 Magnificat: Et exultavit [K.287] [with]: Joseph, lieber Joseph mein - Anonymous
Appears on: 46–52
Genres: Magnificat
Voice: [no designation]
Languages: Latin, German
Voice Text: Et exultavit - mit: Joseph, lieber Joseph mein
General Note

Kirsch S. 234

53–54 Uns ist geboren ein kindelein - Anonymous
Appears on: 53–54
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Uns ist geboren ein kindelein
General Note

RISM 1591^25:9 (Dt. W. l.)

54–55 En lire psallentes sunt mire laudantes -
Appears on: 54–55
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: En lire psallentes
General Note

Bk 39:12

56–61 Magnificat Quinti Toni: Et exultavit [K.1005] -
Appears on: 56–61
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
General Note

Kirsch S. 134, 386

62–64 Missa Jerusalem luge: Kyrie -
Appears on: 62–64
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa super Hierusalem luge]
65–69 Missa Jerusalem luge: Gloria -
Appears on: 65–69
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Hierusalem luge]
70 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ - Anonymous
Appears on: 70
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ
70–71 Grates nunc omnes - 2a pars (of 2): Huic oportet - mit: Puer natus est nobis - Anonymous
Appears on: 70–71
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet - mit: Puer natus est nobis
71–74 Missa in Summis: Kyrie magne Deus - Christe genite -
Appears on: 71–74
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
74–77 Ecce evangelizo vobis gaudium magnum - Anonymous
Appears on: 74–77
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce evengelizo vobis
77–78 Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) -
Appears on: 77–78
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus (Christe summi patris) II: Text: Kyrie cuius natus
General Note

not the same Kyrie as in Grimma 53, Glasshutte 5 etc

79–81 Puer natus est nobis Et filius - Cantate Domino ... Quia mirabilia -
Appears on: 79–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius - [Cantate Domino ... ] Quia mirabilia
General Note

RISM 1545^5:44

82–83 Missa in Summis: Kyrie magne Deus - Christe genite -
Appears on: 82–83
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus (Christe genite)
84–86 Et in terra pax [Gloria] -
Appears on: 84–86
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria ... ] Gratias agimus
86–87 Alleluia. Dies sanctificatus illuxit nobis -
Appears on: 86–87
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
General Note

RISM 1545^5:12

88–89 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo -
Appears on: 88–89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes
General Note

RISM 1545^5:26, 27

90 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
General Note

RISM 1545^5:26, 27

91 Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est - Anonymous
Appears on: 91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est
91–93 Sanctus -
Appears on: 91–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

RISM 1545^5

94–95 Nesciens mater virgo virum peperit -
Appears on: 94–95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo
96 Ecce advenit dominator Dominus -
Appears on: 96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator
General Note

Hoffm.-Erbr. I, Wv 7

97–102 Nunc dimittis servum tuum - Anonymous
Appears on: 97–102
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum
102–103 In civitate Dei nostri - Deus misericordiam tuam - Anonymous
Appears on: 102–103
Genres: Verse
Voice: [no designation]
Languages: Latin
Voice Text: In civitate dei nostri - Deus misericordiam tuam
104–105 Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe -
Appears on: 104–105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria laus.] Et honor tibi
General Note

Bk 21:64

105–107 Gloria laus et honor - 2a pars (of 3): Israel es tu Rex -
Appears on: 105–107
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Israel es tu Rex [part 2]
General Note

Bk 21:64

107–108 Gloria laus et honor - 3a pars (of 3): Coetus in excelsis -
Appears on: 107–108
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coetus in excelsis [part 3]
General Note

Bk 21:64

109–110 [Vita sanctorum] Tu tuo laetos famulos - Anonymous
Appears on: 109–110
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Tu tuo laetus [!] famulos
111–113 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum -
Appears on: 111–113
Genres: Liturgical work, Motet, Passion
Voice: [no designation]
Languages: Latin
Voice Text: Passio Domini nostri Jhesu Christi secundum Matheum
General Note

RISM 1538^1:2 - Bk 7:81 (6v.) - 9:9 - 42:10 - 95:2 - 96:1 - 111:108

113–115 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 113–115
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
General Note

RISM 1538^1:2 - Bk 7:81 (6v.) - 9:9 - 42:10 - 95:2 - 96:1 - 111:108

115–118 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 115–118
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus [3a pars]
General Note

RISM 1538^1:2 - Bk 7:81 (6v.) - 9:9 - 42:10 - 95:2 - 96:1 - 111:108

119–120 Alleluia. Mane nobiscum Domini (M2 - 4vv) -
Appears on: 119–120
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia, mane nobiscum
121–123 Gaudeamus omnes in Domino diem festum -
Appears on: 121–123
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domine
General Note

RISM 1539^14

124–125 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me -
Appears on: 124–125
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

RISM 1539^14

125–127 Resurrexi et adhuc (II) Vs: Domine probasti me et cognovisti me -
Appears on: 125–127
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum - Domine probasti me
General Note

RISM 1539^14 - Bk 21:65

128–131 Missa: Kyrie eleison -
Appears on: 128–131
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa]
131–133 Missa: Gloria - Gratias agimus tibi propter -
Appears on: 131–133
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus [Missa]
134–135 In exitu Israel - 1a pars (of 7): In exitu Israel de Egipto -
Appears on: 134–135
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israhel de Egipto
135 In exitu Israel - 2a pars (of 7): Mare vidit et fugi -
Appears on: 135
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit [part 2]
136 In exitu Israel - 3a pars (of 7): Quid est tibi -
Appears on: 136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quid est tibi [part 3]
136–137 In exitu Israel - 4a pars (of 7): A facie Domini -
Appears on: 136–137
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A facie Domini [part 3]
137–138 In exitu Israel - 5a pars (of 7): Non nobis Domine -
Appears on: 137–138
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non nobis Domine [part 5]
138–139 In exitu Israel - 6a pars (of 7): Manus habent -
Appears on: 138–139
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Manus habent [part 6]
139–140 In exitu Israel - 7a pars (of 7): Non mortui laudabunt -
Appears on: 139–140
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non mortui laudabunt [part 7]
141–142 Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum -
Appears on: 141–142
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Stetit Hiesus in medio
General Note

Bk 9:24

143–144 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves -
Appears on: 143–144
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Agnus redemit oves
144–145 Victimae paschali - 2a pars (of 3): Dic nobis Maria -
Appears on: 144–145
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
145–146 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 145–146
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 3]
147–149 Missa: Sanctus -
Appears on: 147–149
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

RISM 1539^14

149–150 Missa: Agnus Dei -
Appears on: 149–150
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
General Note

RISM 1539^14

151 Salve festa dies - 1a pars (of 3): Salve festa dies - Anonymous
Appears on: 151
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies
152 Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: 152
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce renasce[n]tis [part 2]
152–153 Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: 152–153
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Namque triumpha[n]ti [part 3]
153–155 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 153–155
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Viri Galilaei.] Quid admiramini - [Omnes gentes plaudite ... ] Jubilate Deo
General Note

RISM 1539^14 - Bk 9:26 - 21:82

156–157 Alleluia. Ascendit Deus in jubilatione - Anonymous
Appears on: 156–157
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia, Ascendit deus in iubilatione
General Note

RISM 1539^14 - Bk 21:83

157 Qui caeli qui terrae regit - 1a pars (of 8): Qui caeli qui terrae regit - Anonymous
Appears on: 157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui coeli qui terrae regit
158 Qui caeli qui terrae regit - 2a pars (of 8): Huic nomen extat - Anonymous
Appears on: 158
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic nomen extat [part 2]
158–159 Qui caeli qui terrae regit - 3a pars (of 8): Principis illius - Anonymous
Appears on: 158–159
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Principis illius [part 3]
159 Qui caeli qui terrae regit - 4a pars (of 8): Captivitatemque detentam - Anonymous
Appears on: 159
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Captivitatemque detentam [part 4]
159–160 Qui caeli qui terrae regit - 5a pars (of 8): Cuius morbida - Anonymous
Appears on: 159–160
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cuius morbida [part 5]
160–161 Qui caeli qui terrae regit - 6a pars (of 8): Qui Jesus a vobis - Anonymous
Appears on: 160–161
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui Jesus a vobis [part 6]
161 Qui caeli qui terrae regit - 7a pars (of 8): Ut a dextris patris - Anonymous
Appears on: 161
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ut a dextris patris [part 7]
161, 168 Qui caeli qui terrae regit - 8a pars (of 8): In fine saeculi - Anonymous
Appears on: 161, 168
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In fine seculi [part 8]
162–163 Missa: Kyrie eleison - Anonymous
Appears on: 162–163
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa]
General Note

This Kyrie-Gloria are copied again immediately after in another hand

164–167 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 164–167
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
General Note

This Kyrie-Gloria are copied again immediately after in another hand

168–170 Missa: Kyrie eleison - Anonymous
Appears on: 168–170
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa]
General Note

This Kyrie-Gloria are copied immediately before in another hand

170–174 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 170–174
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
General Note

This Kyrie-Gloria are copied immediately before in another hand

175–176 Resurrexit Christus hodie dt. Text: Erstanden ist der heilige Christ - Anonymous
Appears on: 175–176
Genres: Hymn
Voice: [no designation]
Languages: Latin, German
Voice Text: Resurrexit Christus hodie [dt. Text: Erstanden ist der heylige Christ]
177–179 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant -
Appears on: 177–179
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria
General Note

RISM 1554^10:23 - Bk 15:32 - 21:75 - 42:1 - 44:44 - 101:3

179–181 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 179–181
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
General Note

RISM 1554^10:23 - Bk 15:32 - 21:75 - 42:1 - 44:44 - 101:3

Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dietrich, Sixt (ca. 1493–1548)
Figulus, Wolfgang (ca. 1525–1589)
Finck, Heinrich
Galliculus, Johannes
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Longueval, Antoine de (fl. 1498-1525)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Othmayr, Caspar
Rener, Adam (ca. 1485–ca. 1520)
Resinarius, Balthasar
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi 12–17
[Vita sanctorum] Tu tuo laetos famulos Anonymous 109–110
Alleluia. Ascendit Deus in jubilatione Anonymous 156–157
Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum 141–142
Alleluia. Dies sanctificatus illuxit nobis 86–87
Alleluia. Mane nobiscum Domini (M2 - 4vv) 119–120
Amen - Et cum spiritu tuo - Habeamus ad Dominum - Dignum et iustum est Anonymous 91
Dies est laetitiae in ortu regali (I) 23–24
Ecce advenit dominator Dominus 96
Ecce evangelizo vobis gaudium magnum Anonymous 74–77
Ecce Maria genuit nobis salvatorem Anonymous 8–9
En lire psallentes sunt mire laudantes 54–55
En natus est Emanuel quem praedixit Anonymous 27
Et in terra pax [Gloria] 84–86
Gaudeamus omnes in Domino diem festum 121–123
Gelobet seist Du, Jesu Christ, dass Du Mensch 25
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 104–105
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 105–107
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 107–108
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 88–89
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 90
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - mit c. f.: Gelobet seistu Jesu Christ Anonymous 70
Grates nunc omnes - 2a pars (of 2): Huic oportet - mit: Puer natus est nobis Anonymous 70–71
Ibant magi quam viderunt Anonymous 29–30
In civitate Dei nostri - Deus misericordiam tuam Anonymous 102–103
In dulci jubilo nun singet und seid froh 28
In exitu Israel - 1a pars (of 7): In exitu Israel de Egipto 134–135
In exitu Israel - 2a pars (of 7): Mare vidit et fugi 135
In exitu Israel - 3a pars (of 7): Quid est tibi 136
In exitu Israel - 4a pars (of 7): A facie Domini 136–137
In exitu Israel - 5a pars (of 7): Non nobis Domine 137–138
In exitu Israel - 6a pars (of 7): Manus habent 138–139
In exitu Israel - 7a pars (of 7): Non mortui laudabunt 139–140
Joseph, lieber Joseph mein - Eia virgo Deum genuit 10–12
Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) 18–20
Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) 77–78
Magnificat Quinti Toni: Et exultavit [K.1005] 56–61
Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] Anonymous 36–40
Magnificat: Et exultavit [K.287] [with]: Joseph, lieber Joseph mein Anonymous 46–52
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 177–179
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 179–181
Missa in Summis: Kyrie magne Deus - Christe genite 71–74
Missa in Summis: Kyrie magne Deus - Christe genite 82–83
Missa Jerusalem luge: Gloria 65–69
Missa Jerusalem luge: Kyrie 62–64
Missa: Agnus Dei 149–150
Missa: Et in terra pax [Gloria] Anonymous 164–167
Missa: Et in terra pax [Gloria] Anonymous 170–174
Missa: Gloria - Gratias agimus tibi propter 131–133
Missa: Kyrie eleison 128–131
Missa: Kyrie eleison Anonymous 162–163
Missa: Kyrie eleison Anonymous 168–170
Missa: Sanctus 147–149
Nesciens mater virgo virum peperit 94–95
Nunc dimittis servum tuum Anonymous 97–102
O admirabile commercium creator generis 41–42
Os justi (P64) - 1a pars (of 2): Os justi meditabitur sapientiam et lingua 35
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 111–113
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 113–115
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 115–118
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est 31–32
Puer natus est - 2a pars (of 2): Angelus ad pastores ait 33–34
Puer natus est nobis Et filius - Cantate Domino ... Quia mirabilia 79–81
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem 26
Qui caeli qui terrae regit - 1a pars (of 8): Qui caeli qui terrae regit Anonymous 157
Qui caeli qui terrae regit - 2a pars (of 8): Huic nomen extat Anonymous 158
Qui caeli qui terrae regit - 3a pars (of 8): Principis illius Anonymous 158–159
Qui caeli qui terrae regit - 4a pars (of 8): Captivitatemque detentam Anonymous 159
Qui caeli qui terrae regit - 5a pars (of 8): Cuius morbida Anonymous 159–160
Qui caeli qui terrae regit - 6a pars (of 8): Qui Jesus a vobis Anonymous 160–161
Qui caeli qui terrae regit - 7a pars (of 8): Ut a dextris patris Anonymous 161
Qui caeli qui terrae regit - 8a pars (of 8): In fine saeculi Anonymous 161, 168
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 124–125
Resurrexi et adhuc (II) Vs: Domine probasti me et cognovisti me 125–127
Resurrexit Christus hodie dt. Text: Erstanden ist der heilige Christ Anonymous 175–176
Rex noster adveniet Christus II: Quem Johannes praedicabat agnum esse III: Ecce agnus Dei qui tollit peccata 21–22
Salve festa dies - 1a pars (of 3): Salve festa dies Anonymous 151
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous 152
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous 152–153
Sanctus 91–93
Tria sunt munera- 1a pars (of 2): Tria sunt munera 43–44
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae 44–45
Uns ist geboren ein kindelein Anonymous 53–54
Veni redemptor - 1a pars (of 4): Veni redemptor gentium ostende partum 1
Veni redemptor - 3a pars (of 4): Procedens de thalamo suo 2
Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria 3–4
Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate 5
Verbum caro factum - 3a pars (of 6): In principio erat verbum 5–6
Verbum caro factum - 4a pars (of 6): Plenum gratia et veritate 7
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves 143–144
Victimae paschali - 2a pars (of 3): Dic nobis Maria 144–145
Victimae paschali - 3a pars (of 3): Credendum est magis 145–146
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 153–155

Set: MS Grimma 59 (1-2)

Type: Partbooks

No images available

D-Dl MS Grimma 59 [Altus]

No images available

D-Dl MS Grimma 59 [Tenor]

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 345-7,599ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 13-4,38-49,84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 103-5. Notes: physical description (partial); contents list; concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 286. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 134. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 64-5. Notes: concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [x]. Notes: physical description.

Eitner, Robert. 1877. Wolfgang Figulus. Monatshefte für Musikgeschichte, 126-31. Pages: 129. Notes: physical description.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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