Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Number of voices | Source attribution | Composers (? Uncertain) |
|---|---|---|---|---|
| 2–3 | Nolite esse prudentes - 1a pars (of 3): Nolite esse prudentes | 5 | Jaqes Wert | |
|
Appears on:
2–3
Genres:
Motet
Source Attribution:
Jaqes Wert
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nolite sße prudentes
|
||||
| 3–4 | Nolite esse prudentes - 2a pars (of 3): Non vos petipsos | 5 | - | |
|
Appears on:
3–4
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Non vos petipsos [part 2]
|
||||
| 4–6 | Nolite esse prudentes - 3a pars (of 3): Sed si esurierit inimicus | 5 | - | |
|
Appears on:
4–6
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sed si esurierit inimicus [part 3]
|
||||
| 6–7 | Saulus cum iter faceret - 1a pars (of 2): Saulus cum iter faceret | 6 | Christianus Hollander | |
|
Appears on:
6–7
Genres:
Motet
Source Attribution:
Christianus Hollander
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Saulus cum iter faceret
|
||||
| 7–8 | Saulus cum iter faceret - 2a pars (of 2): Respondit Saulus | 6 | - | |
|
Appears on:
7–8
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respondit Saulus [part 2]
|
||||
| 9 | Ingressus erat Jesus - 1a pars (of 2): Ingressus erat Jesus | 4 | Paul. Sched. Melissus | |
|
Appears on:
9
Genres:
Motet
Source Attribution:
Paul. Sched. Melissus
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ingressus erat Jesus
General NoteBk 29:1 |
||||
| 10 | Ingressus erat Jesus - 2a pars (of 2): Domine serva nos | 4 | - | |
|
Appears on:
10
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine serva nos [part 2]
General NoteBk 29:1 |
||||
| 11–12 | Musica Musarum - 1a pars (of 2): Musica Musarum germana | 6 | Jacobus Gallus | |
|
Appears on:
11–12
Genres:
Motet
Source Attribution:
Jacobus Gallus
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Musica Musarum germana
|
||||
| 12–13 | Musica Musarum - 2a pars (of 2): Vivat Io exhilarens | 6 | - | |
|
Appears on:
12–13
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vivat Io exhilarens [part 2]
|
||||
| 13–14 | Ad te levavi animam meam (6vv, LV729) | 6 | Orland. | |
|
Appears on:
13–14
Genres:
Motet
Source Attribution:
Orland.
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te levavi animam meam
General NoteBk 28:30 - 51:79 |
||||
| 14–15 | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | 5 | Jaches Werth | |
|
Appears on:
14–15
Genres:
Motet
Source Attribution:
Jaches Werth
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Transeunte Domino
General NoteBk 21:138 - 42:29 - 44:61 - 50:115 |
||||
| 16–17 | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | 5 | - | |
|
Appears on:
16–17
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ait illi Jesus [part 2]
General NoteBk 21:138 - 42:29 - 44:61 - 50:115 |
||||
| 17–18 | Repleatur os meum - 1a pars (of 2): Repleatur os meum | 5 | Iacob. Gallus | |
|
Appears on:
17–18
Genres:
Motet
Source Attribution:
Iacob. Gallus
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Repleatur os meum
General NoteBk 2:14 - 28:9 - 57:16 - 63:13 |
||||
| 18–20 | Repleatur os meum - 2a pars (of 2): Exsurge gloria mea | 5 | - | |
|
Appears on:
18–20
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Exurge gloria mea [part 2]
General NoteBk 2:14 - 28:9 - 57:16 - 63:13 |
||||
| 20–21 | Nunc dimittis servum tuum | 4 | - | Anonymous |
Nunc dimittis servum tuumAnonymous
Appears on:
20–21
Genres:
Canticle
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum
|
||||
| 21–22 | Saule Saule quid me persequeris Quis es Domine? | - | Jaches Wert | |
|
Appears on:
21–22
Genres:
Motet
Source Attribution:
Jaches Wert
|
||||
| 23–24 | Egressus Jesus secessit in partes Tyri et Sidoni | 7 | - | |
|
Appears on:
23–24
Genres:
Motet
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Egressus Jesus secessit
General NoteBk 21:158 - 26:1 - 50:109 - 51:45 |
||||
| 24–26 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | 5 | Joachimus a Burck | |
|
Appears on:
24–26
Genres:
Canticle
Source Attribution:
Joachimus a Burck
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum
General NoteBk 21:135 - 42:7 - 51:3 |
||||
| 26–27 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | 5 | - | |
|
Appears on:
26–27
Genres:
Canticle
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lumen ad revelationem [part 2]
General NoteBk 21:135 - 42:7 - 51:3 |
||||
| 28–29 | O Deus aetherae rector | 6 | Christianus Holl: | |
|
Appears on:
28–29
Genres:
Motet
Source Attribution:
Christianus Holl:
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
O Deus aetherae rector
|
||||
| 29–31 | Herr nun lasstu deinen Diener in Frieden | 8 | W Figulus | |
|
Appears on:
29–31
Genres:
Motet
Source Attribution:
W Figulus
Number of voices:
8
Voice:
[no designation]
Languages:
German
Voice Text:
Herr nun lest du deinen diener
General NoteBk 21:163 - 28:37 |
||||
| 31 | Hodie beata virgo Maria puerum Jesu | 5 | Claudii meroli | |
|
Appears on:
31
Genres:
Motet
Source Attribution:
Claudii meroli
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie beata virgo
|
||||
| 32–33 | Adorna thalamum tuum | 5 | Pandolphi Zalamellae | |
|
Appears on:
32–33
Genres:
Motet
Source Attribution:
Pandolphi Zalamellae
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Adorno thalamum tuum
|
||||
| 33–34 | Da pacem Domine (5vv) | 5 | - | |
|
Appears on:
33–34
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Da pacem Domine
General NoteBk 44:81 |
||||
| 35 | Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis | 6 | ORLANDUS | |
|
Appears on:
35
Genres:
Motet
Source Attribution:
ORLANDUS
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vexilla regis prodeunt
General NoteBk 42:30 |
||||
| 36 | Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David | 6 | - | |
|
Appears on:
36
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Impleta sunt quae concinit [part 2]
General NoteBk 42:30 |
||||
| 37 | Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit | 6 | - | |
|
Appears on:
37
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beata cuius brachiis [part 3]
General NoteBk 42:30 |
||||
| 37–28 | Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis | 6 | - | |
|
Appears on:
37–28
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux ave spes unica [part 4]
General NoteBk 42:30 |
||||
| 38–40 | O Herr wir ruffn Dein Nahmen an | 5 | Georgius Sulcius | |
|
Appears on:
38–40
Genres:
Hymn
Source Attribution:
Georgius Sulcius
Number of voices:
5
Voice:
[no designation]
Languages:
German
Voice Text:
O Herr wir ruffn dein Nahmen an
General NoteTenor (though in Discantus book) |
||||
| 40–41 | O gütiger Gott in Ewigkeit | 5 | - | Anonymous |
O gütiger Gott in EwigkeitAnonymous
Appears on:
40–41
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
German
Voice Text:
O gütiger Got in Ewigkeit
|
||||
| 41 | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | 6 | - | |
|
Appears on:
41
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Voice Text:
Erhalt uns Herr bey deinem wort
General NoteBk 51:11 - 57:21 |
||||
| 41–42 | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | 6 | - | |
|
Appears on:
41–42
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Voice Text:
Gott heiliger Geist du Tröster werdt [part 2]
General NoteBk 51:11 - 57:21 |
||||
| 42–43 | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | 6 | - | |
|
Appears on:
42–43
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Voice Text:
Verley uns friden gnediglich [part 3]
General NoteBk 51:11 - 57:21 |
||||
| 43–44 | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | 6 | - | |
|
Appears on:
43–44
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Voice Text:
Gib unsern fürsten [part 4]
General NoteBk 51:11 - 57:21 Marked 'tertia pars' (though the 4th in the partbook!) |
||||
| 44 | Erhalt unns herr - 6a pars (of 6): Amen | 6 | - | |
|
Appears on:
44
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Amen [part 5]
General NoteBk 51:11 - 57:21 marked 'quarta pars' |
||||
| 44–46 | Christe salus mundi | 5 | - | |
|
Appears on:
44–46
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christe salus mundi
General NoteBk 30:13 |
||||
| 47–48 | Infelix ego omnium - 1a pars (of 3): Infelix ego omnium | 6 | Orlando | |
|
Appears on:
47–48
Genres:
Motet
Source Attribution:
Orlando
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Infelix ego omnium
|
||||
| 48 | Infelix ego omnium - 2a pars (of 3): Solus igitur Deus refugium | 6 | - | |
|
Appears on:
48
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Solus igitur Deus refugium [part 2]
General Notesecunda pars tacet |
||||
| 48–49 | Infelix ego omnium - 3a pars (of 3): Ad te igitur piissime | 6 | - | |
|
Appears on:
48–49
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te igitur piissime [part 3]
|
||||
| 49–50 | O crux splendidior - 1a pars (of 2): O crux splendidior | 6 | Orlando | |
|
Appears on:
49–50
Genres:
Motet
Source Attribution:
Orlando
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux splendidior
|
||||
| 50–51 | O crux splendidior - 2a pars (of 2): Dulce lignum dulces clavos | 6 | - | |
|
Appears on:
50–51
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dulce lignum, dulces clavos
|
||||
| 51–52 | In monte Oliveti oravi ad patrem | 6 | - | |
|
Appears on:
51–52
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
In monte oliveti oravi
|
||||
| 52–53 | Huc me sidereo - 1a pars (of 3): Huc me sidereo descendere | 6 | Orl[ando] | |
|
Appears on:
52–53
Genres:
Motet
Source Attribution:
Orl[ando]
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huc me sidereo descendere
|
||||
| 53–54 | Huc me sidereo - 2a pars (of 3): Pungentem capiti Dominum | 6 | - | |
|
Appears on:
53–54
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pungentem capiti Dominum [part 2]
|
||||
| 54–55 | Huc me sidereo - 3a pars (of 3): De me solus amor potuit | 6 | - | |
|
Appears on:
54–55
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
French
Voice Text:
De me solus amor potuit [part 3]
|
||||
| 55–57 | O crux splendidior - 1a pars (of 2): O crux splendidior | 8 | - | |
|
Appears on:
55–57
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
O crux splendidior
|
||||
| 57–59 | O crux splendidior - 2a pars (of 2): Crux est arbor dignissima | 8 | - | |
|
Appears on:
57–59
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Crux est arbor dignissima [part 2]
|
||||
| 59–61 | Caecus quidam sedebat | 7 | - | |
|
Appears on:
59–61
Genres:
Motet
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Caecus quidam sedebat
|
||||
| 61–63 | Ewiger barmherziger Gott der du deiner Kirche hilfst | 8 | Christianus Holland: | |
|
Appears on:
61–63
Genres:
Motet
Source Attribution:
Christianus Holland:
Number of voices:
8
Voice:
[no designation]
Languages:
German
Voice Text:
Ewiger barmherziger got
|
||||
| 63–64 | Christe der du bist tag und leicht | 8 | Michael Buling | |
|
Appears on:
63–64
Genres:
Motet
Source Attribution:
Michael Buling
Number of voices:
8
Voice:
[no designation]
Languages:
German
Voice Text:
Christe der du bist tag und leicht
|
||||
| 64–66 | Da pacem Domine in diebus nostris | 8 | Stephanus Mahu | |
|
Appears on:
64–66
Genres:
Motet
Source Attribution:
Stephanus Mahu
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Da pacem Domine
|
||||
| 66–68 | Deus misereatur nostri et benedicat nobis | 8 | Melchior Episcop: | |
|
Appears on:
66–68
Genres:
Motet
Source Attribution:
Melchior Episcop:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus misereatur nostri et benedicat nobis
General NoteBk 21:12 - 28:40 |
||||
| 69–71 | De profundis clamavi ad te Domine | 10 | Johannes [Mahu deleted] Pinellus | |
|
Appears on:
69–71
Genres:
Motet
Source Attribution:
Johannes [Mahu deleted] Pinellus
Number of voices:
10
Voice:
[no designation]
Languages:
Latin
Voice Text:
De profundis clamavi
|
||||
| 71–72 | Pater noster qui es in caelis (8vv) | 8 | Arcadelt | |
|
Appears on:
71–72
Genres:
Motet, Pater noster
Source Attribution:
Arcadelt
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es
|
||||
| 73–74 | Respice propitius Domine super plebem tuam | 8 | Christ: Holland: | |
|
Appears on:
73–74
Genres:
Motet
Source Attribution:
Christ: Holland:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respice propitius domine
|
||||
| 75–76 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra | 7 | Johannes Wanning | |
|
Appears on:
75–76
Genres:
Motet
Source Attribution:
Johannes Wanning
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iubilate Deo omnis terra
|
||||
| 76–78 | Jubilate Deo - 2a pars (of 2): Introite portas eius | 7 | - | |
|
Appears on:
76–78
Genres:
Motet
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Introite portas eius [part 2]
|
||||
| 78–80 | Jubilate Deo | 7 | Josephus Guamus | |
|
Appears on:
78–80
Genres:
Jubilate, Motet
Source Attribution:
Josephus Guamus
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jubilate deo omnis terra
|
||||
| 80–82 | Ego sum resurrectio et vita qui credit (8vv) | 8 | Michael de Buissons | |
|
Appears on:
80–82
Genres:
Motet
Source Attribution:
Michael de Buissons
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego sum Resurrectio
General NoteBk 50:30 |
||||
| 82–84 | Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus | 8 | Ioan[nes] Castileti | |
|
Appears on:
82–84
Genres:
Motet
Source Attribution:
Ioan[nes] Castileti
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Haec est dies quam fecit
|
||||
| 84–85 | Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius | 8 | - | |
|
Appears on:
84–85
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cito euntes dicite discipulis eius [part 2]
|
||||
| 85–87 | Christ lag in todes banden | 8 | Michael Buling | |
|
Appears on:
85–87
Genres:
Hymn
Source Attribution:
Michael Buling
Number of voices:
8
Voice:
[no designation]
Languages:
German
Voice Text:
Christ lag in todes banden
|
||||
| 87–88 | O sacrum convivium in quo Christus sumitur (8vv) | 8 | Dominiq Finoth | |
|
Appears on:
87–88
Genres:
Motet
Source Attribution:
Dominiq Finoth
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sacrum convivium in quo Christus sumitur
General NoteBk 21:8 - 43:18 |
||||
| 88–90 | Ego flos campi et lilium convalium | 7 | Clemens non Papa | |
|
Appears on:
88–90
Genres:
Motet
Source Attribution:
Clemens non Papa
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego flos campi
General NoteBk 44:73 |
||||
| 90–92 | Also hatt Gott die Welt geliebt | 8 | Melchior Episcopus | |
|
Appears on:
90–92
Genres:
Sacred Song
Source Attribution:
Melchior Episcopus
Number of voices:
8
Voice:
[no designation]
Languages:
German
Voice Text:
Also hatt Gott die welt geliebet
General NoteBk 28:57 |
||||
| 92 | Mente tota - 1a pars (of 2): Mente tota supplicamus | 8 | Pater Ch: Clavius | |
|
Appears on:
92
Genres:
Motet
Source Attribution:
Pater Ch: Clavius
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Mente tota supplicamus
|
||||
| 93 | Mente tota - 2a pars (of 2): Preces nostras omnipotens | 8 | - | |
|
Appears on:
93
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Preces nostras omnipotens [part 2]
|
||||
| 94–96 | Laudate Dominum omnes gentes, laudate eum | 16 | Matthias Eckel | |
|
Appears on:
94–96
Genres:
Motet
Source Attribution:
Matthias Eckel
Number of voices:
16
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laudate dominum omnes gentes
General NoteSedecim vocum (16vv!): Disc 1, Disc 2 |
||||
| 95–98 | Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti | 6 | Thomas Crequilon | |
|
Appears on:
95–98
Genres:
Motet
Source Attribution:
Thomas Crequilon
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Deus omnipotens
General NoteBk 5:33 - 43:3 - 55:22 - 100:2 |
||||
| 98–100 | Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse | 6 | - | |
|
Appears on:
98–100
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Confiteor tibi me peccasse [part 2]
General NoteBk 5:33 - 43:3 - 55:22 - 100:2 |
||||
| 100–101 | Usquequo Domine - 1a pars (of 2): Usquequo Domine irasceris | 6 | Iacobus Gallus | |
|
Appears on:
100–101
Genres:
Motet
Source Attribution:
Iacobus Gallus
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Usquequo Domine irasceris
|
||||
| 102–103 | Usquequo Domine - 2a pars (of 2): Nunquit in aeternum irascens | 6 | - | |
|
Appears on:
102–103
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunquit in aeternum irascens
|
||||
| 104–106 | Mein Gott warumb verstößestu mich | 4 | - | Anonymous |
Mein Gott warumb verstößestu michAnonymous
Appears on:
104–106
Genres:
Hymn
Number of voices:
4
Voice:
[no designation]
Languages:
German
Voice Text:
Mein got warumb verstößestu mich
General Notetext for 9 verses in alternating ink colours |
||||
| 107–108 | Christe der du bist tag und leicht | 4 | - | |
|
Appears on:
107–108
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
German
Voice Text:
Christe der du bist tag und leicht
|
||||
| 108–109 | Erschienen ist der herliche tag | 4 | - | Anonymous |
Erschienen ist der herliche tagAnonymous
Appears on:
108–109
Genres:
Hymn
Number of voices:
4
Voice:
[no designation]
Languages:
German
Voice Text:
Erschienen ist der herliche tag
|
||||
| 109–111 | Ego dormivi et soporatus sum et resurrexi | 6 | Bruno | |
|
Appears on:
109–111
Genres:
Motet
Source Attribution:
Bruno
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego dormivi et soporatus sum
General NoteBk 27:7 |
||||
| 111–112 | O altitudo divitiarum | 6 | Claudii Meruli | |
|
Appears on:
111–112
Genres:
Motet
Source Attribution:
Claudii Meruli
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
O altitudo divitiarum
|
||||
| 112–113 | Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria | 5 | Severini Cornetti | |
|
Appears on:
112–113
Genres:
Motet
Source Attribution:
Severini Cornetti
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tibi laus tibi gloria
General NoteBk 15:71 - 57:3 |
||||
| 113–114 | Tibi laus, tibi gloria - 2a pars (of 2): Et benedictum nomen gloriae | 5 | - | |
|
Appears on:
113–114
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et benedictum nomen gloriae [2a pars]
General NoteBk 15:71 - 57:3 |
||||
| 114–115 | Jam non dicam vos servos sed amicos (8vv) | 8 | Dominici Phynot | |
|
Appears on:
114–115
Genres:
Motet
Source Attribution:
Dominici Phynot
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iam non dicam vos servos
General NoteBk 21:111 - 43:14 - 53:9 |
||||
| 116–117 | Sancta Trinitas unus Deus miserere nobis (8vv) | 8 | Dominici Phynot | |
|
Appears on:
116–117
Genres:
Motet
Source Attribution:
Dominici Phynot
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
General NoteBk 21:149 - 43:21 |
||||
| 117 | Descendit angelus Domini ad Zachariam dicens | 8 | Francisco de Rivulo | |
|
Appears on:
117
Genres:
Motet
Source Attribution:
Francisco de Rivulo
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Descendit angelus domini
|
||||
| 118 | Elizabethae vero - 1a pars (of 2): Elizabethae vero implenum est | 8 | Iacob. Gallus | |
|
Appears on:
118
Genres:
Motet
Source Attribution:
Iacob. Gallus
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Elizabethae ver implenum est
|
||||
| 119–120 | Elizabethae vero - 2a pars (of 2): Innuebant autem patri eius | 8 | - | |
|
Appears on:
119–120
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innuebant autem patri eius [part 2]
|
||||
| 120–121 | In te salutis spem | 6 | Georg. Sulcius | |
|
Appears on:
120–121
Genres:
Motet
Source Attribution:
Georg. Sulcius
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
In te salutis spem
|
||||
| 121 | Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo | 6 | Orlandi | |
|
Appears on:
121
Genres:
Motet
Source Attribution:
Orlandi
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus mihi adiutor
|
||||
| 122 | Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino | 6 | - | |
|
Appears on:
122
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonum est confiteri ... Et psallere
|
||||
| 123–124 | Domine Dominus noster quam admirabile est (6vv) | 6 | - | |
|
Appears on:
123–124
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Dominus noster
General NoteBk 7:100 - 53:17 - 57:19 |
||||
| 124–125 | Junior fui etenim | 7 | Georg: Sulc: | |
|
Appears on:
124–125
Genres:
Motet
Source Attribution:
Georg: Sulc:
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iunior fui etenim
|
||||
| 125–127 | Hespere qui caelo lucet | 8 | David Sulcis Radeb: | |
|
Appears on:
125–127
Genres:
Motet
Source Attribution:
David Sulcis Radeb:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hespere qui caelo lucet
|
||||
| 127–128 | Dixit Dominus Domino meo Sede a dextris meis (8vv) | 8 | Orlandi | |
|
Appears on:
127–128
Genres:
Motet
Source Attribution:
Orlandi
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dixit dominus domino
General NoteBk 21:145 - 28:56 |
||||
| 129–130 | Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem | 6 | Orlandi | |
|
Appears on:
129–130
Genres:
Motet
Source Attribution:
Orlandi
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beatus vir qui intelligit
|
||||
| 130–131 | Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris | 6 | - | |
|
Appears on:
130–131
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus opem ferat [part 2]
|
||||
| 131–132 | Ad te Domine levavi (5vv, LV53) - 1a pars (of 2): Ad te Domine levavi | 5 | - | |
|
Appears on:
131–132
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ad te Domine levavi
|
||||
| 133–134 | Ad te Domine levavi (5vv, LV53) - 2a pars (of 2): Vias tuas Domine | 5 | - | |
|
Appears on:
133–134
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vias tuas Domine [part 2]
|
||||
| 134–136 | Bonitatem fecisti cum servo tuo Domine | 5 | Orland: | |
|
Appears on:
134–136
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Bonitatem fecisti cum servo tuo
|
||||
| 136–137 | Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit | 6 | Orland: | |
|
Appears on:
136–137
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Concupiscendo concupiscit
|
||||
| 137–138 | Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus | 6 | - | |
|
Appears on:
137–138
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Exaltabo te Deus meus [part 2]
|
||||
| 138–140 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino | 6 | Orland: | |
|
Appears on:
138–140
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jubilate Deo omnis terra
General NoteBk 28:28 |
||||
| 140–142 | Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius | 6 | - | |
|
Appears on:
140–142
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Populus eius et oves [part 2]
General NoteBk 28:28 |
||||
| 142–143 | Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac | 6 | Orland: | |
|
Appears on:
142–143
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Locutus sum in lingua mea
General NoteBk 28:25 |
||||
| 143–144 | Locutus sum - 2a pars (of 2): Fac mecum signum in bonum | 6 | - | |
|
Appears on:
143–144
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fac mecum signum [part 2]
General NoteBk 28:25 |
||||
| 145–146 | Libera me Domine de morte aeterna | 5 | Orland: | |
|
Appears on:
145–146
Genres:
Motet, Requiem
Source Attribution:
Orland:
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Libera me domine de morte aeterna
|
||||
| 146–147 | Deus noster refugium et virtus adjutor | 5 | Orland: | |
|
Appears on:
146–147
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus noster refugium
General NoteBk 28:26 |
||||
| 148–149 | Mirabile mysterium | 5 | - | |
|
Appears on:
148–149
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Voice Text:
Mirabile mysterium
General NoteBk 96:7 |
||||
| 149–151 | In principio erat verbum - 1a pars (of 3): In principio erat verbum | 6 | - | |
|
Appears on:
149–151
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
In principio erat verbum
General NoteBk 15:5 |
||||
| 151–152 | In principio erat verbum - 2a pars (of 3): Fuit homo missus | 4 | - | |
|
Appears on:
151–152
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fuit homo missus [part 2]
General NoteBk 15:5 |
||||
| 153–155 | In principio erat verbum - 3a pars (of 3): In propria venit | 6 | - | |
|
Appears on:
153–155
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
In propria venit [part 3]
General NoteBk 15:5 |
||||
| 155–156 | Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda | 6 | Orlandi | |
|
Appears on:
155–156
Genres:
Motet
Source Attribution:
Orlandi
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cum natus esset Jesus
General Note3.p. Bk 97:3 |
||||
| 157–158 | Cum natus esset - 2a pars (of 3): Et illi dixerunt ei | 6 | - | |
|
Appears on:
157–158
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et illi dixerunt ei [part 2]
General Note3.p. Bk 97:3 |
||||
| 158–160 | Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant | 6 | - | |
|
Appears on:
158–160
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ecce stella quam viderant [part 3]
General Note3.p. Bk 97:3 |
||||
| 161–162 | Audi tellus - 1a pars (of 2): Audi tellus audi magni | 8 | Iacobus Hand: | |
|
Appears on:
161–162
Genres:
Motet
Source Attribution:
Iacobus Hand:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Audi tellus audi magni
General NoteBk 50:3 - 94:16 |
||||
| 162–163 | Audi tellus - 2a pars (of 2): Ubi Plato ubi Porphyrius | 8 | - | |
|
Appears on:
162–163
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ubi Plato ubi Porphyrius
General NoteBk 50:3 - 94:16 |
||||
| 164–165 | Usquequo Domine oblivisceris | 8 | Handel | |
|
Appears on:
164–165
Genres:
Motet
Source Attribution:
Handel
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Usquequo Domine oblivisceris
|
||||
| 166 | Converte Domine luctum nostrum | 8 | Iacob: Gallus | |
|
Appears on:
166
Genres:
Motet
Source Attribution:
Iacob: Gallus
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Converte Domine luctum nostrum
|
||||
| 167–168 | Pater noster qui es | 8 | Iacob: Gallus | |
|
Appears on:
167–168
Genres:
Motet
Source Attribution:
Iacob: Gallus
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es
|
||||
| 168–169 | Salva nos Domine vigilantes custodi nos | 8 | Gallus | |
|
Appears on:
168–169
Genres:
Motet
Source Attribution:
Gallus
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salva nos Domine
General NoteBk 50:17 |
||||
| 169–172 | Domine Deus meus exaltasti | - | Gallus | |
|
Appears on:
169–172
Genres:
Motet
Source Attribution:
Gallus
|
||||
| 172 | O quam metuendus - 1a pars (of 2): O quam metuendus | 8 | Gallus | |
|
Appears on:
172
Genres:
Motet
Source Attribution:
Gallus
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
O quam metuendus
General NoteBk 28:1 - 81:56 |
||||
| 173 | O quam metuendus - 2a pars (of 2): Orantibus in loco isto | 8 | - | |
|
Appears on:
173
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Orantibus in loco isto [part 2]
General NoteBk 28:1 - 81:56 |
||||
| 174 | Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua | 8 | Iacob: Gall: | |
|
Appears on:
174
Genres:
Motet
Source Attribution:
Iacob: Gall:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quam dilecta sunt tabernacula tua
General NoteBk 28:36 - 50:2 - 81:3 - 104:18 |
||||
| 175–176 | Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi | 8 | - | |
|
Appears on:
175–176
Genres:
Motet
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Deus virtutum exaudi [part 2]
General NoteBk 28:36 - 50:2 - 81:3 - 104:18 |
||||
| 176–177 | In Domino speravit - 1a pars (of 2): In Domino speravit cor meum | 6 | Iacob: Hand: | |
|
Appears on:
176–177
Genres:
Motet
Source Attribution:
Iacob: Hand:
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
In Domino speravit cor meum
|
||||
| 177–[178] | In Domino speravit - 2a pars (of 2): Benedicam Dominum | 6 | - | |
|
Appears on:
177–[178]
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicam dominum
|
||||
| [179] | Initium sapientiae timor | 8 | Georg: Sulcius | |
|
Appears on:
[179]
Genres:
Motet
Source Attribution:
Georg: Sulcius
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Initium sapientiae timor
|
||||
| [179]–182 | Dominus mihi adjutor | 8 | G[eorg] S[ulcius] | |
|
Appears on:
[179]–182
Genres:
Motet
Source Attribution:
G[eorg] S[ulcius]
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dominus mihi adiutor
|
||||
| 182–183 | Laudes supero psallite | 8 | Andrea Gab: | |
|
Appears on:
182–183
Genres:
Motet
Source Attribution:
Andrea Gab:
Number of voices:
8
Voice:
[no designation]
Languages:
Latin
Voice Text:
Laudes supero psallite
|
||||
| 183–184 | In Deo speravit cor meum et adjutus | 5 | Claudius Meruli | |
|
Appears on:
183–184
Genres:
Motet
Source Attribution:
Claudius Meruli
Number of voices:
5
|
||||
| 184–185 | Haec dicit Dominus | - | - | |
|
Appears on:
184–185
Genres:
Motet
|
||||
| 185–186 | Laudate Dominum de caelis (5vv, 4 partes) | - | - | |
|
Appears on:
185–186
Genres:
Motet
|
||||
| 186–187 | Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine | 5 | Clemens non Papa | |
|
Appears on:
186–187
Genres:
Motet
Source Attribution:
Clemens non Papa
Number of voices:
5
|
||||
| 187–189 | Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen | - | - | |
|
Appears on:
187–189
Genres:
Motet
|
||||
| 189–190 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | 8 | Orland: | |
|
Appears on:
189–190
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
8
|
||||
| 190–191 | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | - | |
|
Appears on:
190–191
Genres:
Motet
|
||||
| 191–192 | Averte oculos meos | 6 | Alex: Utend: | |
|
Appears on:
191–192
Genres:
Motet
Source Attribution:
Alex: Utend:
Number of voices:
6
|
||||
| 192–193 | Zu dir Herr Christe setz ich all mein Vertrauen | - | - | |
|
Appears on:
192–193
Genres:
Motet
|
||||
| 193–195 | Quo mihi crude dolor | - | - | |
|
Appears on:
193–195
Genres:
Motet
|
||||
| 196–198 | Quid ploras mulier | 8 | - | |
|
Appears on:
196–198
Genres:
Motet
Number of voices:
8
|
||||
| 198–199 | Das alte Jahr vergangen ist, wir danken dir (8vv) | - | - | |
|
Appears on:
198–199
Genres:
Chorale, Motet, Sacred Song
|
||||
| 200 | Veni in ortum meum charissima mea | 6 | Caspar Speier | |
|
Appears on:
200
Genres:
Motet
Source Attribution:
Caspar Speier
Number of voices:
6
|
||||
| 201 | Providebam Dominum - 1a pars (of 2): Providebam Dominum in conspectu | 6 | Iacob: Gall: | |
|
Appears on:
201
Genres:
Motet
Source Attribution:
Iacob: Gall:
Number of voices:
6
|
||||
| 202 | Providebam Dominum - 2a pars (of 2): Quoniam non derelinques | - | - | |
|
Appears on:
202
Genres:
Motet
|
||||
| 203–204 | Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum | 6 | Orland: | |
|
Appears on:
203–204
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
|
||||
| 204–205 | Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae | - | - | |
|
Appears on:
204–205
Genres:
Motet
|
||||
| 205–206 | Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi | - | - | |
|
Appears on:
205–206
Genres:
Motet
|
||||
| 206–207 | Laudate pueri Dominum laudate nomen | 7 | Orland: | |
|
Appears on:
206–207
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
7
|
||||
| 207–209 | In omnibus requiem quaesivi et in hereditate | 7 | Orland: | |
|
Appears on:
207–209
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
7
|
||||
| 209–211 | Levavi oculos meos in montes unde veniet | 8 | Orland: | |
|
Appears on:
209–211
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
8
|
||||
| 211–212 | Laudate Dominum omnes gentes (12vv) | 8 | - | |
|
Appears on:
211–212
Genres:
Motet
Number of voices:
8
|
||||
| 212–213 | Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus | 5 | Orland: | |
|
Appears on:
212–213
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
|
||||
| 213 | Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores | - | - | |
|
Appears on:
213
Genres:
Motet
|
||||
| 214–215 | Quemadmodum desiderat cervus ad fontes | 6 | Orlandus | |
|
Appears on:
214–215
Genres:
Motet
Source Attribution:
Orlandus
Number of voices:
6
|
||||
| 215–216 | Domine a lingua dolosa ab ira et odio | 6 | Nicolaus Dorlat: | |
|
Appears on:
215–216
Genres:
Motet
Source Attribution:
Nicolaus Dorlat:
Number of voices:
6
|
||||
| 216–217 | Nun danket alle Gott - 1a pars (of 2): Nun danket alle Gott der grosse Dinge tut | 5 | - | Anonymous |
|
Appears on:
216–217
Genres:
Hymn
Number of voices:
5
General Note"ad melodiam: O sperantur humana" |
||||
| 217 | Nun danket alle Gott - 2a pars (of 2): Er gebe uns ein fröhlich Herz | - | - | Anonymous |
|
Appears on:
217
Genres:
Hymn
|
||||
| 218–219 | O Jesu Christ - 1a pars (of 2): O Jesu Christ du siehst alls | 8 | Anton: Scandell: | |
|
Appears on:
218–219
Genres:
Motet
Source Attribution:
Anton: Scandell:
Number of voices:
8
|
||||
| 219–220 | O Jesu Christ - 2a pars (of 2): Mein sünd sind schwer und gross | - | - | |
|
Appears on:
219–220
Genres:
Motet
|
||||
| 220–222 | Laudate Dominum in sanctis eius (8vv) | - | - | |
|
Appears on:
220–222
Genres:
Psalm
|
||||
| 222–224 | Cantate Domino canticum novum (8vv) | 8 | Blasius Amon | |
|
Appears on:
222–224
Genres:
Motet
Source Attribution:
Blasius Amon
Number of voices:
8
|
||||
| 224–225 | Confitebor tibi Domine in toto corde (8vv, LV189) | - | - | |
|
Appears on:
224–225
Genres:
Motet
|
||||
| 225–226 | Vinum bonum et suave nunquam bibi | 8 | Orlandus | |
|
Appears on:
225–226
Genres:
Motet
Source Attribution:
Orlandus
Number of voices:
8
General Note2 verses texted |
||||
| 226–227 | Clamaverunt ad Dominum | 6 | Orlandus | |
|
Appears on:
226–227
Genres:
Motet
Source Attribution:
Orlandus
Number of voices:
6
|
||||
| 227–229 | Deus in adjutorium meum intende | 8 | Vuolfg: Figulus Nurnburg: | |
|
Appears on:
227–229
Genres:
Motet
Source Attribution:
Vuolfg: Figulus Nurnburg:
Number of voices:
8
|
||||
| 229–231 | Ego autem in Domino gaudebo | - | Wolfgangus Figulus | |
|
Appears on:
229–231
Genres:
Motet
Source Attribution:
Wolfgangus Figulus
|
||||
| 231–233 | Deus Deus meus ad te de luce vigilo sitivit | 6 | Joh: Leo Haslerus | |
|
Appears on:
231–233
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
Number of voices:
6
|
||||
| 233–234 | Quem in caelo - 1a pars (of 2): Quem in caelo et in terra | 5 | Joh: Leo Hasl: | |
|
Appears on:
233–234
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
5
|
||||
| 234–235 | Quem in caelo - 2a pars (of 2): Ecce enim quia te deficiunt | - | - | |
|
Appears on:
234–235
Genres:
Motet
|
||||
| 235–236 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | 6 | Joh: Leo Hasl: | |
|
Appears on:
235–236
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
6
|
||||
| 237–238 | In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem | - | - | |
|
Appears on:
237–238
Genres:
Motet
|
||||
| 238–239 | Confitemini Domino et invocate | 8 | Blasius Ammon | |
|
Appears on:
238–239
Genres:
Motet
Source Attribution:
Blasius Ammon
Number of voices:
8
|
||||
| 239–241 | Laudate pueri Dominum | 7 | Blasius Amon | |
|
Appears on:
239–241
Genres:
Motet
Source Attribution:
Blasius Amon
Number of voices:
7
|
||||
| 241–242 | Sacrificate sacrificium - 1a pars (of 2): Sacrificate sacrificium | 5 | Blasius Amon | |
|
Appears on:
241–242
Genres:
Motet
Source Attribution:
Blasius Amon
Number of voices:
5
|
||||
| 242–243 | Sacrificate sacrificium - 2a pars (of 2): Immola deo sacrificium | - | - | |
|
Appears on:
242–243
Genres:
Motet
|
||||
| 243–244 | Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra | 8 | Joh: Leo Hasl: | |
|
Appears on:
243–244
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
8
|
||||
| 244–245 | Jubilate Deo - 2a pars (of 2): Nos autem populus | - | - | |
|
Appears on:
244–245
Genres:
Motet
|
||||
| 245–246 | Domine quid multiplicati sunt qui tribulant | 5 | Joh: Pin: | |
|
Appears on:
245–246
Genres:
Motet
Source Attribution:
Joh: Pin:
Number of voices:
5
|
||||
| 247–248 | Ne intres Domine in iudicium | 6 | Orland: | |
|
Appears on:
247–248
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
|
||||
| 248–250 | Reminiscere miserationum tuarum | 5 | Jacob Loss | |
|
Appears on:
248–250
Genres:
Motet
Source Attribution:
Jacob Loss
Number of voices:
5
|
||||
| 250–251 | Servite Domino in timore | 5 | Antonius Scand: | |
|
Appears on:
250–251
Genres:
Psalm
Source Attribution:
Antonius Scand:
Number of voices:
5
|
||||
| 251–254 | Laudate pueri Dominum Laudate nomen Domini (8vv) | 8 | Joh: Leo Hasl: | |
|
Appears on:
251–254
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
8
|
||||
| 254–255 | Domine Dominus noster - 1a pars (of 2): Domine Dominus noster quam admirabile est | 6 | Joh: Leo Hasl: | |
|
Appears on:
254–255
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
6
|
||||
| 255–256 | Domine Dominus noster - 2a pars (of 2): Quid est homo quod memor es eius? | - | - | |
|
Appears on:
255–256
Genres:
Motet
|
||||
| 256–257 | Verbum caro factum est de virgine Maria | 6 | Joh: Leo Haslerus | |
|
Appears on:
256–257
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
Number of voices:
6
|
||||
| 257–259 | Tribus miraculis ornatum diem sanctum colimus | 6 | Joh: Leo Hasl: | |
|
Appears on:
257–259
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
6
|
||||
| 259–261 | Ascendo ad patrem meum et patrem vestrum | 5 | Joh: Leo Hasl: | |
|
Appears on:
259–261
Genres:
Motet
Source Attribution:
Joh: Leo Hasl:
Number of voices:
5
|
||||
| 261–263 | Cantate Domino canticum novum cantate | 5 | Joh: Leo Haslerus | |
|
Appears on:
261–263
Genres:
Motet
Source Attribution:
Joh: Leo Haslerus
Number of voices:
5
|
||||
| 263–264 | Da pacem Domine (6vv, LV 63) | 6 | Orland: | |
|
Appears on:
263–264
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
|
||||
| 264–265 | De ore prudentis procedit mel alleluia | 5 | Orland: | |
|
Appears on:
264–265
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
|
||||
| 265–266 | Quis est homo qui timet Dominum? | 5 | Orland: | |
|
Appears on:
265–266
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
|
||||
| 267–269 | Laudate Dominum | 5 | Martinus Dulpargent | |
|
Appears on:
267–269
Genres:
Psalm
Source Attribution:
Martinus Dulpargent
Number of voices:
5
|
||||
| 269–270 | Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus | 5 | Orland: | |
|
Appears on:
269–270
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
|
||||
| 270–271 | Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore | - | - | |
|
Appears on:
270–271
Genres:
Motet
|
||||
| 271–272 | Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus | 5 | Orland: | |
|
Appears on:
271–272
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
5
|
||||
| 272–273 | Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes | - | - | |
|
Appears on:
272–273
Genres:
Motet
|
||||
| 273–274 | Benedictus Dominus | 8 | Andreas Gabriel: | |
|
Appears on:
273–274
Genres:
Motet
Source Attribution:
Andreas Gabriel:
Number of voices:
8
|
||||
| 275–276 | Cantate Domino canticum novum | 8 | Alexand: Horolog: | |
|
Appears on:
275–276
Genres:
Motet
Source Attribution:
Alexand: Horolog:
Number of voices:
8
|
||||
| 276–277 | Mundus insanus | 6 | Blasius Ammon | |
|
Appears on:
276–277
Genres:
Motet
Source Attribution:
Blasius Ammon
Number of voices:
6
|
||||
| 278–279 | Der Herr ist mein Hirt, mir wird nichts | 6 | Andreae Raselii | |
|
Appears on:
278–279
Genres:
Motet
Source Attribution:
Andreae Raselii
Number of voices:
6
|
||||
| 279–280 | Jehova fortitudo mea scutum meum | 8? | Joh: Knofel | |
|
Appears on:
279–280
Genres:
Motet
Source Attribution:
Joh: Knofel
Number of voices:
8?
|
||||
| 281–282 | Tulerunt Dominum meum et nescio ubi | 8 | Nicolaus Parma | |
|
Appears on:
281–282
Genres:
Motet
Source Attribution:
Nicolaus Parma
Number of voices:
8
|
||||
| 282–283 | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | 6 | Georgius Moller | |
|
Appears on:
282–283
Genres:
Motet
Source Attribution:
Georgius Moller
Number of voices:
6
|
||||
| 283 | Surge propera - 2a pars (of 2): Surge amica mea speciosa mea | - | - | |
|
Appears on:
283
Genres:
Motet
|
||||
| 284–285 | Veni sancte spiritus reple tuorum corda | 6 | Orlandus di Lassus | |
|
Appears on:
284–285
Genres:
Motet, Veni sancte spiritus
Source Attribution:
Orlandus di Lassus
Number of voices:
6
|
||||
| 285–286 | Gott Vater uns sein Sohn verstellt | 6 | Andr. Greg: | |
|
Appears on:
285–286
Genres:
Hymn
Source Attribution:
Andr. Greg:
Number of voices:
6
|
||||
| 286–287 | Contristatus sum | - | - | |
|
Appears on:
286–287
Genres:
Motet
|
||||
| 287–288 | Levavi oculos meos - 1a pars (of 2): Levavi oculos meos | 8 | Gregor: Andreas | |
|
Appears on:
287–288
Genres:
Motet
Source Attribution:
Gregor: Andreas
Number of voices:
8
|
||||
| 288–289 | Levavi oculos meos - 2a pars (of 2): Deus custodit te | - | - | |
|
Appears on:
288–289
Genres:
Motet
|
||||
| 289–290 | Benedicam Dominum in omni tempore semper | 8 | Ruggierus Giovanellus | |
|
Appears on:
289–290
Genres:
Motet
Source Attribution:
Ruggierus Giovanellus
Number of voices:
8
|
||||
| 290–291 | Exaltabo te Domine - 1a pars (of 2): Exaltabo te Domine | 5 | Renati del Melle | |
|
Appears on:
290–291
Genres:
Motet
Source Attribution:
Renati del Melle
Number of voices:
5
|
||||
| 291–292 | Exaltabo te Domine - 2a pars (of 2): Domine Dominus noster | - | - | |
|
Appears on:
291–292
Genres:
Motet
|
||||
| 292–294 | Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum | 5 | Rena[ti del Melle] | |
|
Appears on:
292–294
Genres:
Motet
Source Attribution:
Rena[ti del Melle]
Number of voices:
5
|
||||
| 294–295 | Cantate Domino - 2a pars (of 2): Jubilate Deo omnis terra | - | - | |
|
Appears on:
294–295
Genres:
Motet
|
||||
| 295–296 | Exulatate Deo adjutori nostro | 5 | idem [i.e. Renati del Melle] | |
|
Appears on:
295–296
Genres:
Motet
Source Attribution:
idem [i.e. Renati del Melle]
Number of voices:
5
|
||||
| 297 | Domine non sum dignus | 6 | idem [i.e. Renati del Melle] | |
|
Appears on:
297
Genres:
Motet
Source Attribution:
idem [i.e. Renati del Melle]
Number of voices:
6
|
||||
| 298–299 | Musica caelicolis res grata | 8 | Johan: Knefel | |
|
Appears on:
298–299
Genres:
Motet
Source Attribution:
Johan: Knefel
Number of voices:
8
|
||||
| 299–300 | Decantabat populus Israel alleluia (7vv) | 7 | Orlandus | |
|
Appears on:
299–300
Genres:
Motet
Source Attribution:
Orlandus
Number of voices:
7
|
||||
| 300–301 | Dominus pastor meus - 1a pars (of 2): Dominus pastor meus nihil mihi deerit | 6 | Joh: Knef[el] | |
|
Appears on:
300–301
Genres:
Motet
Source Attribution:
Joh: Knef[el]
Number of voices:
6
|
||||
| 301–302 | Dominus pastor meus - 2a pars (of 2): Parasti in conspectu | - | - | |
|
Appears on:
301–302
Genres:
Motet
|
||||
| 302–303 | Paratum cor meum Deus cantabo et psallam | 6 | Leonh: Lech: | |
|
Appears on:
302–303
Genres:
Motet
Source Attribution:
Leonh: Lech:
Number of voices:
6
|
||||
| 303–304 | In religione homo vivit | 6 | Orland: | |
|
Appears on:
303–304
Genres:
Motet
Source Attribution:
Orland:
Number of voices:
6
|
||||
| 304–306 | Angeli laetantur de mirando | 7 | - | Anonymous |
Angeli laetantur de mirandoAnonymous
Appears on:
304–306
Genres:
Motet
Number of voices:
7
|
||||
| 306–308 | Echo quae gelidas colens | 8 | Bernh: Klingenstein | |
|
Appears on:
306–308
Genres:
Response
Source Attribution:
Bernh: Klingenstein
Number of voices:
8
|
||||
| 309–310 | O Pater aetherea imperitans | - | - | |
|
Appears on:
309–310
Genres:
Response
|
||||
| 310–311 | Laban und Bethuel sprachen das kompt von Herren | - | - | |
|
Appears on:
310–311
Genres:
Sacred Song
|
||||
| 312 | Commenda Domino viam tuam | 6 | Johan: Knefel: | |
|
Appears on:
312
Genres:
Motet
Source Attribution:
Johan: Knefel:
Number of voices:
6
|
||||
| 313–315 | Exultate justi in Domino | 8 | Seth: Calvis: | |
|
Appears on:
313–315
Genres:
Motet
Source Attribution:
Seth: Calvis:
Number of voices:
8
|
||||
| 315–316 | Visita quaesumus Domine | 8 | Rogerius Michael | |
|
Appears on:
315–316
Genres:
Motet
Source Attribution:
Rogerius Michael
Number of voices:
8
|
||||