D-Dl MS Mus. 1/D/2 [Discantus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Mus. 1/D/2 [Discantus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	151 x 203 mm
Other Identifiers	CCM: DresSL 1/D/2 olim (Former shelfmark): B. 1272
Notations	black void mensural
Relationships	Butsch Antiquariat, Augsburg (owner)
External Links	images
External Authorities	RISM Online (sources/211002425)
Provenance	Wittenberg, Bavaria, Germany
Contents	28 pieces from 10 composers

General Description

A Discantus partbook from a set of 5. Copied by several scribes. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017

Extent

D 29ff, A 31ff, T 25ff, B 25ff, Q 7ff.

DIAMM, 2023

Binding

Rebound in grey cardboard covers.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM).

DIAMM, 2017

Foliation

Modern pencil pagination, continuous from book to book.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Mass Proper section, 2 Te Deums (1 in German), 1 Canticle, 2 psalms, 1 processional hymn, 8 motets, 1 German sacred piece = 17

Crecquillon-1, Deiss-1, (Ducis)-1, Pöpel-1, Senfl-3, Stoltzer-4, anon-6

5 paper partbooks (D-29 folios, A-31, T-25, B-25, Q-7), 151 x 203. Modern pencil foliation. Rebound in gray cardboard covers. Copied by several scribes.

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM). Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Spiritus Domini replevit orbem terrarum	-	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)
Spiritus Domini replevit orbem terrarum Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 1–3 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit orbem
3–4	Dum steteritis ante reges et praesides	Ludovici Senfelii	Senfl, Ludwig (ca. 1486–ca. 1543)
Dum steteritis ante reges et praesides Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 3–4 Genres: Motet Source Attribution: Ludovici Senfelii Voice: [no designation] Languages: Latin Voice Text: Dum steteritis
4–5	Pater manifestavi	-	Stoltzer, Thomas (ca. 1480–1526)
Pater manifestavi Stoltzer, Thomas (ca. 1480–1526) Appears on: 4–5 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pater manifestavi
5–6	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Thomas Stoltzerus	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 5–6 Genres: Motet Source Attribution: Thomas Stoltzerus Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi
6	Gloria laus et honor - 2a pars (of 7): Israel es tu rex	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 2a pars (of 7): Israel es tu rex Stoltzer, Thomas (ca. 1480–1526) Appears on: 6 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Israhel es tu rex [part 2]
6–7	Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis Stoltzer, Thomas (ca. 1480–1526) Appears on: 6–7 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cetus in excelsis [part 3]
7–8	Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 7–8 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Plebs hebraea [part 4]
8	Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro Stoltzer, Thomas (ca. 1480–1526) Appears on: 8 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hi tibi passuro [part 5]
8–9	Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 8–9 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hi placuere tibi [part 6]
9	Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor Stoltzer, Thomas (ca. 1480–1526) Appears on: 9 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor [part 7]
10–12	O spes hominum	-	Anonymous
O spes hominum Anonymous Appears on: 10–12 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O spes hominum
12–13	Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 12–13 Genres: Canticle Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum
13–15	Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 13–15 Genres: Canticle Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem [part 2]
15–17	Contingat illis turturum concordia cor meum	-	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 15–17 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Contingat illis
17–18	Laudate Dominum in sanctis eius laudate	-	Anonymous
Laudate Dominum in sanctis eius laudate Anonymous Appears on: 17–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laudate dominum in sanctis eius
19–20	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 19–20 Genres: Motet Source Attribution: Thomas Stoltzer Voice: [no designation] Languages: German Voice Text: Herr wielang wiltu mein
20–21	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 20–21 Genres: Motet Voice: [no designation] Languages: German Voice Text: Schaw doch und herhöre mich [part 2]
22–23	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 22–23 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich hoff aber auff deiner güte
23–25	Verbum caro factum est	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Verbum caro factum est Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 23–25 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit General Note Bk 21:27 - 97:30
26–27	Ecce concipies et paries filium et vocabis	Thomas Pöpell	Popel, Thomas
Ecce concipies et paries filium et vocabis Popel, Thomas Appears on: 26–27 Genres: Motet Source Attribution: Thomas Pöpell Voice: [no designation] Languages: Latin Voice Text: Ecce concipies et paries
27–30	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit Stoltzer, Thomas (ca. 1480–1526) Appears on: 27–30 Genres: Motet Source Attribution: Thomas Stoltzer Voice: [no designation] Languages: Latin Voice Text: Beatus vir, qui non abiit
30–33	Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	-	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam Stoltzer, Thomas (ca. 1480–1526) Appears on: 30–33 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non sic impii [part 2]
34–40	O Gott wir loben dich [German Te Deum] [K.744]	-	Ducis, Benedictus
O Gott wir loben dich [German Te Deum] [K.744] Ducis, Benedictus Appears on: 34–40 Genres: Te Deum Voice: [no designation] Languages: German Voice Text: O gott wir loben dich General Note Kirsch S. 131 f., 313
41–48	Te Deum laudamus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Te Deum laudamus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 41–48 Genres: Liturgical work, Te Deum Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus General Note Kirsch S. 131 f., 396. Incomplete, Bassus missing
48–51	Honorabile est inter omnes	-	Anonymous
Honorabile est inter omnes Anonymous Appears on: 48–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Honorabile est inter omnes
52–54	Kyrie Vita in ligno	-	Anonymous
Kyrie Vita in ligno Anonymous Appears on: 52–54 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note C.f in long notes in Quintus, underlaid with text: (Kyrie I) Vita in ligno moritur; (Christe) Infernus ex morsu despoliatur; (Kyrie II) Ero mors tua, o mors
54–56	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Michaël Deiss	Deiss, Michael
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine Deiss, Michael Appears on: 54–56 Genres: Motet Source Attribution: Michaël Deiss Voice: [no designation] Languages: Latin Voice Text: Venit Michael archangelus
56–58	Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	-	Deiss, Michael
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi Deiss, Michael Appears on: 56–58 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Stetit angelus [part 2]

Composer	Compositions
Anonymous	Contingat illis turturum concordia cor meum – 15–17 Honorabile est inter omnes – 48–51 Kyrie Vita in ligno – 52–54 Laudate Dominum in sanctis eius laudate – 17–18 O spes hominum – 10–12
Crecquillon, Thomas (ca. 1505–ca. 1557)	Verbum caro factum est – 23–25
Deiss, Michael	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine – 54–56 Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi – 56–58
Ducis, Benedictus	O Gott wir loben dich [German Te Deum] [K.744] – 34–40
Isaac, Heinrich (ca. 1450–1517)	(?) Spiritus Domini replevit orbem terrarum – 1–3
Mouton, Jean (ca. 1459–1522)	Spiritus Domini replevit orbem terrarum – 1–3
Popel, Thomas	Ecce concipies et paries filium et vocabis – 26–27
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 19–20 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 20–21 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 22–23
Senfl, Ludwig (ca. 1486–ca. 1543)	Dum steteritis ante reges et praesides – 3–4 Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine – 12–13 Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam – 13–15 Te Deum laudamus – 41–48
Stoltzer, Thomas (ca. 1480–1526)	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit – 27–30 Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam – 30–33 Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi – 5–6 Gloria laus et honor - 2a pars (of 7): Israel es tu rex – 6 Gloria laus et honor - 3a pars (of 7): Cetus in excelsis – 6–7 Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi – 7–8 Gloria laus et honor - 5a pars (of 7): Hi tibi passuro – 8 Gloria laus et honor - 6a pars (of 7): Hi placuere tibi – 8–9 Gloria laus et honor - 7a pars (of 7): Gloria laus et honor – 9 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 19–20 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 20–21 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 22–23 Pater manifestavi – 4–5

Composition	Composers (? Uncertain)	Folios / Pages
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Stoltzer, Thomas (ca. 1480–1526)	27–30
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	Stoltzer, Thomas (ca. 1480–1526)	30–33
Contingat illis turturum concordia cor meum	Anonymous	15–17
Dum steteritis ante reges et praesides	Senfl, Ludwig (ca. 1486–ca. 1543)	3–4
Ecce concipies et paries filium et vocabis	Popel, Thomas	26–27
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Stoltzer, Thomas (ca. 1480–1526)	5–6
Gloria laus et honor - 2a pars (of 7): Israel es tu rex	Stoltzer, Thomas (ca. 1480–1526)	6
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	Stoltzer, Thomas (ca. 1480–1526)	6–7
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	Stoltzer, Thomas (ca. 1480–1526)	7–8
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	Stoltzer, Thomas (ca. 1480–1526)	8
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	Stoltzer, Thomas (ca. 1480–1526)	8–9
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	Stoltzer, Thomas (ca. 1480–1526)	9
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	19–20
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	20–21
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	22–23
Honorabile est inter omnes	Anonymous	48–51
Kyrie Vita in ligno	Anonymous	52–54
Laudate Dominum in sanctis eius laudate	Anonymous	17–18
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	Senfl, Ludwig (ca. 1486–ca. 1543)	12–13
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	Senfl, Ludwig (ca. 1486–ca. 1543)	13–15
O Gott wir loben dich [German Te Deum] [K.744]	Ducis, Benedictus	34–40
O spes hominum	Anonymous	10–12
Pater manifestavi	Stoltzer, Thomas (ca. 1480–1526)	4–5
Spiritus Domini replevit orbem terrarum	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)	1–3
Te Deum laudamus	Senfl, Ludwig (ca. 1486–ca. 1543)	41–48
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Deiss, Michael	54–56
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	Deiss, Michael	56–58
Verbum caro factum est	Crecquillon, Thomas (ca. 1505–ca. 1557)	23–25

Set: MS Mus. 1/D/2

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/2 [Altus]

No images available

D-Dl MS Mus. 1/D/2 [Bassus]

No images available

D-Dl MS Mus. 1/D/2 [Discantus]

No images available

D-Dl MS Mus. 1/D/2 [Quintus]

No images available

D-Dl MS Mus. 1/D/2 [Tenor]

‡ denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 19-20. Notes: physical description (partial); contents list; concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 303. Notes: mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: II, xiv; IV, plate xxvi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131-2. Notes: concordances (partial); incipits (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,91,95. Notes: physical description (partial); contents list (partial); transcription (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 62-3. Notes: contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description