P-Cug MM.32

Biblioteca Geral da Universidade, Coimbra, Portugal

Polyphonic Choirbook: Late 16th century

Archive	Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark	MM.32
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	388 x 278 mm
Other Identifiers	CCM: CoimU 32
Notations	black void mensural
Relationships	Monastery of Santa Cruz (owner)
External Links	Images (Portuguese Early Music)
Provenance	Monastery of Santa Cruz , Coimbra? Portugal
Contents	78 pieces from 21 composers

General Description

Copied by three main scribes and three additional scribes (HardieP). Some pieces have instructions for organ accompaniment, giving type of organ and key or pitch. From the monastery of Santa Cruz, in Coimbra. Several pices in the first, unnumbered, folios attributed to Dom Bento on stylistic grounds by Rees 1995.

DIAMM, 2017

Physical Description

Some folios are in poor condition, with notes and entire staves missing due to ink corrosion

DIAMM, 2017

Binding

Original covers of tan tooled leather, similar to those of CoimU 12

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil foliation, 1-9 (first folio unnumbered - '0' in DIAMM inventory) + original foliation, 1-115 ('79' and '86' omitted; '109' applied to two consecutive folios).

DIAMM, 2017

Decoration

Some initials have miniatures, with representations of persons and scenes appropriate to the feast for which the piece is intended.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Magnificats (1 incomplete), I hymn, 3 Lamentations, 1 Passion, 54 motets =71 + 1 duplicate = 72

(Anchieta/Compère/Peñalosa)-1, (Anchieta/Peñalosa)-1, (Escobar)-1, (Illario)-1, Morales-1, Morangam [Luis Moran]-6, (Peñalosa)-4, (Vasco Pirez)-1, anon-55

125 paper folios, 388 x 278. Some folios are in poor condition, with notes and entire staves missing because of ink corrosion. New pencil foliation for the first ten folios, then original ink foliation, 1-115. Original covers of tan tooled leather, similar to those of CoimU 12. No index. Some initials have miniatures, with representations of persons and scenes appropriate to the feast for which the piece is intended. Some pieces have instructions for organ accompaniment, giving type of organ and key or pitch.

Late 16th century. From the monastery of Santa Cruz, in Coimbra.

Vol. 4

Contents: Change "54 motets" to "53 motets, 1 litany."

Composers: (Anchieta/Compère/Penalosa/A. Ribera)-1, (Anchieta/Peñalosa)-1, (Arcadelt)-2, (Arcadelt/Verdelot)-1, (P. Díaz)-1, (Escobar)-1, (Escobar/Peñalosa)-1, (Gombert)-1, (Hellinck)-2, (Diario)-1, (Lhéritier/Verdelot)-1, Morales -1, Morangam [Luis Moran]-6 + 1?, (Peñalosa)-3, (Vasco Pirez)-1, (Willaert) -1, anon-45

Physical: 124 paper folios, 388 x 278. Modern pencil foliation, 1-9 (first folio unnumbered) + original foliation, 1-115 ("79" and "86" omitted; "109" applied to two consecutive folios). Copied by three main scribes and three additional scribes (HardieP).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(0)v–(1)	Regina caeli laetare	-	Bento, Dom (–1602) (?)
Regina caeli laetare Bento, Dom (–1602) (?) Appears on: (0)v–(1) Genres: BVM, Marian antiphon, Regina caeli laetare
(1)v–(2)	Exultemus et laetemur	-	Bento, Dom (–1602) (?)
Exultemus et laetemur Bento, Dom (–1602) (?) Appears on: (1)v–(2) Genres: Motet
(2)v–(3)	Si pie Domine	-	Anonymous
Si pie Domine Anonymous Appears on: (2)v–(3) Genres: Motet
(3)v–(5)	Dies sanctificatus	-	Bento, Dom (–1602) (?)
Dies sanctificatus Bento, Dom (–1602) (?) Appears on: (3)v–(5) Genres: Motet
(5)v–(6)	Natus est nobis	-	Bento, Dom (–1602) (?)
Natus est nobis Bento, Dom (–1602) (?) Appears on: (5)v–(6) Genres: Motet
(6)v–(8)	Gaudeamus omnes	-	Bento, Dom (–1602) (?)
Gaudeamus omnes Bento, Dom (–1602) (?) Appears on: (6)v–(8) Genres: Motet
(8)v–1	Postquam consumati	-	Bento, Dom (–1602)
Postquam consumati Bento, Dom (–1602) Appears on: (8)v–1 Genres: Motet Concordances Coimbra MM 53, ff. 46v-47
1v–4	Lamentations (I): Incipiunt lamentationes	-	Anonymous
Lamentations (I): Incipiunt lamentationes Anonymous Appears on: 1v–4 Genres: Lamentations Concordances Coimbra MM 48, ff. 126v-127 ('Beth ... inimici' only)
4v–7	Lamentations (II): Beth. Cogitavit Dominus	-	Anonymous
Lamentations (II): Beth. Cogitavit Dominus Anonymous Appears on: 4v–7 Genres: Lamentations
7v–11	Lamentations (III): Heth. Misericordie Domini	-	Anonymous
Lamentations (III): Heth. Misericordie Domini Anonymous Appears on: 7v–11 Genres: Lamentations
11v–12	Passio Domini	-	Anonymous
Passio Domini Anonymous Appears on: 11v–12 Genres: Passion
12v–13	Litany 'pro defunctis': i. Ne recorderis	-	Anonymous
Litany 'pro defunctis': i. Ne recorderis Anonymous Appears on: 12v–13 Genres: Responsory Concordances repeated at f. 17 (2 voices only); same music used in the 'Requiem aeternam' at ff. 15v-16
13v–14	Litany 'pro defunctis': ii. Libera me	-	Anonymous
Litany 'pro defunctis': ii. Libera me Anonymous Appears on: 13v–14 Genres: Responsory
14v–15	Litany 'pro defunctis': iii. Kyrie	-	Anonymous
Litany 'pro defunctis': iii. Kyrie Anonymous Appears on: 14v–15 Genres: Kyrie eleison, Mass Ordinary, Requiem
15v–16	Litany 'pro defunctis': iv. Requiem aeternam	-	Anonymous
Litany 'pro defunctis': iv. Requiem aeternam Anonymous Appears on: 15v–16 Genres: Gradual, Requiem Concordances same music as the 'Ne recorderis' at ff. 12v-13 (and f. 17)
16v	Litany 'pro defunctis': v. Jesu redemptor	-	Anonymous
Litany 'pro defunctis': v. Jesu redemptor Anonymous Appears on: 16v Genres: Litany, Requiem
17	Litany 'pro defunctis': i. Ne recorderis	-	Anonymous
Litany 'pro defunctis': i. Ne recorderis Anonymous Appears on: 17 Genres: Responsory
17v–18	O bone Jesu illumina oculos meos	-	Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523)
O bone Jesu illumina oculos meos Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Appears on: 17v–18 Genres: Motet
18v–19	O sacrum convivium in quo Christus sumitur	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
O sacrum convivium in quo Christus sumitur Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 18v–19 Genres: Motet
19v–20	Ave sanctissimum et gloriosum / Ave verum	-	Diaz (Pedro Diaz de Aux?) (?) Mondejar, Alonso de (?)
Ave sanctissimum et gloriosum / Ave verum Diaz (Pedro Diaz de Aux?) (?) Mondejar, Alonso de (?) Appears on: 19v–20 Genres: Motet
20v–21	Hoc corpus quod pro vobis	-	Anonymous
Hoc corpus quod pro vobis Anonymous Appears on: 20v–21 Genres: Motet
21v–22	Resurgens Christus ex mortuis	-	Anonymous
Resurgens Christus ex mortuis Anonymous Appears on: 21v–22 Genres: Motet
22v–23	Clamabat autem mulier Cananaea ad Dominum	-	Escobar, Pedro de
Clamabat autem mulier Cananaea ad Dominum Escobar, Pedro de Appears on: 22v–23 Genres: Motet
23v–24	Domine Jesu Christe qui hora diei ultima	-	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)
Domine Jesu Christe qui hora diei ultima Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523) Appears on: 23v–24 Genres: Motet
24v–25	Fatigatus Jhesus	-	Escobar, Pedro de (?)
Fatigatus Jhesus Escobar, Pedro de (?) Appears on: 24v–25 Genres: Motet
25v–26	Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	-	Penalosa, Francisco de (?) Escobar, Pedro de (?)
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles Penalosa, Francisco de (?) Escobar, Pedro de (?) Appears on: 25v–26 Genres: Motet
25v–26	Memorare piissima - 2a pars (of 2): Et pedes confixi	-	Penalosa, Francisco de (?) Escobar, Pedro de (?)
Memorare piissima - 2a pars (of 2): Et pedes confixi Penalosa, Francisco de (?) Escobar, Pedro de (?) Appears on: 25v–26 Genres: Motet
26v–27	Gabriel angelus	-	Anonymous
Gabriel angelus Anonymous Appears on: 26v–27 Genres: Motet
27v–28	O admirabile commercium creator generis	-	Illarius, Johannes
O admirabile commercium creator generis Illarius, Johannes Appears on: 27v–28 Genres: Motet
28v–30	Ecce stella ex Jacob	-	Anonymous
Ecce stella ex Jacob Anonymous Appears on: 28v–30 Genres: Motet
30v–31	Inter natos mulierum - 1a pars (of 2): inter natos mulierum	-	Anonymous
Inter natos mulierum - 1a pars (of 2): inter natos mulierum Anonymous Appears on: 30v–31 Genres: Motet
30v–31	Inter natos mulierum - 2a pars (of 2):Fuit homo missus	-	Anonymous
Inter natos mulierum - 2a pars (of 2):Fuit homo missus Anonymous Appears on: 30v–31 Genres: Motet
31v–32	Super flumina babylonis - 1a pars (of 2): Super flumina babylonis	-	Anonymous
Super flumina babylonis - 1a pars (of 2): Super flumina babylonis Anonymous Appears on: 31v–32 Genres: Motet
31v–32	Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus	-	Anonymous
Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus Anonymous Appears on: 31v–32 Genres: Motet
32v–33	Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	-	Penalosa, Francisco de
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam Penalosa, Francisco de Appears on: 32v–33 Genres: Motet
33v–34	Precor te Domine - 2a pars (of 2): Cum inclinato capite	-	Penalosa, Francisco de
Precor te Domine - 2a pars (of 2): Cum inclinato capite Penalosa, Francisco de Appears on: 33v–34 Genres: Motet
34v–35	Taedet animam meam	-	Anonymous
Taedet animam meam Anonymous Appears on: 34v–35 Genres: Motet
35v–37	Hodie Christus natus est	-	Moran, Luis
Hodie Christus natus est Moran, Luis Appears on: 35v–37 Genres: Motet
37v–39	Ego sum panis vivus	-	Anonymous
Ego sum panis vivus Anonymous Appears on: 37v–39 Genres: Monophonic conductus
39v–40	Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	-	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo Hellinck, Lupus (ca. 1494–1541) Appears on: 39v–40 Genres: Motet
40v–41	In passione positus Jesus qui pro nobis	-	Penalosa, Francisco de
In passione positus Jesus qui pro nobis Penalosa, Francisco de Appears on: 40v–41 Genres: Motet
41v–42v	In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium)	-	Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 41v–42v Genres: Motet General Note one voice only
43v–44	Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima)	-	Hellinck, Lupus (ca. 1494–1541)
Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) Hellinck, Lupus (ca. 1494–1541) Appears on: 43v–44 Genres: Motet General Note incomplete
44v–46	Filiae Jerusalem	-	Arcadelt, Jacques (ca. 1507–1568)
Filiae Jerusalem Arcadelt, Jacques (ca. 1507–1568) Appears on: 44v–46 Genres: Motet
46v–48	Ave sanctissima Maria mater Dei regina	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Ave sanctissima Maria mater Dei regina Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 46v–48 Genres: Antiphon
48v–50	Angelus Domini - 1a pars (of 2): Angelus Domini	-	Homem, Antonio
Angelus Domini - 1a pars (of 2): Angelus Domini Homem, Antonio Appears on: 48v–50 Genres: Motet
50v–51	Ave clementissime	-	Anonymous
Ave clementissime Anonymous Appears on: 50v–51 Genres: Motet
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
52v–53	Hic est panis	-	Anonymous
Hic est panis Anonymous Appears on: 52v–53 Genres: Motet
53v–54	Conceptio tua	-	Anonymous
Conceptio tua Anonymous Appears on: 53v–54 Genres: Motet
54v–55	Libera me	-	Anonymous
Libera me Anonymous Appears on: 54v–55 Genres: Responsory
55v–56	Haec dies quam fecit Dominus	-	Arcadelt, Jacques (ca. 1507–1568)
Haec dies quam fecit Dominus Arcadelt, Jacques (ca. 1507–1568) Appears on: 55v–56 Genres: Motet
56v–57	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 56v–57 Genres: Motet
57v–60	Magnificat primi toni. Anima mea [K.960]	-	Penalosa, Francisco de
Magnificat primi toni. Anima mea [K.960] Penalosa, Francisco de Appears on: 57v–60 Genres: BVM, Canticle, Magnificat
60v–63	[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	-	Pires, Vasco
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat Pires, Vasco Appears on: 60v–63 Genres: BVM, Canticle, Magnificat
63v–66	Magnificat tone 1: Anima mea [K.929]	Luis moran	Moran, Luis
Magnificat tone 1: Anima mea [K.929] Moran, Luis Appears on: 63v–66 Genres: BVM, Canticle, Magnificat Source Attribution: Luis moran
66v–69	Magnificat tone 5: Anima mea [K.932]	Luis Moran	Moran, Luis
Magnificat tone 5: Anima mea [K.932] Moran, Luis Appears on: 66v–69 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Moran
69v–72	Magnificat tone 4: Et exultavit [K.931]	L. Moran	Moran, Luis
Magnificat tone 4: Et exultavit [K.931] Moran, Luis Appears on: 69v–72 Genres: BVM, Canticle, Magnificat Source Attribution: L. Moran
72v–75	Magnificat tone 3: Anima mea [K.930]	L. Mor(an)	Moran, Luis
Magnificat tone 3: Anima mea [K.930] Moran, Luis Appears on: 72v–75 Genres: BVM, Canticle, Magnificat Source Attribution: L. Mor(an)
75v–81	Magnificat tone 2: Et exultavit spiritus meus	L. M(oran)	Moran, Luis
Magnificat tone 2: Et exultavit spiritus meus Moran, Luis Appears on: 75v–81 Genres: BVM, Magnificat Source Attribution: L. M(oran)
81v–85	Magnificat tone 6: Et exultavit [K.933]	Luis Mor(an)	Moran, Luis
Magnificat tone 6: Et exultavit [K.933] Moran, Luis Appears on: 81v–85 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Mor(an)
85v–92	Magnificat tone 8: Anima mea	-	Anonymous
Magnificat tone 8: Anima mea Anonymous Appears on: 85v–92 Genres: BVM, Canticle, Magnificat
92v–93	O crux benedicta	d. R. a.	Anonymous
O crux benedicta Anonymous Appears on: 92v–93 Genres: Motet Source Attribution: d. R. a. General Note 'd. R. a.' ascription variously interpreted: possibly instructions for organist, = [órgão] D; real A; some have read it as composer 'Diario'; Rees (1995, p. 219) suggests it indicates authorship of a hypothetical 'Dom R. auctore'.
93v–94	Magnificat tone 4?: (exc) Fecit potentiam	-	Anonymous
Magnificat tone 4?: (exc) Fecit potentiam Anonymous Appears on: 93v–94 Genres: BVM, Canticle, Magnificat General Note 'Fecit potentiam' only; and only 2 voices (cantus & altus). Apparently from a tone 4 Magnificat; linked with following piece?
93v–94	Magnificat tone 4: (exc) Sicut erat	-	Anonymous
Magnificat tone 4: (exc) Sicut erat Anonymous Appears on: 93v–94 Genres: BVM, Canticle, Magnificat General Note 'Sicut erat' only; and only 2 voices (cantus & altus). From a tone 4 Magnificat; linked with previous piece?
94v–95	Exultemus et laetemur	-	Anonymous
Exultemus et laetemur Anonymous Appears on: 94v–95 Genres: Motet
95v–96	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 95v–96 Genres: Respond
95v–96	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 95v–96 Genres: Respond
96v–97	In manus tuas	-	Anonymous
In manus tuas Anonymous Appears on: 96v–97 Genres: Respond
97v–99	Magnificat tone 6: Et exultavit	-	Anonymous
Magnificat tone 6: Et exultavit Anonymous Appears on: 97v–99 Genres: BVM, Canticle, Magnificat
99v–103	Magnificat primi toni: Anima Mea [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 99v–103 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
103v–105	Ego dormivi	-	Anonymous
Ego dormivi Anonymous Appears on: 103v–105 Genres: Motet
105v–107	Hodie beata virgo	-	Anonymous
Hodie beata virgo Anonymous Appears on: 105v–107 Genres: Motet
107v–110	O gloriosa Domina	-	Anonymous
O gloriosa Domina Anonymous Appears on: 107v–110 Genres: Hymn General Note text here is 'Christe redemptor', not 'O gloriosa Domina' (as in Coimbra MM 9 & MM 12)
110v–112	Angelus ad pastores	-	Anonymous
Angelus ad pastores Anonymous Appears on: 110v–112 Genres: Motet
112v–113	Peccavi Domine	-	Anonymous
Peccavi Domine Anonymous Appears on: 112v–113 Genres: Motet
113v–115	Dum complerentur dies Pentecostes erant omnes	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Arcadelt, Jacques (ca. 1507–1568) (?)
Dum complerentur dies Pentecostes erant omnes Verdelot, Philippe (ca. 1480–ca. 1532) (?) Arcadelt, Jacques (ca. 1507–1568) (?) Appears on: 113v–115 Genres: Motet
115v	Hodie nobis de caelo	-	Anonymous
Hodie nobis de caelo Anonymous Appears on: 115v Genres: Motet General Note incomplete - part of two voices only

Composer	Compositions
Alba, Alonso Perez de (ca. 1480–ca. 1520)	O sacrum convivium in quo Christus sumitur – 18v–19
Anchieta, Juan de (1462–1523)	Domine Jesu Christe qui hora diei ultima – 23v–24 O bone Jesu illumina oculos meos – 17v–18
Anonymous	Angelus ad pastores – 110v–112 Ave clementissime – 50v–51 Conceptio tua – 53v–54 Ecce stella ex Jacob – 28v–30 Ego dormivi – 103v–105 Ego sum panis vivus – 37v–39 Exultemus et laetemur – 94v–95 Gabriel angelus – 26v–27 Hic est panis – 52v–53 Hoc corpus quod pro vobis – 20v–21 Hodie beata virgo – 105v–107 Hodie nobis de caelo – 115v In manus tuas – 95v–96 In manus tuas – 95v–96 In manus tuas – 96v–97 Inter natos mulierum - 1a pars (of 2): inter natos mulierum – 30v–31 Inter natos mulierum - 2a pars (of 2):Fuit homo missus – 30v–31 Lamentations (I): Incipiunt lamentationes – 1v–4 Lamentations (II): Beth. Cogitavit Dominus – 4v–7 Lamentations (III): Heth. Misericordie Domini – 7v–11 Libera me – 54v–55 Litany 'pro defunctis': i. Ne recorderis – 17 Litany 'pro defunctis': i. Ne recorderis – 12v–13 Litany 'pro defunctis': ii. Libera me – 13v–14 Litany 'pro defunctis': iii. Kyrie – 14v–15 Litany 'pro defunctis': iv. Requiem aeternam – 15v–16 Litany 'pro defunctis': v. Jesu redemptor – 16v Magnificat tone 4: (exc) Sicut erat – 93v–94 Magnificat tone 4?: (exc) Fecit potentiam – 93v–94 Magnificat tone 6: Et exultavit – 97v–99 Magnificat tone 8: Anima mea – 85v–92 O crux benedicta – 92v–93 O gloriosa Domina – 107v–110 Passio Domini – 11v–12 Peccavi Domine – 112v–113 Resurgens Christus ex mortuis – 21v–22 Si pie Domine – (2)v–(3) Super flumina babylonis - 1a pars (of 2): Super flumina babylonis – 31v–32 Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus – 31v–32 Taedet animam meam – 34v–35
Arcadelt, Jacques (ca. 1507–1568)	(?) Dum complerentur dies Pentecostes erant omnes – 113v–115 Filiae Jerusalem – 44v–46 Haec dies quam fecit Dominus – 55v–56
Bento, Dom (–1602)	(?) Dies sanctificatus – (3)v–(5) (?) Exultemus et laetemur – (1)v–(2) (?) Gaudeamus omnes – (6)v–(8) (?) Natus est nobis – (5)v–(6) Postquam consumati – (8)v–1 (?) Regina caeli laetare – (0)v–(1)
Compère, Loyset (ca. 1445–1518)	(?) O bone Jesu illumina oculos meos – 17v–18
Diaz (Pedro Diaz de Aux?)	(?) Ave sanctissimum et gloriosum / Ave verum – 19v–20
Escobar, Pedro de	Clamabat autem mulier Cananaea ad Dominum – 22v–23 (?) Fatigatus Jhesus – 24v–25 (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 25v–26 (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 25v–26
Gombert, Nicolas (ca. 1495–ca. 1560)	Ave sanctissima Maria mater Dei regina – 46v–48
Hellinck, Lupus (ca. 1494–1541)	In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) – 41v–42v Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima) – 43v–44 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo – 39v–40
Homem, Antonio	Angelus Domini - 1a pars (of 2): Angelus Domini – 48v–50
Illarius, Johannes	O admirabile commercium creator generis – 27v–28
Mondejar, Alonso de	(?) Ave sanctissimum et gloriosum / Ave verum – 19v–20
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Anima Mea [K.914] – 99v–103
Moran, Luis	Hodie Christus natus est – 35v–37 Magnificat tone 1: Anima mea [K.929] – 63v–66 Magnificat tone 2: Et exultavit spiritus meus – 75v–81 Magnificat tone 3: Anima mea [K.930] – 72v–75 Magnificat tone 4: Et exultavit [K.931] – 69v–72 Magnificat tone 5: Anima mea [K.932] – 66v–69 Magnificat tone 6: Et exultavit [K.933] – 81v–85
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 23v–24 In passione positus Jesus qui pro nobis – 40v–41 Magnificat primi toni. Anima mea [K.960] – 57v–60 (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 25v–26 (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 25v–26 (?) O bone Jesu illumina oculos meos – 17v–18 Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam – 32v–33 Precor te Domine - 2a pars (of 2): Cum inclinato capite – 33v–34
Pires, Vasco	[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat – 60v–63
Ribera, Antonio de	(?) O bone Jesu illumina oculos meos – 17v–18
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) – 41v–42v
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Dum complerentur dies Pentecostes erant omnes – 113v–115 (?) In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) – 41v–42v
Willaert, Adrian (ca. 1490–1562)	(?) Rex autem David cooperto capite incedens – 56v–57

Composition	Composers (? Uncertain)	Folios / Pages
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	Pires, Vasco	60v–63
Angelus ad pastores	Anonymous	110v–112
Angelus Domini - 1a pars (of 2): Angelus Domini	Homem, Antonio	48v–50
Ave clementissime	Anonymous	50v–51
Ave sanctissima Maria mater Dei regina	Gombert, Nicolas (ca. 1495–ca. 1560)	46v–48
Ave sanctissimum et gloriosum / Ave verum	Diaz (Pedro Diaz de Aux?) (?) Mondejar, Alonso de (?)	19v–20
Clamabat autem mulier Cananaea ad Dominum	Escobar, Pedro de	22v–23
Conceptio tua	Anonymous	53v–54
Dies sanctificatus	Bento, Dom (–1602) (?)	(3)v–(5)
Domine Jesu Christe qui hora diei ultima	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)	23v–24
Dum complerentur dies Pentecostes erant omnes	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Arcadelt, Jacques (ca. 1507–1568) (?)	113v–115
Ecce stella ex Jacob	Anonymous	28v–30
Ego dormivi	Anonymous	103v–105
Ego sum panis vivus	Anonymous	37v–39
Exultemus et laetemur	Bento, Dom (–1602) (?)	(1)v–(2)
Exultemus et laetemur	Anonymous	94v–95
Fatigatus Jhesus	Escobar, Pedro de (?)	24v–25
Filiae Jerusalem	Arcadelt, Jacques (ca. 1507–1568)	44v–46
Gabriel angelus	Anonymous	26v–27
Gaudeamus omnes	Bento, Dom (–1602) (?)	(6)v–(8)
Haec dies quam fecit Dominus	Arcadelt, Jacques (ca. 1507–1568)	55v–56
Hic est panis	Anonymous	52v–53
Hoc corpus quod pro vobis	Anonymous	20v–21
Hodie beata virgo	Anonymous	105v–107
Hodie Christus natus est	Moran, Luis	35v–37
Hodie nobis de caelo	Anonymous	115v
In manus tuas	Anonymous	95v–96
In manus tuas	Anonymous	95v–96
In manus tuas	Anonymous	96v–97
In passione positus Jesus qui pro nobis	Penalosa, Francisco de	40v–41
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium)	Hellinck, Lupus (ca. 1494–1541) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	41v–42v
Inter natos mulierum - 1a pars (of 2): inter natos mulierum	Anonymous	30v–31
Inter natos mulierum - 2a pars (of 2):Fuit homo missus	Anonymous	30v–31
Laetetur omne saeculum in solemnitate (2p. Haec Maria fuit illa Domino gratissima)	Hellinck, Lupus (ca. 1494–1541)	43v–44
Lamentations (I): Incipiunt lamentationes	Anonymous	1v–4
Lamentations (II): Beth. Cogitavit Dominus	Anonymous	4v–7
Lamentations (III): Heth. Misericordie Domini	Anonymous	7v–11
Libera me	Anonymous	54v–55
Litany 'pro defunctis': i. Ne recorderis	Anonymous	12v–13
Litany 'pro defunctis': i. Ne recorderis	Anonymous	17
Litany 'pro defunctis': ii. Libera me	Anonymous	13v–14
Litany 'pro defunctis': iii. Kyrie	Anonymous	14v–15
Litany 'pro defunctis': iv. Requiem aeternam	Anonymous	15v–16
Litany 'pro defunctis': v. Jesu redemptor	Anonymous	16v
Magnificat primi toni. Anima mea [K.960]	Penalosa, Francisco de	57v–60
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	99v–103
Magnificat tone 1: Anima mea [K.929]	Moran, Luis	63v–66
Magnificat tone 2: Et exultavit spiritus meus	Moran, Luis	75v–81
Magnificat tone 3: Anima mea [K.930]	Moran, Luis	72v–75
Magnificat tone 4: (exc) Sicut erat	Anonymous	93v–94
Magnificat tone 4: Et exultavit [K.931]	Moran, Luis	69v–72
Magnificat tone 4?: (exc) Fecit potentiam	Anonymous	93v–94
Magnificat tone 5: Anima mea [K.932]	Moran, Luis	66v–69
Magnificat tone 6: Et exultavit	Anonymous	97v–99
Magnificat tone 6: Et exultavit [K.933]	Moran, Luis	81v–85
Magnificat tone 8: Anima mea	Anonymous	85v–92
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	Penalosa, Francisco de (?) Escobar, Pedro de (?)	25v–26
Memorare piissima - 2a pars (of 2): Et pedes confixi	Penalosa, Francisco de (?) Escobar, Pedro de (?)	25v–26
Natus est nobis	Bento, Dom (–1602) (?)	(5)v–(6)
O admirabile commercium creator generis	Illarius, Johannes	27v–28
O bone Jesu illumina oculos meos	Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523)	17v–18
O crux benedicta	Anonymous	92v–93
O gloriosa Domina	Anonymous	107v–110
O sacrum convivium in quo Christus sumitur	Alba, Alonso Perez de (ca. 1480–ca. 1520)	18v–19
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	Hellinck, Lupus (ca. 1494–1541)	39v–40
Passio Domini	Anonymous	11v–12
Peccavi Domine	Anonymous	112v–113
Postquam consumati	Bento, Dom (–1602)	(8)v–1
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Penalosa, Francisco de	32v–33
Precor te Domine - 2a pars (of 2): Cum inclinato capite	Penalosa, Francisco de	33v–34
Regina caeli laetare	Bento, Dom (–1602) (?)	(0)v–(1)
Resurgens Christus ex mortuis	Anonymous	21v–22
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	56v–57
Si pie Domine	Anonymous	(2)v–(3)
Super flumina babylonis - 1a pars (of 2): Super flumina babylonis	Anonymous	31v–32
Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus	Anonymous	31v–32
Taedet animam meam	Anonymous	34v–35

‡ denotes primary source study

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 105,108-13,132-49,283-5,300-4. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 31. Notes: physical description; contents list; incipitsst of contents (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

P-Cug MM.32

Biblioteca Geral da Universidade, Coimbra, Portugal

Polyphonic Choirbook: Late 16th century

General Description

Physical Description

Binding

Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

Concordances

Concordances

Concordances

Concordances

General Note

General Note

General Note