H-Bn MS Bártfa 2 (f)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: c. 1550 (GomMB); Part II: 17th century

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 2 (f)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	c. 200 x 160 mm
Other Identifiers	CCM: BudOS 2
Copyists	Zarewutius, Zacharias Text and Music
Relationships	Church of St. Aegidi (owner)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	71 pieces from 22 composers

General Description

A Bassus partbook from an incomplete set originally of eight volumes (missing D1 and B2), several of which are damaged and incomplete. Part I copied c.1550 consists of pieces mainly for 4vv with some for 5-6vv; Part II contains pieces mostly for 8vv some of which were not printed until 1623. Mostly copied by a single scribe, Zacharias Zarewutius. Some of the contents of Part I were copied from BudOS 24 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Binding

Rebound and restored in new cardboard covers (CCM) or possibly in half-leather or half-cloth (MurTVB).

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Date

Part I copied c.1550; Part II contains pieces printed in the early 17th century, the latest-dated of which was published in 1623. (MurTVB)

DIAMM, 2023

Foliation

Other numberings: Original numbering of pieces, but some pieces not included in numbering.

DIAMM, 2017

Foliation

New foliation

DIAMM, 2017

Index

Original index in Bassus, separately indexing the works in 2 parts ('Primus Index' and 'Secundus Index')

DIAMM, 2023

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 3 Kyrie-Gloria pairs, 1 Mass Proper section, 17 motets, plus 1 later addition (a Mass Proper pair) = 22. Part II: 1 Magnificat, 2 Passions, 12 motets, 20 German sacred pieces = 35. Total for manuscript = 57

(Amon)-1, (Finck)-1, (Hähnel)-4, (Händl)-1, (Hartmann)-1, (Isaac)-6, Josquin-2, (Lassus)-1, Löwenstern [Apelles]-8, (Obrecht/Longaval/Venture)-1, (Schütz)-1, (Senfl)-3, (Stoltzer)-1, Walliser-1, anon-20

6 paper partbooks (D-36 folios, Al-22, A2-51, Tl-26, T2-46, B-50), ca. 200 x 160. Several books are incomplete. New foliation; original numbering of pieces, but some pieces not included in numbering. Rebound and restored in new cardboard covers. Original index in B.

Part I: Ca. 1550 (GomMB); Part II: 17th century. From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol. 4

Contents: Part I: 3 Kyrie-Gloria pairs, 10 Mass Proper sections, 1 psalm, 2 processional hymns, 8 motets = 24. Part II: 1 Magnificat, 2 Passions, 12 motets, 20 German sacred pieces = 35. Total for manuscript = 59

Composers: Add "(Chrysoponos)-1"; change "(Hähnel)-4" to "(Hähnel)-3"; change "(Schütz)-1" to "Schützt."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v	Domine ad adjuvandum me festina gloria	Anon.	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 2v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adjuvandum me festina gloria General Note The 3 pieces on this folio are unnumbered; the numbering (and index) begins with Rorate caeli on the following folio. Concordances concordance: RISM 1540-3
2v	Dies est laetitiae in ortu regali	Anon.	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 2v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dies est laetitiae in ortu regali General Note The 3 pieces on this folio are unnumbered; the numbering (and index) begins with Rorate caeli on the following folio. Concordances concordance: RISM 1544-21 (no.7)
2v	Laudate pueri Dominum laudate nomen	Anon.	Anonymous
Laudate pueri Dominum laudate nomen Anonymous Appears on: 2v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate pueri dominum laudate nomen Concordances Appears only in Bartfa manuscripts General Note The 3 pieces on this folio are unnumbered; the numbering (and index) begins with Rorate caeli on the following folio.
3	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 3 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Rorate] Coeli desuper et nubes pluant Vs: [Caeli enarrant] Et opera manuum eius
3	Missa 4vv: Kyrie	Anon.	Anonymous
Missa 4vv: Kyrie Anonymous Appears on: 3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] Concordances Appears only in Bartfa manuscripts
3–4	Missa 4vv: Gloria	-	Anonymous
Missa 4vv: Gloria Anonymous Appears on: 3–4 Genres: Gloria (et in terra pax), Mass Ordinary Concordances Appears only in Bartfa manuscripts
4–4v	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 4–4v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
4v	Kyrie Fons bonitatis	Anon.	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 4v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] Concordances Appears only in Bartfa manuscripts
5–5v	Missa de Apostolis a4: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 5–5v Genres: Gloria (et in terra pax), Mass Ordinary
5v–6v	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 5v–6v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
?	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	-	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: ? Genres: Motet General Note unnumbered, this is listed in MurTVB between nos 5 (Alleluia Dies sanctificatus) & 6 (Praeter rerum) without further information. Presumably 3 of the 4vv are copied, as in the surrounding pieces.
?	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: ? Genres: Motet General Note unnumbered, this is listed in MurTVB between nos 5 (Alleluia Dies sanctificatus) & 6 (Praeter rerum) without further information. Presumably 3 of the 4vv are copied, as in the surrounding pieces.
6v	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 6v Genres: Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
7	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 7 Genres: Motet
7–7v	O admirabile commercium creator generis	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
O admirabile commercium creator generis Stoltzer, Thomas (ca. 1480–1526) Appears on: 7–7v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
7v–8	Ecce annuntio vobis gaudium magnum	Anon.	Anonymous
Ecce annuntio vobis gaudium magnum Anonymous Appears on: 7v–8 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce annuncio vobis gaudium magnum Concordances Appears only in Bartfa manuscripts
8–8v	Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 8–8v Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum et quam jocundum habitare II: Quoniam illic mandavit dominus
8v–9	Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 8v–9 Genres: Motet
9v	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 9v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Ecce advenit] Dominator dominus et regnum Vs: [Deus judicium tuum] Et iustitiam tuam
9v–10	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–10 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Suscepimus] Deus misericordiam tuam Vs: [Magnus dominus] In civitate dei nostri
10	Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum	Anon.	Anonymous
Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum Anonymous Appears on: 10 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Humiliavit] Semetipsum dominus noster Vs: [Misericordias domini] In aeternum Concordances Concordance: RISM 1538-1 (no.4)
10v	Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 10v Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Vita in ligno moritur infernus ex morsu II: Qui expansis prompsisti ero mors III: Qui expansis in cruce manibus
10v	Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 10v Genres: Motet
11	Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 11 Genres: Motet
11–12v	Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anon.	Anonymous
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) Anonymous Appears on: 11–12v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclyta III: Coetus in excelsis te laudat IV: Plebs Hebraea tibi cum palmis V: Hi tibi passuro solvebant munia VI: Hi placuere tibi placeat devotio VII: Gloria laus et honor tibi sit rex Concordances Concordance: Dresden 1/E/24 (no.44)
12v	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 12v Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Haec dicit dominus liberabo populum 30.6 [= Videte omnes populi, Nimphes nappés néridriades driades]
12v–13	Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anon.	Anonymous
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) Anonymous Appears on: 12v–13 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salva festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia Concordances Appears only in Bartfa manuscripts
13v	Alle Dei filius ab hoste superbissimo	Anon.	Anonymous
Alle Dei filius ab hoste superbissimo Anonymous Appears on: 13v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo General Note this piece is not mentioned in MurTVB
13v–14	Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	[Hähnel]	Galliculus, Johannes
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 13v–14 Genres: Introit Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia
14v	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 14v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] General Note The Kyrie and Gloria, each unique to Bartfa, do not form a 'cycle' as each is paired with different pieces in other books. This and the following pieces are unnumbered additions at the end of Part I
14v–15	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 14v–15 Genres: Gloria (et in terra pax), Mass Ordinary General Note The Kyrie and Gloria, each unique to Bartfa, do not form a 'cycle' as each is paired with different pieces in other books. This and the following pieces are unnumbered additions at the end of Part I
15–15v	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 15–15v Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est General Note One of the unnumbered additions at the end of Part I
15v–16	Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: 15v–16 Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes] Agnus redemit oves General Note One of the unnumbered additions at the end of Part I
18–19	Magnificat Quinti Toni: Et exultavit [K.802]	[Hähnel]	Galliculus, Johannes
Magnificat Quinti Toni: Et exultavit [K.802] Galliculus, Johannes Appears on: 18–19 Genres: BVM, Canticle, Magnificat Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
19v–20v	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	[Longaval/Obrecht/ Venture]	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 19v–20v Genres: Liturgical work, Motet, Passion Source Attribution: [Longaval/Obrecht/ Venture] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jesu Christi secundum Matthaeum
20v–21	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 20v–21 Genres: Passion
21–21v	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?) Appears on: 21–21v Genres: Motet
21v–23v	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus)	[Bucenus]	Bucenus, Paulus
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus) Bucenus, Paulus Appears on: 21v–23v Genres: Liturgical work, Passion Source Attribution: [Bucenus] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jesu Christi secundum Matthaeum Concordances Concordance: RISM A/I B4860
23v–24	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 23v–24 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Collegerunt pontifices et Pharisaei concilium II: Unus autem ex ipsis Caiphas nomine
24–24v	Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 24–24v Genres: Motet
24v–25	Judica me Deus et discerne causam meam	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Judica me Deus et discerne causam meam Handl (Gallus), Jacobus (1550–1591) Appears on: 24v–25 Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Iudica me deus et discerne causam meam
25–26	Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt	[Chrysoponos]	Chrysoponus, Andreas (ca. 1550–ca. 1590)
Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt Chrysoponus, Andreas (ca. 1550–ca. 1590) Appears on: 25–26 Genres: Motet Source Attribution: [Chrysoponos] Voice: [no designation] Languages: Latin Voice Text: Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt Concordances Appears only in Bartfa mss
26–26v	Dic Maria quid vidisti lustrando sepulchrum	Anon.	Anonymous
Dic Maria quid vidisti lustrando sepulchrum Anonymous Appears on: 26–26v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dic Maria quid vidisti lustrando sepulchrum Concordances unicum
26v	Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini Lassus, Orlande de (ca. 1532–1594) Appears on: 26v Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: Latin Voice Text: Dixit autem Maria ecce ancilla domini
27–27v	Ecce quam bonum et quam jucundum habitare	Apellis [= Löwenstern]	Apelles, Matthias
Ecce quam bonum et quam jucundum habitare Apelles, Matthias Appears on: 27–27v Genres: Motet Source Attribution: Apellis [= Löwenstern] Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum et quam jucundum habitare
27v–28v	Das ist der Tag, den der Herr macht	Matthias Apellis	Apelles, Matthias
Das ist der Tag, den der Herr macht Apelles, Matthias Appears on: 27v–28v Genres: Motet, Sacred Song Source Attribution: Matthias Apellis Voice: [no designation] Languages: German Voice Text: Das ist der tag den der Herr macht
28v–29v	Alleluia. Lobet den Herren in seinem Heiligtum	Henrici Schützes	Schütz, Heinrich (1585–1672)
Alleluia. Lobet den Herren in seinem Heiligtum Schütz, Heinrich (1585–1672) Appears on: 28v–29v Genres: Alleluia, Motet Source Attribution: Henrici Schützes Voice: [no designation] Languages: Latin, German Voice Text: Alleluia. Lobet den Herren ihn seinen Hailigthumb
29v–30v	Lobe den Herren meine Seele und vergiss nicht	Henrici Schützes	Schütz, Heinrich (1585–1672)
Lobe den Herren meine Seele und vergiss nicht Schütz, Heinrich (1585–1672) Appears on: 29v–30v Genres: Motet Source Attribution: Henrici Schützes Voice: [no designation] Languages: German Voice Text: Lobe den Herren meine Seele und vergiss nicht
30v–31v	Singet dem Herren ein neues Lied	Matthiae Apellis	Apelles, Matthias
Singet dem Herren ein neues Lied Apelles, Matthias Appears on: 30v–31v Genres: Motet Source Attribution: Matthiae Apellis Voice: [no designation] Languages: German Voice Text: Singet dem Herren ein newes liedt
31v–32	Habe Deine Lust am Herren, er wird dir geben	Apellis	Apelles, Matthias
Habe Deine Lust am Herren, er wird dir geben Apelles, Matthias Appears on: 31v–32 Genres: Motet Source Attribution: Apellis Voice: [no designation] Languages: German Voice Text: Habe deine lust am Herren er wirdt dir gaben
32v–33	Wie lieblich sind Deine Wohnungen	Walliseri	Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?)
Wie lieblich sind Deine Wohnungen Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?) Appears on: 32v–33 Genres: Motet Source Attribution: Walliseri Voice: [no designation] Languages: German Voice Text: Wie lieblich sindt deine wohnungen General Note attributed to H. Elsmann in Levoča 697/5; anon in Toruń UB II 554, 571
33–33v	Jauchzet dem Herren alle welt dienet	[Grimm]	Grimm, Heinrich
Jauchzet dem Herren alle welt dienet Grimm, Heinrich Appears on: 33–33v Genres: Motet Source Attribution: [Grimm] Voice: [no designation] Languages: German Voice Text: Jauchzet dem Herren alle welt dienet
33v–34v	Alleluia. Zur ehren unsern Gott lasset immer	Schutzii [but correctly Apelles]	Apelles, Matthias
Alleluia. Zur ehren unsern Gott lasset immer Apelles, Matthias Appears on: 33v–34v Genres: Alleluia, Motet Source Attribution: Schutzii [but correctly Apelles] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Zur ehren unsern Gott lasset immer
34v–35v	Man wird zur Zion sagen das allerlei Leute	[Löwenstern]	Apelles, Matthias
Man wird zur Zion sagen das allerlei Leute Apelles, Matthias Appears on: 34v–35v Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Man wird zur Zion sagen das allerley leutte
35v–36	Beatus vir qui non abiit in consilio	Anon.	Anonymous
Beatus vir qui non abiit in consilio Anonymous Appears on: 35v–36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui non abiit in consilio Concordances unicum
36–36v	Wie der Hirsch schreiet nach frischen Wasser	[Löwenstern]	Apelles, Matthias
Wie der Hirsch schreiet nach frischen Wasser Apelles, Matthias Appears on: 36–36v Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Wie der Hirsch schreyet nach frischen wasser
36v–37v	Alleluia. Laetantur angeli et exultat	Anon.	Anonymous
Alleluia. Laetantur angeli et exultat Anonymous Appears on: 36v–37v Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Laetantur angeli et exultat Concordances unicum
37v–38	Cantate Domino canticum novum (8vv)	[Amon]	Ammon, Blasius (fl. c1440)
Cantate Domino canticum novum (8vv) Ammon, Blasius (fl. c1440) Appears on: 37v–38 Genres: Motet Source Attribution: [Amon] Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum laus eius
38–39	Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione	Anon.	Anonymous
Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione Anonymous Appears on: 38–39 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Si deus pro nobis quis contra nos II: Quis separabit nos à dilectione Concordances unicum
39–39v	Ich hab dich ein klein Augenblick verlassen	[Hartmann]	Hartmann, Heinrich
Ich hab dich ein klein Augenblick verlassen Hartmann, Heinrich Appears on: 39–39v Genres: Motet Source Attribution: [Hartmann] Voice: [no designation] Languages: German Voice Text: Ich hab dich ein klein Augenblick verlassen
39v–40v	An den Wassern zu Babel sassen wir	Schutz	Schütz, Heinrich (1585–1672)
An den Wassern zu Babel sassen wir Schütz, Heinrich (1585–1672) Appears on: 39v–40v Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: An der Wassern zur Babel sassen wir
40v–41v	Danket dem Herren, denn er ist freundlich	[Schütz]	Schütz, Heinrich (1585–1672)
Danket dem Herren, denn er ist freundlich Schütz, Heinrich (1585–1672) Appears on: 40v–41v Genres: Motet Source Attribution: [Schütz] Voice: [no designation] Languages: German Voice Text: Dancket dem Herren den er ist freundtlich
41v–42v	Warum toben die Heiden und die leute	Schutz	Schütz, Heinrich (1585–1672)
Warum toben die Heiden und die leute Schütz, Heinrich (1585–1672) Appears on: 41v–42v Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Warumb toben die Heyden undt die leutte
42v–43	Der Herr sprach zur meinem Herren	Schutz	Schütz, Heinrich (1585–1672)
Der Herr sprach zur meinem Herren Schütz, Heinrich (1585–1672) Appears on: 42v–43 Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Der Herr sprach zur meinem Herren
43–44	Ich frew mich dess dass mir geredt ist	Schutz	Schütz, Heinrich (1585–1672)
Ich frew mich dess dass mir geredt ist Schütz, Heinrich (1585–1672) Appears on: 43–44 Genres: Motet Source Attribution: Schutz Voice: [no designation] Languages: German Voice Text: Ich frew mich dess dass mir geredt ist
44–45	Hosianna dem Sohne David gelobet sey	[Kelz]	Kelz, Matthias (J.)
Hosianna dem Sohne David gelobet sey Kelz, Matthias (J.) Appears on: 44–45 Genres: Motet Source Attribution: [Kelz] Voice: [no designation] Languages: German Voice Text: Hosianna dem Sohne David gelobet sey
45–45v	Ich will den Herren loben alle Zeit	[Löwenstern]	Apelles, Matthias
Ich will den Herren loben alle Zeit Apelles, Matthias Appears on: 45–45v Genres: Motet Source Attribution: [Löwenstern] Voice: [no designation] Languages: German Voice Text: Ich will den Herren loben alle Zeit
45v–46v	Komm Heiliger Geist Herre Gott, erfüll	Apellis	Apelles, Matthias
Komm Heiliger Geist Herre Gott, erfüll Apelles, Matthias Appears on: 45v–46v Genres: Motet Source Attribution: Apellis Voice: [no designation] Languages: German Voice Text: Kom hailiger Geist Herre Gott erfüll
46v–47v	Benedicam Domino in omni tempore semper	Anon.	Anonymous
Benedicam Domino in omni tempore semper Anonymous Appears on: 46v–47v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicam domino in omni tempore semper Concordances unicum
47v–48v	Dominus custodiat te ab omni malo	Anon.	Anonymous
Dominus custodiat te ab omni malo Anonymous Appears on: 47v–48v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: dominus in civitate Concordances unicum
48v–49	Kommt herzu, lasst uns dem Herrn frohlocken	Anon.	Anonymous
Kommt herzu, lasst uns dem Herrn frohlocken Anonymous Appears on: 48v–49 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Kombt her zue lasst unss dem Herrn frolocken Concordances concordance: Levoča 13991 (f. 8v)

Composer	Compositions
Ammon, Blasius (fl. c1440)	Cantate Domino canticum novum (8vv) – 37v–38
Anonymous	Alle Dei filius ab hoste superbissimo – 13v Alleluia. Laetantur angeli et exultat – 36v–37v Beatus vir qui non abiit in consilio – 35v–36 Benedicam Domino in omni tempore semper – 46v–47v Dic Maria quid vidisti lustrando sepulchrum – 26–26v Dies est laetitiae in ortu regali – 2v Domine ad adjuvandum me festina gloria – 2v Dominus custodiat te ab omni malo – 47v–48v Ecce annuntio vobis gaudium magnum – 7v–8 Et in terra pax [Gloria] – 14v–15 Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) – 11–12v Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum – 10 Kommt herzu, lasst uns dem Herrn frohlocken – 48v–49 Kyrie Fons bonitatis – 4v Kyrie eleison – 14v Laudate pueri Dominum laudate nomen – 2v Missa 4vv: Gloria – 3–4 Missa 4vv: Kyrie – 3 Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) – 12v–13 Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione – 38–39
Apelles, Matthias	Alleluia. Zur ehren unsern Gott lasset immer – 33v–34v Das ist der Tag, den der Herr macht – 27v–28v Ecce quam bonum et quam jucundum habitare – 27–27v Habe Deine Lust am Herren, er wird dir geben – 31v–32 Ich will den Herren loben alle Zeit – 45–45v Komm Heiliger Geist Herre Gott, erfüll – 45v–46v Man wird zur Zion sagen das allerlei Leute – 34v–35v Singet dem Herren ein neues Lied – 30v–31v Wie der Hirsch schreiet nach frischen Wasser – 36–36v
Bucenus, Paulus	Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus) – 21v–23v
Chrysoponus, Andreas (ca. 1550–ca. 1590)	Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt – 25–26
Despres, Josquin (ca. 1450–1521)	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – 12v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 6v Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 7
Elsmann, Heinrich	(?) Wie lieblich sind Deine Wohnungen – 32v–33
Finck, Heinrich	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – ? Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – ?
Galliculus, Johannes	Magnificat Quinti Toni: Et exultavit [K.802] – 18–19 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me – 13v–14 Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden – 15v–16
Grimm, Heinrich	Jauchzet dem Herren alle welt dienet – 33–33v
Handl (Gallus), Jacobus (1550–1591)	Judica me Deus et discerne causam meam – 24v–25
Hartmann, Heinrich	Ich hab dich ein klein Augenblick verlassen – 39–39v
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 5v–6v (?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – 15–15v Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – 9v Missa de Apostolis a4: Gloria – 5–5v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 4–4v Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – 3 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – 9v–10
Kelz, Matthias (J.)	Hosianna dem Sohne David gelobet sey – 44–45
Lassus, Orlande de (ca. 1532–1594)	Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini – 26v
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 19v–20v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 20v–21 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 21–21v
Obrecht, Jacobus (ca. 1457–1505)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 19v–20v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 20v–21 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 21–21v
Schütz, Heinrich (1585–1672)	Alleluia. Lobet den Herren in seinem Heiligtum – 28v–29v An den Wassern zu Babel sassen wir – 39v–40v Danket dem Herren, denn er ist freundlich – 40v–41v Der Herr sprach zur meinem Herren – 42v–43 Ich frew mich dess dass mir geredt ist – 43–44 Lobe den Herren meine Seele und vergiss nicht – 29v–30v Warum toben die Heiden und die leute – 41v–42v
Senfl, Ludwig (ca. 1486–ca. 1543)	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium – 23v–24 Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine – 24–24v Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare – 8–8v Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus – 8v–9 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua – 10v Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus – 11 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu – 10v
Stoltzer, Thomas (ca. 1480–1526)	O admirabile commercium creator generis – 7–7v
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 19v–20v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 20v–21 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 21–21v
Walliser, Christoph Thomas (1568–1648)	(?) Wie lieblich sind Deine Wohnungen – 32v–33

Composition	Composers (? Uncertain)	Folios / Pages
Alle Dei filius ab hoste superbissimo	Anonymous	13v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	5v–6v
Alleluia. Laetantur angeli et exultat	Anonymous	36v–37v
Alleluia. Lobet den Herren in seinem Heiligtum	Schütz, Heinrich (1585–1672)	28v–29v
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	15–15v
Alleluia. Zur ehren unsern Gott lasset immer	Apelles, Matthias	33v–34v
An den Wassern zu Babel sassen wir	Schütz, Heinrich (1585–1672)	39v–40v
Beatus vir qui non abiit in consilio	Anonymous	35v–36
Benedicam Domino in omni tempore semper	Anonymous	46v–47v
Cantate Domino canticum novum (8vv)	Ammon, Blasius (fl. c1440)	37v–38
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	Senfl, Ludwig (ca. 1486–ca. 1543)	23v–24
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	Senfl, Ludwig (ca. 1486–ca. 1543)	24–24v
Danket dem Herren, denn er ist freundlich	Schütz, Heinrich (1585–1672)	40v–41v
Das ist der Tag, den der Herr macht	Apelles, Matthias	27v–28v
Der Herr sprach zur meinem Herren	Schütz, Heinrich (1585–1672)	42v–43
Dic Maria quid vidisti lustrando sepulchrum	Anonymous	26–26v
Dies est laetitiae in ortu regali	Anonymous	2v
Domine ad adjuvandum me festina gloria	Anonymous	2v
Dominus custodiat te ab omni malo	Anonymous	47v–48v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	9v
Ecce annuntio vobis gaudium magnum	Anonymous	7v–8
Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare	Senfl, Ludwig (ca. 1486–ca. 1543)	8–8v
Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus	Senfl, Ludwig (ca. 1486–ca. 1543)	8v–9
Ecce quam bonum et quam jucundum habitare	Apelles, Matthias	27–27v
Et in terra pax [Gloria]	Anonymous	14v–15
Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt	Chrysoponus, Andreas (ca. 1550–ca. 1590)	25–26
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anonymous	11–12v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	?
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	?
Habe Deine Lust am Herren, er wird dir geben	Apelles, Matthias	31v–32
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	12v
Hosianna dem Sohne David gelobet sey	Kelz, Matthias (J.)	44–45
Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum	Anonymous	10
Ich frew mich dess dass mir geredt ist	Schütz, Heinrich (1585–1672)	43–44
Ich hab dich ein klein Augenblick verlassen	Hartmann, Heinrich	39–39v
Ich will den Herren loben alle Zeit	Apelles, Matthias	45–45v
Jauchzet dem Herren alle welt dienet	Grimm, Heinrich	33–33v
Judica me Deus et discerne causam meam	Handl (Gallus), Jacobus (1550–1591)	24v–25
Komm Heiliger Geist Herre Gott, erfüll	Apelles, Matthias	45v–46v
Kommt herzu, lasst uns dem Herrn frohlocken	Anonymous	48v–49
Kyrie eleison	Anonymous	14v
Kyrie Fons bonitatis	Anonymous	4v
Laudate pueri Dominum laudate nomen	Anonymous	2v
Lobe den Herren meine Seele und vergiss nicht	Schütz, Heinrich (1585–1672)	29v–30v
Magnificat Quinti Toni: Et exultavit [K.802]	Galliculus, Johannes	18–19
Man wird zur Zion sagen das allerlei Leute	Apelles, Matthias	34v–35v
Missa 4vv: Gloria	Anonymous	3–4
Missa 4vv: Kyrie	Anonymous	3
Missa de Apostolis a4: Gloria	Isaac, Heinrich (ca. 1450–1517)	5–5v
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	Lassus, Orlande de (ca. 1532–1594)	26v
O admirabile commercium creator generis	Stoltzer, Thomas (ca. 1480–1526)	7–7v
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. ?Apprehendit ergo eum Pilatus; 3p. ?Orabat autem Jesus pro crucifigantibus)	Bucenus, Paulus	21v–23v
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	19v–20v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	20v–21
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?)	21–21v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	6v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	7
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	4–4v
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua	Senfl, Ludwig (ca. 1486–ca. 1543)	10v
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus	Senfl, Ludwig (ca. 1486–ca. 1543)	11
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu	Senfl, Ludwig (ca. 1486–ca. 1543)	10v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	13v–14
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	3
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anonymous	12v–13
Si Deus pro nobis quis contra nos II: Quis separabit nos à dilectione	Anonymous	38–39
Singet dem Herren ein neues Lied	Apelles, Matthias	30v–31v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	9v–10
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	15v–16
Warum toben die Heiden und die leute	Schütz, Heinrich (1585–1672)	41v–42v
Wie der Hirsch schreiet nach frischen Wasser	Apelles, Matthias	36–36v
Wie lieblich sind Deine Wohnungen	Walliser, Christoph Thomas (1568–1648) (?) Elsmann, Heinrich (?)	32v–33

Set: MS Bártfa 2 (a-f)

Type: Partbooks

No images available

No images available

No images available

No images available

No images available

No images available

‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXI-XXII, 18-22.

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 14,69-83. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316-7, 331ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192. Notes: contents list (partial); mention of MS.

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 41-2. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

H-Bn MS Bártfa 2 (f)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: c. 1550 (GomMB); Part II: 17th century

General Description

Binding

Notation

Date

Foliation

Foliation

Index

Surface

Census Catalogue of Music Description

General Note

Concordances

General Note

Concordances

Concordances

General Note

Concordances

Concordances

Concordances

General Note

General Note

Concordances

Concordances

Concordances

Concordances

General Note

General Note

General Note

General Note

General Note

Concordances

Concordances

Concordances

General Note