E-Bbc MS 681

Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain

manuscript of polyphony: ca. 1525–1550 with later additions

Archive	Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain (E-Bbc)
Shelfmark	MS 681
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	374 x 265 mm
Other Identifiers	CCM: BarcBC 681 olim (Former shelfmark): PedC 368; Pedrell 386
Notations	black void mensural
Copyists	Andreas, Anticus Text and Music
External Links	Images PRoMS Books of Hispanic Polyphony
Provenance	Vic (Vich), Spain
Contents	71 pieces from 16 composers

General Description

Choirbook. Copied by Anticus Andreas, possibly Andres Antich who was maestro de capilla of S. Maria del Mar (Barcelona) at his death in 1607; from Vic (Vich) - inscription on last page: 'Fet de ma mia. Anticus Andreas en Vich'. Despite the inscription, 9 other scribes copied a total of 12 pieces into the manuscript as well (Puentes-Blanco).

Cristina Urchueguía; transl. Henry Hope, 2011

Physical Description

The manuscript was rebound in the 18th or early 19th century, at which time it was trimmed in size, with loss of names of composers for almost all pieces.

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

Modern cardboard covers

Cristina Urchueguía; transl. Henry Hope, 2011

Watermark

Bunch of grapes similar to Briquet 13070; larger version of same; crescent moon crowned with a cross similar to Briquet 5263; a siren

DIAMM, 2020

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Date

Though most of the contents are consistent with the implied watermark dates of 1530-1550, the last motet (by Guerrero) was published in 15070, and indicates that additions continued to be made to the book until later in the 16th century. (Puentes-Blanco)

DIAMM, 2020

Ruling

10 staves per page

DIAMM, 2020

Foliation

Modern pencil foliation 1-101 beginning on fol 2.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

DIAMM Note

(incomplete inventory)

DIAMM, 2018

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Credo, 1 Agnus, 3 Magnificats, 4 psalms, 2 hymns, 1 set of Lamentations, 23 motets = 39 + 2 duplicates = 41

Anchieta-1, Josquin-3, (La Rue)-1, (Lhéritier)-1, (Morales)-2, (Penalosa)-1, (Josquin/Moulu)-1, anon-29

ii + 101 + ii paper folios, 374 x 265. Modern pencil foliation. Modern cardboard covers. No index. The manuscript was rebound in the 18th or early 19th century, at which time it was trimmed in size, with loss of names of composers for almost all pieces.

First half of the 16th century (PedC). From Vich (inscription on last page: "Fet de ma mia. Anticus Andreas en Vich").

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 1r Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
1v–5r	Credo [Patrem omnipotentem] (6vv)	-	Rue, Pierre de la (ca. 1452–1518)
Credo [Patrem omnipotentem] (6vv) Rue, Pierre de la (ca. 1452–1518) Appears on: 1v–5r Genres: Credo (patrem omnipotentem), Mass Ordinary
5v–6r	Missa Missus est Gabriel: Kyrie	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Kyrie Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 5v–6r Genres: Kyrie eleison, Mass Ordinary
6v–8r	Missa Missus est Gabriel: Gloria	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Gloria Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 6v–8r Genres: Gloria (et in terra pax), Mass Ordinary
8v–10r	Missa Missus est Gabriel: Credo	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Credo Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 8v–10r Genres: Credo (patrem omnipotentem), Mass Ordinary
10v–12r	Missa Missus est Gabriel: Sanctus	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Sanctus Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 10v–12r Genres: Mass Ordinary, Sanctus [& Benedictus]
12v–13r	Missa Missus est Gabriel: Agnus Dei	-	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Missus est Gabriel: Agnus Dei Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 12v–13r Genres: Agnus Dei, Mass Ordinary
13v–14r	Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie Bauldeweyn, Noel (ca. 1480–1529) Appears on: 13v–14r Genres: Kyrie eleison, Mass Ordinary General Note incomplete, lacks Pleni-Osanna-Benedictus, and Agnus Dei
14v–16r	Missa En douleur en tristesse a 5 = Missa in diapason: Gloria	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa En douleur en tristesse a 5 = Missa in diapason: Gloria Bauldeweyn, Noel (ca. 1480–1529) Appears on: 14v–16r Genres: Gloria (et in terra pax), Mass Ordinary
16v–19r	Missa En douleur en tristesse a 5 = Missa in diapason: Credo	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa En douleur en tristesse a 5 = Missa in diapason: Credo Bauldeweyn, Noel (ca. 1480–1529) Appears on: 16v–19r Genres: Credo (patrem omnipotentem), Mass Ordinary
19v–20r	Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus Bauldeweyn, Noel (ca. 1480–1529) Appears on: 19v–20r Genres: Mass Ordinary, Sanctus [& Benedictus]
19v–20r	Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei Bauldeweyn, Noel (ca. 1480–1529) Appears on: 19v–20r Genres: Agnus Dei, Mass Ordinary General Note Agnus Dei may be missing?
20v–25r	Magnificat 4 toni: Et exultavit [K.266]	-	Anonymous
Magnificat 4 toni: Et exultavit [K.266] Anonymous Appears on: 20v–25r Genres: BVM, Canticle, Magnificat
25v–26r	Martyr Dei qui unicum patris sequendo	-	Anonymous
Martyr Dei qui unicum patris sequendo Anonymous Appears on: 25v–26r Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Martyr dei qui unicum patris sequendo Concordances Repeated at f. 83v and f. 90v-91. Same music, with different text ('Te lucis ante terminum'), in E-Boc 6; also in E-Bbc 708, ff. 42v-43.
26v–27r	Missa Caça (4vv): Kyrie	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 26v–27r Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
27v–28r	Missa Caça (4vv): Gloria (2 partes)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Gloria (2 partes) Morales, Cristóbal de (ca. 1500–1553) Appears on: 27v–28r Genres: Gloria (et in terra pax), Mass Ordinary
28v–30r	Missa Caça (4vv): Credo (2 partes)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Credo (2 partes) Morales, Cristóbal de (ca. 1500–1553) Appears on: 28v–30r Genres: Credo (patrem omnipotentem), Mass Ordinary
30v–31r	Missa Caça (4vv): Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 30v–31r Genres: Mass Ordinary, Sanctus [& Benedictus]
31v–32r	Missa Caça (4vv): Agnus Dei (I)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Agnus Dei (I) Morales, Cristóbal de (ca. 1500–1553) Appears on: 31v–32r Genres: Agnus Dei, Mass Ordinary
31v–32r	Missa Caça (4vv): Agnus Dei (II)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Agnus Dei (II) Morales, Cristóbal de (ca. 1500–1553) Appears on: 31v–32r Genres: Agnus Dei, Mass Ordinary
32v–33r	Missa Caça (4vv): Agnus Dei (III)	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Caça (4vv): Agnus Dei (III) Morales, Cristóbal de (ca. 1500–1553) Appears on: 32v–33r Genres: Agnus Dei, Mass Ordinary
34v–35r	Domine memento mei dum veneris in regnum	-	Pastrana, Pedro de (1490–ca. 1558)
Domine memento mei dum veneris in regnum Pastrana, Pedro de (1490–ca. 1558) Appears on: 34v–35r Genres: Motet
35v–36r	Resurgens Christus ex mortuis	-	Anonymous
Resurgens Christus ex mortuis Anonymous Appears on: 35v–36r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resurgens Christus ex mortuis
36v–37r	Deus canticum novum cantabo tibi	-	Hellinck, Lupus (ca. 1494–1541)
Deus canticum novum cantabo tibi Hellinck, Lupus (ca. 1494–1541) Appears on: 36v–37r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus canticum novum cantabo tibi
37v–38r	Exultemus et laetemur hodie resurrexit	-	Anonymous
Exultemus et laetemur hodie resurrexit Anonymous Appears on: 37v–38r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultemus et laetemur hodie resurrexit
39v–40r	Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Josquin	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria Despres, Josquin (ca. 1450–1521) Appears on: 39v–40r Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria
40v–41r	Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit Despres, Josquin (ca. 1450–1521) Appears on: 40v–41r Genres: Motet
41v–42r	Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria Despres, Josquin (ca. 1450–1521) Appears on: 41v–42r Genres: Motet
42v–43r	Visita quaesumus Domine habitationem istam	-	Mantua, Jacquet de (1483–1559) Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?)
Visita quaesumus Domine habitationem istam Mantua, Jacquet de (1483–1559) Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 42v–43r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Visita quaesumus domine habitationem
43v–44r	Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 43v–44r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Per tuam crucem salva nos Christe General Note 1a pars only (as in E-Bbc 587 - these are the only 2 sources to transmit only the 1a pars) General Note 1a pars only (as in E-Bbc 587 - these are the only 2 sources to transmit only the 1a pars)
44v–45r	Inter vestibulum et altare plorabant	-	Penalosa, Francisco de
Inter vestibulum et altare plorabant Penalosa, Francisco de Appears on: 44v–45r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inter vestibulum et altare plorabant
46v–51r	Magnificat sexti toni: Anima mea [K.924]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.924] Morales, Cristóbal de (ca. 1500–1553) Appears on: 46v–51r Genres: BVM, Canticle, Magnificat
51v–57r	Magnificat quarti toni: Et exultavit [K.875]	-	Lheritier, Jean (ca. 1480–ca. 1551)
Magnificat quarti toni: Et exultavit [K.875] Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 51v–57r Genres: BVM, Canticle, Magnificat
57v–58r	Incipit lamentatio Jeremiae prophetae - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere	-	Anonymous
Incipit lamentatio Jeremiae prophetae - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere Anonymous Appears on: 57v–58r Genres: Lamentations
58v–60r	Lamentations: Aleph. Quomodo obtexit	-	Anonymous
Lamentations: Aleph. Quomodo obtexit Anonymous Appears on: 58v–60r Genres: Lamentations
60v–62r	Lamentations - Aleph, Quomodo obscuratum	-	Anonymous
Lamentations - Aleph, Quomodo obscuratum Anonymous Appears on: 60v–62r Genres: Lamentations
62v–64r	Hostia solemnis Eulalia virgo / Sancta Eulalia	-	Anonymous
Hostia solemnis Eulalia virgo / Sancta Eulalia Anonymous Appears on: 62v–64r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hostia solemnis Eulalia virgo/Sancta Eulalia General Note The quinta vox repeats "Sancta Eulalia ora pro nobis". Ros-Fabregas suggests Pere Alberch Vila as a possible composer for the piece. Item Bibliography Ros-Fábregas, Emilio. 2011. A sixteenth-century ostinato motet for Barcelona's patroness saint Eulalia. Pure gold : golden age sacred music in the Iberian world : a homage to Bruno Turner, 344-353. Kassel: Edition Reichenberger.
65v–67r	Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina	Josquin	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina Despres, Josquin (ca. 1450–1521) Appears on: 65v–67r Genres: Motet, Salve Regina Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Salve regina
66v–67r	Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos	-	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos Despres, Josquin (ca. 1450–1521) Appears on: 66v–67r Genres: Motet, Salve Regina General Note (2a & 3a pars assumed to be present, though the page-turn occurs towards the end of the 1a pars at 'gementes et flentes')
66v–67r	Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum	-	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum Despres, Josquin (ca. 1450–1521) Appears on: 66v–67r Genres: Motet, Salve Regina General Note (2a & 3a pars assumed to be present, though the page-turn occurs towards the end of the 1a pars at 'gementes et flentes')
67v–68r	(untexted)	-	Anonymous
(untexted) Anonymous Appears on: 67v–68r Genres: textless General Note Rubric 'pater meus', possibly a title?
69v–70r	Missa Hercules dux Ferrariae 11.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 69v–70r Genres: Agnus Dei, Mass Ordinary
70v–71r	Dixit Dominus Domino meo (tone 1)	-	-
Dixit Dominus Domino meo (tone 1) - Appears on: 70v–71r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
70v–71r	Confitebor tibi Domine in toto corde (tone 2)	-	Anonymous
Confitebor tibi Domine in toto corde (tone 2) Anonymous Appears on: 70v–71r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi domine in toto corde Concordances Same fabordon appears as "Dixit Dominus" on ff.89v-90; also as "Laudate pueri" in E-Bbc 1166/1967 (ff. 56v-57); textless in E-Boc 6 (ff. 97v-98); and as "Custodi nos Domine" in E-Bbc 708 (ff. 45v-46).
71v–72r	Dixit Dominus Domino meo (tone 3)	-	Anonymous
Dixit Dominus Domino meo (tone 3) Anonymous Appears on: 71v–72r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
71v–72r	Dixit Dominus Domino meo (tone 4)	-	Anonymous
Dixit Dominus Domino meo (tone 4) Anonymous Appears on: 71v–72r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
72v–73r	Laudate pueri Dominum (tone 5)	-	Anonymous
Laudate pueri Dominum (tone 5) Anonymous Appears on: 72v–73r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Laudate pueri dominum Concordances Partial concordance with the following piece - see Zauner Item Bibliography Zauner Espinosa, Sergi. 2015. El fabordon a la luz de las fuentes hispanicas del Renacimiento (ca. 1480-1626). Formulas y faboordon elaborado en el marco del oficio divino. Revista de Musicologia, 699-706.
73v–74r	Dixit Dominus Domino meo (tone 8)	-	Anonymous
Dixit Dominus Domino meo (tone 8) Anonymous Appears on: 73v–74r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo Concordances Partial concordance with the preceding piece - see Zauner Item Bibliography Zauner Espinosa, Sergi. 2015. El fabordon a la luz de las fuentes hispanicas del Renacimiento (ca. 1480-1626). Formulas y faboordon elaborado en el marco del oficio divino. Revista de Musicologia, 699-706.
74v–75r	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 74v–75r Genres: Fauxbourdon/faburden, Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo Concordances E-Bbc 708 (ff. 45v-46; and, as 'Miserere mei' ff. 46v); E-Boc 6 (ff. 97v-98)
74v–75r	Dixit Dominus quarto tono	-	Anonymous
Dixit Dominus quarto tono Anonymous Appears on: 74v–75r Genres: Fauxbourdon/faburden, Psalm
75v–76r	Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis	-	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 75v–76r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus resurgens a mortuis
76v–77r	Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta	-	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 76v–77r Genres: Motet
77v–78r	Salve regina - 1a pars (of 2): Salve regina	Anxeta	Anchieta, Juan de (1462–1523)
Salve regina - 1a pars (of 2): Salve regina Anchieta, Juan de (1462–1523) Appears on: 77v–78r Genres: Marian antiphon, Motet Source Attribution: Anxeta Voice: [no designation] Languages: Latin Voice Text: Salve Regina General Note incomplete
78v–79r	Salve regina - 2a pars (of 2): Et Jesum	-	Anchieta, Juan de (1462–1523)
Salve regina - 2a pars (of 2): Et Jesum Anchieta, Juan de (1462–1523) Appears on: 78v–79r Genres: Marian antiphon, Motet
79v–80r	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 79v–80r Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
80v–83r	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 80v–83r Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
83v	Martyr Dei qui unicum patris sequendo	-	Anonymous
Martyr Dei qui unicum patris sequendo Anonymous Appears on: 83v Genres: Hymn Concordances Superius only copied; complete versions at f. 25v-26, 90v-91 (also E-Boc 6 (33v-34) as 'Te lucis ante terminum')
84v–85r	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 84v–85r Genres: Ave maris stella, Marian antiphon
85v	Martyr Dei	-	Anonymous
Martyr Dei Anonymous Appears on: 85v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Martyr dei qui unicum patris sequendo
86v–87r	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 86v–87r Genres: Alleluia Voice: [no designation] Languages: Latin Voice Text: Alleluia
87v	Venite et accendite aptate lampades	-	Anonymous
Venite et accendite aptate lampades Anonymous Appears on: 87v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Venite et accendite aptate lampades
89r	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 89r Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
89v–90r	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 89v–90r Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
89v–90r	Dixit Dominus Domino meo (tone 4)	-	Anonymous
Dixit Dominus Domino meo (tone 4) Anonymous Appears on: 89v–90r Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo
90v–91r	Martyr Dei qui unicum patris sequendo	-	Anonymous
Martyr Dei qui unicum patris sequendo Anonymous Appears on: 90v–91r Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Martyr dei qui unicum patris sequendo Concordances also at 25v-26, 83v
91v–92r	[Ave maris stella] - Sumens illud ave	-	Anonymous
[Ave maris stella] - Sumens illud ave Anonymous Appears on: 91v–92r Genres: Ave maris stella, Marian antiphon
93v–94r	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum	(anon)	Willaert, Adrian (ca. 1490–1562)
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum Willaert, Adrian (ca. 1490–1562) Appears on: 93v–94r Genres: Motet Source Attribution: (anon) Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
94v–95r	Ave regina caelorum - 2a pars (of 2): Gaude virgo gloriosa super omnes	-	Willaert, Adrian (ca. 1490–1562)
Ave regina caelorum - 2a pars (of 2): Gaude virgo gloriosa super omnes Willaert, Adrian (ca. 1490–1562) Appears on: 94v–95r
95v–96r	O Domine Jesu Christe	(anon)	Guerrero, Francisco
O Domine Jesu Christe Guerrero, Francisco Appears on: 95v–96r Genres: Motet Source Attribution: (anon) Voice: [no designation] Languages: Latin Voice Text: O domine Iesu Christe adoro te
96v–97r	Miserere mei Deus secundum magnam	-	Anonymous
Miserere mei Deus secundum magnam Anonymous Appears on: 96v–97r Genres: Fauxbourdon/faburden, Miserere mei Deus, Psalm Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam
97v–101r	Missa	-	Anonymous
Missa Anonymous Appears on: 97v–101r Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] General Note Kyrie: ff. 97v-98; Gloria ff. 97v-99; Credo f 99v (incomplete, lacks Altus & Bassus, loss of a folio); Sanctus f.100r; Agnus ff. 100v-101

Composer	Compositions
Anchieta, Juan de (1462–1523)	Salve regina - 1a pars (of 2): Salve regina – 77v–78r Salve regina - 2a pars (of 2): Et Jesum – 78v–79r
Anonymous	(untexted) – 67v–68r Alleluia – 86v–87r Ave maris stella – 84v–85r Benedicamus Domino – 1r Benedicamus Domino – 89r Confitebor tibi Domine in toto corde (tone 2) – 70v–71r Dixit Dominus Domino meo – 74v–75r Dixit Dominus Domino meo – 89v–90r Dixit Dominus Domino meo (tone 1) – 70v–71r Dixit Dominus Domino meo (tone 3) – 71v–72r Dixit Dominus Domino meo (tone 4) – 89v–90r Dixit Dominus Domino meo (tone 4) – 71v–72r Dixit Dominus Domino meo (tone 8) – 73v–74r Dixit Dominus quarto tono – 74v–75r Exultemus et laetemur hodie resurrexit – 37v–38r Hostia solemnis Eulalia virgo / Sancta Eulalia – 62v–64r Incipit lamentatio Jeremiae prophetae - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere – 57v–58r Lamentations - Aleph, Quomodo obscuratum – 60v–62r Lamentations: Aleph. Quomodo obtexit – 58v–60r Laudate pueri Dominum (tone 5) – 72v–73r Magnificat 4 toni: Et exultavit [K.266] – 20v–25r Martyr Dei – 85v Martyr Dei qui unicum patris sequendo – 90v–91r Martyr Dei qui unicum patris sequendo – 25v–26r Martyr Dei qui unicum patris sequendo – 83v Miserere mei Deus secundum magnam – 96v–97r Missa – 97v–101r Regina caeli laetare alleluia – 79v–80r Resurgens Christus ex mortuis – 35v–36r Salve regina mater misericordiae – 80v–83r Venite et accendite aptate lampades – 87v [Ave maris stella] - Sumens illud ave – 91v–92r
Bauldeweyn, Noel (ca. 1480–1529)	Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei – 19v–20r Missa En douleur en tristesse a 5 = Missa in diapason: Credo – 16v–19r Missa En douleur en tristesse a 5 = Missa in diapason: Gloria – 14v–16r Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie – 13v–14r Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus – 19v–20r
Despres, Josquin (ca. 1450–1521)	Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria – 39v–40r Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit – 40v–41r Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria – 41v–42r Missa Hercules dux Ferrariae 11.1: Agnus Dei – 69v–70r Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina – 65v–67r Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos – 66v–67r Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum – 66v–67r
Guerrero, Francisco	O Domine Jesu Christe – 95v–96r
Hellinck, Lupus (ca. 1494–1541)	Deus canticum novum cantabo tibi – 36v–37r
Lheritier, Jean (ca. 1480–ca. 1551)	Magnificat quarti toni: Et exultavit [K.875] – 51v–57r (?) Visita quaesumus Domine habitationem istam – 42v–43r
Mantua, Jacquet de (1483–1559)	Visita quaesumus Domine habitationem istam – 42v–43r
Morales, Cristóbal de (ca. 1500–1553)	Magnificat sexti toni: Anima mea [K.924] – 46v–51r Missa Caça (4vv): Agnus Dei (I) – 31v–32r Missa Caça (4vv): Agnus Dei (II) – 31v–32r Missa Caça (4vv): Agnus Dei (III) – 32v–33r Missa Caça (4vv): Credo (2 partes) – 28v–30r Missa Caça (4vv): Gloria (2 partes) – 27v–28r Missa Caça (4vv): Kyrie – 26v–27r Missa Caça (4vv): Sanctus – 30v–31r Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe – 43v–44r
Moulu, Pierre (ca. 1484–ca. 1550)	Missa Missus est Gabriel: Agnus Dei – 12v–13r Missa Missus est Gabriel: Credo – 8v–10r Missa Missus est Gabriel: Gloria – 6v–8r Missa Missus est Gabriel: Kyrie – 5v–6r Missa Missus est Gabriel: Sanctus – 10v–12r
Mouton, Jean (ca. 1459–1522)	(?) Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis – 75v–76r (?) Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta – 76v–77r
Pastrana, Pedro de (1490–ca. 1558)	Domine memento mei dum veneris in regnum – 34v–35r
Penalosa, Francisco de	Inter vestibulum et altare plorabant – 44v–45r
Richafort, Jean (ca. 1480–ca. 1550)	(?) Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis – 75v–76r (?) Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta – 76v–77r
Rue, Pierre de la (ca. 1452–1518)	Credo [Patrem omnipotentem] (6vv) – 1v–5r
Willaert, Adrian (ca. 1490–1562)	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum – 93v–94r Ave regina caelorum - 2a pars (of 2): Gaude virgo gloriosa super omnes – 94v–95r (?) Visita quaesumus Domine habitationem istam – 42v–43r

Composition	Composers (? Uncertain)	Folios / Pages
(untexted)	Anonymous	67v–68r
[Ave maris stella] - Sumens illud ave	Anonymous	91v–92r
Alleluia	Anonymous	86v–87r
Ave maris stella	Anonymous	84v–85r
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum	Willaert, Adrian (ca. 1490–1562)	93v–94r
Ave regina caelorum - 2a pars (of 2): Gaude virgo gloriosa super omnes	Willaert, Adrian (ca. 1490–1562)	94v–95r
Benedicamus Domino	Anonymous	1r
Benedicamus Domino	Anonymous	89r
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	75v–76r
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	76v–77r
Confitebor tibi Domine in toto corde (tone 2)	Anonymous	70v–71r
Credo [Patrem omnipotentem] (6vv)	Rue, Pierre de la (ca. 1452–1518)	1v–5r
Deus canticum novum cantabo tibi	Hellinck, Lupus (ca. 1494–1541)	36v–37r
Dixit Dominus Domino meo	Anonymous	74v–75r
Dixit Dominus Domino meo	Anonymous	89v–90r
Dixit Dominus Domino meo (tone 1)	-	70v–71r
Dixit Dominus Domino meo (tone 3)	Anonymous	71v–72r
Dixit Dominus Domino meo (tone 4)	Anonymous	71v–72r
Dixit Dominus Domino meo (tone 4)	Anonymous	89v–90r
Dixit Dominus Domino meo (tone 8)	Anonymous	73v–74r
Dixit Dominus quarto tono	Anonymous	74v–75r
Domine memento mei dum veneris in regnum	Pastrana, Pedro de (1490–ca. 1558)	34v–35r
Exultemus et laetemur hodie resurrexit	Anonymous	37v–38r
Hostia solemnis Eulalia virgo / Sancta Eulalia	Anonymous	62v–64r
Incipit lamentatio Jeremiae prophetae - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere	Anonymous	57v–58r
Inter vestibulum et altare plorabant	Penalosa, Francisco de	44v–45r
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Despres, Josquin (ca. 1450–1521)	39v–40r
Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit	Despres, Josquin (ca. 1450–1521)	40v–41r
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	Despres, Josquin (ca. 1450–1521)	41v–42r
Lamentations - Aleph, Quomodo obscuratum	Anonymous	60v–62r
Lamentations: Aleph. Quomodo obtexit	Anonymous	58v–60r
Laudate pueri Dominum (tone 5)	Anonymous	72v–73r
Magnificat 4 toni: Et exultavit [K.266]	Anonymous	20v–25r
Magnificat quarti toni: Et exultavit [K.875]	Lheritier, Jean (ca. 1480–ca. 1551)	51v–57r
Magnificat sexti toni: Anima mea [K.924]	Morales, Cristóbal de (ca. 1500–1553)	46v–51r
Martyr Dei	Anonymous	85v
Martyr Dei qui unicum patris sequendo	Anonymous	25v–26r
Martyr Dei qui unicum patris sequendo	Anonymous	83v
Martyr Dei qui unicum patris sequendo	Anonymous	90v–91r
Miserere mei Deus secundum magnam	Anonymous	96v–97r
Missa	Anonymous	97v–101r
Missa Caça (4vv): Agnus Dei (I)	Morales, Cristóbal de (ca. 1500–1553)	31v–32r
Missa Caça (4vv): Agnus Dei (II)	Morales, Cristóbal de (ca. 1500–1553)	31v–32r
Missa Caça (4vv): Agnus Dei (III)	Morales, Cristóbal de (ca. 1500–1553)	32v–33r
Missa Caça (4vv): Credo (2 partes)	Morales, Cristóbal de (ca. 1500–1553)	28v–30r
Missa Caça (4vv): Gloria (2 partes)	Morales, Cristóbal de (ca. 1500–1553)	27v–28r
Missa Caça (4vv): Kyrie	Morales, Cristóbal de (ca. 1500–1553)	26v–27r
Missa Caça (4vv): Sanctus	Morales, Cristóbal de (ca. 1500–1553)	30v–31r
Missa En douleur en tristesse a 5 = Missa in diapason: Agnus Dei	Bauldeweyn, Noel (ca. 1480–1529)	19v–20r
Missa En douleur en tristesse a 5 = Missa in diapason: Credo	Bauldeweyn, Noel (ca. 1480–1529)	16v–19r
Missa En douleur en tristesse a 5 = Missa in diapason: Gloria	Bauldeweyn, Noel (ca. 1480–1529)	14v–16r
Missa En douleur en tristesse a 5 = Missa in diapason: Kyrie	Bauldeweyn, Noel (ca. 1480–1529)	13v–14r
Missa En douleur en tristesse a 5 = Missa in diapason: Sanctus	Bauldeweyn, Noel (ca. 1480–1529)	19v–20r
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	69v–70r
Missa Missus est Gabriel: Agnus Dei	Moulu, Pierre (ca. 1484–ca. 1550)	12v–13r
Missa Missus est Gabriel: Credo	Moulu, Pierre (ca. 1484–ca. 1550)	8v–10r
Missa Missus est Gabriel: Gloria	Moulu, Pierre (ca. 1484–ca. 1550)	6v–8r
Missa Missus est Gabriel: Kyrie	Moulu, Pierre (ca. 1484–ca. 1550)	5v–6r
Missa Missus est Gabriel: Sanctus	Moulu, Pierre (ca. 1484–ca. 1550)	10v–12r
O Domine Jesu Christe	Guerrero, Francisco	95v–96r
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales, Cristóbal de (ca. 1500–1553)	43v–44r
Regina caeli laetare alleluia	Anonymous	79v–80r
Resurgens Christus ex mortuis	Anonymous	35v–36r
Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina	Despres, Josquin (ca. 1450–1521)	65v–67r
Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos	Despres, Josquin (ca. 1450–1521)	66v–67r
Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum	Despres, Josquin (ca. 1450–1521)	66v–67r
Salve regina - 1a pars (of 2): Salve regina	Anchieta, Juan de (1462–1523)	77v–78r
Salve regina - 2a pars (of 2): Et Jesum	Anchieta, Juan de (1462–1523)	78v–79r
Salve regina mater misericordiae	Anonymous	80v–83r
Venite et accendite aptate lampades	Anonymous	87v
Visita quaesumus Domine habitationem istam	Mantua, Jacquet de (1483–1559) Lheritier, Jean (ca. 1480–ca. 1551) (?) Willaert, Adrian (ca. 1490–1562) (?)	42v–43r

‡ denotes primary source study

Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:50-62, II:41-54. Notes: physical description; contents list; concordances.

Urchuegúia, Cristina. 2003. Die mehrstimmige Messe im ‘Goldenen Jahrhundert'. Überlieferung und Repertoirebildung in Quellen aus Spanien und Portugal (ca. 1490–1630) (= Würzburger musikhistorische Beiträge). Tutzing. Pages: 195f., 273–278.

Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 19.

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 80. Notes: concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 121. Notes: concordances (partial); incipits.

Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 165-84. Pages: 168. Notes: contents list (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: 1,134-5. Notes: physical description; contents list.

Pedrell, Filip. 1908-9. Catàlech de la Biblioteca Musical de la Diputació de Barcelona. Barcelona. Pages: I,246. Notes: physical description; contents list; incipits of contents (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-Bbc MS 681

Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain

manuscript of polyphony: ca. 1525–1550 with later additions

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Census Catalogue of Music Description

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