E-Bbc M 454 (Cancionero musical de Barcelona)

Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain

manuscript of polyphony: 1500–1535

Archive	Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain (E-Bbc)
Shelfmark	M 454 (Cancionero musical de Barcelona)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	307 x 224 mm (covers)
Other Identifiers	CCM: BarcBC 454 olim (Former shelfmark): Pedrell 961
Notations	black void mensural
Copyists	Moreta, Johan Anthoni Text and Music
Relationships	Carreras y Dagas, Joan (owner) Moreta, Johan Anthoni (compiler)
External Links	Images Images Books of Hispanic Polyphony PRoMS
Provenance	Barcelona, Catalonia, Spain
Contents	Contains 164 compositions, 91 from 38 composers, 73 are anonymous.

General Description

A choirbook, mostly or entirely copied in Spain by many scribes. FabregasMBC rejects the proposed Valencian orgin of the manuscript (KnightonMM, LeeSPS) and affirms a Catalan origin.

The manuscript is in three distinct sections, re-ordered when bound together, with some later additions at the end. The oldest section ('A') comprises folios 73-137 & 179-181, and was apparently compiled from sections copied by some 18 scribes independently. 5 scribes did most of the copying and copied only Franco-Flemish (not Spanish) music; it is possible that some of this music was copied outside Spain. The second ('B') section completes a mass begun in 'A', so was clearly conceived as extending the prior collection. It consists of folios 21-59 as well as most of 60-72 & 138-154, and was mostly copied by 2 Spanish scribes (one of whom copies the music by Ockeghem & Busnoys); 5 other Spanish scribes made small additions. The third ('C') section (the only section indexed) was copied by a single Catalan scribe, who oversaw the compilation of the whole manuscript and supplied additional music for it. An inscription in Catalan on the last folio (dated December 1520) identifies him as "jo, Anthoni Johan". 'C' comprises folios 3-20, most of 60-72, and much of 138-188.

Folios 145-148 & 182-191 mostly contain later additions, although two bifolios (179-181 including 180bis) form part of the earliest 'A' section. The two scribes who added this music, all secular, also added a piece on f. 20v on previously-empty staves.

The manuscript was acquired by the (then) Biblioteca Central in 1892 from the private library of Joan Carreras y Dagas, at one time maestro di capilla at the Cathedral of Gerona.

DIAMM, 2020

Physical Description

190 folios in 23 gatherings. The top edges have been cropped, resulting in the loss of some ascriptions. Pages in 'A' are 296 x 195 mm; in 'B' 291 x 213 mm.

Some fragments were found inside the binding when the manuscript was restored in 1958; one contains part of another index.

Cristina Urchueguía; DIAMM, 2020

Binding

Original covers of black leather over boards, with metal clasps (one missing). Leatherwork is in Catalan mudejar style.

Cristina Urchueguía; DIAMM, 2020

Watermark

'A' has two watermarks: one, appearing on all but one gathering, is a helmet(? - HardieP) or an M or N (cf. Briquet 8437); the other appears on the last folio of the first gathering (f.82), and resembles a sword (HardieP) or a crosier (FabregasMBC). 'B' and 'C' have a watermark in the shape of a serpent similar to (but different from) Briquet 13758.

DIAMM, 2020

Notation

black void mensural

Cristina Urchueguía

Date

the dates 1525, 1530, 1532, 1534, and 1535 are found in various places.

FabregasMBC proposes that the manuscript was compiled between 1520-1525 - the first date in 'scribe C's hand on a note on the last folio, the second in his hand on one of the Penalosa motets. He suggests that the others were added later, along with the Spanish secular pieces at the end. Section 'A', the oldest, may have been copied over the period 1500-1510; sections 'B' and 'C' most likely during c.1520-1525.

Cristina Urchueguía; DIAMM, 2020

Ruling

Most pages in 'A' contain 10 or 11 staves

DIAMM, 2020

Foliation

Original foliation. (Sections 'A' and 'B' have evidence of earlier, separate foliations, now impossible to reconstruct.)

Cristina Urchueguía

Decoration

Black calligraphic initials only. 'A' contains most of the decorated initials in the ms. 'B' and 'C' have spaces left for initials which were never added.

DIAMM, 2020

Index

Incomplete index on fol. 2r

Cristina Urchueguía

Surface

paper

Cristina Urchueguía

DIAMM Note

Correction to shelfmark kindly notified by Paul L. Ranzini.

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 2 Mass sections, 11 Magnificats, 3 psalms, 9 hymns, 1 Lamentation, 1 Passion, 53 motets, 26 Spanish pieces, 10 textless pieces = 122

(A. Agricola)-1, (Aldomar)-1, Anchieta-3, Brumel-2, (Busnois)-1, (Compère)-4, Cubells-1, Cuvenor-1, (Encina)-1, Escobar-1, A. Févin-1, A. Fevin/(Craen/C. Festa/Josquin/Morales)-1, Flecha-5, Grauiel-1, Illario-1 + 1?, (Janequin)-1, Josquin-2, Josquin/(Penalosa)-1, Mondejar-4, Petrus de Monte-1, Morales-1, Mouton-1, Mouton/(A. Févin/C. Festa)-1, (Ockeghem)-1, Pastrana-2, Penalosa-7, Penalosa/(Anchieta/Compère)-1, Prederiaca-1, Quesada-1, Ribaflecha-1, Vaena-2, Venalt-2, Weerbecke-2, (Wreede)-1, anon-63

190 paper folios, 307 x 224. The manuscript was trimmed at the top when bound, with loss of many composer attributions. Original foliation. Original covers of black leather over boards, with metal clasps. Original index, incomplete, on f. 2'. Copied by at least 15 scribes over a considerable period of time.

Late 15th-early 16th century, with later additions; the dates 1525, 1530, 1532, 1534, and 1535 are found in various places. Of Spanish origin; acquired in 1892 from the private library of a certain Carreras y Dagas of Gerona.

Vol 4

Composers: Change "Cuvenor-1" to "Cuvenor/(A. Agricola/Aulenus)-1 "; change ' ' Quesada-1 " to " Quixada-1. "

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Ave vere sanguis Domini nostri Jesu	-	Penalosa, Francisco de
Ave vere sanguis Domini nostri Jesu Penalosa, Francisco de Appears on: 1r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave vere sanguis Domini nostri Iesu General Note also at 65v-66; this page re-used at front of ms for the index, probably as a 'spare' copy - before restoration of the ms in 1958 it was attached to the front cover & the music illegible
4v–5r	Missa Mente tota tibi: Kyrie	Anthonius fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 4v–5r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anthonius fevin Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 1-6.
5v–7r	Missa Mente tota tibi: Gloria	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Gloria Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 5v–7r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 6-13.
7v–10r	Missa Mente tota tibi: Credo	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Credo Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 7v–10r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 14-27.
10v–12r	Missa Mente tota tibi: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 10v–12r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 27-33.
11v–12v	Missa Mente tota tibi: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 11v–12v Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note incomplete - lacks Altus of Agnus II & Altus/Bassus of Agnus III (missing folio 13) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 33-38.
15r	O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime	Jo. Mouton [=Martini?]	Martini, Johannes (ca. 1430–1497) Mouton, Jean (ca. 1459–1522) (?)
O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime Martini, Johannes (ca. 1430–1497) Mouton, Jean (ca. 1459–1522) (?) Appears on: 15r Genres: Motet Source Attribution: Jo. Mouton [=Martini?] Number of voices: 2 of 4 Voice: [no designation] Languages: Latin Voice Text: O beate Sebastiane miles beatissime General Note incomplete (missing Sup & Ten on opening page). Not the same piece as Mouton's "Sancte Sebastiane" in Capp Sist 63. Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 43-53.
15v–16r	O beate Sebastiane - 2a pars (of 2): Libera nos	-	Mouton, Jean (ca. 1459–1522) (?) Martini, Johannes (ca. 1430–1497) (?)
O beate Sebastiane - 2a pars (of 2): Libera nos Mouton, Jean (ca. 1459–1522) (?) Martini, Johannes (ca. 1430–1497) (?) Appears on: 15v–16r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima
16v–17r	O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 16v–17r Genres: Motet Source Attribution: Gaspar [van Weerbecke] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O beate Sebastiane miles beatissime Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 53-61.
17v–18r	O beate Sebastiane - 2a pars (of 2): Libera nos	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
O beate Sebastiane - 2a pars (of 2): Libera nos Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 17v–18r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
18v	Beata nobis gaudia Anni reduxit orbita	-	Anonymous
Beata nobis gaudia Anni reduxit orbita Anonymous Appears on: 18v Genres: Hymn Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 61-65.
19r	Ut queant laxis	-	Anonymous
Ut queant laxis Anonymous Appears on: 19r Genres: Hymn Number of voices: 4 Concordances also copied at ff. 149v-150, by a different scribe Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 65-68.
20v	Gloria... pues nacio	-	Flecha, Matheo (?)
Gloria... pues nacio Flecha, Matheo (?) Appears on: 20v Genres: Vilancico Number of voices: 4 General Note title previously read as "Quien cumplio mio deseo" Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 68-73.
21v–30r	Missa	-	Benito, Fray
Missa Benito, Fray Appears on: 21v–30r Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note The superius of the Kyrie appears again on 137v, with an almost illegible attribution to 'fray Benito'. The Agnus Dei is copied by a different scribe & has a different head-motif, so may not belong to the same mass setting as the other movements. Layout Kyrie 21v-23r Gloria 23v-25r Credo 25v-27r Sanctus 27v-29r Agnus 29v-30r Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 73-98.
30v–37r	Missa Au travail suis: Kyrie	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 30v–37r Genres: Kyrie eleison, Mass Ordinary Number of voices: 4
31v–33r	Missa Au travail suis: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 31v–33r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
33v–35r	Missa Au travail suis: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 33v–35r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
35v–36r	Missa Au travail suis: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 35v–36r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
36v–37r	Missa Au travail suis: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Au travail suis: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 36v–37r Genres: Agnus Dei, Mass Ordinary Number of voices: 4
37v–38r	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 37v–38r Genres: Introit Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a mass proper Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 98-99.
38v–39r	Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator]	-	Anchieta, Juan de (1462–1523)
Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator] Anchieta, Juan de (1462–1523) Appears on: 38v–39r Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 General Note "Missa de nostra dona" (in index) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 99-101.
39v–41r	Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	-	Anchieta, Juan de (1462–1523)
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] Anchieta, Juan de (1462–1523) Appears on: 39v–41r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 102-110.
41v–42r	Benedicta et venerabilis es virgo Maria	-	Anonymous
Benedicta et venerabilis es virgo Maria Anonymous Appears on: 41v–42r Genres: Gradual Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a 'mass proper' Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 111-112.
42v–43r	Virgo Dei gentirix / Mutua seclausit	-	Anonymous
Virgo Dei gentirix / Mutua seclausit Anonymous Appears on: 42v–43r Genres: Gradual Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a mass proper. FabregasMBC lists this as the 2a pars of "Benedicta et venerabilis" Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 113-116.
43v–44r	Alleluya dulcis mater	-	Anonymous
Alleluya dulcis mater Anonymous Appears on: 43v–44r Genres: Alleluia Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a 'mass proper' Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 117-120.
44v–45r	(Felix namque es) Sacra virgo Maria	-	Anonymous
(Felix namque es) Sacra virgo Maria Anonymous Appears on: 44v–45r Genres: Offertory Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a 'mass proper' Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 121-124.
45v–47r	Missa nuestra Señora: Sanctus [Osanna tro. Pater per omnia]	-	Anchieta, Juan de (1462–1523) (?)
Missa nuestra Señora: Sanctus [Osanna tro. Pater per omnia] Anchieta, Juan de (1462–1523) (?) Appears on: 45v–47r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 General Note Osanna trope: pater per omnia qui continens polum eterna Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 125-132.
47v–48r	Missa nuestra Señora: Agnus Dei	-	Anchieta, Juan de (1462–1523) (?)
Missa nuestra Señora: Agnus Dei Anchieta, Juan de (1462–1523) (?) Appears on: 47v–48r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 133-135.
48v–49r	Beata viscera	-	Anonymous
Beata viscera Anonymous Appears on: 48v–49r Genres: Communion Number of voices: 4 General Note This and other pieces interspersed with movements of the Mass ordinary probably comprise a 'mass proper' Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 135-136.
49v–50r	Missa L'homme armé: Kyrie	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Kyrie Busnoys, Antoine (ca. 1430–1492) Appears on: 49v–50r Genres: Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de nostra dona (Proprien)
50v–53r	Missa L'homme armé: Gloria	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Gloria Busnoys, Antoine (ca. 1430–1492) Appears on: 50v–53r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de nostra dona (Proprien): Gloria
53v–56r	Missa L'homme armé: Credo	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Credo Busnoys, Antoine (ca. 1430–1492) Appears on: 53v–56r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de nostra dona (Proprien)
56v–58r	Missa L'homme armé: Sanctus	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Sanctus Busnoys, Antoine (ca. 1430–1492) Appears on: 56v–58r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de nostra dona (Proprien)
58v–59r	Missa L'homme armé: Agnus Dei	-	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé: Agnus Dei Busnoys, Antoine (ca. 1430–1492) Appears on: 58v–59r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa de nostra dona (Proprien)
59v	Gloria (incomplete)	-	Anonymous
Gloria (incomplete) Anonymous Appears on: 59v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 1 General Note 2 lines only of an incomplete Cantus part Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 139-140.
60v–61r	Salve regina - 1a pars (of 2): Salve regina	Johannes Anxeta [= Anchieta]	Anchieta, Juan de (1462–1523)
Salve regina - 1a pars (of 2): Salve regina Anchieta, Juan de (1462–1523) Appears on: 60v–61r Genres: Marian antiphon, Motet Source Attribution: Johannes Anxeta [= Anchieta] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve Regina
61v–62r	Salve regina - 2a pars (of 2): Et Jesum	-	Anchieta, Juan de (1462–1523)
Salve regina - 2a pars (of 2): Et Jesum Anchieta, Juan de (1462–1523) Appears on: 61v–62r Genres: Marian antiphon, Motet Number of voices: 4
62v–63r	O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum	Jo: Mouton	Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522)
O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) Appears on: 62v–63r Genres: Motet Source Attribution: Jo: Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum vulnerasti cor meum Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 141-147.
63v–64r	O pulcherrima - 2a pars (of 2): Descendi in hortum meum	-	Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?)
O pulcherrima - 2a pars (of 2): Descendi in hortum meum Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 63v–64r Genres: Motet Number of voices: 4
64v–65r	Sancta mater istud agas crucifixi 25.8	Iusqinus [= Josquin]/ [Peñalosa]	Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?)
Sancta mater istud agas crucifixi 25.8 Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?) Appears on: 64v–65r Genres: Motet Source Attribution: Iusqinus [= Josquin]/ [Peñalosa] Voice: [no designation] Languages: Latin Voice Text: Sancta mater istud agas crucifixi General Note The (incorrect) attribution to Josquin is a later addition. Pedrell's catalogue of the manuscript attributes it to Mouton.
65v–66r	Ave vere sanguis Domini nostri Jesu	Penalosa	Penalosa, Francisco de
Ave vere sanguis Domini nostri Jesu Penalosa, Francisco de Appears on: 65v–66r Genres: Motet Source Attribution: Penalosa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave vere sanguis Domini nostri Iesu Concordances also at f. 0 of this manuscript Concordances also at f. 1 of this manuscript
66v–67r	Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Penyalosa	Penalosa, Francisco de
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam Penalosa, Francisco de Appears on: 66v–67r Genres: Motet Source Attribution: Penyalosa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Precor te domine Iesu Christe propter illam
67v	Precor te Domine - 2a pars (of 2): Cum inclinato capite	-	Penalosa, Francisco de
Precor te Domine - 2a pars (of 2): Cum inclinato capite Penalosa, Francisco de Appears on: 67v Genres: Motet Number of voices: 4
68r	Ne recorderis dirige dum veneris / Kyrie eleison	-	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)
Ne recorderis dirige dum veneris / Kyrie eleison Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 68r Genres: Responsory, Verse Voice: [no designation] Languages: Latin Voice Text: Ne recorderis dirige dum veneris Concordances This and the next two pieces are repeated at f. 73ff Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 147-149.
68v	Alleluia. Dies sanctificatus illuxit nobis	-	Anonymous
Alleluia. Dies sanctificatus illuxit nobis Anonymous Appears on: 68v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 150-151.
68v–69	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 68v–69 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 152-153.
69r	Benedicamus Domino	Petrus de Monte - Cubells	Monte, Petrus de
Benedicamus Domino Monte, Petrus de Appears on: 69r Genres: Benedicamus Domino, Motet Source Attribution: Petrus de Monte - Cubells Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note Cubells is a town south of Barcelona; the otherwise unknown Petrus de Monte may have come from there (FabregasMBC). See also next piece. Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 154-156.
69v–72r	Magnificat primi toni: Et exultavit [K.712]	Cubells [=Petrus de Monte?]	Monte, Petrus de (?)
Magnificat primi toni: Et exultavit [K.712] Monte, Petrus de (?) Appears on: 69v–72r Genres: BVM, Canticle, Magnificat Source Attribution: Cubells [=Petrus de Monte?] Number of voices: 4 General Note the previous piece is attributed to "Petrus de Monte -- Cubells"; this one to "Cubells". Cubells is a town south of Barcelona; the otherwise unknown Petrus de Monte may have come from there (FabregasMBC) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 157-167.
72v	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 72v Genres: Psalm Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 168-169.
73r	[Dixit Dominus] Donec ponam	-	Anonymous
[Dixit Dominus] Donec ponam Anonymous Appears on: 73r Genres: Psalm Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo General Note 'Primus' written at top (FabregasMBC), previously mis-read as attribution to 'Puig' (LeeSPS). A (different) setting of the missing first verse is written on the opposite page (72v) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 170-171.
73r	Ne recorderis dirige dum veneris / Kyrie eleison	-	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)
Ne recorderis dirige dum veneris / Kyrie eleison Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 73r Genres: Responsory, Verse Voice: [no designation] Languages: Latin Voice Text: Ne recorderis dirige dum veneris
73v	Alleluia. Dies sanctificatus illuxit nobis	-	Anonymous
Alleluia. Dies sanctificatus illuxit nobis Anonymous Appears on: 73v Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis Concordances repeated, with the pieces either side of it, at f. 73v
73v–74r	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 73v–74r Genres: Benedicamus Domino, Motet Number of voices: 4 Concordances repeated, with the 2 previous pieces, at f. 73v-74
74r–74v	'Missa Auleni': Kyrie	[previously thought to be attributed to "Cuvenor"; this is apparently a misreading of 'Superius']	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Kyrie Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 74r–74v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [previously thought to be attributed to "Cuvenor"; this is apparently a misreading of 'Superius'] Number of voices: 3
74v–76r	'Missa Auleni': Gloria	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Gloria Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 74v–76r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
76v–79r	'Missa Auleni': Credo	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Credo Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 76v–79r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3
79v–81r	'Missa Auleni': Sanctus	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Sanctus Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 79v–81r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
81v–82r	'Missa Auleni': Agnus Dei	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Agnus Dei Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 81v–82r Genres: Agnus Dei, Mass Ordinary Number of voices: 3
82v	Ave sanctissimum et gloriosum / Ave verum	Aº de Mondejar	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)
Ave sanctissimum et gloriosum / Ave verum Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?) Appears on: 82v Genres: Motet Source Attribution: Aº de Mondejar Voice: [no designation] Languages: Latin Voice Text: Ave sanctissimum et gloriosum/Ave verum Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 172-175.
83v–87r	Magnificat primi toni: Et exultavit [K.981]	Frai benito de riaca (or de (F)ranca)	Benito, Fray
Magnificat primi toni: Et exultavit [K.981] Benito, Fray Appears on: 83v–87r Genres: BVM, Canticle, Magnificat Source Attribution: Frai benito de riaca (or de (F)ranca) Number of voices: 4 General Note The ascription is very difficult to read: the reading above is from FabregasMBC , but it was earlier read as 'Benalt'/'Venalt' and 'Prederiaca' (AngMC, KnightonMM), 'Pedraca' (Angl), or Taerraca / Terrassa (PedC). Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 179-190.
87v–91r	Magnificat primi toni: Et exultavit [K.114]	-	Anonymous
Magnificat primi toni: Et exultavit [K.114] Anonymous Appears on: 87v–91r Genres: BVM, Canticle, Magnificat Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 191-200.
91v–94r	Magnificat Secundi Toni: Et exultavit [K.631]	-	Brumel, Antoine (ca. 1460–ca. 1513) Benito, Fray (?)
Magnificat Secundi Toni: Et exultavit [K.631] Brumel, Antoine (ca. 1460–ca. 1513) Benito, Fray (?) Appears on: 91v–94r Genres: BVM, Canticle, Magnificat General Note FabregasMBC hypothesises - but does not seek to prove - that Brumel and Benito are one and the same General Note FabregasMBC hypothesises - but does not seek to prove - that Brumel and Benito are one and the same
94v–98r	Magnificat sexti toni: Anima mea [K.633]	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Magnificat sexti toni: Anima mea [K.633] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 94v–98r Genres: BVM, Canticle, Magnificat Source Attribution: Brumel Number of voices: 4 Concordances Said by Brown to be concordant with Magnificat sexti toni(!) in Uppsala 76a
98v–104r	Magnificat octavi toni: Et exultavit [K.614]	Fr. benios	Benito, Fray
Magnificat octavi toni: Et exultavit [K.614] Benito, Fray Appears on: 98v–104r Genres: BVM, Canticle, Magnificat Source Attribution: Fr. benios Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 201-215.
104v–105r	O admirabile commercium creator generis	Ylario	Illarius, Johannes
O admirabile commercium creator generis Illarius, Johannes Appears on: 104v–105r Genres: Motet Source Attribution: Ylario Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note bottom right corner of f.105 missing with some music Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 216-222.
105v–106r	In illo tempore apprehendit Pilatus Jesum	-	Anonymous
In illo tempore apprehendit Pilatus Jesum Anonymous Appears on: 105v–106r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In illo tempore apprehendit Pilatus General Note bottom left corner of f.105v missing with loss of some music
106v–107r	Si dedero somnum oculis meis	-	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 106v–107r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note One of only two 4-voice versions - the other is Paris 676, but there the added altus voice is different.
107v–108r	Salve regina - 1a pars (of 6): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 6): Salve regina mater misericordiae Anonymous Appears on: 107v–108r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 223-241.
108v–109r	Salve regina - 2a pars (of 6): Vita dulcedo	-	Anonymous
Salve regina - 2a pars (of 6): Vita dulcedo Anonymous Appears on: 108v–109r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4
109v–110r	Salve regina - 3a pars (of 6): Ad te suspiramus	-	Anonymous
Salve regina - 3a pars (of 6): Ad te suspiramus Anonymous Appears on: 109v–110r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4
110v–111r	Salve regina - 4a pars (of 6): Eya ergo advocata nostra	-	Anonymous
Salve regina - 4a pars (of 6): Eya ergo advocata nostra Anonymous Appears on: 110v–111r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4
111v–112r	Salve regina - 5a pars (of 6): Et Jesum benedictum	-	Anonymous
Salve regina - 5a pars (of 6): Et Jesum benedictum Anonymous Appears on: 111v–112r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4
112v–113r	Salve regina - 6a pars (of 6): O clemens o pia	-	Anonymous
Salve regina - 6a pars (of 6): O clemens o pia Anonymous Appears on: 112v–113r Genres: Marian antiphon, Motet, Salve Regina Number of voices: 4
113v–116r	Magnificat tone 8: Et exultavit [K.396]	(illegible ascription: y f---lad)	Anonymous
Magnificat tone 8: Et exultavit [K.396] Anonymous Appears on: 113v–116r Genres: BVM, Canticle, Magnificat Source Attribution: (illegible ascription: y f---lad) Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 242-252.
116v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 116v Genres: textless Number of voices: 2 General Note incomplete - one voice and part of another Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 253-254.
117r	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 117r Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima Concordances also at f. 140v-141r, with an added Contra 4th voice
117v–118r	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 117v–118r Genres: Hymn Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 255-257.
118v–119r	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 118v–119r Genres: Hymn Number of voices: 3 General Note (a different setting from the previous one) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 258-260.
119v	Virgen Reyna gloriosa	lope de vaena	Baena, Lope de (ca. 1455–ca. 1506)
Virgen Reyna gloriosa Baena, Lope de (ca. 1455–ca. 1506) Appears on: 119v Genres: Sacred Song Source Attribution: lope de vaena Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 261-263.
120r	Dy pastor ci co pues vienes	aldomar	Aldomar, Pedro Juan (fl. c1500)
Dy pastor ci co pues vienes Aldomar, Pedro Juan (fl. c1500) Appears on: 120r Genres: Sacred Song Source Attribution: aldomar Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 264-266.
120r	Pues vivo en perder la vida	-	Penalosa, Francisco de
Pues vivo en perder la vida Penalosa, Francisco de Appears on: 120r Genres: Vilancico Number of voices: 2 of 3 General Note incomplete - a folio lost taking with it the tiple and part of the tenor Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 267-268.
120v	A quel pastorcico madre	Graujel	Mena (de Texerana), Gabriel (–1528) Grauiel
A quel pastorcico madre Mena (de Texerana), Gabriel (–1528) Grauiel Appears on: 120v Genres: Chanson Source Attribution: Graujel Number of voices: 3 General Note FabregasMBC says this is an error for 'Gabriel' [=Mena] Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 269-272.
120v–122r	Magnificat octavi toni: Et exultavit [K.913]	Ao de Mondejar	Mondejar, Alonso de
Magnificat octavi toni: Et exultavit [K.913] Mondejar, Alonso de Appears on: 120v–122r Genres: BVM, Canticle, Magnificat Source Attribution: Ao de Mondejar Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 273-279.
122r	[textless]	Ao de Mondejar	Mondejar, Alonso de
[textless] Mondejar, Alonso de Appears on: 122r Genres: textless Source Attribution: Ao de Mondejar Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 280-281.
122v–123r	Ave Maria tu individue - 1a pars (of 2): Ave Maria tu individue trinitatis	-	Anonymous
Ave Maria tu individue - 1a pars (of 2): Ave Maria tu individue trinitatis Anonymous Appears on: 122v–123r Genres: Ave Maria, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria tu individur trinitatis Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 282-290.
123v–124r	Ave Maria tu individue - 2a pars (of 2): Tu confessorum fons et plenitudo	-	Anonymous
Ave Maria tu individue - 2a pars (of 2): Tu confessorum fons et plenitudo Anonymous Appears on: 123v–124r Genres: Ave Maria, Motet Number of voices: 4
124v–125r	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	[Josquin]	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 124v–125r Genres: Ave Maria, Motet Source Attribution: [Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena General Note "Angles wrote that the [index] attributes the piece to 'Jusquin'. However, the folio number in the [index] next to the entry 'Ave Maria de Jusquin' is partly illegible. The scribe was referring to the piece that was never copied on the empty staves of ff. 154v-155r, where there is an attribution to "Jusquin" on f. 154v." (FabregasMBC)
125v–126r	Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas Despres, Josquin (ca. 1450–1521) Appears on: 125v–126r Genres: Ave Maria, Motet Number of voices: 4
126v–127r	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 126v–127r Genres: Ave Maria, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
127v–128r	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 127v–128r Genres: Motet Number of voices: 4
128v–129r	Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem Despres, Josquin (ca. 1450–1521) Appears on: 128v–129r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
129v–130r	Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus Despres, Josquin (ca. 1450–1521) Appears on: 129v–130r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
130v–131r	Anima mea liquefacta est ut dilectus meus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 130v–131r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
131v–132r	Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus Compère, Loyset (ca. 1445–1518) Appears on: 131v–132r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sile fragor ac rerum tumultus
132v–133r	Sile fragor - 2a pars (of 2): Suscipe deitatis mater	-	Compère, Loyset (ca. 1445–1518)
Sile fragor - 2a pars (of 2): Suscipe deitatis mater Compère, Loyset (ca. 1445–1518) Appears on: 132v–133r Genres: Motet Number of voices: 4
133v–134r	Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur Compère, Loyset (ca. 1445–1518) Appears on: 133v–134r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum
134v–135r	Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima Compère, Loyset (ca. 1445–1518) Appears on: 134v–135r Genres: Motet Number of voices: 4
135v–136r	O bone Jesu illumina oculos meos	Penyalosa	Ribera, Antonio de (?) Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523)
O bone Jesu illumina oculos meos Ribera, Antonio de (?) Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Appears on: 135v–136r Genres: Motet Source Attribution: Penyalosa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone Iesu illumina oculos meos
136v–137r	Mater patris et filia mulierum laetitia	-	Brumel, Antoine (ca. 1460–ca. 1513)
Mater patris et filia mulierum laetitia Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 136v–137r Genres: Sequence Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Mater patris et filia mulierum laetitia
137v	Missa: Kyrie (1v only)	-	Benito, Fray
Missa: Kyrie (1v only) Benito, Fray Appears on: 137v Genres: Kyrie eleison, Mass Ordinary Number of voices: 1 General Note the same Kyrie is at f. 21v of this ms
138v–138bis r	Mater patris nacti nata	-	Anonymous
Mater patris nacti nata Anonymous Appears on: 138v–138bis r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Mater patris nati nata Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 291-295.
138bis vv–139r	Tribularer si nescirem misericordias tuas	Peñalosa	Penalosa, Francisco de
Tribularer si nescirem misericordias tuas Penalosa, Francisco de Appears on: 138bis vv–139r Genres: Motet Source Attribution: Peñalosa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Tribularer si nescirem misericordias tuas
139v–140r	In passione positus Jesus qui pro nobis	Penyalosa	Penalosa, Francisco de
In passione positus Jesus qui pro nobis Penalosa, Francisco de Appears on: 139v–140r Genres: Motet Source Attribution: Penyalosa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In passione positus Iesus
140v–141r	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 140v–141r Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima Concordances also at f. 117r, but without the added Contra 4th voice Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 296-300.
141v–142r	Abiit Jesus - 1a pars (of 2): Abiit Jesus trans mare galiee	-	Anonymous
Abiit Jesus - 1a pars (of 2): Abiit Jesus trans mare galiee Anonymous Appears on: 141v–142r Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Abiit Iesus Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 301-306.
142v–143r	Abiit Jesus - 2a pars (of 2): Dixit ergo Jesus	-	Anonymous
Abiit Jesus - 2a pars (of 2): Dixit ergo Jesus Anonymous Appears on: 142v–143r Genres: Motet Number of voices: 4
143v	Amor pues tú nos das plazer	-	Baena, Lope de (ca. 1455–ca. 1506)
Amor pues tú nos das plazer Baena, Lope de (ca. 1455–ca. 1506) Appears on: 143v Genres: Chanson Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 307-309. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 487-488.
144r	Los braços trayo	-	Penalosa, Francisco de
Los braços trayo Penalosa, Francisco de Appears on: 144r Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 310-312. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 489-491.
144v	(textless) primus tonus	-	Anonymous
(textless) primus tonus Anonymous Appears on: 144v Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 313-314.
144v	(textless) primus tonus	-	Anonymous
(textless) primus tonus Anonymous Appears on: 144v Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 315-316.
145r	(textless) secundus tonus	-	Anonymous
(textless) secundus tonus Anonymous Appears on: 145r Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 317-318.
145v	(textless) tertius tonus	-	Anonymous
(textless) tertius tonus Anonymous Appears on: 145v Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 319-320.
146r	(textless) quartus tonus	-	Anonymous
(textless) quartus tonus Anonymous Appears on: 146r Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 321-322.
146r	(textless) quintus tonus	-	Anonymous
(textless) quintus tonus Anonymous Appears on: 146r Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 323-324.
146v	(textless) sestus tonus	-	Anonymous
(textless) sestus tonus Anonymous Appears on: 146v Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 325-326.
147r	(textless) septimus tonus	-	Anonymous
(textless) septimus tonus Anonymous Appears on: 147r Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 327-328.
147v–148r	(textless) octavus tonus	-	Anonymous
(textless) octavus tonus Anonymous Appears on: 147v–148r Genres: Fauxbourdon/faburden Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 329-330.
148v–149r	Pange lingua gloriosi (I)	-	Urrede (Wrede), Juan de (fl. 1451-c1482)
Pange lingua gloriosi (I) Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 148v–149r Genres: Hymn Number of voices: 4
149v–150r	Ut queant laxis	-	Anonymous
Ut queant laxis Anonymous Appears on: 149v–150r Genres: Hymn Number of voices: 4 Concordances also copied at ff. 19r, by a different scribe
150v–151r	Exultet celum laudibus	-	Anonymous
Exultet celum laudibus Anonymous Appears on: 150v–151r Genres: Hymn Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 331-333.
151r	Si la noche es temerosa	-	Anonymous
Si la noche es temerosa Anonymous Appears on: 151r Genres: Vilancico Number of voices: 1 General Note incomplete: Superius only. Text "Si..." (remainder identified from concordance in Madrid 1335) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 334-335.
151v	Sacris solemniis	-	Anonymous
Sacris solemniis Anonymous Appears on: 151v Genres: Hymn Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 336-338.
152r	Sacris solemniis	-	Anonymous
Sacris solemniis Anonymous Appears on: 152r Genres: Hymn Concordances Superius is the same as the Tenor of Penalosa's 'Sacris solemniis' (Tarazona 2/3, f. 5v) Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 339-340.
152v–154r	Magnificat sexti toni: Et exultavit [K.989]	Quexada	Quexada [Quesada]
Magnificat sexti toni: Et exultavit [K.989] Quexada [Quesada] Appears on: 152v–154r Genres: BVM, Canticle, Magnificat Source Attribution: Quexada Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 341-350.
154v–155r	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Jusquin	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 154v–155r Genres: Ave Maria, Motet Source Attribution: Jusquin Number of voices: 0 General Note empty staves ruled & set out ready to copy Josquin's 'Ave Maria': f. 154v has 'Jusquin' written at top, 'Tenor' at left margin in middle of page; f. 155r has 'Inferius' in margin halfway down page. The piece is also identified in the index - "Ave Maria de Jusquin [f. 15]5" - but was never copied, perhaps because the scribe realised it had already been copied elsewhere in the manuscript (f. 124v-126) (FabregasMBC)
155v–157r	Or sus vous dormez trop madame joliette	-	Janequin, Clement (ca. 1485–ca. 1558) (?)
Or sus vous dormez trop madame joliette Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 155v–157r Genres: Chanson Number of voices: 3 General Note Title garbled: "Orsus orsus bus dromes"
157v	Dadnos señora aguinaldo	-	Anonymous
Dadnos señora aguinaldo Anonymous Appears on: 157v Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 351-353. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 492-493.
158r	A la caça, sus, a caça	-	Lucas
A la caça, sus, a caça Lucas Appears on: 158r Genres: Vilancico Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 354-357.
158v–160r	Magnificat octavi toni: Et exultavit [K.232]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.232] Anonymous Appears on: 158v–160r Genres: BVM, Canticle, Magnificat Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 358-364.
160v	Verbum patris hodie processit	-	Anonymous
Verbum patris hodie processit Anonymous Appears on: 160v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum patris hodie Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 365-366.
161r	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 161r Genres: Psalm Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Dixit dominus domino meo Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 367-368.
161v–162r	Clamabat autem mulier Cananaea ad Dominum	Scobar [= Escobar]	Escobar, Pedro de
Clamabat autem mulier Cananaea ad Dominum Escobar, Pedro de Appears on: 161v–162r Genres: Motet Source Attribution: Scobar [= Escobar] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Clamabat autem mulier Cananaea ad dominum
162v–163r	Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	Peñalosa	Penalosa, Francisco de (?) Escobar, Pedro de (?)
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles Penalosa, Francisco de (?) Escobar, Pedro de (?) Appears on: 162v–163r Genres: Motet Source Attribution: Peñalosa Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Memorare piissima opprobria et crudelis
162v–163r	Memorare piissima - 2a pars (of 2): Et pedes confixi	-	Penalosa, Francisco de (?) Escobar, Pedro de (?)
Memorare piissima - 2a pars (of 2): Et pedes confixi Penalosa, Francisco de (?) Escobar, Pedro de (?) Appears on: 162v–163r Genres: Motet Number of voices: 4
163v–174r	Passio secundum Johannem	-	Anonymous
Passio secundum Johannem Anonymous Appears on: 163v–174r Genres: Liturgical work, Passion Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Passio secundum Ioannem Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 369-382.
174v–175r	Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea	Ribrafrecha [= Ribaflecha]	Ribaflecha, Martin de
Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea Ribaflecha, Martin de Appears on: 174v–175r Genres: Motet Source Attribution: Ribrafrecha [= Ribaflecha] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 383-390.
175v–176r	Quam pulchra es - 2a pars (of 2): Aperi mihi soror mea	-	Ribaflecha, Martin de
Quam pulchra es - 2a pars (of 2): Aperi mihi soror mea Ribaflecha, Martin de Appears on: 175v–176r Genres: Motet Number of voices: 4
176v–177r	Sancta Trinitas unus Deus miserere nobis (4vv)	Anthonius de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 176v–177r Genres: Motet Source Attribution: Anthonius de Fevin Number of voices: 4
177v	Dixit Dominus (primo tono)	-	Anonymous
Dixit Dominus (primo tono) Anonymous Appears on: 177v Genres: Psalm Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 391-392.
177v–178r	Ave sanctissima Maria mater Dei	-	Anonymous
Ave sanctissima Maria mater Dei Anonymous Appears on: 177v–178r Genres: Motet Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 393-397.
178v	(untexted)	-	Anonymous
(untexted) Anonymous Appears on: 178v Genres: textless Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 398-400.
180bis r	Pelayo tan buen esfuerço	-	Encina, Juan del
Pelayo tan buen esfuerço Encina, Juan del Appears on: 180bis r Genres: Vilancico Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 401-403.
180bis r	(untexted)	-	Anonymous
(untexted) Anonymous Appears on: 180bis r Genres: textless Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 404-405.
180bis r	Paxariso que vas a la fuente	-	Anonymous
Paxariso que vas a la fuente Anonymous Appears on: 180bis r Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 406-407.
180bis v	Kyrie [trope: Qui passurus]	-	Anonymous
Kyrie [trope: Qui passurus] Anonymous Appears on: 180bis v Genres: Mass Ordinary, Troped Kyrie
181r	(untexted 12vv canon)	-	Anonymous
(untexted 12vv canon) Anonymous Appears on: 181r Genres: Canon General Note canon: Undecim apostoli secuti sunt Petrum Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 408-409.
181r	(untexted 6vv canon)	-	Anonymous
(untexted 6vv canon) Anonymous Appears on: 181r Genres: Canon Number of voices: 5 General Note Canon: Quinque venatores sequebantur unum leporem Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 410-411.
181r	(untexted 4vv canon)	-	Anonymous
(untexted 4vv canon) Anonymous Appears on: 181r Genres: Canon Number of voices: 4 General Note Canon: Fuge in Egiptum usque in desertum Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 412-413.
181r	(untexted)	-	Anonymous
(untexted) Anonymous Appears on: 181r Genres: textless Number of voices: 2 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 414-415.
181v	Camino de Santiago	Ao. de mondejar	Mondejar, Alonso de
Camino de Santiago Mondejar, Alonso de Appears on: 181v Genres: Chanson Source Attribution: Ao. de mondejar Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 416-418. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 498-498.
181v	(untexted)	-	Anonymous
(untexted) Anonymous Appears on: 181v Genres: textless Number of voices: 2 General Note incomplete: Sup & part of Ten only Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 419-420.
182r	Viva tal pastor ganado	-	Anonymous
Viva tal pastor ganado Anonymous Appears on: 182r Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 421-423. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 499.
182v	Escomience a(h)ora	Juanillo	Juanillo
Escomience a(h)ora Juanillo Appears on: 182v Genres: Canción Source Attribution: Juanillo Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 424-425. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 500.
183r	Los que a nuestro rabadan	-	Anonymous
Los que a nuestro rabadan Anonymous Appears on: 183r Genres: Canción General Note text is part of Psalm 113 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 426-427. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 500.
183v	Pues tan huerte nos festeja	-	Anonymous
Pues tan huerte nos festeja Anonymous Appears on: 183v Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 428-430. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 503.
183v	(fabordon)	-	Anonymous
(fabordon) Anonymous Appears on: 183v Genres: Fauxbourdon/faburden, textless Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 431-432. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 504-505.
184r	Si sentis lo que yo siento	Flecha	Flecha, Matheo
Si sentis lo que yo siento Flecha, Matheo Appears on: 184r Genres: Canción Source Attribution: Flecha Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 433-435. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 506-607.
184v	Pues no me quereys	-	Anonymous
Pues no me quereys Anonymous Appears on: 184v Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 436-438. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 508-509.
184v	Gentil caballero deis me ahora	-	Anonymous
Gentil caballero deis me ahora Anonymous Appears on: 184v Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: I, 439-441. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 510.
185r	Mi dolor esta encubierto	-	Anonymous
Mi dolor esta encubierto Anonymous Appears on: 185r Genres: Canción Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 442-444. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 511-512.
185r	Perdi mis amores	-	Anonymous
Perdi mis amores Anonymous Appears on: 185r Genres: Canción Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 445-447. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 513.
185v	O triste de mi	flecha	Flecha, Matheo
O triste de mi Flecha, Matheo Appears on: 185v Genres: Canción Source Attribution: flecha Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 448-450. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 514-515.
185v	Si no os hubiera mirado	morales	Morales, Cristóbal de (ca. 1500–1553)
Si no os hubiera mirado Morales, Cristóbal de (ca. 1500–1553) Appears on: 185v Genres: Canción Source Attribution: morales Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 451-453. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 516-517.
186r	Llenos de lagrimas tristes	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Llenos de lagrimas tristes Pastrana, Pedro de (1490–ca. 1558) Appears on: 186r Genres: Canción Source Attribution: Pastrana Number of voices: 3 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 454-457. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 518-51.
186v–187r	Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	-	Anonymous
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare Anonymous Appears on: 186v–187r Genres: BVM, Marian antiphon, Regina caeli laetare Number of voices: 4 Concordances the version in the Chigi codex (C.VIII.234) is for 3vv Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 458-464.
187v–188r	Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	-	Anonymous
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit Anonymous Appears on: 187v–188r Genres: BVM, Marian antiphon, Regina caeli laetare Number of voices: 4 Concordances the version in the Chigi codex (C.VIII.234) is for 3vv
188v–189r	Magnificat sexti toni: Anima mea [K.316]	-	Anonymous
Magnificat sexti toni: Anima mea [K.316] Anonymous Appears on: 188v–189r Genres: BVM, Canticle, Magnificat General Note Setting of 'Anima mea Dominum' only Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 465-467.
189v	Tiempo bueno quien te aparceo	flecha	Flecha, Matheo
Tiempo bueno quien te aparceo Flecha, Matheo Appears on: 189v Genres: Canción Source Attribution: flecha Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 468-472. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 520-522.
190r	Encubrase el mal que siento	flecha	Flecha, Matheo
Encubrase el mal que siento Flecha, Matheo Appears on: 190r Genres: Canción Source Attribution: flecha Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 473-475. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 523-524.
190r	Y la mi cinta dorada	-	Flecha, Matheo (?)
Y la mi cinta dorada Flecha, Matheo (?) Appears on: 190r Genres: Vilancico Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 476-479. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 525.
190v	Ay dime señora	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Ay dime señora Pastrana, Pedro de (1490–ca. 1558) Appears on: 190v Genres: Canción Source Attribution: Pastrana Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 480-483. Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: I, 526-527.

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) 'Missa Auleni': Agnus Dei – 81v–82r (?) 'Missa Auleni': Credo – 76v–79r (?) 'Missa Auleni': Gloria – 74v–76r (?) 'Missa Auleni': Kyrie – 74r–74v (?) 'Missa Auleni': Sanctus – 79v–81r Si dedero somnum oculis meis – 106v–107r
Aldomar, Pedro Juan (c1500)	Dy pastor ci co pues vienes – 120r
Anchieta, Juan de (1462-1523)	Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] – 39v–41r Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator] – 38v–39r (?) Missa nuestra Señora: Agnus Dei – 47v–48r (?) Missa nuestra Señora: Sanctus [Osanna tro. Pater per omnia] – 45v–47r O bone Jesu illumina oculos meos – 135v–136r Salve regina - 1a pars (of 2): Salve regina – 60v–61r Salve regina - 2a pars (of 2): Et Jesum – 61v–62r
Anonymous	(Felix namque es) Sacra virgo Maria – 44v–45r (fabordon) – 183v (textless) octavus tonus – 147v–148r (textless) primus tonus – 144v (textless) primus tonus – 144v (textless) quartus tonus – 146r (textless) quintus tonus – 146r (textless) secundus tonus – 145r (textless) septimus tonus – 147r (textless) sestus tonus – 146v (textless) tertius tonus – 145v (untexted 12vv canon) – 181r (untexted 4vv canon) – 181r (untexted 6vv canon) – 181r (untexted) – 180bis r (untexted) – 181r (untexted) – 181v (untexted) – 178v Abiit Jesus - 1a pars (of 2): Abiit Jesus trans mare galiee – 141v–142r Abiit Jesus - 2a pars (of 2): Dixit ergo Jesus – 142v–143r Alleluia. Dies sanctificatus illuxit nobis – 73v Alleluia. Dies sanctificatus illuxit nobis – 68v Alleluya dulcis mater – 43v–44r Ave Maria tu individue - 1a pars (of 2): Ave Maria tu individue trinitatis – 122v–123r Ave Maria tu individue - 2a pars (of 2): Tu confessorum fons et plenitudo – 123v–124r Ave sanctissima Maria mater Dei – 177v–178r Ave sanctissima Maria mater Dei piissima – 117r Ave sanctissima Maria mater Dei piissima – 140v–141r Beata nobis gaudia Anni reduxit orbita – 18v Beata viscera – 48v–49r Benedicamus Domino – 68v–69 Benedicamus Domino – 73v–74r Benedicta et venerabilis es virgo Maria – 41v–42r Dadnos señora aguinaldo – 157v Dixit Dominus (primo tono) – 177v Dixit Dominus Domino meo – 161r Dixit Dominus Domino meo – 72v Exultet celum laudibus – 150v–151r Gentil caballero deis me ahora – 184v Gloria (incomplete) – 59v In illo tempore apprehendit Pilatus Jesum – 105v–106r Kyrie [trope: Qui passurus] – 180bis v Los que a nuestro rabadan – 183r Magnificat octavi toni: Et exultavit [K.232] – 158v–160r Magnificat primi toni: Et exultavit [K.114] – 87v–91r Magnificat sexti toni: Anima mea [K.316] – 188v–189r Magnificat tone 8: Et exultavit [K.396] – 113v–116r Mater patris nacti nata – 138v–138bis r Mi dolor esta encubierto – 185r Passio secundum Johannem – 163v–174r Paxariso que vas a la fuente – 180bis r Perdi mis amores – 185r Pues no me quereys – 184v Pues tan huerte nos festeja – 183v Regina caeli laetare - 1a pars (of 2): Regina caeli laetare – 186v–187r Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit – 187v–188r Sacris solemniis – 152r Sacris solemniis – 151v Salve regina - 1a pars (of 6): Salve regina mater misericordiae – 107v–108r Salve regina - 2a pars (of 6): Vita dulcedo – 108v–109r Salve regina - 3a pars (of 6): Ad te suspiramus – 109v–110r Salve regina - 4a pars (of 6): Eya ergo advocata nostra – 110v–111r Salve regina - 5a pars (of 6): Et Jesum benedictum – 111v–112r Salve regina - 6a pars (of 6): O clemens o pia – 112v–113r Salve sancta parens – 37v–38r Si la noche es temerosa – 151r Ut queant laxis – 19r Ut queant laxis – 149v–150r Veni creator spiritus – 117v–118r Veni creator spiritus – 118v–119r Verbum patris hodie processit – 160v Virgo Dei gentirix / Mutua seclausit – 42v–43r Viva tal pastor ganado – 182r [Dixit Dominus] Donec ponam – 73r [textless] – 116v
Aulen, Johannes (late 15th century)	'Missa Auleni': Agnus Dei – 81v–82r 'Missa Auleni': Credo – 76v–79r 'Missa Auleni': Gloria – 74v–76r 'Missa Auleni': Kyrie – 74r–74v 'Missa Auleni': Sanctus – 79v–81r
Baena, Lope de (ca. 1455-ca. 1506)	Amor pues tú nos das plazer – 143v Virgen Reyna gloriosa – 119v
Bauldeweyn, Noel (ca. 1480-1529)	(?) O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum – 62v–63r (?) O pulcherrima - 2a pars (of 2): Descendi in hortum meum – 63v–64r
Benito, Fray	(?) Magnificat Secundi Toni: Et exultavit [K.631] – 91v–94r Magnificat octavi toni: Et exultavit [K.614] – 98v–104r Magnificat primi toni: Et exultavit [K.981] – 83v–87r Missa – 21v–30r Missa: Kyrie (1v only) – 137v
Brumel, Antoine (ca. 1460-ca. 1513)	Magnificat Secundi Toni: Et exultavit [K.631] – 91v–94r Magnificat sexti toni: Anima mea [K.633] – 94v–98r Mater patris et filia mulierum laetitia – 136v–137r
Busnoys, Antoine (ca. 1430-1492)	Missa L'homme armé: Agnus Dei – 58v–59r Missa L'homme armé: Credo – 53v–56r Missa L'homme armé: Gloria – 50v–53r Missa L'homme armé: Kyrie – 49v–50r Missa L'homme armé: Sanctus – 56v–58r
Compère, Loyset (ca. 1445-1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 126v–127r Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 127v–128r (?) O bone Jesu illumina oculos meos – 135v–136r Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur – 133v–134r Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima – 134v–135r Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus – 131v–132r Sile fragor - 2a pars (of 2): Suscipe deitatis mater – 132v–133r
Despres, Josquin (ca. 1450-1521)	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 154v–155r Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 124v–125r Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas – 125v–126r (?) O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum – 62v–63r (?) O pulcherrima - 2a pars (of 2): Descendi in hortum meum – 63v–64r (?) Sancta mater istud agas crucifixi 25.8 – 64v–65r Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem – 128v–129r Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus – 129v–130r
Diaz (Pedro Diaz de Aux?)	(?) Ave sanctissimum et gloriosum / Ave verum – 82v
Encina, Juan del	Pelayo tan buen esfuerço – 180bis r
Escobar, Pedro de	Clamabat autem mulier Cananaea ad Dominum – 161v–162r (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 162v–163r (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 162v–163r
Festa, Costanzo (ca. 1485-1545)	(?) O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum – 62v–63r (?) O pulcherrima - 2a pars (of 2): Descendi in hortum meum – 63v–64r
Fevin, Antoine de (ca. 1470-ca. 1512)	Missa Mente tota tibi: Agnus Dei – 11v–12v Missa Mente tota tibi: Credo – 7v–10r Missa Mente tota tibi: Gloria – 5v–7r Missa Mente tota tibi: Kyrie – 4v–5r Missa Mente tota tibi: Sanctus – 10v–12r (?) O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum – 62v–63r (?) O pulcherrima - 2a pars (of 2): Descendi in hortum meum – 63v–64r Sancta Trinitas unus Deus miserere nobis (4vv) – 176v–177r
Flecha, Matheo	Encubrase el mal que siento – 190r (?) Gloria... pues nacio – 20v O triste de mi – 185v Si sentis lo que yo siento – 184r Tiempo bueno quien te aparceo – 189v (?) Y la mi cinta dorada – 190r
Grauiel	A quel pastorcico madre – 120v
Guerrero, Francisco	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 68r (?) Ne recorderis dirige dum veneris / Kyrie eleison – 73r
Illarius, Johannes	O admirabile commercium creator generis – 104v–105r
Janequin, Clement (ca. 1485-ca. 1558)	(?) Or sus vous dormez trop madame joliette – 155v–157r
Juanillo	Escomience a(h)ora – 182v
Lucas	A la caça, sus, a caça – 158r
Martini, Johannes (ca. 1430-1497)	O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime – 15r (?) O beate Sebastiane - 2a pars (of 2): Libera nos – 15v–16r
Mena (de Texerana), Gabriel (-1528)	A quel pastorcico madre – 120v
Mondejar, Alonso de	(?) Ave sanctissimum et gloriosum / Ave verum – 82v Camino de Santiago – 181v Magnificat octavi toni: Et exultavit [K.913] – 120v–122r [textless] – 122r
Monte, Petrus de	Benedicamus Domino – 69r (?) Magnificat primi toni: Et exultavit [K.712] – 69v–72r
Morales, Cristóbal de (ca. 1500-1553)	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 68r (?) Ne recorderis dirige dum veneris / Kyrie eleison – 73r Si no os hubiera mirado – 185v
Mouton, Jean (ca. 1459-1522)	(?) O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime – 15r (?) O beate Sebastiane - 2a pars (of 2): Libera nos – 15v–16r O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum – 62v–63r O pulcherrima - 2a pars (of 2): Descendi in hortum meum – 63v–64r
Ockeghem, Jean de (ca. 1410-1497)	Missa Au travail suis: Agnus Dei – 36v–37r Missa Au travail suis: Credo – 33v–35r Missa Au travail suis: Gloria – 31v–33r Missa Au travail suis: Kyrie – 30v–37r Missa Au travail suis: Sanctus – 35v–36r
Pastrana, Pedro de (1490-ca. 1558)	Ay dime señora – 190v Llenos de lagrimas tristes – 186r
Penalosa, Francisco de	Ave vere sanguis Domini nostri Jesu – 65v–66r Ave vere sanguis Domini nostri Jesu – 1r In passione positus Jesus qui pro nobis – 139v–140r Los braços trayo – 144r (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 162v–163r (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 162v–163r (?) O bone Jesu illumina oculos meos – 135v–136r Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam – 66v–67r Precor te Domine - 2a pars (of 2): Cum inclinato capite – 67v Pues vivo en perder la vida – 120r Sancta mater istud agas crucifixi 25.8 – 64v–65r Tribularer si nescirem misericordias tuas – 138bis vv–139r
Quexada [Quesada]	Magnificat sexti toni: Et exultavit [K.989] – 152v–154r
Ribaflecha, Martin de	Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea – 174v–175r Quam pulchra es - 2a pars (of 2): Aperi mihi soror mea – 175v–176r
Ribera, Antonio de	(?) O bone Jesu illumina oculos meos – 135v–136r
Torre, Francisco de la	Ne recorderis dirige dum veneris / Kyrie eleison – 73r Ne recorderis dirige dum veneris / Kyrie eleison – 68r
Urrede (Wrede), Juan de (1451-c1482)	Pange lingua gloriosi (I) – 148v–149r
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	Anima mea liquefacta est ut dilectus meus – 130v–131r O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime – 16v–17r O beate Sebastiane - 2a pars (of 2): Libera nos – 17v–18r

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Agnus Dei	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	81v–82r
'Missa Auleni': Credo	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	76v–79r
'Missa Auleni': Gloria	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	74v–76r
'Missa Auleni': Kyrie	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	74r–74v
'Missa Auleni': Sanctus	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	79v–81r
(fabordon)	Anonymous	183v
(Felix namque es) Sacra virgo Maria	Anonymous	44v–45r
(textless) octavus tonus	Anonymous	147v–148r
(textless) primus tonus	Anonymous	144v
(textless) primus tonus	Anonymous	144v
(textless) quartus tonus	Anonymous	146r
(textless) quintus tonus	Anonymous	146r
(textless) secundus tonus	Anonymous	145r
(textless) septimus tonus	Anonymous	147r
(textless) sestus tonus	Anonymous	146v
(textless) tertius tonus	Anonymous	145v
(untexted 12vv canon)	Anonymous	181r
(untexted 4vv canon)	Anonymous	181r
(untexted 6vv canon)	Anonymous	181r
(untexted)	Anonymous	178v
(untexted)	Anonymous	180bis r
(untexted)	Anonymous	181r
(untexted)	Anonymous	181v
[Dixit Dominus] Donec ponam	Anonymous	73r
[textless]	Anonymous	116v
[textless]	Mondejar, Alonso de	122r
A la caça, sus, a caça	Lucas	158r
A quel pastorcico madre	Mena (de Texerana), Gabriel (–1528) Grauiel	120v
Abiit Jesus - 1a pars (of 2): Abiit Jesus trans mare galiee	Anonymous	141v–142r
Abiit Jesus - 2a pars (of 2): Dixit ergo Jesus	Anonymous	142v–143r
Alleluia. Dies sanctificatus illuxit nobis	Anonymous	68v
Alleluia. Dies sanctificatus illuxit nobis	Anonymous	73v
Alleluya dulcis mater	Anonymous	43v–44r
Amor pues tú nos das plazer	Baena, Lope de (ca. 1455–ca. 1506)	143v
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	130v–131r
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	124v–125r
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	154v–155r
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	Despres, Josquin (ca. 1450–1521)	125v–126r
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	126v–127r
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	127v–128r
Ave Maria tu individue - 1a pars (of 2): Ave Maria tu individue trinitatis	Anonymous	122v–123r
Ave Maria tu individue - 2a pars (of 2): Tu confessorum fons et plenitudo	Anonymous	123v–124r
Ave sanctissima Maria mater Dei	Anonymous	177v–178r
Ave sanctissima Maria mater Dei piissima	Anonymous	117r
Ave sanctissima Maria mater Dei piissima	Anonymous	140v–141r
Ave sanctissimum et gloriosum / Ave verum	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)	82v
Ave vere sanguis Domini nostri Jesu	Penalosa, Francisco de	1r
Ave vere sanguis Domini nostri Jesu	Penalosa, Francisco de	65v–66r
Ay dime señora	Pastrana, Pedro de (1490–ca. 1558)	190v
Beata nobis gaudia Anni reduxit orbita	Anonymous	18v
Beata viscera	Anonymous	48v–49r
Benedicamus Domino	Anonymous	68v–69
Benedicamus Domino	Monte, Petrus de	69r
Benedicamus Domino	Anonymous	73v–74r
Benedicta et venerabilis es virgo Maria	Anonymous	41v–42r
Camino de Santiago	Mondejar, Alonso de	181v
Clamabat autem mulier Cananaea ad Dominum	Escobar, Pedro de	161v–162r
Dadnos señora aguinaldo	Anonymous	157v
Dixit Dominus (primo tono)	Anonymous	177v
Dixit Dominus Domino meo	Anonymous	72v
Dixit Dominus Domino meo	Anonymous	161r
Dy pastor ci co pues vienes	Aldomar, Pedro Juan (fl. c1500)	120r
Encubrase el mal que siento	Flecha, Matheo	190r
Escomience a(h)ora	Juanillo	182v
Exultet celum laudibus	Anonymous	150v–151r
Gentil caballero deis me ahora	Anonymous	184v
Gloria (incomplete)	Anonymous	59v
Gloria... pues nacio	Flecha, Matheo (?)	20v
In illo tempore apprehendit Pilatus Jesum	Anonymous	105v–106r
In passione positus Jesus qui pro nobis	Penalosa, Francisco de	139v–140r
Kyrie [trope: Qui passurus]	Anonymous	180bis v
Llenos de lagrimas tristes	Pastrana, Pedro de (1490–ca. 1558)	186r
Los braços trayo	Penalosa, Francisco de	144r
Los que a nuestro rabadan	Anonymous	183r
Magnificat octavi toni: Et exultavit [K.232]	Anonymous	158v–160r
Magnificat octavi toni: Et exultavit [K.614]	Benito, Fray	98v–104r
Magnificat octavi toni: Et exultavit [K.913]	Mondejar, Alonso de	120v–122r
Magnificat primi toni: Et exultavit [K.114]	Anonymous	87v–91r
Magnificat primi toni: Et exultavit [K.712]	Monte, Petrus de (?)	69v–72r
Magnificat primi toni: Et exultavit [K.981]	Benito, Fray	83v–87r
Magnificat Secundi Toni: Et exultavit [K.631]	Brumel, Antoine (ca. 1460–ca. 1513) Benito, Fray (?)	91v–94r
Magnificat sexti toni: Anima mea [K.316]	Anonymous	188v–189r
Magnificat sexti toni: Anima mea [K.633]	Brumel, Antoine (ca. 1460–ca. 1513)	94v–98r
Magnificat sexti toni: Et exultavit [K.989]	Quexada [Quesada]	152v–154r
Magnificat tone 8: Et exultavit [K.396]	Anonymous	113v–116r
Mater patris et filia mulierum laetitia	Brumel, Antoine (ca. 1460–ca. 1513)	136v–137r
Mater patris nacti nata	Anonymous	138v–138bis r
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	Penalosa, Francisco de (?) Escobar, Pedro de (?)	162v–163r
Memorare piissima - 2a pars (of 2): Et pedes confixi	Penalosa, Francisco de (?) Escobar, Pedro de (?)	162v–163r
Mi dolor esta encubierto	Anonymous	185r
Missa	Benito, Fray	21v–30r
Missa Au travail suis: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	36v–37r
Missa Au travail suis: Credo	Ockeghem, Jean de (ca. 1410–1497)	33v–35r
Missa Au travail suis: Gloria	Ockeghem, Jean de (ca. 1410–1497)	31v–33r
Missa Au travail suis: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	30v–37r
Missa Au travail suis: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	35v–36r
Missa L'homme armé: Agnus Dei	Busnoys, Antoine (ca. 1430–1492)	58v–59r
Missa L'homme armé: Credo	Busnoys, Antoine (ca. 1430–1492)	53v–56r
Missa L'homme armé: Gloria	Busnoys, Antoine (ca. 1430–1492)	50v–53r
Missa L'homme armé: Kyrie	Busnoys, Antoine (ca. 1430–1492)	49v–50r
Missa L'homme armé: Sanctus	Busnoys, Antoine (ca. 1430–1492)	56v–58r
Missa Mente tota tibi: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512)	11v–12v
Missa Mente tota tibi: Credo	Fevin, Antoine de (ca. 1470–ca. 1512)	7v–10r
Missa Mente tota tibi: Gloria	Fevin, Antoine de (ca. 1470–ca. 1512)	5v–7r
Missa Mente tota tibi: Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512)	4v–5r
Missa Mente tota tibi: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	10v–12r
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	Anchieta, Juan de (1462–1523)	39v–41r
Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator]	Anchieta, Juan de (1462–1523)	38v–39r
Missa nuestra Señora: Agnus Dei	Anchieta, Juan de (1462–1523) (?)	47v–48r
Missa nuestra Señora: Sanctus [Osanna tro. Pater per omnia]	Anchieta, Juan de (1462–1523) (?)	45v–47r
Missa: Kyrie (1v only)	Benito, Fray	137v
Ne recorderis dirige dum veneris / Kyrie eleison	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)	68r
Ne recorderis dirige dum veneris / Kyrie eleison	Guerrero, Francisco (?) Torre, Francisco de la Morales, Cristóbal de (ca. 1500–1553) (?)	73r
O admirabile commercium creator generis	Illarius, Johannes	104v–105r
O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime	Martini, Johannes (ca. 1430–1497) Mouton, Jean (ca. 1459–1522) (?)	15r
O beate Sebastiane - 1a pars (of 2): O beate Sebastiane miles beatissime	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	16v–17r
O beate Sebastiane - 2a pars (of 2): Libera nos	Mouton, Jean (ca. 1459–1522) (?) Martini, Johannes (ca. 1430–1497) (?)	15v–16r
O beate Sebastiane - 2a pars (of 2): Libera nos	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	17v–18r
O bone Jesu illumina oculos meos	Ribera, Antonio de (?) Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523)	135v–136r
O pulcherrima - 1a pars (of 2): O pulcherrima mulierum vulnerasti cor meum	Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522)	62v–63r
O pulcherrima - 2a pars (of 2): Descendi in hortum meum	Bauldeweyn, Noel (ca. 1480–1529) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?)	63v–64r
O triste de mi	Flecha, Matheo	185v
Or sus vous dormez trop madame joliette	Janequin, Clement (ca. 1485–ca. 1558) (?)	155v–157r
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	148v–149r
Passio secundum Johannem	Anonymous	163v–174r
Paxariso que vas a la fuente	Anonymous	180bis r
Pelayo tan buen esfuerço	Encina, Juan del	180bis r
Perdi mis amores	Anonymous	185r
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Penalosa, Francisco de	66v–67r
Precor te Domine - 2a pars (of 2): Cum inclinato capite	Penalosa, Francisco de	67v
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	Compère, Loyset (ca. 1445–1518)	133v–134r
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	Compère, Loyset (ca. 1445–1518)	134v–135r
Pues no me quereys	Anonymous	184v
Pues tan huerte nos festeja	Anonymous	183v
Pues vivo en perder la vida	Penalosa, Francisco de	120r
Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea	Ribaflecha, Martin de	174v–175r
Quam pulchra es - 2a pars (of 2): Aperi mihi soror mea	Ribaflecha, Martin de	175v–176r
Regina caeli laetare - 1a pars (of 2): Regina caeli laetare	Anonymous	186v–187r
Regina caeli laetare - 2a pars (of 2): Resurrexit sicut dixit	Anonymous	187v–188r
Sacris solemniis	Anonymous	151v
Sacris solemniis	Anonymous	152r
Salve regina - 1a pars (of 2): Salve regina	Anchieta, Juan de (1462–1523)	60v–61r
Salve regina - 1a pars (of 6): Salve regina mater misericordiae	Anonymous	107v–108r
Salve regina - 2a pars (of 2): Et Jesum	Anchieta, Juan de (1462–1523)	61v–62r
Salve regina - 2a pars (of 6): Vita dulcedo	Anonymous	108v–109r
Salve regina - 3a pars (of 6): Ad te suspiramus	Anonymous	109v–110r
Salve regina - 4a pars (of 6): Eya ergo advocata nostra	Anonymous	110v–111r
Salve regina - 5a pars (of 6): Et Jesum benedictum	Anonymous	111v–112r
Salve regina - 6a pars (of 6): O clemens o pia	Anonymous	112v–113r
Salve sancta parens	Anonymous	37v–38r
Sancta mater istud agas crucifixi 25.8	Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?)	64v–65r
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	176v–177r
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	106v–107r
Si la noche es temerosa	Anonymous	151r
Si no os hubiera mirado	Morales, Cristóbal de (ca. 1500–1553)	185v
Si sentis lo que yo siento	Flecha, Matheo	184r
Sile fragor - 1a pars (of 2): Sile fragor ac rerum tumultus	Compère, Loyset (ca. 1445–1518)	131v–132r
Sile fragor - 2a pars (of 2): Suscipe deitatis mater	Compère, Loyset (ca. 1445–1518)	132v–133r
Tiempo bueno quien te aparceo	Flecha, Matheo	189v
Tribularer si nescirem misericordias tuas	Penalosa, Francisco de	138bis vv–139r
Ut queant laxis	Anonymous	19r
Ut queant laxis	Anonymous	149v–150r
Veni creator spiritus	Anonymous	117v–118r
Veni creator spiritus	Anonymous	118v–119r
Verbum patris hodie processit	Anonymous	160v
Virgen Reyna gloriosa	Baena, Lope de (ca. 1455–ca. 1506)	119v
Virgo Dei gentirix / Mutua seclausit	Anonymous	42v–43r
Viva tal pastor ganado	Anonymous	182r
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	Despres, Josquin (ca. 1450–1521)	128v–129r
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	Despres, Josquin (ca. 1450–1521)	129v–130r
Y la mi cinta dorada	Flecha, Matheo (?)	190r

‡ denotes primary source study

‡ Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Notes: description (including gathering structure), inventory, transcription (partial).

Preciado, Dionisio. 1989. Francisco de Penalosa versus Josquin Despres. Revista de Musicologia, 12/2: 423-430. Notes: authorship of 'Sancta mater istud agas'.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 85-99. Notes: inventory (partial), description (including gathering structure).

Knighton, Tess. 1983. Music and Musicians at the Court of Fernando of Aragon, 1474-1516. University of Cambridge, Ph.D. Pages: 175-188. Notes: inventory (incomplete), description.

Lee, Carolyn. 1980. Spanish Polyphonic Song c.1460 to 1535. University of London, Ph.D. Pages: 79-92. Notes: inventory (partial), description; transcription (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 17; IV, 229.

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 219-20.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 186.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 112.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: 41-4.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 33-4.

Anglès, Higinio. 1955. Mateo Flecha: Las Ensaiadas. Barcelona. Pages: 34.

Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 10: 165-84. Pages: 167.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: 1,112-5.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 28.

Pedrell, Filip. 1908-9. Catàlech de la Biblioteca Musical de la Diputació de Barcelona. Barcelona. Pages: II, 155-64.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description