Polyphony on both flyleaves; generally related to other fragments copied at St. Giustina Abbey in Padua (OxfBC 229, PadU 675, 684, 1106, 1225, 1283, 1475, and StreBR 14), but not from same original manuscript as any other fragment (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during early 15th century. Subsequent history same as for PadU 675.
I-Pu MS 1115 (Pad B)
Biblioteca Universitaria, Padua, Italy
flyleaves, non-music MS with interpolated music: 1st half of 15th century
| Archive | Biblioteca Universitaria, Padua, Italy (I-Pu) |
|---|---|
| Shelfmark | MS 1115 (Pad B) |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 356 x 228; flyleaves 318 x 228 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 6 compositions, 4 from 3 composers, 2 are anonymous. |
General Description
Physical Description
flyleaves trimmed from original size of c. 330 x 230
Binding
Modern cardboard covers, with leather spine
Notation
Black full mensural with red colouration
Ruling
10 red five-line staves
Foliation
A-Bv
Foliation
New ink foliation, A-B, on flyleaves.
Surface
Parchment
DIAMM Note
Inventory after Cuthbert, 107.
RISM Description
Corpus of sermons, 83 folios in total plus two front flyleaves A and B. Music only on these.
RISM B/IV 4: 15. Jh.; 83 Blätter Pergament, 356 x 228 mm + 2 Vorsatzblätter Pergament, 318 x 228 mm (beschnitten). Ohne Foliierung; Vorsatzblätter. f. A. und B. - Einband : moderne Kartondeckel mit Wildlederrücken.
Diese aus S. Giustina (Padua) stammende Handschrift des 15. Jh. enthält Sermones des Hieronymus und Moraltraktate (altes Inventar Nr. 121). Musik steht nur auf dem Vorsatzdoppelblatt, das einer Handschrift des frühen 15. Jh. angehört hat. Format (ursprünglich ca. 330 x 230 mm) und Schriftspiegel lassen vermuten, daß dieses Fragment, trotz der ebenfalls 10 roten Fünfliniensystemen je Seite, nicht derselben Handschrift wie GB-Ob229, I-Pu684 und I-Pu1475 angehört hat. Die Musik ist in schwarzer und schwarz-roter Mensuralnotation aufgezeichnet.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Sermons and moral tracts, with polyphony:
3 Italian secular pieces, 2 French secular pieces, 1 textless contratenor = 6
Antonello da Caserta [(An)tonelus]-1, Ciconia-2, (Selesses)-1, anon-2
ii + 83 parchment folios, 356 x 228. (Flyleaves measure 318 x 228; trimmed from original size of ca. 330 x 230). New ink foliation, A-B, on flyleaves. Modern cardboard covers, with leather spine. Polyphony on both flyleaves, copied in black mensural notation on red staves, with red coloration. Generally related to other fragments copied at St. Giustina Abbey in Padua (OxfBC 229, PadU 675, 684, 1106, 1225, 1283, 1475, and StreBR 14), but not from same original manuscript as any other fragment (RISM).
Early 15th century (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during early 15th century. Subsequent history same as for PadU 675.
Bv
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‡ denotes primary source study
Cuthbert, Michael Scott. 2011. Groups and Projects among the Paduan polyphonic sources. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 183-214. Padova. Pages: 183-214.
Prosdocimi, Lavinia. 2011. Frammenti musicali nelle legature dei codici della Biblioteca Universitaria di Padova. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 155-181. Padova. Pages: 155-181.
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Wilson, Blake [McDowell]. 1997. Madigral, Lauda, and Local Style in Trecento Florence. Journal of Musicology, 15: 137-177. Pages: 146.
Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova, vol. 1. Lucca: Libreria musicale italiana. Notes: facsimile.
Cattin, Giulio. 1989. L'“ars nova” musicale a Padova. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi, 107-114. Brugine. Pages: 107-114.
Marrocco, W. Thomas (editor). 1977. Italian Secular Music (V): Andrea da Firenze, Andrea Stefani, Antonellus da Caserta, Anthonius Clericus Apostolicus, Arrigo (Henricus), Jacobelus Bianchi. Polyphonic Music of the Fourteenth Century, vol. 10. Monaco: Éditions de l'Oiseau-Lyre. Pages: X, 149; XI, 139-40, 175; XXIV, 132-3,167-9,209,211,216. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Petrobelli, Pierluigi. 1976. La musica nelle cattedrali e nelle città ed i suoi rapporti con la cultura letteraria. Storia della cultura veneta, 2. Il Trecento, edited by Pierluigi Petrobelli, 440-468. Vicenza: Neri Pozza. Pages: 440-468.
Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 64. Notes: additional bibliography.
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/4, 995-6. Notes: physical description; contents list; concordances; incipits.
Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae, vol. 53. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxxiv, xli, xlviii, 23-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).
Clercx-Lejeune, Suzanne. 1960. Johannes Ciconia. Pages: I, 74ff.
Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft, vol. Serie II, Vol. 5. Bern: Paul Haupt. Pages: 97f.
Garbelotto, Antonio. 1956. Il trecento musicale italiano in alcuni frammenti padovani. Padova, [Monthly Review edited by “Pro Padova”], new series vol. 2: issue 9 pp. 3-16, issue 11 pp. 13–19, and vol. 3 (1957), issue 3. pp. 26–34. Pages: 2 (1956), 9, p. 3-16; 11, p. 13-19.
Plamenac, Dragan. 1955. Another Paduan Fragment of Trecento Music. Journal of the American Musicological Society, 8: 165-81. Pages: 165-181.
Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Pages: 140. Notes: physical description (partial).
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 231.
Suttina, Luigi. 1906. Contribuzione alla storia del costume signorile nel Medio Evo italiano. Memorie storiche cividalesi, vol. 3. Cividale: Fratelli Stagni. Pages: 107.
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 258ff.
Wolf, Johannes. 1904. 78 Kompositionen des 13. bis 15. Jahrhunderts aus den Handschriften übertragen. Leipzig. Notes: edns?.
Ludwig, Friedrich. 1902-3. Die mehrstimmige Musik des 14. Jahrhunderts. Sammelbande der Internationalen Musikgesellschaft, 4: 16-69. Pages: 44,54.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description