I-Pu MS 1115 (Pad B)

Biblioteca Universitaria, Padua, Italy

flyleaves, non-music MS with interpolated music: 1st half of 15th century

Archive Biblioteca Universitaria, Padua, Italy (I-Pu)
Shelfmark MS 1115 (Pad B)
Surface Parchment
Numbering System Foliation
Measurements 356 x 228; flyleaves 318 x 228 mm
Other Identifiers
  • RISM: I-Pu1115
  • CCM: PadU 1115
  • Other catalogues/source: PadB
  • olim (Former shelfmark): Old inventory no. 121
Notations
  • black full mensural
  • coloration in red
Relationships
External Links
Provenance
Contents Contains 6 compositions, 4 from 3 composers, 2 are anonymous.
General Description

Polyphony on both flyleaves; generally related to other fragments copied at St. Giustina Abbey in Padua (OxfBC 229, PadU 675, 684, 1106, 1225, 1283, 1475, and StreBR 14), but not from same original manuscript as any other fragment (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during early 15th century. Subsequent history same as for PadU 675.

DIAMM, 2017
Physical Description

flyleaves trimmed from original size of c. 330 x 230

DIAMM, 2017
Binding

Modern cardboard covers, with leather spine

DIAMM, 2017
Notation

Black full mensural with red colouration

DIAMM, 2017
Ruling

10 red five-line staves

DIAMM, 2017
Foliation

A-Bv

DIAMM, 2017
Foliation

New ink foliation, A-B, on flyleaves.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Inventory after Cuthbert, 107.

DIAMM, 2017
RISM Description

Corpus of sermons, 83 folios in total plus two front flyleaves A and B. Music only on these.

RISM B/IV 4: 15. Jh.; 83 Blätter Pergament, 356 x 228 mm + 2 Vorsatzblätter Pergament, 318 x 228 mm (beschnitten). Ohne Foliierung; Vorsatzblätter. f. A. und B. - Einband : moderne Kartondeckel mit Wildlederrücken.

Diese aus S. Giustina (Padua) stammende Handschrift des 15. Jh. enthält Sermones des Hieronymus und Moraltraktate (altes Inventar Nr. 121). Musik steht nur auf dem Vorsatzdoppelblatt, das einer Handschrift des frühen 15. Jh. angehört hat. Format (ursprünglich ca. 330 x 230 mm) und Schriftspiegel lassen vermuten, daß dieses Fragment, trotz der ebenfalls 10 roten Fünfliniensystemen je Seite, nicht derselben Handschrift wie GB-Ob229, I-Pu684 und I-Pu1475 angehört hat. Die Musik ist in schwarzer und schwarz-roter Mensuralnotation aufgezeichnet.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Sermons and moral tracts, with polyphony:

3 Italian secular pieces, 2 French secular pieces, 1 textless contratenor = 6

Antonello da Caserta [(An)tonelus]-1, Ciconia-2, (Selesses)-1, anon-2

ii + 83 parchment folios, 356 x 228. (Flyleaves measure 318 x 228; trimmed from original size of ca. 330 x 230). New ink foliation, A-B, on flyleaves. Modern cardboard covers, with leather spine. Polyphony on both flyleaves, copied in black mensural notation on red staves, with red coloration. Generally related to other fragments copied at St. Giustina Abbey in Padua (OxfBC 229, PadU 675, 684, 1106, 1225, 1283, 1475, and StreBR 14), but not from same original manuscript as any other fragment (RISM).

Early 15th century (RISM). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during early 15th century. Subsequent history same as for PadU 675.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

B

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
A Se per dureça tu morir me fay 2 - Anonymous

Se per dureça tu morir me fay

Anonymous
Appears on: A
Genres: Italian secular
Number of voices: 2
Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Se per dureça tu morir me fay ...
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Se per dureça tu morir me fay ...
General Note

C, T; Used as music for the lauda Se tu l'iniquità osservarai in Florence 130, f. 23v

Layout

parts
A Ay si 1 - Anonymous

Ay si

Anonymous
Appears on: A
Genres: Italian secular
Number of voices: 1
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Ay si.
General Note

{C}, {T}, Ct. Not a later addition (contra to RISM B IV 4)

Layout

parts
Av Aler m'en veus en strangne partie 1 Johes
Ciconia, Johannes (ca. 1370–1412)

Aler m'en veus en strangne partie

Ciconia, Johannes (ca. 1370–1412)
Appears on: Av
Genres: Chanson
Source Attribution: Johes
Number of voices: 1
Voice: [no designation]
Languages: French
Clef: c4
Voice Text: Aler m'en veus en strangne partie
General Note

C, {T}

Layout

parts
B En ce gracieux temps 3 -
Senleches, Jacob

En ce gracieux temps

Senleches, Jacob
Appears on: B
Genres: Virelai
Number of voices: 3
Voice: Triplum
Languages: French
Clef: c3
Voice Text: cocu cocu
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: En ce gracieux tamps joly en un destour le ray oy
Voice: Tenor
Languages: none
Clef: f3
General Note

C, T, Ct/Tr
Bv Dolçe fortuna 2 Jo. Ciconia M[agister]
Ciconia, Johannes (ca. 1370–1412)

Dolçe fortuna

Ciconia, Johannes (ca. 1370–1412)
Appears on: Bv
Genres: Italian secular
Source Attribution: Jo. Ciconia M[agister]
Number of voices: 2
Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Dolçe dolçe fortuna ...
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Dolçe dolçe fortuna ...
General Note

C, T

Layout

parts
Bv A pianger l'ochi l'ochi mei 1 tonelus
Caserta, Antonello da (fl. c1400)

A pianger l'ochi l'ochi mei

Caserta, Antonello da (fl. c1400)
Appears on: Bv
Genres: Italian secular
Source Attribution: tonelus
Number of voices: 1
Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: A pianger l'ochi l'ochi mey
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: A pianger l'ochi l'ochi mey
General Note

C, T, {Ct}

Layout

parts
Composer Compositions
Anonymous
Caserta, Antonello da (c1400)
Ciconia, Johannes (ca. 1370-1412)
Senleches, Jacob
Composition Composers (? Uncertain) Folios / Pages
A pianger l'ochi l'ochi mei
Caserta, Antonello da (fl. c1400)
Bv
Aler m'en veus en strangne partie
Ciconia, Johannes (ca. 1370–1412)
Av
Ay si Anonymous A
Dolçe fortuna
Ciconia, Johannes (ca. 1370–1412)
Bv
En ce gracieux temps
Senleches, Jacob
B
Se per dureça tu morir me fay Anonymous A

Images © Biblioteca Universitaria, Padua

‡ denotes primary source study

Cuthbert, Michael Scott. 2011. Groups and Projects among the Paduan polyphonic sources. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 183-214. Padova. Pages: 183-214.

Prosdocimi, Lavinia. 2011. Frammenti musicali nelle legature dei codici della Biblioteca Universitaria di Padova. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 155-181. Padova. Pages: 155-181.

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Wilson, Blake [McDowell]. 1997. Madigral, Lauda, and Local Style in Trecento Florence. Journal of Musicology, 15: 137-177. Pages: 146.

Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova, vol. 1.  Lucca: Libreria musicale italiana. Notes: facsimile.

Cattin, Giulio. 1989. L'“ars nova” musicale a Padova. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi, 107-114. Brugine. Pages: 107-114.

Marrocco, W. Thomas (editor). 1977. Italian Secular Music (V): Andrea da Firenze, Andrea Stefani, Antonellus da Caserta, Anthonius Clericus Apostolicus, Arrigo (Henricus), Jacobelus Bianchi. Polyphonic Music of the Fourteenth Century, vol. 10.  Monaco: Éditions de l'Oiseau-Lyre. Pages: X, 149; XI, 139-40, 175; XXIV, 132-3,167-9,209,211,216. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Petrobelli, Pierluigi. 1976. La musica nelle cattedrali e nelle città ed i suoi rapporti con la cultura letteraria. Storia della cultura veneta, 2. Il Trecento, edited by Pierluigi Petrobelli, 440-468. Vicenza: Neri Pozza. Pages: 440-468.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed.  Berkeley, Los Angeles, and London. Pages: 64. Notes: additional bibliography.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800.  Kassel. Pages: B IV/4, 995-6. Notes: physical description; contents list; concordances; incipits.

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae, vol. 53.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxxiv, xli, xlviii, 23-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia. Pages: I, 74ff.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft, vol. Serie II, Vol. 5.  Bern: Paul Haupt. Pages: 97f.

Garbelotto, Antonio. 1956. Il trecento musicale italiano in alcuni frammenti padovani. Padova, [Monthly Review edited by “Pro Padova”], new series vol. 2: issue 9 pp. 3-16, issue 11 pp. 13–19, and vol. 3 (1957), issue 3. pp. 26–34. Pages: 2 (1956), 9, p. 3-16; 11, p. 13-19.

Plamenac, Dragan. 1955. Another Paduan Fragment of Trecento Music. Journal of the American Musicological Society, 8: 165-81. Pages: 165-181.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik.  Leipzig. Pages: 140. Notes: physical description (partial).

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 231.

Suttina, Luigi. 1906. Contribuzione alla storia del costume signorile nel Medio Evo italiano. Memorie storiche cividalesi, vol. 3.  Cividale: Fratelli Stagni. Pages: 107.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 258ff.

Wolf, Johannes. 1904. 78 Kompositionen des 13. bis 15. Jahrhunderts aus den Handschriften übertragen.  Leipzig. Notes: edns?.

Ludwig, Friedrich. 1902-3. Die mehrstimmige Musik des 14. Jahrhunderts. Sammelbande der Internationalen Musikgesellschaft, 4: 16-69. Pages: 44,54.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description