I-TRc Ms. 1947-4

Biblioteco Comunale, Trent (Trento), Italy

manuscript of polyphony: Late 15th or early 16th century

Archive Biblioteco Comunale, Trent (Trento), Italy (I-TRc)
Shelfmark Ms. 1947-4
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 164 x 227 mm
Other Identifiers
  • RISM: I-TRbc 1947-4
  • CCM: TrentBC 1947/4
Notations
  • black void mensural
Provenance
  • Trent (Trento), Italy
Contents 9 pieces from 4 composers
General Description

Copied by three scribes. Perhaps copied in Trent or vicinity.

DIAMM, 2017
Binding

Rebound in modern covers of white cardboard.

DIAMM, 2017
Watermark

resembles Briquet #3446-7

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 16

DIAMM, 2017
Foliation

Foliation on upper right rectos erased; new pencil pagination on lower left versos and lower right rectos.

DIAMM, 2017
Decoration

A few inked calligraphic initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XV/XVIe s. 10ff. Papier, 225 x 165 mm. Foliotation moderne. Les ff. 3 à 4, 8 à 9 sont blancs. Notation mesurée blanche. 5 portées par p.

Ce ms. formé d'un seul cahier de 10ff. de papier homogène provient peut-être d'un recueil plus important, à moins qu'il n'ait constitué à lui seul un «fascicle ms». Il appartenait à une famille de Trente d'où il est passé à la Biblioteca Comunale vers 1940. Il contient 9 chansons à 3 ou 4vx. dont 4 sur paroles allemandes (nos 3, 8, 9), 1 sur texte flamand (no 6) et 4 sans paroles qu'on a pu restituer pour les nos 4 et 5. Les annotations que l'on trouve sur le ms., toutes en dialecte tyrolien allemand, indiquent que le volume a été copié à Trente ou sa région, vraisemblablement à la fin des années 1490 ou au début des années 1500.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 German secular pieces, 2 French secular pieces (without text), 2 textless pieces = 9

Caron-1, (La Rue/Pipelare)-1, anon-7

iii + 10 + i paper folios, 164 x 227. Foliation on upper right rectos erased; new pencil pagination on lower left versos and lower right rectos, 1-4; 4a-c; 5-12; 12a-c; 13-14. Pp. 4a-c and 12a-c have blank staves only. Rebound in modern covers of white cardboard. No index. Copied by three scribes. Staff height 16. A few inked calligraphic initials. Watermark resembles Briquet #3446-7.

Late 15th or early 16th century. Perhaps copied in Trent or vicinity.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Fraw bruat. - Anonymous

Fraw bruat.

Anonymous
Appears on: 1
Voice: [no designation]
Languages: German
Voice Text: Fraw bruat.
1v–2 untexted - -

untexted

Appears on: 1v–2
Voice: [no designation]
Languages: none
Voice Text: without text
2v Wenn ich gedennckh. - Anonymous

Wenn ich gedennckh.

Anonymous
Appears on: 2v
Voice: [no designation]
Languages: German
Voice Text: Wenn ich gedennckh.

Item Bibliography

Lunelli, Renato. 1934. I Codici musicali tridentini del 400 in Trentino.  Maggio. Pages: (avec facs.).

4v–5 Accueilly m'a la belle (B version) = Da pacem Domine CARON
Caron, Firminus (ca. 1460–ca. 1475)

Accueilly m'a la belle (B version) = Da pacem Domine

Caron, Firminus (ca. 1460–ca. 1475)
Appears on: 4v–5
Genres: Chanson, Contrafactum
Source Attribution: CARON
Voice: [no designation]
Languages: French
Voice Text: [Accueilly m'a la belle]
General Note

[=A lui m'a la bella]* [= Saoulé m'a la belle]** [=Da pacem domine]Publ.cf.Fn 176 n° 42

Concordances

*F-Pn 676 **F-Dm 517
5v–6 J'ai pris amours - Anonymous

J'ai pris amours

Anonymous
Appears on: 5v–6
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: [J'ai pris amours]

Item Bibliography

Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie.  Milano.

Disertori, Benvenuto. 1946. II manoscritto 1947-4 di Trento e la canzone 'i'ay prins amours. Rivista Musicale Italiana, 1-29.

6v–7 Ein fröhlich Wesen hab ich erlesen [P. DE LA RUE* ou M. PIPELARE]
Rue, Pierre de la (ca. 1452–1518) (?)
Pipelare, Mattheus (ca. 1450–ca. 1515) (?)

Ein fröhlich Wesen hab ich erlesen

Rue, Pierre de la (ca. 1452–1518) (?)
Pipelare, Mattheus (ca. 1450–ca. 1515) (?)
Appears on: 6v–7
Genres: Song
Source Attribution: [P. DE LA RUE* ou M. PIPELARE]
Voice: [no designation]
Languages: German
Voice Text: Eein frolich wesen.
General Note

Mq.le Sup. Publ. cf. Fc 2439 n° 25

Concordances

*A-Wn 18810
7v–8 untexted - -

untexted

Appears on: 7v–8
Voice: [no designation]
Languages: none
Voice Text: without text

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

10 Ia frylich halt wie pald. - Anonymous

Ia frylich halt wie pald.

Anonymous
Appears on: 10
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Ia frylich halt wie pald.
General Note

Paroles au E
10v Freuntlich hort. - Anonymous

Freuntlich hort.

Anonymous
Appears on: 10v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Freuntlich hort.
General Note

Paroles au T et B
Composer Compositions
Anonymous
Caron, Firminus (ca. 1460–ca. 1475)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Rue, Pierre de la (ca. 1452–1518)
Composition Composers (? Uncertain) Folios / Pages
Accueilly m'a la belle (B version) = Da pacem Domine
Caron, Firminus (ca. 1460–ca. 1475)
4v–5
Ein fröhlich Wesen hab ich erlesen
Rue, Pierre de la (ca. 1452–1518) (?)
Pipelare, Mattheus (ca. 1450–ca. 1515) (?)
6v–7
Fraw bruat. Anonymous 1
Freuntlich hort. Anonymous 10v
Ia frylich halt wie pald. Anonymous 10
J'ai pris amours Anonymous 5v–6
Wenn ich gedennckh. Anonymous 2v

‡ denotes primary source study

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 180-1, 193-4. Notes: physical description; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: III, 11. Notes: mention of MS.

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson.  Brooklyn: Institute of Mediaeval Music. Pages: II, ii, ix, 165-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schavran, Henrietta. 1970. Review of KottM. Current Musicology, 92-101. Pages: 99. Notes: contents list (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii. Notes: contents list (partial); concordances (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies.  Brooklyn. Pages: 22-3, 44. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xl-xlii. Notes: transcription (partial); mention of MS; discussion.

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. Pages: 42. Notes: contents list (partial); concordances (partial).

Disertori, Benvenuto. 1946. II manoscritto 1947-4 di Trento e la canzone 'i'ay prins amours. Rivista Musicale Italiana, 1-29. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Lunelli, Renato. 1934. I Codici musicali tridentini del 400 in Trentino.  Maggio.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description