V-CVbav MS Capp. Sist. 44

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1503-12

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 44
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	564 x 420 mm
Other Identifiers	RISM: I-Rvat 44 CCM: VatS 44 olim (Former shelfmark): I-Rvat MS Capp. Sist. 44
Notations	black void mensural
Copyists	Orceau, Johannes Music
Relationships	Julius II (1443–1513) (patron) Sistine Chapel (Cappella Sistina) (copied at)
External Links	images
External Authorities	RISM Online (sources/857000029)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	20 pieces from 12 composers

General Description

Composite of originally separate fascicles. Copied by Johannes Orceau (SherrPC). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style (see VatS 13 for other manuscripts with similar bindings).

DIAMM, 2017

Watermark

(1) generally resembles Briquet #478; (2) generally resembles Briquet #11658 (SherrPM)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1503-12 (SherrPM).

DIAMM, 2017

Ruling

Staff height 24-25 (27 on f. 44)

DIAMM, 2017

Foliation

No original foliation; modern pencil foliation, 1-104, on lower center rectos (excludes front flyleaf)

DIAMM, 2017

Decoration

Pen-and-wash initial on f. 2' includes coat of arms of Pope Julius II (1443-1513); other folios have inked calligraphic initials decorated with tracery and grotesque faces.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 104ff. Papier, 560 x 420 mm. Foliotation ajoutée. Les ff. lv, 9v, 10, 16v, 17, 23v, 24, 30, 36v, 43v, 44, 51v, 52, 61, 73v, 74, 85v, 86, 103 à 104v sont blancs. Notation mesurée blanche. 10-11 portées par p. Quelques initiales ornées en couleurs, les autres à la plume. Reliure XVIIIe s. cuir, fermoir et bouillons métal.

Ms. copié par un seul scribe sous le pontificat de Jules II (1503-1513) dont les armoiries figurent au f. 2v.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Magnificats, 2 Magnificat fragments, 4 motets, 1 Benedicamus domino = 17

A. Agricola-S, (Brumel?)-1, Brumel/(Venalt)-1, Carpentras-1, Compère-1, Escribano [Jo. Scrivan]-1, (A. Févin)-1, Josquin/(A. Agricola/Brumel/La Rue)-1, Prioris-2, (Prioris-anon)-1, anon-4

ii + 101 + i + i paper folios, 564 x 420. Composite of originally separate fascicles. No original foliation; modern pencil foliation, 1-104, on lower center rectos (excludes front flyleaf). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index.

Copied by Johannes Orceau (SherrPC); see general index for other manuscripts copied by the same scribe. Staff height 24-25 (27 on f. 44). Pen-and-wash initial on f. 2' includes coat of arms of Pope Julius II (1443-1513); other folios have inked calligraphic initials decorated with tracery and grotesque faces. Watermarks: (1) generally resembles Briquet #478; (2) generally resembles Briquet #11658 (SherrPM).

Ca. 1503-12 (SherrPM). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–9	Magnificat primi toni: Et exultavit [K.556]	AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Magnificat primi toni: Et exultavit [K.556] Agricola, Alexander (ca. 1445–1506) Appears on: 2v–9 Genres: BVM, Canticle, Magnificat Source Attribution: AGRICOLA Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni. Et exultavit General Note Tous les versets sauf n° 1. 3 et 4vx. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, III.
10v–16	Magnificat primi toni: Et exultavit [K.983]	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Magnificat primi toni: Et exultavit [K.983] Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 10v–16 Genres: BVM, Canticle, Magnificat Source Attribution: PRIORIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi toni. Et exultavit General Note Tous les versets sauf n° 1. 4vx. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
17v–23	Magnificat Secundi Toni: Et exultavit [K.631]	BRUMEL [ou F. BENALT*]	Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513)
Magnificat Secundi Toni: Et exultavit [K.631] Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 17v–23 Genres: BVM, Canticle, Magnificat Source Attribution: BRUMEL [ou F. BENALT] Voice:* [no designation] Languages: Latin Voice Text: Secundi toni. [Magnificat] anima mea General Note Tous les versets. Concordances E-Bc 454 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI.
24v–29v	Magnificat secundi toni: Anima mea [K.557]	AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Magnificat secundi toni: Anima mea [K.557] Agricola, Alexander (ca. 1445–1506) Appears on: 24v–29v Genres: BVM, Canticle, Magnificat Source Attribution: AGRICOLA Voice: [no designation] Languages: Latin Voice Text: Secundi toni. [Magnificat] anima mea General Note Tous les versets. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, III.
30v–36	Magnificat Tertii Toni: Et exultavit [K.984]	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Magnificat Tertii Toni: Et exultavit [K.984] Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 30v–36 Genres: BVM, Canticle, Magnificat Source Attribution: PRIORIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Tercii toni. Et exultavit General Note Tous les versets sauf n° 1, 3 et 4vx. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
37–43	Magnificat quarti toni 20.3: Anima mea	JOSQUIN DES PRÉS [ou A. AGRICOLA, ou A. BRUMEL*, ou P. DE LA RUE]	Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Magnificat quarti toni 20.3: Anima mea Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 37–43 Genres: BVM, Canticle, Magnificat Source Attribution: JOSQUIN DES PRÉS [ou A. AGRICOLA, ou A. BRUMEL, ou P. DE LA RUE] Voice:* [no designation] Languages: Latin Voice Text: Quarti toni. [Magnificat] anima mea General Note Publ. cf. MOcap II n° 49 Concordances *D-ddr-LEu 49
44v–51	Magnificat quarti toni: Et exultavit	[J. PRIORIS]*	Prioris, Johannes (Denis, Dionisius) (–1515)
Magnificat quarti toni: Et exultavit Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 44v–51 Genres: BVM, Canticle, Magnificat Source Attribution: [J. PRIORIS]* Voice: [no designation] Languages: Latin Voice Text: Quarti toni. [Magnificat] anima mea General Note Even verses are concordant with s-Hertogenbosch 73 (ff. 131v-134); odd verses use music for Prioris's even verses, with text of odd verses Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 90.
44v–51	Magnificat quart toni: Et exultavit [K.246]	-	Anonymous
Magnificat quart toni: Et exultavit [K.246] Anonymous Appears on: 44v–51 Genres: BVM, Canticle, Magnificat Concordances Even verses are concordant with s-Hertogenbosch 73 (ff. 131v-134); odd verses use music for Prioris's even verses, with text of odd verses
52v–60	Magnificat sexti toni: Anima mea	JO. SCRIVAN [= ESCRIBANO]	Escribano, Juan
Magnificat sexti toni: Anima mea Escribano, Juan Appears on: 52v–60 Genres: BVM, Canticle, Magnificat Source Attribution: JO. SCRIVAN [= ESCRIBANO] Voice: [no designation] Languages: Latin Voice Text: Sexti toni. [Magnificat] anima mea General Note … Tous les versets. 2 à 6vx.
60v	Magnificat sexti toni: Et exultavit [K.698]	COMPÈRE	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 60v Genres: BVM, Canticle, Magnificat Source Attribution: COMPÈRE Voice: [no designation] Languages: Latin Voice Text: Sexti toni. [Magnificat] anima mea General Note Sup. et T du 1er verset seul' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, III. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: XXXII.
61v–73	Magnificat octavi toni [K.634]	[A. BRUMEL]*?	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat octavi toni [K.634] Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 61v–73 Genres: BVM, Canticle, Magnificat Source Attribution: [A. BRUMEL]? Voice:* [no designation] Languages: Latin Voice Text: Octavi toni. [Magnificat] anima mea General Note 4 et 8vx [Sicut erat à 8vx. suivi d'un autre à 4vx.] Publ. cf. CF 59 n° 7 Concordances *Faber
74v–85	Magnificat octavi toni: Anima mea [K.558]	AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Magnificat octavi toni: Anima mea [K.558] Agricola, Alexander (ca. 1445–1506) Appears on: 74v–85 Genres: BVM, Canticle, Magnificat Source Attribution: AGRICOLA Voice: [no designation] Languages: Latin Voice Text: Octavi toni. Magnificat anima mea General Note Tous les versets. 2 à 4vx. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, III.
86v–87	Regina caeli laetare alleluia	CARPENTRAS	Carpentras, Elzear Genet (ca. 1470–1548)
Regina caeli laetare alleluia Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 86v–87 Genres: Motet, Regina caeli laetare Source Attribution: CARPENTRAS Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
87v–88	Tempus meum - 1a pars (of 2): Tempus meum est ut revertar ad eum	[A. FÉVIN]	Fevin, Antoine de (ca. 1470–ca. 1512)
Tempus meum - 1a pars (of 2): Tempus meum est ut revertar ad eum Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 87v–88 Genres: Motet Source Attribution: [A. FÉVIN] Voice: [no designation] Languages: Latin Voice Text: Tempus meum est ut revertar General Note Publ. cf. MOcap IX n° 18
88v–90	Tempus meum - 2a pars (of 2): Viri Galilei aspicientes in celum	[A. FÉVIN]	Fevin, Antoine de (ca. 1470–ca. 1512)
Tempus meum - 2a pars (of 2): Viri Galilei aspicientes in celum Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 88v–90 Genres: Motet Source Attribution: [A. FÉVIN] Voice: [no designation] Languages: Latin Voice Text: Tempus meum est ut revertar General Note Publ. cf. MOcap IX n° 18
90v–93	Rex omnipotens - 1a pars (of 2): Rex omnipotens die hodierna	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Rex omnipotens - 1a pars (of 2): Rex omnipotens die hodierna Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 90v–93 Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Rex omnipotens die hodierna
93v–96	Rex omnipotens - 2a pars (of 2): Et cum hoc divisset videntibus illis	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Rex omnipotens - 2a pars (of 2): Et cum hoc divisset videntibus illis Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 93v–96 Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Rex omnipotens die hodierna
96v–99	Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani	-	Mouton, Jean (ca. 1459–1522)
Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani Mouton, Jean (ca. 1459–1522) Appears on: 96v–99 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lectio actuum apostolorum
99v–102	Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur	-	Mouton, Jean (ca. 1459–1522)
Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur Mouton, Jean (ca. 1459–1522) Appears on: 99v–102 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O beata infantia
102v	Deo gratias	-	Anonymous
Deo gratias Anonymous Appears on: 102v Genres: Contrafactum, Deo gratias, Motet Voice: [no designation] Languages: Latin Voice Text: Rex omnipotens die hodierna General Note This short Deo gratias is a contrafactum of the first half-dozen measures of the 'O beata infantia' setting in Trent 89 (193v-195r), San Pietro B80 (224v-226r), Munich 3154 (4v-6r) and Cappella Sistina 15 (161v-164r). The music is modified in CS 44 to give it a final cadence. (Information from Bob Mitchell.)

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Magnificat octavi toni: Anima mea [K.558] – 74v–85 Magnificat primi toni: Et exultavit [K.556] – 2v–9 (?) Magnificat quarti toni 20.3: Anima mea – 37–43 Magnificat secundi toni: Anima mea [K.557] – 24v–29v
Anonymous	Deo gratias – 102v Magnificat quart toni: Et exultavit [K.246] – 44v–51
Benito, Fray	(?) Magnificat Secundi Toni: Et exultavit [K.631] – 17v–23
Brumel, Antoine (ca. 1460–ca. 1513)	Magnificat Secundi Toni: Et exultavit [K.631] – 17v–23 (?) Magnificat octavi toni [K.634] – 61v–73 (?) Magnificat quarti toni 20.3: Anima mea – 37–43
Carpentras, Elzear Genet (ca. 1470–1548)	Regina caeli laetare alleluia – 86v–87 Rex omnipotens - 1a pars (of 2): Rex omnipotens die hodierna – 90v–93 Rex omnipotens - 2a pars (of 2): Et cum hoc divisset videntibus illis – 93v–96
Compère, Loyset (ca. 1445–1518)	Magnificat sexti toni: Et exultavit [K.698] – 60v
Despres, Josquin (ca. 1450–1521)	(?) Magnificat quarti toni 20.3: Anima mea – 37–43
Escribano, Juan	Magnificat sexti toni: Anima mea – 52v–60
Fevin, Antoine de (ca. 1470–ca. 1512)	Tempus meum - 1a pars (of 2): Tempus meum est ut revertar ad eum – 87v–88 Tempus meum - 2a pars (of 2): Viri Galilei aspicientes in celum – 88v–90
Mouton, Jean (ca. 1459–1522)	Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani – 96v–99 Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur – 99v–102
Prioris, Johannes (Denis, Dionisius) (–1515)	Magnificat Tertii Toni: Et exultavit [K.984] – 30v–36 Magnificat primi toni: Et exultavit [K.983] – 10v–16 Magnificat quarti toni: Et exultavit – 44v–51
Rue, Pierre de la (ca. 1452–1518)	(?) Magnificat quarti toni 20.3: Anima mea – 37–43

Composition	Composers (? Uncertain)	Folios / Pages
Deo gratias	Anonymous	102v
Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum - In diebus illis fìlius Diocletiani	Mouton, Jean (ca. 1459–1522)	96v–99
Lectio actuum apostolorum - 2a pars (of 2): Stupebat autem omnes et mirabantur	Mouton, Jean (ca. 1459–1522)	99v–102
Magnificat octavi toni [K.634]	Brumel, Antoine (ca. 1460–ca. 1513) (?)	61v–73
Magnificat octavi toni: Anima mea [K.558]	Agricola, Alexander (ca. 1445–1506)	74v–85
Magnificat primi toni: Et exultavit [K.556]	Agricola, Alexander (ca. 1445–1506)	2v–9
Magnificat primi toni: Et exultavit [K.983]	Prioris, Johannes (Denis, Dionisius) (–1515)	10v–16
Magnificat quart toni: Et exultavit [K.246]	Anonymous	44v–51
Magnificat quarti toni 20.3: Anima mea	Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Rue, Pierre de la (ca. 1452–1518) (?)	37–43
Magnificat quarti toni: Et exultavit	Prioris, Johannes (Denis, Dionisius) (–1515)	44v–51
Magnificat secundi toni: Anima mea [K.557]	Agricola, Alexander (ca. 1445–1506)	24v–29v
Magnificat Secundi Toni: Et exultavit [K.631]	Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513)	17v–23
Magnificat sexti toni: Anima mea	Escribano, Juan	52v–60
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	60v
Magnificat Tertii Toni: Et exultavit [K.984]	Prioris, Johannes (Denis, Dionisius) (–1515)	30v–36
Regina caeli laetare alleluia	Carpentras, Elzear Genet (ca. 1470–1548)	86v–87
Rex omnipotens - 1a pars (of 2): Rex omnipotens die hodierna	Carpentras, Elzear Genet (ca. 1470–1548)	90v–93
Rex omnipotens - 2a pars (of 2): Et cum hoc divisset videntibus illis	Carpentras, Elzear Genet (ca. 1470–1548)	93v–96
Tempus meum - 1a pars (of 2): Tempus meum est ut revertar ad eum	Fevin, Antoine de (ca. 1470–ca. 1512)	87v–88
Tempus meum - 2a pars (of 2): Viri Galilei aspicientes in celum	Fevin, Antoine de (ca. 1470–ca. 1512)	88v–90

‡ denotes primary source study

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies. Neuhausen nr. Stuttgart. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 44-5, 58-9, 70, 239-40, 280-1. Notes: physical description (partial); contents list; facsimile (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xii, 29-64, 99-115. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 247-51, passim. Notes: physical description (partial); contents list; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 27, 139-74, 374, 444-72. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, 108-10. Notes: contents list (partial); transcription (partial).

Hudson, Barton. 1971. Antoine Brumel's Magnificat 8. Toni: An Erroneous Ascription? Revue Belge de Musicologie, 103-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xi-xix, 24-38, 48-67. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD. Roma. Pages: 118.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 161. Notes: contents list (partial); concordances (partial); incipits (partial).

Maas, Chris J. 1966. Josquin - Agricola - Brumel - De La Rue: Een authenticiteitsprobleem. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 120-39. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 28, 45. Notes: mention of MS; contents list (partial); concordances (partial).

Meyer, Elizabeth Anne Cousins. 1963. The Magnificats of Codex Capellae Sislinae 44: Transcription and Critical Study. Mills College, Unpublished master's thesis. Notes: physical description; contents list; transcription (partial); mention of MS; discussion.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 61-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, viii-xii, 23-33, 41-70. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 90-2, 486. Notes: physical description; contents list; incipits (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: B. Hudson, in CMM 5,VI, p. XlXf (concerne le n° 10).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XXI, xviii, 62-84. Notes: contents list (partial); transcription (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 19.

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Edward Tambling

Sunday, 5 January, 2025

Lectio actuum apostolorum (ff. 96v-102) identified as that by Mouton

Robert J Mitchell

Sunday, 26 March, 2023

The last item in this ms (a short Deo gratias, 102v) is a contrafactum of the first half-dozen measures of the O beata infantia setting in Trent 89 (193v-195r), San Pietro B80 (224v-226r), Munich 3154 (4v-6r) and Cappella Sistina 15 (161v-164r). The music is modified in CS 44 to give it a final cadence. Bob Mitchell, 26,3,23

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description