Incunabulum Davidica Corona seu Expositio Psalmorum by Hugo de S. Charo (Venice 1496), bound in a bifolium showing music. The two leaves of this bifolium, of which only the outer sides are visible, bear three lessons; these are only fragmentarily preserved.
I-MAVb Inc.XVIII, 2o, 28
Biblioteca dell'Abbazia, Monte Maria (Malles Venosta-Bolzano, Marienberg), Italy
flyleaves: 2nd half of 15th century
| Archive | Biblioteca dell'Abbazia, Monte Maria (Malles Venosta-Bolzano, Marienberg), Italy (I-MAVb) |
|---|---|
| Shelfmark | Inc.XVIII, 2o, 28 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Other |
| Measurements | 310 x 210 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 3 compositions, 3 are anonymous. |
General Description
Notation
Gothic choral
Ruling
8 four-line systems per page
Foliation
1rv
Surface
paper (corpus); parchment (cover)
RISM Description
RISM B/IV 4: 15. Jh.; 390 p. Papier, 300 x 200 mm. - Einband: mit Noten beschriebener Pergamentüberzug, 310 x 210 mm.
Das hier allein interessierende Pergament-Doppelblätter umfaßt den Einband der Inkunabel Corona Davidica seu Expositio Psalmorum von Hugo de S. Charo, Venedig 1496. Die ebenfalls aus dem 15. Jh. stammenden 2 Blättern, von denen nur die Außenseiten sichtbar sind, zeigen je Seite 8 Vierliniensysteme mit gotischer Choralnotation des 15. Jh. Alle drei Lektionen sind nur fragmentarisch erhalten.
[Translation] 15th century. 390 pages of paper, 300 x 200 mm. - Binding: parchment with notes visible, 310 x 210 mm.
Of sole interest here is the parchment bifolium binding of this incunabulum Davidica Corona seu Expositio Psalmorum by Hugo de S. Charo (Venice 1496) Also originating in the 15th Century, the two leaves, of which only the outer sides are visible, show 8 four-line systems per page with gothic chant notation of the 15th century. All three lessons are only fragmentarily preserved.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
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‡ denotes primary source study
Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte, vol. 15. Tutzing. Pages: II.
Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern. Pages: 20.
Handschin, Jacques. 1923. Die ältesten Denkmäler mensural notierter Musik in der Schweiz. Archiv für Musikwissenschaft, 5: 1-10. Pages: 76.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 302.
Dreves, Guido Maria. 1889. Beiträge zur Geschichte des deutschen Kirchenliedes. Kirchenmusikalisches Jahrbuch, 4: . Pages: 48ff.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description