Music copied on openings originally left blank between two theological treatises (= new ff. 71-84). In two distinct sections (ff. 71-80' and ff. 81-84'), each copied by different scribe. Presumably copied in northern Italy.
I-Mb Braidense AD.XIV.49
Biblioteca Nazionale Braidense, Milano, Italy
non-music MS with interpolated music: 15th century; c. 1440 to Late 15th c.
| Archive | Biblioteca Nazionale Braidense, Milano, Italy (I-Mb) |
|---|---|
| Shelfmark | Braidense AD.XIV.49 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 214 x 145 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 9 compositions, 5 from 3 composers, 4 are anonymous. |
General Description
Binding
Restored and rebound in modern covers of white cardboard
Notation
black void mensural with red coloration in first section
Foliation
New pencil foliation, 1-99.
Foliation
71-84v
Surface
paper
RISM Description
RISM B/IV 5: XVe s. 99 ff. Papier, 215 x 150 mm. Foliotation moderne. Le f. 81 r-v est blanc. Notation mesurée blanche. 5 à 7 portées par p. Intitiales ornées.
La partie musicale de ce ms. qui consiste en 14 ff. (71-84) comporte 7 compositions copiées sur les p. laissées blanches entre un traité des confessions et un recueil de règlements formulés par le chapitre général de l'ordre des Dominicains. Outre la foliotation récente, une numérotation ancienne note 1. au premier traité; 2. à la partie musicale; 3. au traité final. On distingue dans le ms. musical proprement dit 2 sections bien distinctes copiées par 2 scribes différents à 2 époques différentes: A. Du f. 71 au f. 80v: 7 portées par p., notation rouge et blanche. Initiales ornées de figures caricaturales ou de motifs décoratifs. Répertoire anglais de la 1ère moitié du XVe s.- B. Du f. 81 au f. 84v: 5 portées par p., notation blanche, Ecriture moins soignée, pas de lettres ornées. Répertoire italien de la fin du XVe s. comportant des unica. On peut considérer la date de 1489 qui figure à la fin du vol. comme la date extrême du ms.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Theological treatises, with polyphony:
1 Sanctus-Agnus pair, 1 hymn, 2 motets, 1 lauda, 1 Gloria patri = 6
(Dunstable/Power)-1, Power [Leonel]/(Benet/Dunstable)-1, anon-4
99 paper folios, 214 x 145. New pencil foliation, 1-99. Restored and rebound in modern covers of white cardboard. Music copied on openings originally left blank between two theological treatises (= new ff. 71-84). Two distinct sections (ff. 71-80' and ff. 81-84'), each copied in white mensural notation by a different scribe (first section has red coloration). Inked initials decorated with grotesques and featherlike designs in first section.
Ca. 1440 (section I); late 15th century (section II). Presumably copied in northern Italy.
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‡ denotes primary source study
Gargan, L. 1998. L'antica biblioteca della Certosa di Pavia. Collezione Sussidi eruditi, vol. 47. Roma: Edizioni di storia e letteratura. Pages: 63-64.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Grossi Turchetti, Maria Luisa. 1994. Inventario dei manoscritti medievali braidensi provenienti dalla Certosa di Pavia. Libri e documenti, 20: . Pages: n. 1, pp. 1-44: p. 40.
Hamm, Charles E. 1983. Interrelationships between Manuscript and Printed Sources of Polyphonic Music in the Early Sixteenth Century-An Overview. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 1-13. Pages: 135.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology.
Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,102ff ,348-50.
Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 26: 101-43. Pages: 107, 142.
Scott, Ann Besser. 1972. English Music in Modena, Biblioteca Estense, a. X. 1.11 and Other Italian Manuscripts. Musica Disciplina, 26: 145-60. Pages: 146.
Kaeppeli, T. 1970. Scriptores Ordinis Praedicatorum Medii Aevi. Romae: S. Sabinae. Pages: 94.
Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae, vol. 50. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxi,xxiv.
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 215.
Bridgman, Nanie. 1966. Un manuscrit milanais (Biblioteca nazionale Braidense Cod. AD XIV. 49). Revista Italiana di Musicologia, 1: 237ff. Pages: with facs. of ff. 74v-75, 82v-83.
Pecorella, C. 1958. Inventario ragionato dei manoscritti giuridici della Biblioteca Nazionale Braidense di Milano. Milano: Giuffrè. Pages: 129-130.
Grossi Turchetti, Maria Luisa. None. Catalogo sommario dei manoscritti medievali braidensi (con collocazione AC-AN; ARM. 1; Fondo Castiglioni; Rari minimi). Pages: vol. 2 AD-AE.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description