Original first gathering now misbound at beginning of ModD 12. Copied by a single scribe, who also wrote parts of ModD 3, 9, 11, and 12. Copied in Modena, for use by the cathedral choir.
I-MOd MS Mus. X
Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, Italy
manuscript of polyphony: c. 1520-30
| Archive | Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, Italy (I-MOd) |
|---|---|
| Shelfmark | MS Mus. X |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 560 x 410 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 26 compositions from 7 composers. |
General Description
Binding
Covers date from late 16th or early 17th century.
Notation
black void mensural
Date
Ca. 1520-30 (Crawford)
Foliation
Modern foliation, 1-56, on lower center rectos (one original folio missing between new ff. 13/14, another between new ff. 42/43).
Decoration
Inked calligraphic initials.
Surface
paper
RISM Description
RISM
XVIe s. 56ff. Papier, 560X410 mm. Foliotation moderne au bas des ff. Notation mesurée blanche. 10 portées par p.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 Masses (1 incomplete), 1 Requiem Mass, 1 Agnus fragment = 6
Appenzeller [Benedictus]-1, Bauldeweyn-1, Pipelare-1, Richa-fort/(Josquin)-1, Silva-1, anon-1
56 paper folios, 560 x 410. Original first gathering now misbound at beginning of ModD 12. Modern foliation, 1-56, on lower center rectos (one original folio missing between new ff. 13/14, another between new ff. 42/43). Covers date from late 16th or early 17th century. No index. Copied by a single scribe, who also wrote parts of ModD 3, 9, 11, and 12. Inked calligraphic initials.
Ca. 1520-30 (Crawford). Copied in Modena, for use by the cathedral choir.
Front flyleaf 1
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: 159-160.
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 52,120. Notes: contents list (partial); concordances (partial).
Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 87-8,523-4. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 134. Notes: contents list (partial); incipits (partial).
Staehelin, Martin. 1970. Zum Schicksal des alten Musikalien-Fonds von San Luigi dei Francesi in Rom. Fontes Artis Musicae, 17: 120-7. Pages: 126. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 62-3. Notes: physical description; contents list.
Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I.x. Notes: contents list (partial); concordances (partial).
Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 17: 97-114. Pages: 108, 114. Notes: contents list (partial); concordances (partial).
Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: 47. Notes: contents list (partial); concordances (partial); incipits.
Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 35,52. Notes: physical description (partial); contents list; concordances; incipits (partial).
Dondi, Antonio. 1896. Notizie storiche ed artistiche del duomo di Modena. Modena. Pages: 164. Notes: mention of MS.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Edward Tambling
Thursday, 3 November, 2022
Folio 48v contains the last complete page in this MS of the Richafort Requiem (Benedictus and start of Agnus Dei). Folios 49r to 51r inclusive contain the Osanna/Benedictus and complete Agnus Dei of Moulu's Missa Paranimphus.
Eric Jas
Friday, 15 March, 2019
Pointing out that the mass on fols 15v-25r is ascribed to Benedictus [Appenzeller].
Karen Cook
Wednesday, 28 November, 2018
Issue raised re missing images, which need to be inserted manually.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description