I-MOd MS Mus. IV

Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, Italy

manuscript of polyphony: c. 1520-30

Archive	Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, Italy (I-MOd)
Shelfmark	MS Mus. IV
Surface	Paper
Numbering System	Mixed Foliation and Pagination
Measurements	405 x 275 mm
Other Identifiers	RISM: I-MOcap IV CCM: ModD 4
Notations	black void mensural
Copyists	scribal concordance [82] Music
Relationships	Vecchi, Orazio (1550–1605) (compiler) Modena Cathedral (copied at) Foliani, Ludovici (mentioned in liminary text) Foliani , Jacobi (mentioned in liminary text)
Provenance	Modena Cathedral , Modena, Italy
Contents	79 pieces from 16 composers

General Description

Composite of several originally separate fascicles assembled and bound in late 16th century under direction of Orazio Vecchi. Copied by 15 scribes, one of whom also wrote parts of ModD 3 and ModD 9. Probably copied in Modena, for use by the cathedral choir. Some attributions (generally correct) added by modern hand.

DIAMM, 2017

Binding

Modern covers; pasted to front cover is fragment of original parchment cover, with inscription: 'Jacobi et Ludovici Foliani olim cathedralis Mutinae magistri opera ab iniuria temporum a Vecchio vindicata.'

DIAMM, 2017

Watermark

Seven watermarks, four identical or similar to marks in Briquet (#493, #4450-3, #4764, #9599)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1520-30 (Crawford).

DIAMM, 2017

Foliation

Modern pencil foliation, 1-120; modern pencil pagination, 1-239 (numbers appear only on rectos).

DIAMM, 2017

Decoration

Large inked calligraphic initials and voice designations, some with grotesques

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 120 ff. Papier, 405 x 275 mm. Pagination ancienne discontinue en haut des ff. et foliotation moderne au bas des ff. Les ff. 34v, 35, 39, 72, 75v, 76, 87v, 97, 100v, 101, 115v, 116 sont blancs. Notation mesurée blanche. 11 et 12 portées par p. Initiales ornées.

Ce ms. où l'on discerne 6 mains différentes est constitué de messes, motets, Magnificat, hymnes et chansons copiés sans plan défini. Josquin l'emporte avec 7 pièces. Léon X étant désigné comme «pontifex maximus» au no 19 (alors que la même chanson est attribuée au «Cardinal di Medici» dans I-Fn 107bis), le ms. n'a pu être copié qu'après 1513 et avant 1521. L'état présent du ms. reconstitué à partir de feuillets disparates semble être dû à Orazio Vecchi, maître de chapelle à Modène en 1583, car on lit à la couv.: «Jacobi et Ludovici Foliani olim cathedralis Mutinae magistri opera ab injuria temporum a Vecchio vindicata.» (Roncaglia).

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 4 Credos, 2 Agnus, 11 Magnificats, 1 Magnificat fragment, 8 hymns, 8 motets, 2 French secular pieces, 2 textless canons = 46 (many incomplete)

A. Agricola/(Brumel/Josquin/La Rue)-1, Bruhier-2, Brumel? [Antonius]-1, (Brumel?)-1, Brumel/(Isaac)-1, (Carpentras)-1, (Compère)-1, G. Fogliano-3 + 2?, L. Fogliano-1, (Isaac)-1 + 1?, Josquin-6, Josquin/(La Rue)-1, (La Rue)-1, Leo X-1, (Mouton)-1, Penet-1, Verdelot/(Willaert)-1, anon-18

120 paper folios, 405 x 275. Composite of several originally separate fascicles assembled and bound in late 16th century under direction of Orazio Vecchi. Modern pencil foliation, 1-120; modern pencil pagination, 1-239 (numbers appear only on rectos). Modern covers; pasted to front cover is fragment of original parchment cover, with inscription: "Jacobi et Ludovici Foliani olim cathedralis Mutinae magistri opera ab iniuria temporum a Vecchio vindicata." No index. Copied by 15 scribes, one of whom also wrote parts of ModD 3 and ModD 9. Large inked calligraphic initials and voice designations, some with grotesques. Seven watermarks, four identical or similar to marks in Briquet (#493, #4450-3, #4764, #9599). Some attributions (generally correct) added by modern hand.

Ca. 1520-30 (Crawford). Probably copied in Modena, for use by the cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2r	Veni creator spiritus Qui paraclitus diceris	-	Anonymous
Veni creator spiritus Qui paraclitus diceris Anonymous Appears on: 1v–2r Genres: Hymn, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus] Qui paraclitus diceris
2v–3r	Ut queant laxis - 1a pars (of 2): Ut queant laxis Ille promissi dubius superni	[CARPENTRAS*]	Carpentras, Elzear Genet (ca. 1470–1548)
Ut queant laxis - 1a pars (of 2): Ut queant laxis Ille promissi dubius superni Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 2v–3r Genres: Motet Source Attribution: [CARPENTRAS] Voice:* [no designation] Languages: Latin Voice Text: [Ut queant laxis] Ille promissi dubius superni Concordances RISM G 1573 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58,III2.
3v	Ut queant laxis - 2a pars (of 2): Gloria patri	[CARPENTRAS*]	Carpentras, Elzear Genet (ca. 1470–1548)
Ut queant laxis - 2a pars (of 2): Gloria patri Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 3v Genres: Doxology, Motet Source Attribution: [CARPENTRAS] Voice:* [no designation] Languages: Latin Voice Text: 5e verset Gloria patri Concordances RISM G 1573 General Note incomplete - folio opposite 3v is missing Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58,III2.
4r–5r	Missa Alleluia: Credo	[J. MOUTON*]	Mouton, Jean (ca. 1459–1522)
Missa Alleluia: Credo Mouton, Jean (ca. 1459–1522) Appears on: 4r–5r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J. MOUTON] Voice:* [no designation] Languages: Latin Voice Text: [Missa Alleluya]. [Credo] Crucifixus etiam pro nobis Concordances D-brd-Mbs 65 General Note Incomplete. Missing opening pages, before the Crucifixus; and Sup/Ten of the beginning of the Crucifixus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 43, I. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 70.
5v–7r	Missa Alleluia: Sanctus	[J. MOUTON*]	Mouton, Jean (ca. 1459–1522)
Missa Alleluia: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 5v–7r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. MOUTON] Voice:* [no designation] Languages: Latin Voice Text: [Missa Alleluya] Sanctus Concordances D-brd-Mbs 65 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 43, I. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 70.
6v–8r	Missa Alleluia: Agnus	[J. MOUTON*]	Mouton, Jean (ca. 1459–1522)
Missa Alleluia: Agnus Mouton, Jean (ca. 1459–1522) Appears on: 6v–8r Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. MOUTON] Voice:* [no designation] Languages: Latin Voice Text: [Missa Alleluya]. Agnus Concordances D-brd-Mbs 65 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 43, I. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 70.
8v–9r	Missa Graciose: Kyrie eleison	-	Anonymous
Missa Graciose: Kyrie eleison Anonymous Appears on: 8v–9r Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
9v–10v	Missa Graciose: Et in terra pax [Gloria]	-	Anonymous
Missa Graciose: Et in terra pax [Gloria] Anonymous Appears on: 9v–10v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria General Note incomplete - lacks folio opposite f. 10r
11r–13r	Missa Graciose: Patrem omnipotentem [Credo]	-	Anonymous
Missa Graciose: Patrem omnipotentem [Credo] Anonymous Appears on: 11r–13r Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note incompl. (1 f. mq. entre 10 et 11)
13v	Infirmitatem nostram quaesumus Domine	VERDELOT	Willaert, Adrian (ca. 1490–1562) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Infirmitatem nostram quaesumus Domine Willaert, Adrian (ca. 1490–1562) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 13v Genres: Motet Source Attribution: VERDELOT Voice: [no designation] Languages: Latin Voice Text: Infirmitatem nostram quesumus domine General Note Publ. cf. Bc 27" n° 42Sup. seul'. Incomplete, lacking folio after f. 13
14r	Hostis Herodes impie Ibant magi quam viderant	-	Anonymous
Hostis Herodes impie Ibant magi quam viderant Anonymous Appears on: 14r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie] Ibant magi quam viderant General Note Incomplete, lacking folio before f. 14 -- A [1 & 2] and B only
14v–15r	Missa D'un autre amer 7.3: Sanctus	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 14v–15r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Josquin] Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa D'ung aultre amer] Kyrie General Note Publ. cf. Fn 27 n° 115Au f. 14v—15, le Sanctus est suivi en guise de Benedictus, du motet Tu solus qui facis mirabilia
14v–15r	Missa D'un autre amer 7.3: Tu solus qui facis mirabilia [elevation motet]	-	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Tu solus qui facis mirabilia [elevation motet] Despres, Josquin (ca. 1450–1521) Appears on: 14v–15r Genres: Mass Ordinary, Motet
15v–16r	Missa D'un autre amer 7.3: Kyrie	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 15v–16r Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN
16v–17r	Missa D'un autre amer 7.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 16v–17r Genres: Gloria (et in terra pax), Mass Ordinary
17v–19r	Missa D'un autre amer 7.3: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Credo Despres, Josquin (ca. 1450–1521) Appears on: 17v–19r Genres: Credo (patrem omnipotentem), Mass Ordinary
19v–22r	Patrem omnipotentem [Credo]	ANTONIUS [BRUMEL* ou FEVIN*]	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Patrem omnipotentem [Credo] Fevin, Antoine de (ca. 1470–ca. 1512) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 19v–22r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: ANTONIUS [BRUMEL* ou FEVIN] Voice:* [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Au crayon d'une main postérieure. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5,IV (Op. dub.).
22v–25r	Magnificat: Et exultavit spiritus meus	HILARIUS PENET	Penet, Hilaire (ca. 1501–)
Magnificat: Et exultavit spiritus meus Penet, Hilaire (ca. 1501–) Appears on: 22v–25r Genres: BVM, Canticle, Magnificat Source Attribution: HILARIUS PENET Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note . Versets pairs
25v–26r	Missa D'un autre amer 7.3: Agnus Dei	JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 25v–26r Genres: Agnus Dei, Mass Ordinary Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung autre amer] Agnus dei
26v–27r	Missa Sine nomine: Kyrie	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine: Kyrie Compère, Loyset (ca. 1445–1518) Appears on: 26v–27r Genres: Kyrie eleison, Mass Ordinary Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] Kyrie General Note Publ. cf. CMac L(B) n° 6.Sans Sanctus ni Agnus dont les paroles ont été inscrites postérieurement sous le Kyrie I et Kyrie II. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,1 (ff.26v-27).
27v–28r	Missa Sine nomine: Gloria	-	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine: Gloria Compère, Loyset (ca. 1445–1518) Appears on: 27v–28r Genres: Gloria (et in terra pax), Mass Ordinary
28v–30r	Missa Sine nomine. Credo	-	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine. Credo Compère, Loyset (ca. 1445–1518) Appears on: 28v–30r Genres: Credo (patrem omnipotentem), Mass Ordinary
30v–32r	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 30v–32r Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
32v–34r	Missa de Beata vergine: Credo (Patrem Cardinal)	[P.De La RUE]	Rue, Pierre de la (ca. 1452–1518)
Missa de Beata vergine: Credo (Patrem Cardinal) Rue, Pierre de la (ca. 1452–1518) Appears on: 32v–34r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [P.De La RUE] Voice: [no designation] Languages: Latin Voice Text: [Missa De beata virgine. Credo] Patrem General Note Publ. cf. Bsp XXXVIII n° 12
34v–35r	[blank staves]	-	-
[blank staves] Appears on: 34v–35r General Note voice-part names written in only
35v–41r	Magnificat primi toni: Et exultavit [K.163]	-	Anonymous
Magnificat primi toni: Et exultavit [K.163] Anonymous Appears on: 35v–41r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
41v	Christe redemptor omnium Beata quoque agmina	-	Anonymous
Christe redemptor omnium Beata quoque agmina Anonymous Appears on: 41v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium] Beata quoque agmina General Note incomplete - missing folio after f. 41
42r–43r	Magnificat octavi toni [K.634]	[A. BRUMEL?]*	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat octavi toni [K.634] Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 42r–43r Genres: BVM, Canticle, Magnificat Source Attribution: [A. BRUMEL?]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Deposuit potentes General Note incomplete - missing folio before f. 42. Begins at 'Deposuit potentes' (Altus/Bassus only); on f. 43v-44 is an 8vv 'Sicut erat'. Publ. cf. CF 59 n° 7
43v–44r	Ave sanctissima Maria mater Dei	-	Anonymous
Ave sanctissima Maria mater Dei Anonymous Appears on: 43v–44r Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater Dei Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
44v–45r	Ave Maria gratia plena Dominus tecum	[J. FOGLIANO]	Fogliano, Giacomo (1468–1548)
Ave Maria gratia plena Dominus tecum Fogliano, Giacomo (1468–1548) Appears on: 44v–45r Genres: Ave Maria, Lauda, Motet Source Attribution: [J. FOGLIANO] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note Publ. cf. Fn 27 n° 3
45v–46r	Cela sans plus et plus hola	LEO X PONT[IFEX] MAX[IMUS]	Leo X (Medici) (1475–1521)
Cela sans plus et plus hola Leo X (Medici) (1475–1521) Appears on: 45v–46r Genres: Chanson Source Attribution: LEO X PONT[IFEX] MAX[IMUS] Voice: [no designation] Languages: Italian Voice Text: Sela san plus. General Note Publ. cf. Fn 107 bis n° 17
46v–47r	Nuntius de caelo	-	Anonymous
Nuntius de caelo Anonymous Appears on: 46v–47r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nuncius de celo
47v–48r	Missa Hercules dux Ferrariae 11.1: Agnus Dei	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 47v–48r Genres: Agnus Dei, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Missa Hercules dux Ferrarie. Agnus dei General Note Dedicatee: Hercules, Duc of Ferrara =Missa Philippus rex Castillie= Missa Fridericus dux Saxsonie] Publ. cf. Bc 142 n° 48 Concordances D-ddr-Ju 3
48v–49r	O sacrum convivium.	-	Anonymous
O sacrum convivium. Anonymous Appears on: 48v–49r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium. Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II (Isaac).
49v–50r	Clama ne cesses	-	Anonymous
Clama ne cesses Anonymous Appears on: 49v–50r Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Clama ne cesses
50v–54r	Magnificat octavi toni: Et exultavit [K.425]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.425] Anonymous Appears on: 50v–54r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs General Note composer's name cut off. but a later hand has written (in pencil) "Jacobus Foglianus" Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II (J. Fogliano).
54v–57r	Magnificat quarti toni 20.3: Anima mea	AGRICOLLA [ou P. DE LA RUE ou BRUMEL* ou JOSQUIN DES PRÉS]	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat quarti toni 20.3: Anima mea Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 54v–57r Genres: BVM, Canticle, Magnificat Source Attribution: AGRICOLLA [ou P. DE LA RUE ou BRUMEL* ou JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairsPubl. cf. MOcap III n° 49 Concordances *D-ddr-LEu 49
57v–60r	Magnificat quint toni: Et exultavit [K.284]	-	Anonymous
Magnificat quint toni: Et exultavit [K.284] Anonymous Appears on: 57v–60r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
60v–61r	Hodie scietis quia veniet Dominus	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Hodie scietis quia veniet Dominus Isaac, Heinrich (ca. 1450–1517) Appears on: 60v–61r Genres: Introit, Proper Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Hodie scietis. Concordances *1508' Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
61v–64v	Magnificat primi toni: Et exultavit [K.139]	-	Anonymous
Magnificat primi toni: Et exultavit [K.139] Anonymous Appears on: 61v–64v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairsAu f. 64v, un autre Sicut locutus est . . .Duo, d'une autre main
65r–68r	Magnificat secundi toni: Et exultavit [K,210]	-	Anonymous
Magnificat secundi toni: Et exultavit [K,210] Anonymous Appears on: 65r–68r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairsAu f. 65: Discantus Et exultavit require super Altus fuga ad semibrevem in diatesaron
68v–69r	Ave sanctissima Maria mater Dei piissima	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 68v–69r Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria
69v–71r	Magnificat sexti toni: Et exultavit [K.334]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.334] Anonymous Appears on: 69v–71r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
71v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 71v Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note [Après résol. du canon: Sup.:Canon. Discantus in tenorem per Antiphasim Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
72r	[blank staves]	-	-
[blank staves] Appears on: 72r
72v–73r	Lucis creator Qui mane junctum vesperi	-	Anonymous
Lucis creator Qui mane junctum vesperi Anonymous Appears on: 72v–73r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Lucis creator] Qui mane junctum vesperi
73v–74r	Magnificat quarti toni: Et exultavit [K.259]	-	Anonymous
Magnificat quarti toni: Et exultavit [K.259] Anonymous Appears on: 73v–74r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
74v–75r	Missa Malheur me bat 9.1: Agnus Dei	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 74v–75r Genres: Agnus Dei, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Missa Malheur me bat] Agnus dei malor me bat General Note [cf. n» 37]
75v–76r	[blank staves]	-	-
[blank staves] Appears on: 75v–76r
76v–78	Missa Descendi in ortum meum: Kyrie	BRUMEL	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Kyrie Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 76v–78 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BRUMEL Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Descendi in hortum meum] Kyrie General Note . Publ. cf. Bc 19 n° 83
78v–80r	Missa Descendi in ortum meum: Gloria	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Gloria Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 78v–80r Genres: Gloria (et in terra pax), Mass Ordinary
80v–83r	Missa Descendi in ortum meum: Credo	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Credo Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 80v–83r Genres: Credo (patrem omnipotentem), Mass Ordinary
83v–85r	Missa Descendi in ortum meum: Sanctus	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Sanctus Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 83v–85r Genres: Mass Ordinary, Sanctus [& Benedictus]
85v–87r	Missa Descendi in ortum meum: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 85v–87r Genres: Agnus Dei, Mass Ordinary
87v	[blank staves]	-	-
[blank staves] Appears on: 87v
88r–89r	Missa Malheur me bat 9.1: Kyrie	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 88r–89r Genres: Kyrie eleison, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Malheur me bat] Kyrie General Note Publ. cf. Bsp XXXI n° 15[Agnus = n" 35
89v–91r	Missa Malheur me bat 9.1: Gloria	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 89v–91r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Missa Malheur me bat] Gloria General Note Publ. cf. Bsp XXXI n° 15[Agnus = n" 35
91v–92r	Ave maris stella Sumens illud ave Gabrielis ore	-	Anonymous
Ave maris stella Sumens illud ave Gabrielis ore Anonymous Appears on: 91v–92r Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: (Ave maris stella] Sumens illud ave Gabrielis ore Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
92v–95r	Missa Beata Virgine = Missa Coronata 3.3: Credo	JUSQUIN DE PRÉS	Despres, Josquin (ca. 1450–1521) (?)
Missa Beata Virgine = Missa Coronata 3.3: Credo Despres, Josquin (ca. 1450–1521) (?) Appears on: 92v–95r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: JUSQUIN DE PRÉS Voice: [no designation] Languages: Latin Voice Text: [Missa De beata virgine.] Patrem General Note [Credo = Credo de village à 5]Au f. 93: Canon Le premier va davantPubl. cf. Bsp XXXI n° 4
95v–96r	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 95v–96r Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum General Note A: Fuga unisono duorum temporumB: Fuga duorum temporum per diapenteintensum Item Bibliography Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: II.
96v	untexted	ANTONIUS BRUGIER	Brumel, Antoine (ca. 1460–ca. 1513)
untexted Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 96v Genres: textless Source Attribution: ANTONIUS BRUGIER Voice: [no designation] Languages: none Voice Text: without text General Note A: Canon. Sapiat qui sapere potest; T: Canon. Talis dilectus talis amicus
97r	[blank staves]	-	-
[blank staves] Appears on: 97r
97v–98r	Je pris amor - 1a pars (of 2): Je pris amor	-	Anonymous
Je pris amor - 1a pars (of 2): Je pris amor Anonymous Appears on: 97v–98r Genres: textless Voice: [no designation] Languages: French Voice Text: Je pris amor General Note T: Je pris amor a ma devisa.Canon. Fondit amans placidis inter suspiria voces an modo concentus claudere contigerit
97v–98r	Je pris amor - 2a pars (of 2):	-	-
Je pris amor - 2a pars (of 2): - Appears on: 97v–98r Genres: textless Voice: [no designation] Languages: none Voice Text: a p.: no text General Note Canon. A ma devisa
98v–99r	Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Despres, Josquin (ca. 1450–1521) Appears on: 98v–99r Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Memor esto verbi tui General Note Publ. cf. Bc 142 n° 5
98v–100r	Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire Despres, Josquin (ca. 1450–1521) Appears on: 98v–100r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: 2a p.: Portio mea domine General Note Publ. cf. Bc 142 n° 5
100v–101r	[blank staves]	-	-
[blank staves] Appears on: 100v–101r
101v–102r	Missa: Kyrie	LODOVICHUS FOGLIANUS	Fogliano, Ludovico
Missa: Kyrie Fogliano, Ludovico Appears on: 101v–102r Genres: Kyrie eleison, Mass Ordinary Source Attribution: LODOVICHUS FOGLIANUS Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
102v–103r	Missa: Gloria	-	Fogliano, Ludovico
Missa: Gloria Fogliano, Ludovico Appears on: 102v–103r Genres: Gloria (et in terra pax), Mass Ordinary
103v–105r	Missa: Credo	-	Fogliano, Ludovico
Missa: Credo Fogliano, Ludovico Appears on: 103v–105r Genres: Credo (patrem omnipotentem), Mass Ordinary
105v–106r	Missa: Sanctus	-	Fogliano, Ludovico
Missa: Sanctus Fogliano, Ludovico Appears on: 105v–106r Genres: Mass Ordinary, Sanctus [& Benedictus]
106v–107r	Missa: Agnus Dei	-	Fogliano, Ludovico
Missa: Agnus Dei Fogliano, Ludovico Appears on: 106v–107r Genres: Agnus Dei, Mass Ordinary
107v–108r	Missa Mater Patris 10.1: Kyrie	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 107v–108r Genres: Kyrie eleison, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Mater patris] Kyrie Concordances SartoriB n° 48; RISM J 673 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).* Leipzig/ Amsterdam. Pages: III.
108v–109r	Missa Mater Patris 10.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 108v–109r Genres: Gloria (et in terra pax), Mass Ordinary
109v–112r	Missa Mater Patris 10.1: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Credo Despres, Josquin (ca. 1450–1521) Appears on: 109v–112r Genres: Credo (patrem omnipotentem), Mass Ordinary
112v–114r	Missa Mater Patris 10.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 112v–114r Genres: Mass Ordinary, Sanctus [& Benedictus]
114v–115r	Magnificat: Et exultavit spiritus meus	-	Anonymous
Magnificat: Et exultavit spiritus meus Anonymous Appears on: 114v–115r Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note . Versets pairs
115v–116r	[blank staves]	-	-
[blank staves] Appears on: 115v–116r
116v–120v	Magnificat: Et exultavit [K.450]	-	Anonymous
Magnificat: Et exultavit [K.450] Anonymous Appears on: 116v–120v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs [Inachevé: Sup. et T seul' du verset 12]

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Magnificat quarti toni 20.3: Anima mea – 54v–57r
Anonymous	Ave Maria gratia plena Dominus tecum – 95v–96r Ave maris stella – 71v Ave maris stella Sumens illud ave Gabrielis ore – 91v–92r Ave sanctissima Maria mater Dei – 43v–44r Ave sanctissima Maria mater Dei piissima – 68v–69r Christe redemptor omnium Beata quoque agmina – 41v Clama ne cesses – 49v–50r Hostis Herodes impie Ibant magi quam viderant – 14r Je pris amor - 1a pars (of 2): Je pris amor – 97v–98r Je pris amor - 2a pars (of 2): – 97v–98r Lucis creator Qui mane junctum vesperi – 72v–73r Magnificat octavi toni: Et exultavit [K.425] – 50v–54r Magnificat primi toni: Et exultavit [K.139] – 61v–64v Magnificat primi toni: Et exultavit [K.163] – 35v–41r Magnificat quarti toni: Et exultavit [K.259] – 73v–74r Magnificat quint toni: Et exultavit [K.284] – 57v–60r Magnificat secundi toni: Et exultavit [K,210] – 65r–68r Magnificat sexti toni: Et exultavit [K.334] – 69v–71r Magnificat: Et exultavit [K.450] – 116v–120v Magnificat: Et exultavit spiritus meus – 114v–115r Missa Graciose: Et in terra pax [Gloria] – 9v–10v Missa Graciose: Kyrie eleison – 8v–9r Missa Graciose: Patrem omnipotentem [Credo] – 11r–13r Nuntius de caelo – 46v–47r O sacrum convivium. – 48v–49r Patrem omnipotentem [Credo] – 30v–32r Veni creator spiritus Qui paraclitus diceris – 1v–2r [No description] – 115v–116r [No description] – 72r [No description] – 100v–101r [No description] – 97r [No description] – 87v [No description] – 75v–76r [No description] – 34v–35r
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat octavi toni [K.634] – 42r–43r (?) Magnificat quarti toni 20.3: Anima mea – 54v–57r Missa Descendi in ortum meum: Agnus Dei – 85v–87r Missa Descendi in ortum meum: Credo – 80v–83r Missa Descendi in ortum meum: Gloria – 78v–80r Missa Descendi in ortum meum: Kyrie – 76v–78 Missa Descendi in ortum meum: Sanctus – 83v–85r (?) Patrem omnipotentem [Credo] – 19v–22r untexted – 96v
Carpentras, Elzear Genet (ca. 1470–1548)	Ut queant laxis - 1a pars (of 2): Ut queant laxis Ille promissi dubius superni – 2v–3r Ut queant laxis - 2a pars (of 2): Gloria patri – 3v
Compère, Loyset (ca. 1445–1518)	Missa Sine nomine. Credo – 28v–30r Missa Sine nomine: Gloria – 27v–28r Missa Sine nomine: Kyrie – 26v–27r
Despres, Josquin (ca. 1450–1521)	(?) Magnificat quarti toni 20.3: Anima mea – 54v–57r Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo – 98v–99r Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire – 98v–100r (?) Missa Beata Virgine = Missa Coronata 3.3: Credo – 92v–95r Missa D'un autre amer 7.3: Agnus Dei – 25v–26r Missa D'un autre amer 7.3: Credo – 17v–19r Missa D'un autre amer 7.3: Gloria – 16v–17r Missa D'un autre amer 7.3: Kyrie – 15v–16r Missa D'un autre amer 7.3: Sanctus – 14v–15r Missa D'un autre amer 7.3: Tu solus qui facis mirabilia [elevation motet] – 14v–15r Missa Hercules dux Ferrariae 11.1: Agnus Dei – 47v–48r Missa Malheur me bat 9.1: Agnus Dei – 74v–75r Missa Malheur me bat 9.1: Gloria – 89v–91r Missa Malheur me bat 9.1: Kyrie – 88r–89r Missa Mater Patris 10.1: Credo – 109v–112r Missa Mater Patris 10.1: Gloria – 108v–109r Missa Mater Patris 10.1: Kyrie – 107v–108r Missa Mater Patris 10.1: Sanctus – 112v–114r
Fevin, Antoine de (ca. 1470–ca. 1512)	(?) Patrem omnipotentem [Credo] – 19v–22r
Fogliano, Giacomo (1468–1548)	Ave Maria gratia plena Dominus tecum – 44v–45r
Fogliano, Ludovico	Missa: Agnus Dei – 106v–107r Missa: Credo – 103v–105r Missa: Gloria – 102v–103r Missa: Kyrie – 101v–102r Missa: Sanctus – 105v–106r
Isaac, Heinrich (ca. 1450–1517)	Hodie scietis quia veniet Dominus – 60v–61r (?) Missa Descendi in ortum meum: Agnus Dei – 85v–87r (?) Missa Descendi in ortum meum: Credo – 80v–83r (?) Missa Descendi in ortum meum: Gloria – 78v–80r (?) Missa Descendi in ortum meum: Kyrie – 76v–78 (?) Missa Descendi in ortum meum: Sanctus – 83v–85r
Leo X (Medici) (1475–1521)	Cela sans plus et plus hola – 45v–46r
Mouton, Jean (ca. 1459–1522)	Missa Alleluia: Agnus – 6v–8r Missa Alleluia: Credo – 4r–5r Missa Alleluia: Sanctus – 5v–7r
Penet, Hilaire (ca. 1501–)	Magnificat: Et exultavit spiritus meus – 22v–25r
Rue, Pierre de la (ca. 1452–1518)	(?) Magnificat quarti toni 20.3: Anima mea – 54v–57r Missa de Beata vergine: Credo (Patrem Cardinal) – 32v–34r
Verdelot, Philippe (ca. 1480–ca. 1532)	Infirmitatem nostram quaesumus Domine – 13v
Willaert, Adrian (ca. 1490–1562)	(?) Infirmitatem nostram quaesumus Domine – 13v

Composition	Composers (? Uncertain)	Folios / Pages
Ave Maria gratia plena Dominus tecum	Fogliano, Giacomo (1468–1548)	44v–45r
Ave Maria gratia plena Dominus tecum	Anonymous	95v–96r
Ave maris stella	Anonymous	71v
Ave maris stella Sumens illud ave Gabrielis ore	Anonymous	91v–92r
Ave sanctissima Maria mater Dei	Anonymous	43v–44r
Ave sanctissima Maria mater Dei piissima	Anonymous	68v–69r
Cela sans plus et plus hola	Leo X (Medici) (1475–1521)	45v–46r
Christe redemptor omnium Beata quoque agmina	Anonymous	41v
Clama ne cesses	Anonymous	49v–50r
Hodie scietis quia veniet Dominus	Isaac, Heinrich (ca. 1450–1517)	60v–61r
Hostis Herodes impie Ibant magi quam viderant	Anonymous	14r
Infirmitatem nostram quaesumus Domine	Willaert, Adrian (ca. 1490–1562) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	13v
Je pris amor - 1a pars (of 2): Je pris amor	Anonymous	97v–98r
Je pris amor - 2a pars (of 2):	-	97v–98r
Lucis creator Qui mane junctum vesperi	Anonymous	72v–73r
Magnificat octavi toni [K.634]	Brumel, Antoine (ca. 1460–ca. 1513) (?)	42r–43r
Magnificat octavi toni: Et exultavit [K.425]	Anonymous	50v–54r
Magnificat primi toni: Et exultavit [K.139]	Anonymous	61v–64v
Magnificat primi toni: Et exultavit [K.163]	Anonymous	35v–41r
Magnificat quarti toni 20.3: Anima mea	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Agricola, Alexander (ca. 1445–1506) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	54v–57r
Magnificat quarti toni: Et exultavit [K.259]	Anonymous	73v–74r
Magnificat quint toni: Et exultavit [K.284]	Anonymous	57v–60r
Magnificat secundi toni: Et exultavit [K,210]	Anonymous	65r–68r
Magnificat sexti toni: Et exultavit [K.334]	Anonymous	69v–71r
Magnificat: Et exultavit [K.450]	Anonymous	116v–120v
Magnificat: Et exultavit spiritus meus	Penet, Hilaire (ca. 1501–)	22v–25r
Magnificat: Et exultavit spiritus meus	Anonymous	114v–115r
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Despres, Josquin (ca. 1450–1521)	98v–99r
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	Despres, Josquin (ca. 1450–1521)	98v–100r
Missa Alleluia: Agnus	Mouton, Jean (ca. 1459–1522)	6v–8r
Missa Alleluia: Credo	Mouton, Jean (ca. 1459–1522)	4r–5r
Missa Alleluia: Sanctus	Mouton, Jean (ca. 1459–1522)	5v–7r
Missa Beata Virgine = Missa Coronata 3.3: Credo	Despres, Josquin (ca. 1450–1521) (?)	92v–95r
Missa D'un autre amer 7.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	25v–26r
Missa D'un autre amer 7.3: Credo	Despres, Josquin (ca. 1450–1521)	17v–19r
Missa D'un autre amer 7.3: Gloria	Despres, Josquin (ca. 1450–1521)	16v–17r
Missa D'un autre amer 7.3: Kyrie	Despres, Josquin (ca. 1450–1521)	15v–16r
Missa D'un autre amer 7.3: Sanctus	Despres, Josquin (ca. 1450–1521)	14v–15r
Missa D'un autre amer 7.3: Tu solus qui facis mirabilia [elevation motet]	Despres, Josquin (ca. 1450–1521)	14v–15r
Missa de Beata vergine: Credo (Patrem Cardinal)	Rue, Pierre de la (ca. 1452–1518)	32v–34r
Missa Descendi in ortum meum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	85v–87r
Missa Descendi in ortum meum: Credo	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	80v–83r
Missa Descendi in ortum meum: Gloria	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	78v–80r
Missa Descendi in ortum meum: Kyrie	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	76v–78
Missa Descendi in ortum meum: Sanctus	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	83v–85r
Missa Graciose: Et in terra pax [Gloria]	Anonymous	9v–10v
Missa Graciose: Kyrie eleison	Anonymous	8v–9r
Missa Graciose: Patrem omnipotentem [Credo]	Anonymous	11r–13r
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	47v–48r
Missa Malheur me bat 9.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	74v–75r
Missa Malheur me bat 9.1: Gloria	Despres, Josquin (ca. 1450–1521)	89v–91r
Missa Malheur me bat 9.1: Kyrie	Despres, Josquin (ca. 1450–1521)	88r–89r
Missa Mater Patris 10.1: Credo	Despres, Josquin (ca. 1450–1521)	109v–112r
Missa Mater Patris 10.1: Gloria	Despres, Josquin (ca. 1450–1521)	108v–109r
Missa Mater Patris 10.1: Kyrie	Despres, Josquin (ca. 1450–1521)	107v–108r
Missa Mater Patris 10.1: Sanctus	Despres, Josquin (ca. 1450–1521)	112v–114r
Missa Sine nomine. Credo	Compère, Loyset (ca. 1445–1518)	28v–30r
Missa Sine nomine: Gloria	Compère, Loyset (ca. 1445–1518)	27v–28r
Missa Sine nomine: Kyrie	Compère, Loyset (ca. 1445–1518)	26v–27r
Missa: Agnus Dei	Fogliano, Ludovico	106v–107r
Missa: Credo	Fogliano, Ludovico	103v–105r
Missa: Gloria	Fogliano, Ludovico	102v–103r
Missa: Kyrie	Fogliano, Ludovico	101v–102r
Missa: Sanctus	Fogliano, Ludovico	105v–106r
Nuntius de caelo	Anonymous	46v–47r
O sacrum convivium.	Anonymous	48v–49r
Patrem omnipotentem [Credo]	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	19v–22r
Patrem omnipotentem [Credo]	Anonymous	30v–32r
untexted	Brumel, Antoine (ca. 1460–ca. 1513)	96v
Ut queant laxis - 1a pars (of 2): Ut queant laxis Ille promissi dubius superni	Carpentras, Elzear Genet (ca. 1470–1548)	2v–3r
Ut queant laxis - 2a pars (of 2): Gloria patri	Carpentras, Elzear Genet (ca. 1470–1548)	3v
Veni creator spiritus Qui paraclitus diceris	Anonymous	1v–2r

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 157.

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 164-5, 176. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxx, 52. Notes: physical description; contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xv, 48-73; IV, xix, 118-23; VI, xi, xiv, xix. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Crawford, David Eugene. 1967. Vespers polyphony at Modena's cathedral in the first half of the sixteenth century. University of Illinois, Urbana, Ph.D. Dissertation. Pages: I, passim et 91ff. Notes: physical description; contents list; concordances; incipits (partial); transcription (partial); mention of MS; discussion.

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD. Roma. Pages: 119.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 148.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II, p. VI. Notes: physical description (partial); contents list (partial); transcription (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xii, 71-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iii, vii, 51-60. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Roncaglia, Gino. 1957. La Cappella Musicale del Duomo di Modena. Historiae Musicae Cultores. Florence: Biblioteca. Pages: 15.

Fischer, Kurt von. 1954. Zur Geschichte der Passionskomposition des 16. Jahrhunderts in Italien. Archiv für Musikwissenschaft, 189-205. Pages: 189ff.

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500. Leipzig and Copenhagen. Pages: LXIV.

Vatielli, Francesco, and Luigi Torri (editors). 1929. Primo congresso internazionale di bibliografia e bibliofilia. Mostra bibliografica musicale, Bologna, Archiginnasio, Giugno 1929. Bologna. Pages: n°XXXII.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam.

Dondi, Antonio. 1896. Notizie storiche ed artistiche del duomo di Modena. Modena. Pages: 159ff.

Haberl, Franz Xavier. 1888. Eine Komposition des Cardinais Jo. de Medicis. Kirchenmusikalisches Jahrbuch, 39ff. Pages: 39ff.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-MOd MS Mus. IV

Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, Italy

manuscript of polyphony: c. 1520-30

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Census Catalogue of Music Description

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