I-Fn MS Magl. XIX.117

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: c. 1505-15

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.117
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	163 x 250 mm
Other Identifiers	RISM: I-Fn 117 CCM: FlorBN Magl. 117
Notations	black void mensural
Copyists	scribal concordance [55] Text and Music
External Links	images
Provenance	France
Contents	53 pieces from 16 composers

General Description

Copied mostly by one main scribe and five additional scribes (BernF); one of the additional scribes also added several pieces to FlorBN Magl. 107bis (RifSC). There are also scribblings by later hands on some folios. Copied in Florence (BernF, who refutes earlier suggestions of French provenance for portions of manuscript).

DIAMM, 2017

Physical Description

The manuscript is in poor condition; many folios have been torn out.

DIAMM, 2017

Binding

Fragments of original leather covers incorporated in modern binding.

DIAMM, 2017

Watermark

none

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 10.5

DIAMM, 2017

Foliation

Original ink foliation, [1]-[88], on upper right rectos (ff. 28-31, 35-36, 43-44, 47-61, 84, and 89 now missing; ff. 1, 22-23, 25-27, 32-33, 45-46, 62-63, 85, and 88 lack numbers, but correctly counted in enumeration). Modern pencil foliation, 1-65, on lower left rectos.

DIAMM, 2017

Decoration

Inked calligraphic initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 64ff. Papier, 163 x 250 mm. Foliotation moderne: 1-64 et restes d'une foliotation ancienne très discontinue en haut des ff. Notation mesurée blanche. 6 portées par p. Au bas des ff. 20, 22v, 23, 29v, 30v, 31v, 33v, 44 [67], 58v [81v], 59 [82], 59v [82v], 60v [83v], fragments musicaux copiés postérieurement. Aux ff. 36v-40, ex. musicaux. Quelques capitales ornées à la plume. Rehure ancienne cuir estampé, dos refait. (Origine Bibi. Med. Palatina)

Ce ms. composite (on n'y distingue pas moins de 9 copistes), dont une grande partie est l'oeuvre d'un scribe français, a cependant dû être compilé en partie en Italie, plus probablement à Florence qu'à Rome, comme semble l'indiquer la présence de Baccio Fiorentino (no 17), de Layolle (nos 16 et 32) et d'Isaac (no 50), sans qu'il soit possible d'affirmer qu'il soit «Medicean» (Heartz). Le répertoire, très proche des sources de la chanson parisienne, incite à situer la copie plutôt dans la 2e décennie du XVIe s. alors que les relations entre l'Italie et la France étaient devenues plus actives, mais en tout cas avant 1518, date où Layolle quitte Florence pour Lyon.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 38 French secular pieces, 4 Italian secular pieces, 11 textless pieces = 55

(A. Agricola/Hayne van Ghizeghem)-1, Bartolomeo degli Organi [Baccio florotino]-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Compere)-4 (A. Févin)-5, (A. Févin/Janequin)-1, (Hayne van Ghizeghem)-1, Isaac-1, Izagha/(Le Heurteur/Moulu/Sermisy)-1, (Janequin/Verdelot)-1, (T. Janequin)-1, (Josquin)-1, Lafage-1, F. Layolle-2, (Moulu)-1, Mouton-2, (Prioris)-1, (Richafort/Willaert)-1, anon-28

ii + 65 + ii paper folios, 163 x 250. The manuscript is in poor condition; many folios have been torn out. Original ink foliation to 87. Original leather covers used in a modern binding. No index. The earliest layer was copied by a French scribe; subsequent additions by several other scribes, including one (probably also a Frenchman) who added several pieces to FlorBN Magi. 107bis (RifSC). Inked calligraphic initials.

Ca. 1505-15 (earliest layer); additions ca. 1510-20. The earliest layer may have been copied in France; the remainder of the manuscript was copied in Florence.

Vol 4

Contents: 3 motets (1 without text; 1 incomplete), 41 French secular pieces (4 without text; 4 incomplete), 4 Italian secular pieces (1 incomplete), 3 textless pieces = 51*

*Later scribblings on various folios not taken into account in above summary.

Composers: Change "(A. Févin)-5" to "(A. Févin)-6"; change "(Janequin/ Verdelot)-1'' to "(Janequin)-1"; change "Mouton-2" to "Mouton-3"; change "(Richafort/Willaert)-1" to "(Richafort)1"; change "anon-28" to "anon-22."

Physical: i + 65 + i paper folios of an original 89 or more, 162 x 244. Original ink foliation, [1]-[88], on upper right rectos (ff. 28-31, 35-36, 43-44, 47-61, 84, and 89 now missing; ff. 1, 22-23, 25-27, 32-33, 45-46, 62-63, 85, and 88 lack numbers, but correctly counted in enumeration). Modern pencil foliation, 1-65, on lower left rectos. Fragments of original leather covers incorporated in modern binding. No index. Copied mostly by one main scribe and five additional scribes (BernF); one of the additional scribes also added several pieces to FlorBN Magl. 107bis (RifSC). Staff height 10.5. Scribblings by later hands on some folios, not taken into account here. Inked calligraphic initials. No watermarks.

Date/provenance: Ca. 1515 (BernF). Copied in Florence (BernF, who refutes earlier suggestions of French provenance for portions of manuscript).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Souvent je m'esbatz	-	Anonymous
Souvent je m'esbatz Anonymous Appears on: 1 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Souvent je m'esbatz .. General Note T et B seul Concordances *15206
1v–2	Hellas j'en suis [je suis] marry	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
Hellas j'en suis [je suis] marry Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 1v–2 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: Hellas j'en suis marry . Concordances GB-Cmc 1760 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: XI.
2v–3	Chascun mauldit ses jaloux	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
Chascun mauldit ses jaloux Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 2v–3 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: Chascun mauldit ses jaloux … Concordances GB-Cmc 1760 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: XI.
3v–4	Et je viz la mienne amye	-	Anonymous
Et je viz la mienne amye Anonymous Appears on: 3v–4 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Et je viz la mienne amye …
4v–5	Je m'en allé voir mamye	-	Anonymous
Je m'en allé voir mamye Anonymous Appears on: 4v–5 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je m'en allé voir mamye … Item Bibliography Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries. Cambridge, Mass.: Harvard University Press.
5v–6	Plut a la Vierge Marie	-	Anonymous
Plut a la Vierge Marie Anonymous Appears on: 5v–6 Genres: Chanson, Sacred Song Voice: [no designation] Languages: French Voice Text: Pleust a la vierge Marie …
6v–7	Je le larray puisqu'il my bat	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
Je le larray puisqu'il my bat Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 6v–7 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: Je le lerray puisqui my bat … Concordances »GB-Cmc 1760 Item Bibliography Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries. Cambridge, Mass.: Harvard University Press. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI.
7v–8	On [Tu] a mal dit de mon amy	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
On [Tu] a mal dit de mon amy Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 7v–8 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amy … Concordances . »GB-Cmc 1760 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI. Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum. Yale Univ. Dpt. of music. Pages: II.
8v–10	Or sus vous dormez trop madame joliette	[C. JANEQUIN ?]*	Janequin, Clement (ca. 1485–ca. 1558) (?)
Or sus vous dormez trop madame joliette Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 8v–10 Genres: Chanson Source Attribution: [C. JANEQUIN ?]* Voice: [no designation] Languages: French Voice Text: Or sus vous dormez trop madame joliette … General Note Publ. Versions à 3 et 4vx. (cette dernière seule étant sûrement de Janequin) Concordances RISM J 443 (Version à 4vx.) Item Bibliography Christoffersen, Peter Woetmann. 1979. 'Or Sus Vous Dormez Trop': The Singing of the Lark in French Chansons of the Early Sixteenth Century.* Festskrift Henrik Glahn, Copenhagen. Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: J443 (version a 4vx). Merritt, Arthur Tillman, and François Lesure (editors). 1965-71. Clement Janequin, Chansons polyphoniques. 6 vols. Monaco. Pages: I. Expert, Henry (editor). 1894-. Les maîtres musiciens de la Renaissance française. Paris. Pages: VII Version à 4vx. seul1:.
10v–11	Mais que ce fut le plaisir d'elle	-	Mouton, Jean (ca. 1459–1522)
Mais que ce fut le plaisir d'elle Mouton, Jean (ca. 1459–1522) Appears on: 10v–11 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mais que ce fust le plaisir d'elle …
11v–12	Monseigneur le grant maistre	-	Anonymous
Monseigneur le grant maistre Anonymous Appears on: 11v–12 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Monseigneur le grant maistre …
12v–13	Qui vous vouldroit entretenir	-	Anonymous
Qui vous vouldroit entretenir Anonymous Appears on: 12v–13 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Qui vous vouldroit entretenir …
13v–14	Vive le noble roy de France	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Vive le noble roy de France Compère, Loyset (ca. 1445–1518) Appears on: 13v–14 Genres: Chanson Royale Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Vive le noble roy de France … Concordances E-SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
14v–15	Adieu soulas tout plaisir et liesse	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
Adieu soulas tout plaisir et liesse Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 14v–15 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: Adyeu soullas tout playsir et liesse . . . Concordances »GB-Cmc 1760 Item Bibliography Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5.
15v–16	D'amour je suis desherite et plaindre	-	Anonymous
D'amour je suis desherite et plaindre Anonymous Appears on: 15v–16 Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'amour je suis déshéritée …
16v–17	Questo mostrarsi lieta a tutte l'ore	LAIOLLE	Layolle, Francesco de
Questo mostrarsi lieta a tutte l'ore Layolle, Francesco de Appears on: 16v–17 Genres: Italian secular Source Attribution: LAIOLLE Voice: [no designation] Languages: Italian Voice Text: Questo mostrarsi lieta attutte l'ore . . . General Note Publ. cf. Fc 2440 n° 12
17v–18	Donne per eletione et per natura = S'i pensassi a' piacer del paradiso	BACCIO FLORENTINO	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)
Donne per eletione et per natura = S'i pensassi a' piacer del paradiso Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539) Appears on: 17v–18 Genres: Italian secular Source Attribution: BACCIO FLORENTINO Voice: [no designation] Languages: Italian Voice Text: Donne per ekctione e per natura. [= S'i pensassi a' piacer del paradiso] Concordances 15636 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II.
18v–19	Ami souffrez que je vous aime	DO. IZAGHA [= ISAAC] [ou P. MOULU* ou LE HEURTEUR* ou CLAUDIN DE SERMISY**]	Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?)
Ami souffrez que je vous aime Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?) Appears on: 18v–19 Genres: Chanson Source Attribution: DO. IZAGHA [= ISAAC] [ou P. MOULU* ou LE HEURTEUR* ou CLAUDIN DE SERMISY] Voice: [no designation] Languages: French Voice Text: Ma Dame Lanydin. Amy soufré que je vous aime … [= Amisso frou] Concordances 155322 157814 (avec aussi attrib. à Moulu) D-brd-Rp 940-41 (Anon. 4vx.) Item Bibliography Brennecke, Wilfried (editor). 1956-57. Carmina germanica et gallica. Vierstimmige Instrumentalstücke des 16. Jahrhunderts für 4 Instrumente.* Hortus Musicus. 2 vols. Kassel. Pages: Anon 4vx. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII (Anon. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 20 (Moulou). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 32 (XVI: Isaac).
19v–20	[untexted]	-	-
[untexted] - Appears on: 19v–20 Voice: [no designation] Languages: none Voice Text: without text
20v–21	Ces facheux sots qui mesdisent d'aymer	-	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 20v–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Ces facheux sots qui mesdisent d'aymer] [=Ces veus chanter] Concordances DK-Kk 1848 *D-brd-Rp 940-41 (4vx) Item Bibliography Brennecke, Wilfried (editor). 1956-57. Carmina germanica et gallica. Vierstimmige Instrumentalstücke des 16. Jahrhunderts für 4 Instrumente.* Hortus Musicus. 2 vols. Kassel. Pages: 4vx. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 20.
21v–22	[untexted]	-	-
[untexted] - Appears on: 21v–22 Voice: [no designation] Languages: none Voice Text: without text
23v–24	A tu point veu la viscontine	-	Anonymous
A tu point veu la viscontine Anonymous Appears on: 23v–24 Genres: Chanson Voice: [no designation] Languages: French Voice Text: A tu point veu la viscontine …
24v–26	[untexted]	-	-
[untexted] - Appears on: 24v–26 Voice: [no designation] Languages: none Voice Text: without text
26v–28	Domine non secundum	-	Anonymous
Domine non secundum Anonymous Appears on: 26v–28 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine non secundum … General Note Ces paroles au T seul1
28v–29	Che gl'ochi di costei	-	Anonymous
Che gl'ochi di costei Anonymous Appears on: 28v–29 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che gl'ochi di costei … General Note . Ces paroles au B seul'
29v–30	Et mire la ridaine Regnaudin	-	Anonymous
Et mire la ridaine Regnaudin Anonymous Appears on: 29v–30 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Et mire la ridaine Regnaudin …
30v	Triste et pensif suis sans mot dire	-	Anonymous
Triste et pensif suis sans mot dire Anonymous Appears on: 30v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Triste et pensif suis sans mot dire … General Note Sup. seul1 Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
31	Sourdez regrets avironnez mon coeur	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Sourdez regrets avironnez mon coeur Compère, Loyset (ca. 1445–1518) Appears on: 31 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Sourdez regretz avironnez mon cueur . . . General Note T et B seul1Publ. cf. Fc 2439 n° 46
31v–32	Venes regrets venes il en est heure	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Venes regrets venes il en est heure Compère, Loyset (ca. 1445–1518) Appears on: 31v–32 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Venez regretz venez il en est heure … General Note . Publ. cf. Bc 17 n° 27
32v–33	Laudate dominum omnes gentes (=Allez regrets)	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Laudate dominum omnes gentes (=Allez regrets) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 32v–33 Genres: Contrafactum, Motet Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: Latin Voice Text: Laudate dominum omnes gentes General Note Publ. cf. Bc 17 n° 26
33v–34	Va t'en regrets celluy qui me convoyé	[L. COMPÈRE]*	Compère, Loyset (ca. 1445–1518)
Va t'en regrets celluy qui me convoyé Compère, Loyset (ca. 1445–1518) Appears on: 33v–34 Genres: Chanson Source Attribution: [L. COMPÈRE]* Voice: [no designation] Languages: French Voice Text: Va t'en regretz celluy qui me convoyé . . . General Note Publ. cf. Fn 107 bis n° 31 Concordances *B-Br 11239
34v–35	Les grands regrets que sans cesses je porte	[HAYNE VAN GHIZEGHEM ou A. AGRICOLA*]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Les grands regrets que sans cesses je porte Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 34v–35 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM ou A. AGRICOLA] Voice:* [no designation] Languages: French Voice Text: Les grans regretz que sans cesses je porte ... General Note Publ. cf. Bc 17 n° 32 Concordances *B-Br 11239
35v–36	Laudate Dominum, omnes gentes	LAIOLLE	Layolle, Alamanne de
Laudate Dominum, omnes gentes Layolle, Alamanne de Appears on: 35v–36 Genres: Chanson Source Attribution: LAIOLLE Voice: [no designation] Languages: Latin Voice Text: Laudate dominum, omnes gentes …
40v–42	Rejouissez vous borgeses belles filles de Lion	JO. MOUTON	Mouton, Jean (ca. 1459–1522)
Rejouissez vous borgeses belles filles de Lion Mouton, Jean (ca. 1459–1522) Appears on: 40v–42 Genres: Chanson Source Attribution: JO. MOUTON Voice: [no designation] Languages: French Voice Text: Rejuissez vous borgeses belles filles de Lion. Item Bibliography Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass.
42v–43	L'aultre jour parmy ces champs	-	Anonymous
L'aultre jour parmy ces champs Anonymous Appears on: 42v–43 Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'aultre jour parmy ces champs …
43v	Consumo la mia vita a poco a poco	[J. PRIORIS]*	Prioris, Johannes (Denis, Dionisius) (–1515)
Consumo la mia vita a poco a poco Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 43v Genres: Motet Source Attribution: [J. PRIORIS]* Voice: [no designation] Languages: Italian Voice Text: Consumo la mia vita a poco a poco. Concordances »GB-Cmc 1760 Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Bukofzer, Manfred F. 1950. A Polyphonic basse dance of the Renaissance. Studies in Medieval and Renaissance Music, 190ff. New York: W. W. Norton and Co.
44v–45	Fortune la diverse m'est venu assaillir	-	Anonymous
Fortune la diverse m'est venu assaillir Anonymous Appears on: 44v–45 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fortune la diverse m'est venu assaillir . . .
45v–47	Si j'aime mon amy trop plus que mon mary	-	Anonymous
Si j'aime mon amy trop plus que mon mary Anonymous Appears on: 45v–47 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Si j'ayme mon amy trop plus que mon mary …
47v–48	untexted	-	-
untexted Appears on: 47v–48 Voice: [no designation] Languages: none Voice Text: without text
48v–49	Chantons dançons ceste saison nouvelle	-	Anonymous
Chantons dançons ceste saison nouvelle Anonymous Appears on: 48v–49 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Chantons dançons ceste saison nouvelle …
49v–50	En attendant la bergerote	-	Anonymous
En attendant la bergerote Anonymous Appears on: 49v–50 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En attendant la bergerote …
50v–51	Nos bergers et nos bergères	[TOMAS JANEQUIN]*	Janequin, Clement (ca. 1485–ca. 1558)
Nos bergers et nos bergères Janequin, Clement (ca. 1485–ca. 1558) Appears on: 50v–51 Genres: Chanson Source Attribution: [TOMAS JANEQUIN]* Voice: [no designation] Languages: French Voice Text: Noz bergers et noz bergères … Concordances . *DK-Kk 1848
51v–52	Sire don dien tant y sont aises noz bergeres	-	Anonymous
Sire don dien tant y sont aises noz bergeres Anonymous Appears on: 51v–52 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sire don dien tant y sont aises noz bergeres …
52v–53	L'aultre jour fu chenillée	-	Anonymous
L'aultre jour fu chenillée Anonymous Appears on: 52v–53 Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'aultre jour fu chenillée …
53v–54	La cuillier d'or lureau bruneau	La guille dez luron lureau	Anonymous
La cuillier d'or lureau bruneau Anonymous Appears on: 53v–54 Genres: Chanson Source Attribution: La guille dez luron lureau Voice: [no designation] Languages: French Voice Text: La guille dez luron lureau … [= La cuilier dor] Concordances F-Pn 1597 Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
54v–55	Trut trut trut avant il fault boire	-	Anonymous
Trut trut trut avant il fault boire Anonymous Appears on: 54v–55 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Trut trut trut avant il fault boire …
55v–56	N'aimez jamais une villaine de quelque beaulte	[A. FÉVIN]*	Fevin, Antoine de (ca. 1470–ca. 1512)
N'aimez jamais une villaine de quelque beaulte Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 55v–56 Genres: Chanson Source Attribution: [A. FÉVIN]* Voice: [no designation] Languages: French Voice Text: N'emez jamais une villaine … Voice: [no designation] Languages: French Voice Text: N'emez jamais une villaine … Voice: [no designation] Languages: French Voice Text: N'emez jamais une villaine … Voice: [no designation] Languages: French Voice Text: N'emez jamais une villaine … Concordances GB-Cmc 1760 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: XI.
56v–57	My levay par un matin	Lafage	Fage, Jean de la
My levay par un matin Fage, Jean de la Appears on: 56v–57 Genres: Chanson Source Attribution: Lafage Voice: [no designation] Languages: French Voice Text: My levay par ung matin … Voice: [no designation] Languages: French Voice Text: My levay par ung matin … Voice: [no designation] Languages: French Voice Text: My levay par ung matin … Voice: [no designation] Languages: French Voice Text: My levay par ung matin …
57v–58	Helas helas ma dame tant my donnez de peyne	[P. Moulu]	Moulu, Pierre (ca. 1484–ca. 1550)
Helas helas ma dame tant my donnez de peyne Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 57v–58 Genres: Chanson Source Attribution: [P. Moulu] Voice: [no designation] Languages: French Voice Text: Helas helas ma dame tant my donnez de peyne … Voice: [no designation] Languages: French Voice Text: Helas helas ma dame tant my donnez de peyne … Voice: [no designation] Languages: French Voice Text: Helas helas ma dame tant my donnez de peyne … Voice: [no designation] Languages: French Voice Text: Helas helas ma dame tant my donnez de peyne … Concordances *1528» Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation.
58v–59	I	-	Isaac, Heinrich (ca. 1450–1517) (?)
I Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 58v–59 Genres: Secular Voice: [no designation] Languages: insufficient Voice Text: I Voice: [no designation] Languages: insufficient Voice Text: I General Note Sans autre texte.
59v–61	Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum ex hoc	YZAC	Isaac, Heinrich (ca. 1450–1517)
Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum ex hoc Isaac, Heinrich (ca. 1450–1517) Appears on: 59v–61 Genres: Motet Source Attribution: YZAC Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere General Note Publ. cf. CT 95-96 n» 37
61v–63	Sancta Trinitas unus Deus miserere nobis (4vv)	[A. FEVIN ou N. CRAEN* ou JOSQUIN**]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 61v–63 Genres: Motet Source Attribution: [A. FEVIN ou N. CRAEN* ou JOSQUIN] Voice: [no designation] Languages: Latin Voice Text:** Sancta trinitas unus deus miserere General Note Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261] Concordances D-brd-Ga 7 *D-ddr-EIa
63v–64v	Ave sanctissima Maria mater Dei regina	MOUTON	Mouton, Jean (ca. 1459–1522)
Ave sanctissima Maria mater Dei regina Mouton, Jean (ca. 1459–1522) Appears on: 63v–64v Genres: Ave Maria, Motet Source Attribution: MOUTON Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei regina General Note Mq. fin du T et B Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: I.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Laudate dominum omnes gentes (=Allez regrets) – 32v–33 (?) Les grands regrets que sans cesses je porte – 34v–35
Anonymous	A tu point veu la viscontine – 23v–24 Ces facheux sots qui mesdisent d'aymer – 20v–21 Chantons dançons ceste saison nouvelle – 48v–49 Che gl'ochi di costei – 28v–29 D'amour je suis desherite et plaindre – 15v–16 Domine non secundum – 26v–28 En attendant la bergerote – 49v–50 Et je viz la mienne amye – 3v–4 Et mire la ridaine Regnaudin – 29v–30 Fortune la diverse m'est venu assaillir – 44v–45 Je m'en allé voir mamye – 4v–5 L'aultre jour fu chenillée – 52v–53 L'aultre jour parmy ces champs – 42v–43 La cuillier d'or lureau bruneau – 53v–54 Monseigneur le grant maistre – 11v–12 Plut a la Vierge Marie – 5v–6 Qui vous vouldroit entretenir – 12v–13 Si j'aime mon amy trop plus que mon mary – 45v–47 Sire don dien tant y sont aises noz bergeres – 51v–52 Souvent je m'esbatz – 1 Triste et pensif suis sans mot dire – 30v Trut trut trut avant il fault boire – 54v–55 [untexted] – 19v–20 [untexted] – 24v–26 [untexted] – 21v–22 [No description] – 47v–48
Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	Donne per eletione et per natura = S'i pensassi a' piacer del paradiso – 17v–18
Compère, Loyset (ca. 1445–1518)	Sourdez regrets avironnez mon coeur – 31 Va t'en regrets celluy qui me convoyé – 33v–34 Venes regrets venes il en est heure – 31v–32 Vive le noble roy de France – 13v–14
Fage, Jean de la	My levay par un matin – 56v–57
Fevin, Antoine de (ca. 1470–ca. 1512)	Adieu soulas tout plaisir et liesse – 14v–15 Chascun mauldit ses jaloux – 2v–3 Hellas j'en suis [je suis] marry – 1v–2 Je le larray puisqu'il my bat – 6v–7 N'aimez jamais une villaine de quelque beaulte – 55v–56 On [Tu] a mal dit de mon amy – 7v–8 Sancta Trinitas unus Deus miserere nobis (4vv) – 61v–63
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Laudate dominum omnes gentes (=Allez regrets) – 32v–33 (?) Les grands regrets que sans cesses je porte – 34v–35
Heurteur, Guillaume le (fl. 1530-1545)	(?) Ami souffrez que je vous aime – 18v–19
Isaac, Heinrich (ca. 1450–1517)	(?) Ami souffrez que je vous aime – 18v–19 (?) I – 58v–59 Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum ex hoc – 59v–61
Janequin, Clement (ca. 1485–ca. 1558)	Nos bergers et nos bergères – 50v–51 (?) Or sus vous dormez trop madame joliette – 8v–10
Layolle, Alamanne de	Laudate Dominum, omnes gentes – 35v–36
Layolle, Francesco de	Questo mostrarsi lieta a tutte l'ore – 16v–17
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Ami souffrez que je vous aime – 18v–19 Helas helas ma dame tant my donnez de peyne – 57v–58
Mouton, Jean (ca. 1459–1522)	Ave sanctissima Maria mater Dei regina – 63v–64v Mais que ce fut le plaisir d'elle – 10v–11 Rejouissez vous borgeses belles filles de Lion – 40v–42
Prioris, Johannes (Denis, Dionisius) (–1515)	Consumo la mia vita a poco a poco – 43v
Sermisy, Claudin de (ca. 1490–1562)	(?) Ami souffrez que je vous aime – 18v–19

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	19v–20
[untexted]	-	21v–22
[untexted]	-	24v–26
A tu point veu la viscontine	Anonymous	23v–24
Adieu soulas tout plaisir et liesse	Fevin, Antoine de (ca. 1470–ca. 1512)	14v–15
Ami souffrez que je vous aime	Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?)	18v–19
Ave sanctissima Maria mater Dei regina	Mouton, Jean (ca. 1459–1522)	63v–64v
Ces facheux sots qui mesdisent d'aymer	Anonymous	20v–21
Chantons dançons ceste saison nouvelle	Anonymous	48v–49
Chascun mauldit ses jaloux	Fevin, Antoine de (ca. 1470–ca. 1512)	2v–3
Che gl'ochi di costei	Anonymous	28v–29
Consumo la mia vita a poco a poco	Prioris, Johannes (Denis, Dionisius) (–1515)	43v
D'amour je suis desherite et plaindre	Anonymous	15v–16
Domine non secundum	Anonymous	26v–28
Donne per eletione et per natura = S'i pensassi a' piacer del paradiso	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	17v–18
En attendant la bergerote	Anonymous	49v–50
Et je viz la mienne amye	Anonymous	3v–4
Et mire la ridaine Regnaudin	Anonymous	29v–30
Fortune la diverse m'est venu assaillir	Anonymous	44v–45
Helas helas ma dame tant my donnez de peyne	Moulu, Pierre (ca. 1484–ca. 1550)	57v–58
Hellas j'en suis [je suis] marry	Fevin, Antoine de (ca. 1470–ca. 1512)	1v–2
I	Isaac, Heinrich (ca. 1450–1517) (?)	58v–59
Je le larray puisqu'il my bat	Fevin, Antoine de (ca. 1470–ca. 1512)	6v–7
Je m'en allé voir mamye	Anonymous	4v–5
L'aultre jour fu chenillée	Anonymous	52v–53
L'aultre jour parmy ces champs	Anonymous	42v–43
La cuillier d'or lureau bruneau	Anonymous	53v–54
Laudate dominum omnes gentes (=Allez regrets)	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	32v–33
Laudate Dominum, omnes gentes	Layolle, Alamanne de	35v–36
Les grands regrets que sans cesses je porte	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	34v–35
Mais que ce fut le plaisir d'elle	Mouton, Jean (ca. 1459–1522)	10v–11
Monseigneur le grant maistre	Anonymous	11v–12
My levay par un matin	Fage, Jean de la	56v–57
N'aimez jamais une villaine de quelque beaulte	Fevin, Antoine de (ca. 1470–ca. 1512)	55v–56
Nos bergers et nos bergères	Janequin, Clement (ca. 1485–ca. 1558)	50v–51
On [Tu] a mal dit de mon amy	Fevin, Antoine de (ca. 1470–ca. 1512)	7v–8
Or sus vous dormez trop madame joliette	Janequin, Clement (ca. 1485–ca. 1558) (?)	8v–10
Plut a la Vierge Marie	Anonymous	5v–6
Questo mostrarsi lieta a tutte l'ore	Layolle, Francesco de	16v–17
Qui vous vouldroit entretenir	Anonymous	12v–13
Rejouissez vous borgeses belles filles de Lion	Mouton, Jean (ca. 1459–1522)	40v–42
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	61v–63
Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum ex hoc	Isaac, Heinrich (ca. 1450–1517)	59v–61
Si j'aime mon amy trop plus que mon mary	Anonymous	45v–47
Sire don dien tant y sont aises noz bergeres	Anonymous	51v–52
Sourdez regrets avironnez mon coeur	Compère, Loyset (ca. 1445–1518)	31
Souvent je m'esbatz	Anonymous	1
Triste et pensif suis sans mot dire	Anonymous	30v
Trut trut trut avant il fault boire	Anonymous	54v–55
Va t'en regrets celluy qui me convoyé	Compère, Loyset (ca. 1445–1518)	33v–34
Venes regrets venes il en est heure	Compère, Loyset (ca. 1445–1518)	31v–32
Vive le noble roy de France	Compère, Loyset (ca. 1445–1518)	13v–14

‡ denotes primary source study

Bernstein, Lawrence F. 1986. A Florentine Chansonnier of the Early Sixteenth Century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi XIX 117. Early Music History, 1-107. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

Block, Adrienne Fried. 1983. Timbre, text et air, ou: comment le noëlparodie peut aider à l'étude de la chanson du XVIe siècle. Revue de Musicologie, 21-54. Pages: 49-52. Notes: contents list (partial); transcription (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 225f.

Christoffersen, Peter Woetmann. 1979. 'Or Sus Vous Dormez Trop': The Singing of the Lark in French Chansons of the Early Sixteenth Century. Festskrift Henrik Glahn, Copenhagen. Pages: 36 et 43. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxiii,xxxiv,xliv. Notes: mention of MS; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 244f.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 220ff.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 9, 11-2, 21. Notes: concordances (partial).

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 309, 312, 314. Notes: physical description; mention of MS; discussion; facsimile (partial).

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 476-9. Notes: physical description; mention of MS; discussion; concordances (partial).

D'Accone, Frank A (editor). 1969. Francesco de Layolle: Collected Secular Works for 2, 3, 4 and 5 Voices. Vols. Ill and IV of Music of the Florentine Renaissance. Corpus mensurabilis musicae. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xvii, passim. Notes: concordances (partial); transcription (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 60 et 150f.

Sutherland, David Angus. 1968. Francesco de Layolle (1492-1540): Life and Secular Works. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 83-5. Notes: mention of MS.

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv, passim. Notes: concordances (partial); transcription (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 38-76. Pages: 56.

Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Pages: 140-2, 148-51. Notes: concordances (partial).

Heartz, Daniel. 1964. Les Goûts Réunis or The Worlds of the Madrigal and the Chanson Confronted. Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast, 88-138,243-55. Cambridge, Massachusetts. Pages: 113. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, lxxxix. Notes: concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 51-2. Notes: physical description; contents list.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: concordances (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 174. Notes: contents list (partial).

Gombosi, Otto Johannes. 1930. Ghizeghem und Compère: Zur Stilgeschichte der burgundischen Chanson. Studien zur Musikgeschichte: Festschrift für Guido Adler zum 75. Geburtstag, 100-6. Vienna. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 450. Notes: physical description; contents list; incipitsst of contents (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 238. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description